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Bob Mann (459 KP) rated Ghost Stories (2018) in Movies
Sep 29, 2021
In that sleep of death, what dreams may come.
“Ghost Stories” is based on the spooky London West-End stage play by Jeremy Dyson and Andy Nyman who both write and direct the film version. I didn’t know this until the end credits, but began to wonder in the final act where the action suddenly becomes very “stagey” in nature. The screenplay was always bound to be both bizarre and intriguing, since Dyson has been a past contributor to TV’s “League of Gentlemen” and other equally surreal programmes and Nyman has been a major collaborator with the stage-illusionist Derren Brown.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Auburn (57 KP) rated Here There Are Monsters in Books
Apr 10, 2019
I was lucky enough to be able to read an early copy of this. This is outside of my normal genre but the cover called to me. It is so well done that anyone who sees it will want to pick it up and see what it entails. It definitely fits that vibe of the cover. It is dark, spooky, and so goth.
When a bone monster of Skyes making tells her how to get her sister, whom she lost on her watch, back it all goes to heck. You jump right in only to be smacked by a brick wall. That wall is six months in the past. I dislike books that jump you forwards and backwards between chapters. It jarrs me and kind of ruins the continuity. The two main characters, the sisters, are little jerks. Neither of them really has any redeeming qualities. They are hard to like and I did not enjoy the fact that neither of them grows.
While it says horror it has more story than straight horror.
Thank you for letting me read an early copy on Netgalley.
When a bone monster of Skyes making tells her how to get her sister, whom she lost on her watch, back it all goes to heck. You jump right in only to be smacked by a brick wall. That wall is six months in the past. I dislike books that jump you forwards and backwards between chapters. It jarrs me and kind of ruins the continuity. The two main characters, the sisters, are little jerks. Neither of them really has any redeeming qualities. They are hard to like and I did not enjoy the fact that neither of them grows.
While it says horror it has more story than straight horror.
Thank you for letting me read an early copy on Netgalley.
Awix (3310 KP) rated Hereditary (2018) in Movies
Jun 16, 2018 (Updated Jun 16, 2018)
Never-knowingly-underwrought horror movie (looks like one of those post-horror movies for a bit; but no, it's a horror movie after all). Screwed up but nicely affluent family contends with aftermath of bereavement; is the mother right in her belief that supernatural forces are at work around them, or just a bit nuts?
First half is a horribly intense and rather oppressive study of grief and emotional dysfunction; not actually what you'd call scary, though. Second half is a much more traditional horror movie with spooky seances, severed heads a go go, waking nightmares, embroidered doormats and many other clichés - but still not actually what you'd call scary in any but the most superficial way. Plot is all over the place; all the bits that will make you jump are in the trailer, pretty much. Very possibly worth watching for a brilliant performance by Toni Collette, but this is the equivalent of a really good stereo in a car with a cruddy engine. The movie is atmospheric and the director shows promise, but if this is what counts as a great horror movie nowadays the genre is in serious trouble.
First half is a horribly intense and rather oppressive study of grief and emotional dysfunction; not actually what you'd call scary, though. Second half is a much more traditional horror movie with spooky seances, severed heads a go go, waking nightmares, embroidered doormats and many other clichés - but still not actually what you'd call scary in any but the most superficial way. Plot is all over the place; all the bits that will make you jump are in the trailer, pretty much. Very possibly worth watching for a brilliant performance by Toni Collette, but this is the equivalent of a really good stereo in a car with a cruddy engine. The movie is atmospheric and the director shows promise, but if this is what counts as a great horror movie nowadays the genre is in serious trouble.
ClareR (5674 KP) rated The Death of Mrs Westaway in Books
Jul 6, 2018
You'll be on the edge of your seat!
Suspenseful. This is my first Ruth Ware novel, and it was definitely suspenseful. It reminded me a lot of the Agatha Christie films - a family shut away in a big old house with a mystery to solve. But this has a very modern edge to it. The house is still spooky though: I expected it to go full on James Herbert (it didn't)!
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
Lou Grande (148 KP) rated The Apparition (2012) in Movies
Jul 9, 2018
There are two reasons to watch this movie, and only two: Sebastian Stan's goofy hair and you desperately need to kill an hour and a half. The Apparition follows the standard straight-to-video line: young couple moves into a new house, spooky stuff happens, everyone very easily accepts that it can only be caused by ghosts, they seek out "professional" help, and everything goes to hell in a handbasket. I watched this about two hours ago and I really can't tell you anything notable about it, except that Sebastian Stan cannot rock bangs, poor baby. It's PG-13, so you can't even get a little gratuitous nudity out of the deal. I guess Stan is half-naked in a few scenes, but I mostly just found myself staring at his larger-than-average nipples. But I digress.
Unless you have a penchant for Tom Felton (you know, as a wizard, you think he'd be used to these situations by now) or Sebastian Stan, your time is probably more valuable than this movie. I have one of those things, so I took the hit for you. You're welcome.
Unless you have a penchant for Tom Felton (you know, as a wizard, you think he'd be used to these situations by now) or Sebastian Stan, your time is probably more valuable than this movie. I have one of those things, so I took the hit for you. You're welcome.
Lyndsey Gollogly (2893 KP) rated Bewitched on Bourbon Street (Jade Calhoun #7) in Books
Aug 11, 2019
Loved it!
Jade loves her new apartment--until a ghost joins her in the shower.
When empath Jade Calhoun moves into an apartment above a strip bar on Bourbon Street, she expects life to get interesting. What she doesn't count on is making friends with an exotic dancer, attracting a powerful spirit, and developing feelings for Kane, her sexy landlord.
Being an empath has never been easy on Jade's relationships. It's no wonder she keeps her gift a secret. But when the ghost moves from spooking Jade to terrorizing Pyper, the dancer, it's up to Jade to use her unique ability to save her. Except she'll need Kane's help--and he's betrayed her with a secret of his own--to do it. Can she find a way to trust him and herself before Pyper is lost?
<strong>Loved it</strong>
I for one loved this book. It was funny , spooky full of eye candy both male and female. It was just fun to read. I enjoy reading books when the main female role has a backbone and Made has just that! Supported by some very strong characters.
⭐⭐⭐⭐⭐ Recommended

When empath Jade Calhoun moves into an apartment above a strip bar on Bourbon Street, she expects life to get interesting. What she doesn't count on is making friends with an exotic dancer, attracting a powerful spirit, and developing feelings for Kane, her sexy landlord.
Being an empath has never been easy on Jade's relationships. It's no wonder she keeps her gift a secret. But when the ghost moves from spooking Jade to terrorizing Pyper, the dancer, it's up to Jade to use her unique ability to save her. Except she'll need Kane's help--and he's betrayed her with a secret of his own--to do it. Can she find a way to trust him and herself before Pyper is lost?
<strong>Loved it</strong>
I for one loved this book. It was funny , spooky full of eye candy both male and female. It was just fun to read. I enjoy reading books when the main female role has a backbone and Made has just that! Supported by some very strong characters.
⭐⭐⭐⭐⭐ Recommended

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