Search

Search only in certain items:

QC
Quarry's Climax (Quarry #14)
8
8.0 (1 Ratings)
Book Rating
My full review can be found on this link as well: https://www.diaryofdifference.com/2018/05/15/quarrys-climax-max-allan-collins-book-review/

Quarry’s Climax is the 14th book of the Quarry series, and even though I only had the chance to read this one, the rest of the books are certainly something that I have put on my TBR list!
 
<img src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1498930963i/34014841._UY630_SR1200,630_.jpg"/>;

The plot is simple – until, of course, it gets complicated:
Quarry is a Hitman – he kills people for pleasure, I mean, money! He works for this guy ‘’the Broker’’ and his new mission is to protect a chairman of an underrated Porn magazine and strip club – The Climax. When this task might seem easy, suddenly everyone hides something and everyone has secrets. And then our man Quarry – who usually goes on the spot and just kills whoever he needs to, now has to play the role of a detective, find out what the hell is going on in this rat hole, and eliminate any danger.
 
Now - first things first - I am not usually a person that reads these types of books - Pulp fiction, hardboiled fiction, entangled harsh noir stories, but this book pleasantly surprised me with its light reading experience and admirable description of the characters.
 
Quarry – now that’s one interesting character! Quarry is what happens when you mix a Cowboy personality, with a bit of witty humour, no respect for ladies and egotistical appearance. I happened to actually kind of like this guy!
 
Though the part I didn’t like it how he treats women and talks about them as they are a piece of meat with no brain whatsoever. I am not a feminist, but I mean – you couldn’t have tried harder, I guess. He would just go to a scene, let us know how irrelevant and thick this lady is, he would sleep with her, never call her again, and then continue with his life as nothing happened. Wonderful, isn’t it?
 
This is one of a kind book for me, and even though I wouldn’t put it on my favourites pile, it has a special place in my heart. I greatly enjoyed it, and it made me smirk at times. I will definitely explore this genre in the future, and I am sure that Quarry’s Climax was a great beginning for me on that.
 
I received this book by winning a Goodreads Giveaway from Max Allan Collins and Hard Case Crime.

<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
  
Salt (2010)
Salt (2010)
2010 | Action, Mystery
6
6.5 (15 Ratings)
Movie Rating
Angelina Jolie, as Agent Evelyn Salt, plays the sexy spy role well, but the charm she displayed in Mr. and Mrs Smith isn’t present here at all. This is unfortunate because her emotional ties to the rest of the cast are integral to the plot. As seen in the trailers, Salt is a CIA agent who is accused by a defector of being a Russian spy. Salt is forced to run and uses her training and skills to evade capture while trying to prove her innocence.

Her years of experience as a covert operative are supposed to make viewers believe that this slight woman can take down ayone, but some of her fight scenes expected too much benefit of the doubt from the audience, and didn’t feel real. It wasn’t very convincing having such a thin woman carry on in a full fight scene with heavier built men. Despite harsh sound effects and fast camera edits, it honestly didn’t look like she was hitting the baddies hard enough to hurt, let alone knock them out.

Salt has some great twists and turns that kept me entertained and guessing, but that wasn’t enough to keep the whole movie afloat. Before long, these twists began to feel forced, and because I was snapped out of the movie several times after realizing how confused I was, it began to be aggravating to wait for the film to give the audience its bearings again. Phillip Noyce, who also directed the 1997 Val Kilmer spy film The Saint could have imbued the movie with subtle foreshadowing, or at least some foreshadowing as it was nonexistent.

Liev Schreiber, playing Salt’s trusted colleague, did a great job. His imposing yet friendly and sly demeanor fit his part very well. Chiwetel Ejiofor did a good job as well, but his role as another fellow agent was too small. It needed to be bigger for him to really shine. After watching him in Talk to Me, I believe him to be a headline star who needs more screen time to show what he’s capable of. In this smaller role, he does the job effectively, but left me wanting to see more of him.

The special effects were effective and not distracting except for one particular “walk away from the camera during an explosion” moment. It’s not that it was cliche, it’s that any explosion (at that distance, in that environment) would knock someone unconscious. There’s pushing the boundaries of realism for artistic effect, and then there’s that step that’s one step too far.

Overall, the film was enjoyable, but I had higher hopes for this movie. If you’re looking for action with twists, this movie has them in spades.
  
Ride the Pink Horse (1947)
Ride the Pink Horse (1947)
1947 | Drama, Mystery
(0 Ratings)
Movie Favorite

"I’ve always found Robert Montgomery to be a somewhat mysterious figure. He was in comedies, but he never seemed very funny. He played likable people but was not well liked. His right-wing politics angered many on the left. In 1947, the year this film came out, he was the president of the Screen Actors Guild. As a friendly witness for HUAC, he hurt many careers. He directed and starred in two great, innovative noirs, Lady in the Lake and Ride the Pink Horse, both made in 1947, and then stopped directing. Wanda Hendrix, who is superb in this film, really didn’t work much after Ride the Pink Horse, which is another aspect that makes watching the film curious and special. Starring as Pancho, the excellent Thomas Gomez became the first Hispanic American to be nominated for an Oscar. This postwar noir film begins at a bus stop in a Mexican border town. When Montgomery, as Lucky Gagin, steps off the bus, you pretty much know he’s going to get mixed up in something dark. The film has a haunting score, and it is reminiscent of another Mexican border “noir” by another actor-director, Orson Welles’s Touch of Evil. There are a couple of things that make Ride the Pink Horse art-house cool. First, it’s filled with long, complicated takes, which were innovative for the time. I remember sitting with Martin Scorsese, who turned me on to this movie. He kept trying to figure out how Montgomery had done the opening shot, where he gets off the bus and goes into the bus station, then back outside again. Scorsese said, “There was no Steadicam. I don’t see tracking. How did he do it?” So look for that! There’s sentimentality in Montgomery’s directing that contrasts with hard-boiled Lucky Gagin and that gives the film heart. Dorothy B. Hughes is the author of the books that both Ride the Pink Horse and In a Lonely Place are based on. These stories have something in common. A violent man is changed by the innocent love of a woman. In In a Lonely Place, he changes too late and loses the girl. In Ride the Pink Horse, Gagin is a solitary and cynical figure. Even while Pila is helping him, he derides her with all kinds of racist remarks. Yet she is his savior and continues to help him. It’s the oddball nature of their relationship that hooks you. He’s so powerful, such a tough guy, yet he needs this child to help him. She in turn is drawn to him. They can’t be together romantically, but there is love between them. She saves his life and his soul by her intervention."

Source
  
40x40

Kristy H (1252 KP) rated The Guncle in Books

Jul 22, 2021  
The Guncle
The Guncle
Steven Rowley | 2021 | LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
A beautiful, funny, and sweet story of finding hope after loss
Patrick and Sara were best friends in college. Then she married his brother, had two kids, and life went on. Until Sara dies, leaving Patrick's niece and nephew motherless. Patrick has always adored Maisie and Grant--for small time periods. But when his brother Greg asks Patrick, aka "Gay Uncle Patrick," or "GUP," to take the kids for a bit, he's faced with a dilemma. It's time to actually step up. So GUP and the kids head to Patrick's house in Palm Springs, where Patrick leads the life of a very single (and gay) slightly faded actor. Once there, he institutes the "Guncle Rules" and they set out trying to survive. But as Patrick bumbles his way through parenting and trying to help his little charges heal, he realizes they may be helping them more than he could have ever imagined.

"He promised when they'd met that he would never let her go. And then life intervened. She went north and married his brother. He went west and found fame on TV. And slowly, over time, he did. Let go."

Oh this book. I'm not sure a book has ever made me cry so many times, yet I loved it so much. It's often sad but also incredibly funny and heartwarming. Rowley does something special here, capturing Patrick, Maisie, and Grant so beautifully and authentically. This is a lovely story about family and coming together after loss.

There's not much I can say to do this wonderful book justice. The Guncle is made up of a million little moments--obviously Maisie and Grant are hurting, but you learn Patrick is as well. Who needs who more? Patrick is bitingly caustic, and he talks to the kids as if they are tiny adults. But the warmth and love that comes across in his humor--that he uses as his shield--is so clear. The book is a quiet and beautiful journey of all three characters learning to live again, and it's so well-done. It's such a tender and honest story. And the acceptance that comes across here--oh, it just warmed my heart. (A scene where Maisie didn't want to wear her bathing suit, and Patrick didn't force her, but let her wear a t-shirt instead, promising to buy her a rash guard--well it brought tears to my eyes.)

I promise if you give this sweet book a try, you will love it. I love Patrick, Maisie, and Grant. I adored the welcoming message of the book. It's a sad premise, but a hopeful book. 4.5+ stars.
  
The Confines (2015)
The Confines (2015)
2015 |
5
5.0 (1 Ratings)
Movie Rating
Characters – Streak is a disturbed young woman, she must prove she can keep a job to get her child back which leads her to the night watchwoman role. She doesn’t have experience in this role which leads her to explore and using her gift to learn the truth about the building. Cooper is the experienced night watchman, he needs this job and with his disability, it seems like a comfortable gig for him, this night turns into a nightmare as he must deal with Streak never being sure if she is unstable herself or there is something going on in the building. To round out our small cast we have a homeless man and the guy that hires Streak, neither do much else in the film.

Performances – Louisa Krause in the leading role is solid enough, though we never truly believe her fear through the night and her lack of ability to make us feel like we could be seeing her on edge over just horrors doesn’t convince. Jason Patric is solid to, though he never gets the time required to do anything with his character. The rest of the cast barely get any screen time which is why they suffer from low scores.

Story – The story much like many horror film keeps everything very simple, this is all we needed it to do too. On the first night of a job as a night watchwoman our leading lady must battle her own inner demons when strange things start happening within the apartment building she is working in. well this sounds like it should be an enjoyable enough watch for a horror fan, the ending only left me scratching my head which is disappointing, even though it could have made sense or not.

Horror/Mystery – The horror side of the film mostly down to what isn’t there as we balance between stuff int eh corner over anything else. The mystery comes from what could be making the noises in the building and what is involved with the history of the events here.

Settings – The film takes place completely in the building, this does keep the events confined to one location, we have the darker rooms, the forbidden rooms which only draw the horror ideas we could get.

Special Effects – The effects are solid enough though most of it is the in the corners blink and you miss it moments.


Scene of the Movie – The first visit.

That Moment That Annoyed Me – The ending.

Final Thoughts – This isn’t the best horror, it has potential of greatness, though it just doesn’t click things together like it should do.

 

Overall: Horror that will just become forgettable.
  
Killer Sofa (2019)
Killer Sofa (2019)
2019 |
7
7.0 (1 Ratings)
Movie Rating
Characters – Francesca is a dancer that has had problems in the past with the men in her life, most have become stalkers, with her needing to put restraining orders on them, she is left a recliner from one, as the police look into her past to see if she has a connection to the murder of one of them. Maxi is the best friend of Francesca, she supports her on a daily basis and will stand with her in her fight against the sofa. Inspector Gravy is leading the investigation into the crimes which sees him spending time with Francesca learning about her past. Rabbi Jack is Maxi’s grandfather that gets an uneasy vision from the sofa and starts trying to figure out how he could stop the evil behind it.

Performances – The lead in the film is Piimio Mei and she does well in the leading role, as the one being haunted by the soda, seeing her friends taken from around her. The rest of the cast are strong with what they are doing, they do know this does have elements of cheesy horror, which does work for the film.

Story – The story here follows the unusual event surrounding a sofa that starts killing people at the woman that finds herself the main target of the evil needing to stop it before their friends get taken. This is a film that knows exactly what it wants to be, a wildly over the top story that isn’t afraid to go into the full cheesy area, which will get the story over to the level it needs to. For a horror it is a film that follows the traditions when it comes to picking off the victims one at a time, with an element of the story behind the having a supernatural feel.

Horror – The horror side of the film does pick up like most serial killer style slashers, with one victim being alone getting picked off by the killer, in this case, the sofa, which does it look creepy throughout.

Settings – The film uses the apartment settings to show how the sofa can move around without looking completely out of place, using the environment to help with its kills.

Special Effects – The effects are mixed with the fact they make the sofa look terrifying being a huge plus, it is the CGI moments that look like the weakest part of the film.


Scene of the Movie – The sofa look.

That Moment That Annoyed Me – The CGI moments.

Final Thoughts – This is a horror comedy that understands completely what it wants to be, it will get laughable kills from a sofa that uses its how frame as a weapon.

Overall: Funny horror comedy.