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David McK (3162 KP) rated Prey (2022) in Movies
Aug 14, 2022
If it bleeds, we can kill it
1990s 'Predator 2' has a famous tease - other than the HR Gieger Alien skull on the wall of the spaceship - that the Predators have been visiting Earth for centuries.
Despite that, this is the first one that actually takes that tease and runs with it, set roughly 300 years ago when a Comanche warrior finds themselves in a battle of survival against the titular Predator.
It's also been getting rave reviews, with many calling it the best Predator movie since the original and some even going as far as saying it is better than that 1987 film.
Which makes it somewhat surprising that this was only released via streaming, not even getting a theatrical release.
Having now seeing it, and perhaps having too high expectations as a result of those reviews, I can really only say that I found it to be overhyped - enjoyable enough, yes, but also (very) slow getting started, and with it - in my opinion - definitely missing something by being released only via streaming.
Despite that, this is the first one that actually takes that tease and runs with it, set roughly 300 years ago when a Comanche warrior finds themselves in a battle of survival against the titular Predator.
It's also been getting rave reviews, with many calling it the best Predator movie since the original and some even going as far as saying it is better than that 1987 film.
Which makes it somewhat surprising that this was only released via streaming, not even getting a theatrical release.
Having now seeing it, and perhaps having too high expectations as a result of those reviews, I can really only say that I found it to be overhyped - enjoyable enough, yes, but also (very) slow getting started, and with it - in my opinion - definitely missing something by being released only via streaming.
Rachel King (13 KP) rated Across the Universe (Across the Universe, #1) in Books
Feb 11, 2019
The opening of this novel was a bit too nauseating for my tastes, with the details of how the people aboard the spaceship Godspeed are cryogenically frozen turning my stomach, but it certainly served to make the book more realistic. I had wrongly assumed that Beth Revis would open the novel with Amy already frozen, or just waking up, but this approach has me evaluating my own life and what it would take to volunteer for such a mission. Waking up 300 years in the future, leaving behind everything you have ever known, without even the option to return to it -- such an existence feels very lonely to me. Already I have a certain respect for Amy's choice.
The perspective of the male main character, Elder, alternating with Amy's thoughts and dreams in her frozen state were interesting. I kind of expected Amy to finally wake up mad as a hatter from her conscious entrapment. Eldest likely would have just dumped her into space if that had happened.
The encased world that had been created inside the spaceship Godspeed was both mind-boggling in its vastness and claustrophobic in its simplicity. Many things are seen as commonplace, such as genetic manipulation and mass control through brain-washing and the widespread use of drugs. Many things are backwards from what I know in today's reality, such as Eldest's support of Hitlerian tactics, and the idea that those of creative and genius-level intellect are "crazy", while the mind-numbed masses are "normal." The language has also evolved into a kind of slurred and shortened English that Amy struggles to understand, as well as the addition of new slang terms.
Amy has quite an uphill battle in enacting change on this ship for the better, especially with her red hair, green eyes, and pale skin. I certainly would not want to be in her shoes, but I admire her resolve and determination despite how alone and trapped she feels. Elder is ignorant and immature at the beginning of the novel, but Amy's presence wakes him up to the reality of his world and his responsibility towards it.
The book does not have a real "ending" so much as a place to pause -- until the next book comes out. There were a ton of questions I had at the end that I hope are resolved in the next book, such as Doc's lack of an apprentice. On to A Million Suns!
The perspective of the male main character, Elder, alternating with Amy's thoughts and dreams in her frozen state were interesting. I kind of expected Amy to finally wake up mad as a hatter from her conscious entrapment. Eldest likely would have just dumped her into space if that had happened.
The encased world that had been created inside the spaceship Godspeed was both mind-boggling in its vastness and claustrophobic in its simplicity. Many things are seen as commonplace, such as genetic manipulation and mass control through brain-washing and the widespread use of drugs. Many things are backwards from what I know in today's reality, such as Eldest's support of Hitlerian tactics, and the idea that those of creative and genius-level intellect are "crazy", while the mind-numbed masses are "normal." The language has also evolved into a kind of slurred and shortened English that Amy struggles to understand, as well as the addition of new slang terms.
Amy has quite an uphill battle in enacting change on this ship for the better, especially with her red hair, green eyes, and pale skin. I certainly would not want to be in her shoes, but I admire her resolve and determination despite how alone and trapped she feels. Elder is ignorant and immature at the beginning of the novel, but Amy's presence wakes him up to the reality of his world and his responsibility towards it.
The book does not have a real "ending" so much as a place to pause -- until the next book comes out. There were a ton of questions I had at the end that I hope are resolved in the next book, such as Doc's lack of an apprentice. On to A Million Suns!
Andy K (10821 KP) rated Brightburn (2019) in Movies
Oct 19, 2019
I like the idea of a horror superhero genre but...
Brightburn is a classic modern example of a great idea, with mediocre execution.
The classic "Superman" story is turned on its head in a way when a spaceship falls to Earth with a baby within. The young couple who live on a farm decide to adopt the infant as their own. Now 12 years old, young Brandon starts to feel differently. He is compelled to seek out his mother ship now locked inside the depths of a barn where he seems to receive unknown demonic instruction.
Things aren't going well at school either. He injures a young girl's hand after an incident where she fails to catch his fall while playing a game of trust during their physical education class. Afterwards, the girl's mother has some distasteful words to say about Brandon which he overhears and his lust for retribution emerges.
The lack of specific direction or even which genre this movie wanted to inhabit is its biggest flaw (which means bad screenplay). At some points it was underdog outcast teen drama and at others darkened house jump scare or even some scenes involving gruesome gory horror. The first half of the short 90 minutes was devoted to establishing Brandon's status at school and with his family and wasn't terribly interesting while the 2nd half was just the standard gruesome kill after gruesome kill which were cool I guess, but won't stay with me.
Going in, I really thought the film was going to be more epic and concentrate on his emerge and then quest for world domination (which was only shown during the end credits) which I think would have been way more interesting, similar to Chronicle which was done in a much more interesting way than this.
Maybe they were hoping for huge success so the 2nd film could've explained more of the origin story. I guess I don't mind that nothing as to the source of the spaceship or the creatures within were explained. I don't need every plot point spoon fed to me, but it was a wasted opportunity to create a new completely original super villain universe which they could've drawn from indefinitely.
Is Brightburn supposed to be an antihero? Are you supposed to root for him to avenge the wrongs he has had in his ife or are you simply supposed to cringe like you would when Jason or Michael hack into a sex crazed teenager?
The classic "Superman" story is turned on its head in a way when a spaceship falls to Earth with a baby within. The young couple who live on a farm decide to adopt the infant as their own. Now 12 years old, young Brandon starts to feel differently. He is compelled to seek out his mother ship now locked inside the depths of a barn where he seems to receive unknown demonic instruction.
Things aren't going well at school either. He injures a young girl's hand after an incident where she fails to catch his fall while playing a game of trust during their physical education class. Afterwards, the girl's mother has some distasteful words to say about Brandon which he overhears and his lust for retribution emerges.
The lack of specific direction or even which genre this movie wanted to inhabit is its biggest flaw (which means bad screenplay). At some points it was underdog outcast teen drama and at others darkened house jump scare or even some scenes involving gruesome gory horror. The first half of the short 90 minutes was devoted to establishing Brandon's status at school and with his family and wasn't terribly interesting while the 2nd half was just the standard gruesome kill after gruesome kill which were cool I guess, but won't stay with me.
Going in, I really thought the film was going to be more epic and concentrate on his emerge and then quest for world domination (which was only shown during the end credits) which I think would have been way more interesting, similar to Chronicle which was done in a much more interesting way than this.
Maybe they were hoping for huge success so the 2nd film could've explained more of the origin story. I guess I don't mind that nothing as to the source of the spaceship or the creatures within were explained. I don't need every plot point spoon fed to me, but it was a wasted opportunity to create a new completely original super villain universe which they could've drawn from indefinitely.
Is Brightburn supposed to be an antihero? Are you supposed to root for him to avenge the wrongs he has had in his ife or are you simply supposed to cringe like you would when Jason or Michael hack into a sex crazed teenager?
graveyardgremlin (7194 KP) rated Circus Galacticus in Books
Feb 15, 2019
Have you ever wanted to run away and join the circus? How about a galaxy-traveling circus complete with your very own Doctor Who-like Ringmaster and spaceship? Sounds pretty awesome, right? While you sadly may not be able to do that in real life, Deva Fagan's Circus Galacticus takes the reader on a voyage through the stars. Okay, so maybe reading instead of experiencing those adventures isn't quite as fun, but it's still a grand ride to hop on while I impatiently wait for my very own Doctor to show up and whisk me away to galaxies unknown and unimagined.
Meet the Earther Beatrix "Trix" Ling: miserable, friendless orphan, you know, the usual. On the surface that is. Seriously unhappy at her boarding school, she often gets into trouble due to the fact she's quick to rile and doesn't think things through before acting or speaking. After a few weird events happen to Trix, such as some strange dude breaking into her room and her hair deciding it'd like to be a cotton candy pink, the Circus Galacticus comes to town promising her some answers. Here is where the journey for Trix and the reader begins. Aliens and gadgets abound, as do allies with their own special Tinker power and enemies trying to suppress that power, a spaceship that's alive with many mysterious corridors, and too much to even begin to cover, and really, they'd be better serviced by reading the book instead of this review. This book is like Doctor Who, The X-Men, and Charlie and the Chocolate Factory all tossed into a blender to make one scrump-diddly-umptous concoction. Smoothly written, the book moves at a swift pace as Trix struggles to find somewhere she belongs, make and keep friends, and to believe she deserves it. I don't believe there's a person out there that hasn't felt like an outsider at one time or another, though some more-so than others perhaps, and while Trix may make mistakes and may not always follow rules, that only makes her all the more full-bodied as a character. Except a little with the Ringmaster and the circus tent spaceship, Big Top (as much a character as anyone, if not more), the others aren't delved into as much but they each add their own quirks to make the book well-rounded.
And while I'd heartily recommend Circus Galacticus with no reservations, it isn't a perfect book by any means. Trix's age is never mentioned and at one time she describes the others as her age or a few years older. Umm, okay, I don't even know how old you are, chica, so how am I supposed to know how old everyone else is? At first, I surmised she was somewhere between 12-16 until unneeded curse words popped up, so she's probably a teenager. I finally found out how old Trix was by going to the author's site. She's 15. Call me odd, but I like to know the main character's age. The book could also have stood to have a little more meat on its bones, even as little as fifty pages tacked on. This was like a sampler platter and I wanted a full-course meal. With dessert. So many questions were left unanswered and it is just begging for a sequel to explore these more fully. And as I said before, the curse words really added absolutely nothing to the context of the scenes they were in. Other words could have been substituted easily and been more fitting. Sure there weren't many, but this is intended for middle-grade students and except for the cursing, it's good, clean fun. I'm not naive enough to think that children don't come across foul language from many sources, and even use it themselves, but that doesn't mean that books tailored for their age range should include them either.
However, I had a blast travelling through space with the crew of the Big Top. If there is a sequel, and I truly hope there is, you can be sure I'll be there for the next adventure of Circus Galacticus.
If interested, the author has up illustrations of the main characters: http://devafagan.com/circus-galacticus-characters/
Meet the Earther Beatrix "Trix" Ling: miserable, friendless orphan, you know, the usual. On the surface that is. Seriously unhappy at her boarding school, she often gets into trouble due to the fact she's quick to rile and doesn't think things through before acting or speaking. After a few weird events happen to Trix, such as some strange dude breaking into her room and her hair deciding it'd like to be a cotton candy pink, the Circus Galacticus comes to town promising her some answers. Here is where the journey for Trix and the reader begins. Aliens and gadgets abound, as do allies with their own special Tinker power and enemies trying to suppress that power, a spaceship that's alive with many mysterious corridors, and too much to even begin to cover, and really, they'd be better serviced by reading the book instead of this review. This book is like Doctor Who, The X-Men, and Charlie and the Chocolate Factory all tossed into a blender to make one scrump-diddly-umptous concoction. Smoothly written, the book moves at a swift pace as Trix struggles to find somewhere she belongs, make and keep friends, and to believe she deserves it. I don't believe there's a person out there that hasn't felt like an outsider at one time or another, though some more-so than others perhaps, and while Trix may make mistakes and may not always follow rules, that only makes her all the more full-bodied as a character. Except a little with the Ringmaster and the circus tent spaceship, Big Top (as much a character as anyone, if not more), the others aren't delved into as much but they each add their own quirks to make the book well-rounded.
And while I'd heartily recommend Circus Galacticus with no reservations, it isn't a perfect book by any means. Trix's age is never mentioned and at one time she describes the others as her age or a few years older. Umm, okay, I don't even know how old you are, chica, so how am I supposed to know how old everyone else is? At first, I surmised she was somewhere between 12-16 until unneeded curse words popped up, so she's probably a teenager. I finally found out how old Trix was by going to the author's site. She's 15. Call me odd, but I like to know the main character's age. The book could also have stood to have a little more meat on its bones, even as little as fifty pages tacked on. This was like a sampler platter and I wanted a full-course meal. With dessert. So many questions were left unanswered and it is just begging for a sequel to explore these more fully. And as I said before, the curse words really added absolutely nothing to the context of the scenes they were in. Other words could have been substituted easily and been more fitting. Sure there weren't many, but this is intended for middle-grade students and except for the cursing, it's good, clean fun. I'm not naive enough to think that children don't come across foul language from many sources, and even use it themselves, but that doesn't mean that books tailored for their age range should include them either.
However, I had a blast travelling through space with the crew of the Big Top. If there is a sequel, and I truly hope there is, you can be sure I'll be there for the next adventure of Circus Galacticus.
If interested, the author has up illustrations of the main characters: http://devafagan.com/circus-galacticus-characters/
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Caeli is one member that has a few unique skills. There is a commander in trouble with his spaceship. Will he survive? Caeli is part of the few survivors of her world. She is taken from her home and put with someone that being dictator.
Tabitha is a good author and she brings it all to life. What will happen on Horizon. Will the commander and Caeli get together and help save the crew, and find love in each other? She happy to work on the ship in where she loves working.
We go on adventures through inner space and what life is like on Horizon. Will they all survive or not? I enjoyed this book from the first page to the last page. I cannot wait to start the second book that I do have in this series. The author has done wonderfully with it. There are surprises throughout the book and some romance as well.
I believe this book is good for though science fiction but also I would suggest teens read it from the age of 14 and up. The parent has the right to decide. It being rated PG 13 so it would be okay for 13 years old if you the parent this your child or children are mature enough for the book. That is up to you.
Tabitha is a good author and she brings it all to life. What will happen on Horizon. Will the commander and Caeli get together and help save the crew, and find love in each other? She happy to work on the ship in where she loves working.
We go on adventures through inner space and what life is like on Horizon. Will they all survive or not? I enjoyed this book from the first page to the last page. I cannot wait to start the second book that I do have in this series. The author has done wonderfully with it. There are surprises throughout the book and some romance as well.
I believe this book is good for though science fiction but also I would suggest teens read it from the age of 14 and up. The parent has the right to decide. It being rated PG 13 so it would be okay for 13 years old if you the parent this your child or children are mature enough for the book. That is up to you.
YA Sci-Fi with dog-fighting spaceships!!
A young girl, Spensa (call sign: Spin), wants to escape her life and follow in her father’s footsteps into the Defiance Defense Force. Except her father died in terrible circumstances - he was killed by his own people in a battle against their enemies, the Krell. He has been labelled a coward, the stigma of which has stuck with the whole family. Spensa doesn’t believe it, and wants to restore his reputation. Those in charge of admission to the flight school believe she carries the same ‘defect’ as her father, and set out to make it extremely difficult for her to attend. She isn’t allowed to stay at the school to sleep or eat, and so she finds a cave nearby, where she sleeps, eats and discovers an old spaceship. She goes about repairing the ship, and finds that it has an AI called M-Bot. Something which those on Detritus have no access to.
The beginning of the book was a bit ‘teenage-angsty’, but it did develop into a really good book, with dog fights galore (think Top Gun with space ships!). And M-Bot really made it for me. After THAT ending, I’m definitely looking forward to the next book!
Many thanks to NetGalley and the publisher!
The beginning of the book was a bit ‘teenage-angsty’, but it did develop into a really good book, with dog fights galore (think Top Gun with space ships!). And M-Bot really made it for me. After THAT ending, I’m definitely looking forward to the next book!
Many thanks to NetGalley and the publisher!
Madbatdan82 (341 KP) rated Brightburn (2019) in Movies
Jul 6, 2019
Dark Justice anyone??
First thing to clear up - This is a comic book film. The premise - what if Superman wasnt all about truth, justice and the American way? Familiar story - couple discover crashed spaceship with baby inside and raise him as their own. As child gets older it starts to realise it has powers but rather than use them for good he uses them for his own gain. All the performances are excellent but the one thing the really surprised me is the gore. There are 3 scenes in particular that are possibly the best gore I've scene in years - an eye, a jaw and the first time we've ever seen heat vision to the face properly in live action...now this part involves some SPOILERS - this was written by James Gunn's brothers and produced by Gunn himself. This is an audition for Gunn to direct a Dark Justice League film. This is further teased at the end during Michael Rookers news program where he talks about other threats and shows rough drawings and describes wonder woman, batman and Martian manhunter - obviously not by name as it's not a DC film. Yet! This needs to be made - give the Gunn's the keys and let's start a new Dark DC universe! I'm in!!
Tim McGuire (301 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
Space, its deep man!
356. Ad Astra. BRAAAD PIIITTTT'S INNNN SPPPAAACCCCEEEEE. Anyone? Anyone? I'm old. Anyways, so a pretty awesome space adventure flick, that's not really about a space adventure. There's messages in there man, like if humans start living in space, it will eventually be covered in billboards and fought over for resources just like home, and of course the overall message of... Well you have to see it. Back to the space adventure part. The future, man has ventured out into the solar system, and now that solar system is being smacked upside the head with a surge of energy causing all kinds of death and destruction, and it looks like its all stemming from the Lima project, headed by Clifford McBride, who's way out there in the outer solar system searching for life. So the people in charge send his son Roy McBride, another genius astronaut to find out what happened out there. On the way to set up a long distance call to his dad from Mars, Roy fights space pirates on the moon, starved baboons on a abandoned research facility, even secretly stows away aboard a spaceship to commander it to go save daddy!! And in the end, Roy may find some answers he was looking for! Definitely worth a watch in IMAX!! Filmbufftim on FB.
ClareR (5542 KP) rated Cloud Cuckoo Land in Books
Oct 29, 2021
Cloud Cuckoo Land will be VERY high in my favourite books of the year, I have no doubt whatsoever. It grabbed my attention from the first page, and wouldn’t let go - and frankly, I didn’t want it to.
There are three main timelines, four characters, and an ancient text that connects them all.
Anna lives in Constantinople just before the Ottomans bring down the wall and claim it as their own. Omeir is one of those Ottomans, a reluctant cog in their war machine.
We go forward 500 years to a hostage situation in a US town library, where a disillusioned teenager, has planted a bomb on the bookshelves. An old man, an ex-soldier who has taught himself Ancient Greek, has translated a very old book and turned it into a play. He is upstairs in the same library.
Then, on to the future where a girl, her family and a number of other scientists, explorers and volunteers, are all on a spaceship at the start of a long voyage that they know they’ll never see the end of. And disaster strikes.
I didn’t want this book to end. I had a huge book hangover when this ended, and I’m very certain that I will need to read this again. It’s perfection.
Many thanks to The Pigeonhole for serialising this.
There are three main timelines, four characters, and an ancient text that connects them all.
Anna lives in Constantinople just before the Ottomans bring down the wall and claim it as their own. Omeir is one of those Ottomans, a reluctant cog in their war machine.
We go forward 500 years to a hostage situation in a US town library, where a disillusioned teenager, has planted a bomb on the bookshelves. An old man, an ex-soldier who has taught himself Ancient Greek, has translated a very old book and turned it into a play. He is upstairs in the same library.
Then, on to the future where a girl, her family and a number of other scientists, explorers and volunteers, are all on a spaceship at the start of a long voyage that they know they’ll never see the end of. And disaster strikes.
I didn’t want this book to end. I had a huge book hangover when this ended, and I’m very certain that I will need to read this again. It’s perfection.
Many thanks to The Pigeonhole for serialising this.