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Nanny McPhee Returns (2010)
Nanny McPhee Returns (2010)
2010 | Comedy, Family, Sci-Fi
7
6.9 (14 Ratings)
Movie Rating
Story: Nanny McPhee and the Big Bang starts as we meet mother Isabel (Gyllenhaal) who is trying to run the family home and raise her three children, while her husband is away at war, adding to her pressure is her brother-in-law Phil (Ifans) that is looking to get money and two cousins added to the family that are used to the luxury life.

When Isabel starts struggling, she gets the call from Nanny McPhee (Thompson) who offers to help put the children back in line with her magic. The children must learn to work together to help the farm stay in the right hands.

 

Thoughts on Nanny McPhee and the Big Bang

 

Characters – Nanny McPhee is the magical nanny that comes to family’s when they are in need of support, she has come to this family in their time of need to help teach them how to be together in one of the most difficult times in their lives, the war, she brings her rules like before as she looks to bring the best out in the people. Isabel is the mother of the three that is trying to run and farm and work, her husband is at war, with the uncertainty of whether he will be returning. She doesn’t want help, but must accept it to keep the pressures of her life away from her children. Phil is the brother-in-law to Isabel, he has created his own gambling debts and wants the farm to clear the debts, he will do anything to get what he needs. Mrs Docherty is the boss of Isabel and family friend, she isn’t quite all there which makes her character come off funnier than she should. The children do come from different worlds which does see them clash in the time of conflict.

Performances – Emma Thompson does continue to enjoy playing this role which she handles with ease. Maggie Gyllenhaal gets to play the role well through the film, which shows us just how difficult a position her character is in. Rhys Ifans does everything you would imagine in the comedy role in the film, while Maggie Smith also adds plenty of comedy through the film.

Story – The story here follows a mother that takes over the family farm with her husband away at war, with money running low and the stress of life getting to her, that gets help from Nanny McPhee. The story here easily becomes a much more serious one because we are dealing with children that are being separated from their parents during war, where they don’t know if their family will be together once the war is over. This story does have a very different tone to the first one, one that does feel real, even though it does seem slightly stranger for Nanny McPhee to be here, this time around. The story here is more entertaining than the original which is always a good thing.

Comedy/Fantasy – The comedy in the film does hit better than the first film, most of it comes from the arguments which feel funnier, the fantasy in the film does work too, which ends up blending with the comedy involved.

Settings – The film is mostly set within one farm which does show us just how much trouble the family will be facing in their time of need.

Special Effects – The effects here are the biggest step back sadly because we can see the CGI moments looking completely out of place.


Scene of the Movie – Connection.

That Moment That Annoyed Me – The CGI.

Final Thoughts – This is a great sequel that does have a strong story to cover up the weaker CGI being used in the film.

 

Overall: Wonderful sequel.
  
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Motherless Brooklyn (2019)
Motherless Brooklyn (2019)
2019 | Drama, Mystery
A little too slow and self-indulgent for my tastes
There is no denying that Edward Norton is a talented performer. Ever since he burst onto the scene with his Oscar nominated performance in PRIMAL FEAR, he has been a presence both on and off the screen as an Actor, Writer, Producer and Director.

With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.

If only Norton had handed at least 1 of those jobs over to someone else.

Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.

As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).

And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.

Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.

As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.

Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.

And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.

The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.

Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.

Letter Grade: B-

6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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Darren (1599 KP) rated Inception (2010) in Movies

Sep 13, 2019 (Updated Sep 13, 2019)  
Inception (2010)
Inception (2010)
2010 | Crime, Sci-Fi, Thriller
Brief Synopsis – A group of experts are hired to infiltrate the mind of an executive in order to implant a thought into his mind that will change the way he runs his company.

My Take on it – This is an amazing film that once again is able to prove the genius of writer/director Christopher Nolan.

This story works on so many levels and stays intriguing, interesting and thrilling from start to finish.

The story is presented as an existential one yet they expertly use special effects and dialogue to make things seem even more tangible and relatable which works superbly throughout.

The cats is unbelievable and they all are able to work so well together as a team that it helps make the story move forward at a great pace that moves so fluidly throughout.

Nolan does a splendid job directing this film and is able to create a world that is a mixture of reality and fantasy yet still comes across as plausible and realistic throughout.

The story itself is multi layered and this helps make the story feel even more interesting and intriguing as things seem to get more and more complex as they move forward.

It’s imperative to pay close attention to the story because of the fact that it jumps around within the various story levels and if you get distracted, you might miss something quite important because nothing is truly ever as it seems.

Nolan is an amazing writer and this film is further proof of his ability to create unique and original stories for us to savor for all time.

It’s a pity that most films that are made these days aren’t filled with original ideas like this one is.

The story is quite mind blowing and manages to keep surprising the viewer over and over as things move along.

This is one of the very best thrillers ever made and that has much to do with the fact that they are able to create a thriller that actually fits “outside of the box” instead of being something that just recycles old ideas.

Bottom Line – Amazing film that is able to work on so many levels. The story is quite existential yet they use effects and dialogue to help make it feel even more tangible. The cast is superb and they all work so well together as a team in order to help the story constantly move forward. Nolan directs this film amazingly and is able to create a world that is both real and fantasy for us to grasp all that is happening throughout. The story itself is quite layered and that helps make things so much more intriguing and interesting since one needs to constantly try and keep track of what’s going on the entire time because nothing is ever as it truly seems. With this film, Nolan once again proves how adept a writer he can be and is able to give us a very unique and original story that is mind blowing over and over. One of the best thrillers ever made especially since it is truly a story that fits “outside of the box”. Highly Highly Recommended!

MovieRob’s Favorite Trivia – Writer, producer, and director Christopher Nolan first pitched this movie to Warner Brothers after the completion of his third movie, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a speculation script, and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take “a couple of months”, but it ultimately took nearly eight years. (From IMDB)