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Movie Metropolis (309 KP) rated 2012 (2009) in Movies
Jun 10, 2019
Roland Emmerich does big budget disaster flicks as well as Dairylea does cheese. However, some of his most recent attempts to dominate the box office have been panned by viewers and critics alike, who say that he has become too reliant on special effects.
Unfortunately, those critics better look away now, as his new film is the biggest yet.
2012 takes place, well, in 2012 for the most part and features an array of big Hollywood names attracted none the less by the huge box office forecasts for the film. The premise is simple; here comes the end of the world and god should we run!
With a reported budget of over $200m which is more than Michael Bay spent on his worldwide smash Transformers: Revenge of the fallen, Emmerich was certainly able to splash out on some eye popping CGI.
2012 reads like The Day After Tomorrow on a steroid, which is no bad thing, but that film had some hideously underdeveloped characters and lacked the depth needed to allow viewers to share compassion for the people who had been affected by the global crisis.
Thankfully it seems that Emmerich has learnt his lesson here and has provided us with a back-story and it comes in many different forms. Thandie Newton and Danny Glover play president’s daughter and president respectively, a great deal of emotion has gone into writing these two characters and their on-screen scenes together, albeit a small amount, are wonderful.
John Cusack and Amanda Peet play divorced parents Jackson and Kate, only united by the love they share for their two young children and predictably later on in the film, a few deeper emotions. Unfortunately these two share no chemistry together and their on-screen scenes are flawed as a result.
2012 doesn’t have a huge deal of character development but it does improve on what was seen in The Day After Tomorrow and more recently, 10,000BC, with a deeper understanding of the characters. It ultimately succeeds in making the viewers share compassion for even the heartless characters in the film.
Moving on to the saving grace of all disaster films; the special effects, fans of major cities being destroyed are going to be pleased here with some eye-watering action pieces really showing why perhaps Emmerich overshadows even Michael Bay and has become the king of destroying anything that can be destroyed. There are a few questionable scenes, which look rather less than realistic, but this is a small point that doesn’t need to be taken into account.
Whilst all this may seem excellent, it all feels familiar, it’s all been seen and done before, so in reality 2012 adds nothing new to the genre which is unfortunate because it really is an excellent film.
Overall, 2012 is a mouth-watering treat in cinema engineering, apart from some lapses in scientific accuracy and some shaky special effects; it surpasses The Day After Tomorrow and similar disaster films by sheer depth. On the downside it adds nothing new to the formula, but if you want sheer popcorn fodder then please, look no further.
https://moviemetropolis.net/2010/10/18/2012-2009/
Unfortunately, those critics better look away now, as his new film is the biggest yet.
2012 takes place, well, in 2012 for the most part and features an array of big Hollywood names attracted none the less by the huge box office forecasts for the film. The premise is simple; here comes the end of the world and god should we run!
With a reported budget of over $200m which is more than Michael Bay spent on his worldwide smash Transformers: Revenge of the fallen, Emmerich was certainly able to splash out on some eye popping CGI.
2012 reads like The Day After Tomorrow on a steroid, which is no bad thing, but that film had some hideously underdeveloped characters and lacked the depth needed to allow viewers to share compassion for the people who had been affected by the global crisis.
Thankfully it seems that Emmerich has learnt his lesson here and has provided us with a back-story and it comes in many different forms. Thandie Newton and Danny Glover play president’s daughter and president respectively, a great deal of emotion has gone into writing these two characters and their on-screen scenes together, albeit a small amount, are wonderful.
John Cusack and Amanda Peet play divorced parents Jackson and Kate, only united by the love they share for their two young children and predictably later on in the film, a few deeper emotions. Unfortunately these two share no chemistry together and their on-screen scenes are flawed as a result.
2012 doesn’t have a huge deal of character development but it does improve on what was seen in The Day After Tomorrow and more recently, 10,000BC, with a deeper understanding of the characters. It ultimately succeeds in making the viewers share compassion for even the heartless characters in the film.
Moving on to the saving grace of all disaster films; the special effects, fans of major cities being destroyed are going to be pleased here with some eye-watering action pieces really showing why perhaps Emmerich overshadows even Michael Bay and has become the king of destroying anything that can be destroyed. There are a few questionable scenes, which look rather less than realistic, but this is a small point that doesn’t need to be taken into account.
Whilst all this may seem excellent, it all feels familiar, it’s all been seen and done before, so in reality 2012 adds nothing new to the genre which is unfortunate because it really is an excellent film.
Overall, 2012 is a mouth-watering treat in cinema engineering, apart from some lapses in scientific accuracy and some shaky special effects; it surpasses The Day After Tomorrow and similar disaster films by sheer depth. On the downside it adds nothing new to the formula, but if you want sheer popcorn fodder then please, look no further.
https://moviemetropolis.net/2010/10/18/2012-2009/
BankofMarquis (1832 KP) rated Midway (2019) in Movies
Aug 10, 2020
So bad...it's bad
There are times when you watch a film and you can just hear the conference room discussion that happened back at the studio before getting it green-lit...
Studio Flunky: "Remember the 1970's WWII flick MIDWAY starring Henry Fonda, Charlton Heston, Charles Coborn, Richard Mitchum and an All Star cast"?
Studio Head: "Yeah...I loved that flick..."
Studio Flunky: "We have a fairly weak script here that pretty much rips that off, but we have the Director of Independence Day ready to Direct, so we'd just need some strong actors and top notch special effects to pull it off".
Studio Head: " I love it. Just one thing..."
Studio Flunky: "What's that?"
Studio Head: "Cut the budget to about 1/10th of what you're asking for."
And that's the issue with the Roland Emrich 2019 version of MIDWAY...what the film lacks in script quality, it makes up with by casting weak actors and crossing them with cheap special effects.
Yeah...it doesn't work very well. No wonder it came and went pretty quickly in the theaters.
Patrick Wilson is the most successful in this film in his role as Intelligence Officer Edwin Layton who figures out what the Japanese are up to in the early days of World War II. He has some fun scenes with Brennan Brown as one of this "codebreakers" and his interactions with Woody Harrelson as Admiral Nimitz are fun.
And...that's about it for the acting and interesting things in this film. Harrelson is wasted in his role (he clearly owed someone a favor to appear in what should be considered and extended cameo). Dennis Quaid overacts (as he is want to do) as "Bull" Halsey. Mandy Moore, Aaron Eckhart, Nick Jonas and Luke Evans bring no charisma to roles that were written with the hopes that an actor would bring charisma to them. They all bring "one dimension" and play the heck out of that singular character trait...but interesting characters that does not build.
And then there is the case of Ed Skrein (in the Charlton Heston role) as the "rogue fighter pilot, bucking the system, but learning through the course of this film that he would be more effective bringing his unique insights into the system than buck it". Skrein is my poster child for "warning...bad movie ahead." He has, in my opinion, "anti-charisma". He sucks a movie into his void and we, the audience, are stuck there with him. Of course, we spend most of the film with him...much to my chagrin.
At least, you say, today's special effects would rescue this film.
Nope...it looked like someone's kid slapped something together on his MAC. The depth of the EFX are slim, the color schemes don't seem to match and the actors didn't look at all like they were in the scene with the effects.
Nothing really works in this film. Avoid it at all costs. I can't even give you the "it's so bad it's good" line on this one.
It's so bad, it's bad.
Letter Grade "D"
2 Stars out of 10 and you can take that to the Bank(OfMarquis)
Studio Flunky: "Remember the 1970's WWII flick MIDWAY starring Henry Fonda, Charlton Heston, Charles Coborn, Richard Mitchum and an All Star cast"?
Studio Head: "Yeah...I loved that flick..."
Studio Flunky: "We have a fairly weak script here that pretty much rips that off, but we have the Director of Independence Day ready to Direct, so we'd just need some strong actors and top notch special effects to pull it off".
Studio Head: " I love it. Just one thing..."
Studio Flunky: "What's that?"
Studio Head: "Cut the budget to about 1/10th of what you're asking for."
And that's the issue with the Roland Emrich 2019 version of MIDWAY...what the film lacks in script quality, it makes up with by casting weak actors and crossing them with cheap special effects.
Yeah...it doesn't work very well. No wonder it came and went pretty quickly in the theaters.
Patrick Wilson is the most successful in this film in his role as Intelligence Officer Edwin Layton who figures out what the Japanese are up to in the early days of World War II. He has some fun scenes with Brennan Brown as one of this "codebreakers" and his interactions with Woody Harrelson as Admiral Nimitz are fun.
And...that's about it for the acting and interesting things in this film. Harrelson is wasted in his role (he clearly owed someone a favor to appear in what should be considered and extended cameo). Dennis Quaid overacts (as he is want to do) as "Bull" Halsey. Mandy Moore, Aaron Eckhart, Nick Jonas and Luke Evans bring no charisma to roles that were written with the hopes that an actor would bring charisma to them. They all bring "one dimension" and play the heck out of that singular character trait...but interesting characters that does not build.
And then there is the case of Ed Skrein (in the Charlton Heston role) as the "rogue fighter pilot, bucking the system, but learning through the course of this film that he would be more effective bringing his unique insights into the system than buck it". Skrein is my poster child for "warning...bad movie ahead." He has, in my opinion, "anti-charisma". He sucks a movie into his void and we, the audience, are stuck there with him. Of course, we spend most of the film with him...much to my chagrin.
At least, you say, today's special effects would rescue this film.
Nope...it looked like someone's kid slapped something together on his MAC. The depth of the EFX are slim, the color schemes don't seem to match and the actors didn't look at all like they were in the scene with the effects.
Nothing really works in this film. Avoid it at all costs. I can't even give you the "it's so bad it's good" line on this one.
It's so bad, it's bad.
Letter Grade "D"
2 Stars out of 10 and you can take that to the Bank(OfMarquis)
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Purple Phoenix Games (2266 KP) rated Fort: Cats and Dogs Expansion in Tabletop Games
Feb 3, 2022
In the expansion review series, we take a look at a game expansion to discuss whether it is a necessary purchase/addition to one’s collection.
This breakdown is for the expansion for the hit game Fort, and this expansion titled Fort: Cats & Dogs Expansion.
This expansion adds a bunch of Dog cards, some Cat cards, and four Doghouse tiles. The Dog and Cat components belong to their respective modules, and the expansion can be played with either module or both simultaneously.
The Dogs module will add Dogs to players’ starting decks. When a Dog is played, their need (the text immediately below their picture) must be fulfilled before their special action is completed. They may also be used as their normal icon to be played with the base game actions. Most Dog cards are then discarded to the players’ Doghouse. However, if Dogs end up in a player’s Yard, at the beginning of their turn they must discard the Dog to the neighbor’s Doghouse. The player with the most Dogs in their Doghouse at the end of the game scores a cool seven points!
Cats, however, are little terrors and have no loyalty to their owner and their special abilities may be lent to whomever currently controls the Cat card. Cats are attracted to certain players based on which cards are present in their Yard at the end of their turn. It is then that the Cat card moves to the player’s tableau and can offer ongoing effects. The other players may then attempt to lure the Cat card to their own Yards at the end of their turns as well. Players score more points at the end of the game for having more Cats attracted to their Yard.
In my opinion Fort did not need any expansions that change the game. However, after adding Cats & Dogs to my game I found that another level of attention must be paid to each turn if you wish to score these extra bonus points. For example, should a player monopolize all the Cats and also have the most Dogs, that will score them 17 bonus points at the end of the game! That is certainly nothing to sniff at. The cards feature great art, again by Kyle Ferrin, and the Doghouses are nice cardboard tiles. I still most certainly enjoy playing vanilla Fort, but I think that with other gamers who are familiar with the base game I will almost always include both Cats & Dogs modules in my games.
Official recommendation: If you are a fan of Fort, as we all are, then adding in Cats & Dogs may spice up your game for you. However, if you are a fan of Fort as is, then this is certainly not a must-have. I thoroughly enjoy this expansion, and like I mentioned – will probably always be adding it into my games, but Fort definitely stands on its own. It is a luxury expansion, yes, but it is also very affordable. So pick it up the next time you are filling your board game carts. I recommend it highly, and the value added far outweighs the cost for this reviewer. MORE FORT!!
This breakdown is for the expansion for the hit game Fort, and this expansion titled Fort: Cats & Dogs Expansion.
This expansion adds a bunch of Dog cards, some Cat cards, and four Doghouse tiles. The Dog and Cat components belong to their respective modules, and the expansion can be played with either module or both simultaneously.
The Dogs module will add Dogs to players’ starting decks. When a Dog is played, their need (the text immediately below their picture) must be fulfilled before their special action is completed. They may also be used as their normal icon to be played with the base game actions. Most Dog cards are then discarded to the players’ Doghouse. However, if Dogs end up in a player’s Yard, at the beginning of their turn they must discard the Dog to the neighbor’s Doghouse. The player with the most Dogs in their Doghouse at the end of the game scores a cool seven points!
Cats, however, are little terrors and have no loyalty to their owner and their special abilities may be lent to whomever currently controls the Cat card. Cats are attracted to certain players based on which cards are present in their Yard at the end of their turn. It is then that the Cat card moves to the player’s tableau and can offer ongoing effects. The other players may then attempt to lure the Cat card to their own Yards at the end of their turns as well. Players score more points at the end of the game for having more Cats attracted to their Yard.
In my opinion Fort did not need any expansions that change the game. However, after adding Cats & Dogs to my game I found that another level of attention must be paid to each turn if you wish to score these extra bonus points. For example, should a player monopolize all the Cats and also have the most Dogs, that will score them 17 bonus points at the end of the game! That is certainly nothing to sniff at. The cards feature great art, again by Kyle Ferrin, and the Doghouses are nice cardboard tiles. I still most certainly enjoy playing vanilla Fort, but I think that with other gamers who are familiar with the base game I will almost always include both Cats & Dogs modules in my games.
Official recommendation: If you are a fan of Fort, as we all are, then adding in Cats & Dogs may spice up your game for you. However, if you are a fan of Fort as is, then this is certainly not a must-have. I thoroughly enjoy this expansion, and like I mentioned – will probably always be adding it into my games, but Fort definitely stands on its own. It is a luxury expansion, yes, but it is also very affordable. So pick it up the next time you are filling your board game carts. I recommend it highly, and the value added far outweighs the cost for this reviewer. MORE FORT!!
Haley Mathiot (9 KP) rated Sock Club: Join the Knitting Adventure in Books
Apr 27, 2018
Sock Club was created and inspired by both physical knitting clubs and online knitting clubs. Many of the sock patters were designed by knitters who have had many patterns published, and some are the knitters first published pattern. But all of them share this—they are creative, unique and beautiful.
The special thing about the patterns is this: in the front of the book, Schurch and Parrott give a variety of suggestions and instructions on how to adjust the size of the sock by altering the pattern slightly, or changing the needle size, or the yarn, etc. For each pattern, they give which specific ways work best for resizing for that pattern.
In the back, there are 5 different ways of casting on (sometimes you need a different cast-on for a pattern to make it work), and the instructions and pictures are pretty good. There are other little tips and tricks for technique, like knitting with a circular needles, wrap and turn, suspended bind-off, and finishing techniques. There’s also a sizing chart for men and women, information on yarn types, and a list of sources to find recommended yarn for your new socks.
There are 23 patterns, a million colors you could work with… you realize how many beautiful socks you could make with this book?
Recommendation: This book was designed for the intermediate to experienced knitter. Many of the patters work with lace, cables, bobbles etc. even one with beads, and other more complicated patterning.
Happy Knitting!
~Haleyknitz
The special thing about the patterns is this: in the front of the book, Schurch and Parrott give a variety of suggestions and instructions on how to adjust the size of the sock by altering the pattern slightly, or changing the needle size, or the yarn, etc. For each pattern, they give which specific ways work best for resizing for that pattern.
In the back, there are 5 different ways of casting on (sometimes you need a different cast-on for a pattern to make it work), and the instructions and pictures are pretty good. There are other little tips and tricks for technique, like knitting with a circular needles, wrap and turn, suspended bind-off, and finishing techniques. There’s also a sizing chart for men and women, information on yarn types, and a list of sources to find recommended yarn for your new socks.
There are 23 patterns, a million colors you could work with… you realize how many beautiful socks you could make with this book?
Recommendation: This book was designed for the intermediate to experienced knitter. Many of the patters work with lace, cables, bobbles etc. even one with beads, and other more complicated patterning.
Happy Knitting!
~Haleyknitz
ArecRain (8 KP) rated Moonlight (Dark Guardian, #1) in Books
Jan 18, 2018
I still don't really know how I feel about this one. While it wasn't terrible like i was expecting it to be, it wasn't anything special either. It seemed like just another typical young adult werewolf novel.
What I did enjoy about this novel was the style. I actually enjoyed Hawthorne's style compared to many young adult writers. Her dialogues were realistic even if her character were so stereotypical for a young adult novel.
What really irritated was having to continuously read about Kayla's parents dying. I understand that it was a huge part of the plot, but it only needs to brought up so many times when it isn't moving the plot forward. It comes to a point when you need to stop kicking the dead horse.
Another point that irritated me was how out of no where, suddenly Kayla and Lucas were so in love with each other. I can understand that Kayla was attracted to him, but to bring in the whole one true love thing was a bit much. I actually liked the concept that the Shifters found their mates young in life. I felt that it may give some young readers delusions about relationships.
I also felt like Hawthorne rushed so many things, such as Kayla becoming a Dark Guardian. I felt like Hawthorne could have fleshed the end out much more. Despite this, I still want to read the second one just to see what happens with the rest of the pack.
What I did enjoy about this novel was the style. I actually enjoyed Hawthorne's style compared to many young adult writers. Her dialogues were realistic even if her character were so stereotypical for a young adult novel.
What really irritated was having to continuously read about Kayla's parents dying. I understand that it was a huge part of the plot, but it only needs to brought up so many times when it isn't moving the plot forward. It comes to a point when you need to stop kicking the dead horse.
Another point that irritated me was how out of no where, suddenly Kayla and Lucas were so in love with each other. I can understand that Kayla was attracted to him, but to bring in the whole one true love thing was a bit much. I actually liked the concept that the Shifters found their mates young in life. I felt that it may give some young readers delusions about relationships.
I also felt like Hawthorne rushed so many things, such as Kayla becoming a Dark Guardian. I felt like Hawthorne could have fleshed the end out much more. Despite this, I still want to read the second one just to see what happens with the rest of the pack.
Debbiereadsbook (1166 KP) rated Sweet Obsession (Nights Series #4) in Books
Jun 17, 2018
doesn't quite hit THAT spot!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Nights series. You don't NEED to have read the other three before one, because only Cam makes a brief appearance. But you SHOULD read them, because, I made a new shelf for them and everything! The other three books are down and dirty, and they take no prisoners or make no apologies for that.
This one, I found, while still hot and steamy, and it does have a great back story to why Ash was shipped first to Stanford and then to Singapore, it just didn't quite hit THAT spot, you know?? And it pains me, because I love this series!!
Both Ash and Luke have their say, so we get it all from both sides. We get what Ash thought he saw, that fateful night 5 years ago, and we get what really happened from Luke, and how he afterwards that caused him to push Ash away.
But these two admit their feelings to each other?? It's almost like Cam and Gabe all over again, cos this takes place over one evening into the next morning, and these guys get down and dirty and I loved that their first time together was extra special.
There isn't a HEA, but there is a Happy For Now. I have the next book to read soon, so we shall get their happy ever after.
Because it doesn't quite hit THAT spot,
4 stars
**same worded review will appear elsewhere**
This is book 4 in the Nights series. You don't NEED to have read the other three before one, because only Cam makes a brief appearance. But you SHOULD read them, because, I made a new shelf for them and everything! The other three books are down and dirty, and they take no prisoners or make no apologies for that.
This one, I found, while still hot and steamy, and it does have a great back story to why Ash was shipped first to Stanford and then to Singapore, it just didn't quite hit THAT spot, you know?? And it pains me, because I love this series!!
Both Ash and Luke have their say, so we get it all from both sides. We get what Ash thought he saw, that fateful night 5 years ago, and we get what really happened from Luke, and how he afterwards that caused him to push Ash away.
But these two admit their feelings to each other?? It's almost like Cam and Gabe all over again, cos this takes place over one evening into the next morning, and these guys get down and dirty and I loved that their first time together was extra special.
There isn't a HEA, but there is a Happy For Now. I have the next book to read soon, so we shall get their happy ever after.
Because it doesn't quite hit THAT spot,
4 stars
**same worded review will appear elsewhere**