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BankofMarquis (1832 KP) rated Parallel Mothers (2021) in Movies
Mar 21, 2022
Cruz is terrific, the "B" plot is better
I have stated before that I find that Penelope Cruz is a very good (not great) actress when working in English. But…she has been a revelation to me as a GREAT Actress when I catch her work in her native language, Spanish, and she is especially good when she is working in a piece by the man that calls her his “muse”, Writer/Director Pedro Almodovar.
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Goddess in the Stacks (553 KP) rated The Bird King in Books
May 22, 2019
I have not yet read G. Willow Wilson's first novel, Alif the Unseen, but I really want to now, because this one was beautiful. I really enjoyed this story, watching Fatima mature through her travels and change from the sheltered Sultan's concubine/possession to become - well - what she becomes.
The Bird King is the story of Fatima, concubine, and Hassan, mapmaker, on the run from the Inquisition. They were both members of the house of the last Sultan in Iberia. When the Spanish (and the Inquisition) came to negotiate his surrender, one of their conditions was they wanted Hassan, because of the magic he used in his maps. Hassan has been Fatima's only real friend; he's the only man that wanted nothing from her, because he's gay and unmoved by her beauty. His sexuality has been largely ignored by the court; his maps were too important to the war effort, so it was tolerated and just not spoken of. When Fatima discovers the Sultan intends to turn Hassan over, she runs away with him. She has some unexpected help in her journey, which, along with Hassan's mapmaking, makes this a kind of magical realist historical fantasy novel. It's not really alternate history, because nobody's actions change how history plays out on a large scale.You can find all my reviews at http://goddessinthestacks.com
The Bird King is the story of Fatima, concubine, and Hassan, mapmaker, on the run from the Inquisition. They were both members of the house of the last Sultan in Iberia. When the Spanish (and the Inquisition) came to negotiate his surrender, one of their conditions was they wanted Hassan, because of the magic he used in his maps. Hassan has been Fatima's only real friend; he's the only man that wanted nothing from her, because he's gay and unmoved by her beauty. His sexuality has been largely ignored by the court; his maps were too important to the war effort, so it was tolerated and just not spoken of. When Fatima discovers the Sultan intends to turn Hassan over, she runs away with him. She has some unexpected help in her journey, which, along with Hassan's mapmaking, makes this a kind of magical realist historical fantasy novel. It's not really alternate history, because nobody's actions change how history plays out on a large scale.You can find all my reviews at http://goddessinthestacks.com
Bong Mines Entertainment (15 KP) rated I Can See The Future - Single by Gold Spectacles in Music
Jun 21, 2019
Gold Spectacles is a baroque pop duo from London, England. Not too long ago, they released an indie-alternative tune, entitled, “I Can See The Future”.
‘I Can See The Future’ tells an interesting tale of a young woman who shares a terminal relationship with her significant other.
Apparently, she sees the future, therefore, she knows that their relationship is over because her partner doesn’t love her like he used to love her.
‘I Can See The Future’ contains a bittersweet storyline, pleasing vocals, and lush instrumentation flavored with Spanish guitars, stabbing bass line, and synthesizers.
“We were drawing on the idea of being too caught up in the future to appreciate the present. The singer sees glimpses of imperfections in their relationship forming and jumps to the conclusion that everything is falling apart. The track developed from a chord pattern played on a beaten up 1952 Hammond organ which we rescued and restored from a local school. A new addition to our home studio.” – Gold Spectacles
Gold Spectacles is the collaborative output of two British songwriter, producer, and multi-instrumentalists. Their musical influences include Paul Simon, Local Natives, Bombay Bicycle Club, Phoenix, and Lykke Li.
Since October 2018, they have released a track a month which coincides with the lunar calendar. Also, these tracks will one day come together to form their upcoming debut album.
‘I Can See The Future’ tells an interesting tale of a young woman who shares a terminal relationship with her significant other.
Apparently, she sees the future, therefore, she knows that their relationship is over because her partner doesn’t love her like he used to love her.
‘I Can See The Future’ contains a bittersweet storyline, pleasing vocals, and lush instrumentation flavored with Spanish guitars, stabbing bass line, and synthesizers.
“We were drawing on the idea of being too caught up in the future to appreciate the present. The singer sees glimpses of imperfections in their relationship forming and jumps to the conclusion that everything is falling apart. The track developed from a chord pattern played on a beaten up 1952 Hammond organ which we rescued and restored from a local school. A new addition to our home studio.” – Gold Spectacles
Gold Spectacles is the collaborative output of two British songwriter, producer, and multi-instrumentalists. Their musical influences include Paul Simon, Local Natives, Bombay Bicycle Club, Phoenix, and Lykke Li.
Since October 2018, they have released a track a month which coincides with the lunar calendar. Also, these tracks will one day come together to form their upcoming debut album.
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