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Daniel Boyd (1066 KP) rated Wolfenstein: The Old Blood in Video Games
Nov 2, 2017
An Oldie but a Goodie
This game is the story DLC to the fantastic Wolfenstein: The New Order and it too is developed by Machine Games. It runs on the same engine as the New Order and carries over most of the same gameplay mechanics and like the New Order it too is a lot of fun. The graphics aren’t great here, some close up textures look more like they belong in the PS3 generation to be honest, but fun gameplay is what matters in the Wolfenstein games and this one has it in spades. The characters are interesting and well acted, the iconic Castle Wolfenstein environment is awesome to see fully realised in HD and the loot and weapons systems are well implemented throughout the game’s short runtime. Although you can play through this experience in a short time I do feel that you get your money’s worth here. Due to the impressive presentation and detail of major set pieces etc I feel that if the game was a little longer it could have been sold as a fully fledged new entry to the series. There were several times where the game slowed to a crawl though and took me hours to get through the one stage. Obviously this game has been designed as a homage to older games and is styled in that way and for the most part it is an awesome blast from the past, however it also carries across some of the negative traits for older games like monster closets and placing the player into a confined area with no obvious way forward, causing a frustrating amount of time to be spent backtracking and desperately trying to find progress and the way forward to the next stage of the game. This was also the worst part of The New Order and it really is detrimental to the flow of the game. The writing is quite good for what it is and the ‘nightmare’ sections of the game that allow you to explore the original castle of Wolfenstein 3D are awesome. Overall this is a really fun romp, if you like The New Order and want more then this is for you the weapons are awesome and blowing away Nazis never gets old, whether they are zombies or not.
Phillip McSween (751 KP) rated Burlesque (2010) in Movies
Feb 17, 2019
Could Have Been Better
When Ali (Christina Aguilera) moves to LA to make it big, she decides to settle for working in a burlesque house instead. Oh my God, here we go…
Acting: 7
Beginning: 8
Characters: 10
Cinematography/Visuals: 2
I guess this is as good a place to start as any. While there were some decent shots within the burlesque club itself, the film pretty much centers around this one location so there’s not a whole lot of room for expansion. Your eyes are supposed to be set on stage which would work if this were a play. I also thought they failed in capturing the sensuality of the burlesque genre. It felt extremely flat to say the least and I almost wish they had changed the title of the film to something else more relevant like, I don’t know, Pretty People Lip-Syncing? Huge fail here.
Conflict: 1
Much ado about nothing here as get a feel for exactly where the story is heading the entire time. The obstacles Ali experienced seemed staged, never natural, as if they were putting something in her way for the sake of it continuing the awful story. In the end, the film could never decide on where it wanted to create the conflict. Whether it was the club closing, someone wanting to take over the club, an awkward relationship triangle, or trouble on the big stage, Burlesque was all over the damn place.
Genre: 6
Memorability: 6
Pace: 4
Plot: 6
If I’m being honest, Ali’s drive was the only thing that kept me motivated to watch the movie the rest of the way. Her story is touching and, despite the Hallmark feel of it all, you want her to succeed. Other than that, I really couldn’t make heads or tails of much else. This movie is like a tree with crazy branches sprouting off into a bunch of different directions…but never really going anywhere important.
Resolution: 6
Overall: 56
Burlesque is the first film attacked in a podcast called “How Did This Get Made?”, a show that takes awful movies and rips them apart in deserved fashion. I started the movie thinking to myself, “Well, this isn’t so bad…” which became “Ok, what’s going on here?” which finally became, “Dear God, this needs to end!” Steer clear. You have been warned.
Acting: 7
Beginning: 8
Characters: 10
Cinematography/Visuals: 2
I guess this is as good a place to start as any. While there were some decent shots within the burlesque club itself, the film pretty much centers around this one location so there’s not a whole lot of room for expansion. Your eyes are supposed to be set on stage which would work if this were a play. I also thought they failed in capturing the sensuality of the burlesque genre. It felt extremely flat to say the least and I almost wish they had changed the title of the film to something else more relevant like, I don’t know, Pretty People Lip-Syncing? Huge fail here.
Conflict: 1
Much ado about nothing here as get a feel for exactly where the story is heading the entire time. The obstacles Ali experienced seemed staged, never natural, as if they were putting something in her way for the sake of it continuing the awful story. In the end, the film could never decide on where it wanted to create the conflict. Whether it was the club closing, someone wanting to take over the club, an awkward relationship triangle, or trouble on the big stage, Burlesque was all over the damn place.
Genre: 6
Memorability: 6
Pace: 4
Plot: 6
If I’m being honest, Ali’s drive was the only thing that kept me motivated to watch the movie the rest of the way. Her story is touching and, despite the Hallmark feel of it all, you want her to succeed. Other than that, I really couldn’t make heads or tails of much else. This movie is like a tree with crazy branches sprouting off into a bunch of different directions…but never really going anywhere important.
Resolution: 6
Overall: 56
Burlesque is the first film attacked in a podcast called “How Did This Get Made?”, a show that takes awful movies and rips them apart in deserved fashion. I started the movie thinking to myself, “Well, this isn’t so bad…” which became “Ok, what’s going on here?” which finally became, “Dear God, this needs to end!” Steer clear. You have been warned.
Neon's Nerd Nexus (360 KP) rated Rocketman (2019) in Movies
May 27, 2019
Satalight Flight
#rocketman explodes, leaps, dazzles & shines filling the entire screen at every opportunity with colour, #camp & charisma. I can not pretend i know anything about #eltonjohn or his #music because ive gone through life with having little interest in his #career (apart from that cool #robertdowneyjr video) so for me to say how much i enjoyed this movie might actually be less than if i was a huge #fan so bare that in mind. This film isnt just your average paint by numbers #biopic... well no i lie... it is, & even though i #hated how obvious #Elton clearly had a lot of influence & choice over how he was portrayed (feeling at times like a pro Elton John promotional video at times) i really did admire its style & its ability to shake things up which is something other films in this genre dare not do. So what i mean by this is in a sense the film is a #fantasy musical, think of it as a theatre show but instead of in real life more like one in your #dreams & youve nailed it. Not only is this #super fun, visually interesting, #creative & flashy it gives us an in site into Eltons mind explaining to us how being on stage makes him feel or showing us all those #emotions he struggles to express. It doesnt shy over #drug abuse, #sex addiction or alcohol dependence either which is something #BohemianRhapsody failed to do & this brings the film back down to reality injecting #emotion & conflict. #Rocketman is a somewhat tragic #story about how lack of parent support in an upbringing can have devastating effects on someones mental state & life choices. Elton is #shy, reserved, confused & with no one willing to trully understand him he's alone so on stage seems to be his way of shouting out, being #loved & being someone everyone whats him to be. Well filmed with an impressive supporting cast too & #taronegerton gives the best performance of his career becoming/losing himself as Elton but giving off such an energetic, #charming & almost #showman like quality to the role also. While the film does have its flaws its a great time, well made & different enough to stand out from the rest. A good film especially for people #hungry for more music biopics. #pride #gaypride #gay #kingsman
Gareth von Kallenbach (977 KP) rated Spectre (2015) in Movies
Jun 19, 2019
In the latest cinematic outing for James Bond (Daniel Craig), Director Sam Mendes has crafted a thrilling and deep film which deftly combines the threads of the three previous Craig outings and sets the stage very well for future outings for the series.
In “Spectre” Bond finds himself operating alone when the 007 division is in danger of being shut down due to his latest unsanctioned actions and a change in the political landscape back home.
With the powers that be convinced that surveillance is the way of the future not agents with a license to kill, Bond is racing against time to get the truth behind a mysterious figure named Franz Oberhausen (Christoph Waltz), who is the head of a very mysterious, large, and deadly organization.
From locales ranging from Mexico City, London, Rome, Austria, and North Africa, Bond stalks his target in a deadly game of cat and mouse as his every move seems to have been anticipated by the deadly organization.
Further complicating matters is that Bond is not able to call upon his resources as M (Ralph Fiennes), is unable to do little more than watch due to the pending end of the division and his new superior.
In the trademark style that the series is known for, we have exotic locale, beautiful women, gadgets, fast cars, and thrilling and intense action sequences that combine for a winning formula.
I had been a bit disappointed with Craig’s earlier films as I found them to be a bit muddled and did not find his take on Bond to mesh with the suave agent I had grown up following. That being said, “Skyfall” helped turn things around and with the plot elements of “Spectre” in place; it clearly shows a connection between the earlier films and sets the stage very well for future outings in the series.
Waltz is fantastic as the lead villain as his less than imposing stature is highly deceptive to the danger the man empowers. Audience learn more about the backstory of Bond and how he became the man that his is and Dave Bautista makes a fantastic henchman echoing shades of Odd job and a train sequence from “From Russia With Love”.
In all, thanks to the intense action, great characters and compelling story, “Spectre” is the best of the Craig Bond films and I cannot wait to see what they do next.
http://sknr.net/2015/11/05/spectre/
In “Spectre” Bond finds himself operating alone when the 007 division is in danger of being shut down due to his latest unsanctioned actions and a change in the political landscape back home.
With the powers that be convinced that surveillance is the way of the future not agents with a license to kill, Bond is racing against time to get the truth behind a mysterious figure named Franz Oberhausen (Christoph Waltz), who is the head of a very mysterious, large, and deadly organization.
From locales ranging from Mexico City, London, Rome, Austria, and North Africa, Bond stalks his target in a deadly game of cat and mouse as his every move seems to have been anticipated by the deadly organization.
Further complicating matters is that Bond is not able to call upon his resources as M (Ralph Fiennes), is unable to do little more than watch due to the pending end of the division and his new superior.
In the trademark style that the series is known for, we have exotic locale, beautiful women, gadgets, fast cars, and thrilling and intense action sequences that combine for a winning formula.
I had been a bit disappointed with Craig’s earlier films as I found them to be a bit muddled and did not find his take on Bond to mesh with the suave agent I had grown up following. That being said, “Skyfall” helped turn things around and with the plot elements of “Spectre” in place; it clearly shows a connection between the earlier films and sets the stage very well for future outings in the series.
Waltz is fantastic as the lead villain as his less than imposing stature is highly deceptive to the danger the man empowers. Audience learn more about the backstory of Bond and how he became the man that his is and Dave Bautista makes a fantastic henchman echoing shades of Odd job and a train sequence from “From Russia With Love”.
In all, thanks to the intense action, great characters and compelling story, “Spectre” is the best of the Craig Bond films and I cannot wait to see what they do next.
http://sknr.net/2015/11/05/spectre/
BookwormMama14 (18 KP) rated Dance Over Me in Books
Jan 2, 2019
Well, my first thought...is that I NEED to see 42nd Street! As a lover of all things theatre, I can't believe that I haven't seen it yet. Speaking of theatre, I simply adored all the stage talk in this book! It has been so long since I have been on the stage, but I felt like I was right there with Dani. The pre-show nerves, the excitement and thrill of a live audience, the relief when the final curtain falls. But OH...Drama, drama, drama!!! Unfortunately, the theatre world can be brutal and harsh (thankfully not MY experience), and Candee did a wonderful job of portraying that, even if it did make me want to go out and purse whomp some people. (Thank you Reading is my SuperPower for the inspiration.) The romance is clean and oh, so sweet. Candee built the suspense perfectly, and Alex is such a gentleman! I too, am a dancer, and I found Dani's expression of her heart through dance bringing me to tears. It has been too long since I have danced, since I have truly expressed myself in the arts, and too long since I have let my Heavenly Father dance over me. (This is something that will hopefully be remedied before too long.) Dani's story is a good reminder to trust the Lord to fight our battles for us. While I do think we need to stand up for ourselves, it is not our place to fight for revenge. And through all of this, Dani was trying to kick down doors to find her brother, when all along the Lord was simply wanting her to trust Him to open the doors. You will just have to read the book to see if she walks through the doors He opens...Dance Over Me is written strictly from Dani's viewpoint, in third person. I found that it made the story very easy to follow and truly let me live inside Dani's brain. Dance Over Me had me on the edge of my seat for the whole TWO days that it took me to read this book, it is THAT good. Beautifully written and a captivating storyline, you definitely do not want to miss this one.
I received a free copy of Dance Over Me from the author in exchange for my honest review. All opinions expressed are mine alone.
I received a free copy of Dance Over Me from the author in exchange for my honest review. All opinions expressed are mine alone.
Management of Periprosthetic Joint Infection: A Global Perspective on Diagnosis, Treatment Options, Prevention Strategies and Their Economic Impact: 2017
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Periprosthetic joint infection (PJI) is among the most serious complications in the field of...
Technologies for Livelihood Enhancement
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Twenty five s in this book are grouped into six sections: o setting the stage: topics relevant to...
Daniel Boyd (1066 KP) rated Nobody (2021) in Movies
May 5, 2021
Choreography (1 more)
Bob Odenkirk
Nobody knows what it's like...
If you’ve seen the trailers for Nobody, then you already know exactly the type of movie that you are in for. That is not a slight against the movie, it is just to say that there are no great twists here or subversion of audience expectations. The question in looking at Nobody for review is; does it fulfil its purpose and deliver on that intention? Thankfully, the answer is hell yes, it does!
If like me you are a Better Call Saul fan, then you will have a pre-conceived notion of who Bob Odenkirk is as an actor at this stage in his career. That was my one main concern going into this film; can Odenkirk pull off being a believable badass at this stage in his life? Again, the answer is hell yes, he can!
Odenkirk is phenomenal as Hutch Mansell in this movie, he delivers in both the role of a washed up nobody leading an unfulfilled life and as an unrelenting killing machine. He really looks the part after the two years he spent training for this role and although a stuntman was used in a few brief instances, Odenkirk does nearly all of his own stunt work in the film. After seeing some of the stunts performed in the movie, this fact is extremely impressive for a guy pushing 60.
Derek Kolstad’s writing in Nobody is also huge factor in what makes this film great. Kolstad also wrote the John Wick movies, so we already know that the guy knows how to write action. What I really appreciated though was the pacing of the action and the pacing of the movie overall. There is enough set-up to the character of Hutch that we are invested in him by the time that the first punch is thrown. I also enjoyed the tongue-in-cheek nature present in a lot of the film’s scenes.
The action choreography is as intense and exhilarating throughout the movie as you would expect. Something that I did really like though was how brutal and gritty the fight sequences were. In the John Wick movies, although the action is exciting to watch, it sometimes feels a bit too clean and smooth, whereas here it is a lot rougher and more visceral.
Check out the rest of my review here - https://www.bigglasgowcomicpage.com/review-nobody/
If like me you are a Better Call Saul fan, then you will have a pre-conceived notion of who Bob Odenkirk is as an actor at this stage in his career. That was my one main concern going into this film; can Odenkirk pull off being a believable badass at this stage in his life? Again, the answer is hell yes, he can!
Odenkirk is phenomenal as Hutch Mansell in this movie, he delivers in both the role of a washed up nobody leading an unfulfilled life and as an unrelenting killing machine. He really looks the part after the two years he spent training for this role and although a stuntman was used in a few brief instances, Odenkirk does nearly all of his own stunt work in the film. After seeing some of the stunts performed in the movie, this fact is extremely impressive for a guy pushing 60.
Derek Kolstad’s writing in Nobody is also huge factor in what makes this film great. Kolstad also wrote the John Wick movies, so we already know that the guy knows how to write action. What I really appreciated though was the pacing of the action and the pacing of the movie overall. There is enough set-up to the character of Hutch that we are invested in him by the time that the first punch is thrown. I also enjoyed the tongue-in-cheek nature present in a lot of the film’s scenes.
The action choreography is as intense and exhilarating throughout the movie as you would expect. Something that I did really like though was how brutal and gritty the fight sequences were. In the John Wick movies, although the action is exciting to watch, it sometimes feels a bit too clean and smooth, whereas here it is a lot rougher and more visceral.
Check out the rest of my review here - https://www.bigglasgowcomicpage.com/review-nobody/
MEGA MAN X
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The super masterpiece of the action game "MEGA MAN X” now powered up! With variety of weapons and...