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BookwormMama14 (18 KP) rated Dance Over Me in Books
Jan 2, 2019
Well, my first thought...is that I NEED to see 42nd Street! As a lover of all things theatre, I can't believe that I haven't seen it yet. Speaking of theatre, I simply adored all the stage talk in this book! It has been so long since I have been on the stage, but I felt like I was right there with Dani. The pre-show nerves, the excitement and thrill of a live audience, the relief when the final curtain falls. But OH...Drama, drama, drama!!! Unfortunately, the theatre world can be brutal and harsh (thankfully not MY experience), and Candee did a wonderful job of portraying that, even if it did make me want to go out and purse whomp some people. (Thank you Reading is my SuperPower for the inspiration.) The romance is clean and oh, so sweet. Candee built the suspense perfectly, and Alex is such a gentleman! I too, am a dancer, and I found Dani's expression of her heart through dance bringing me to tears. It has been too long since I have danced, since I have truly expressed myself in the arts, and too long since I have let my Heavenly Father dance over me. (This is something that will hopefully be remedied before too long.) Dani's story is a good reminder to trust the Lord to fight our battles for us. While I do think we need to stand up for ourselves, it is not our place to fight for revenge. And through all of this, Dani was trying to kick down doors to find her brother, when all along the Lord was simply wanting her to trust Him to open the doors. You will just have to read the book to see if she walks through the doors He opens...Dance Over Me is written strictly from Dani's viewpoint, in third person. I found that it made the story very easy to follow and truly let me live inside Dani's brain. Dance Over Me had me on the edge of my seat for the whole TWO days that it took me to read this book, it is THAT good. Beautifully written and a captivating storyline, you definitely do not want to miss this one.
I received a free copy of Dance Over Me from the author in exchange for my honest review. All opinions expressed are mine alone.
I received a free copy of Dance Over Me from the author in exchange for my honest review. All opinions expressed are mine alone.
Management of Periprosthetic Joint Infection: A Global Perspective on Diagnosis, Treatment Options, Prevention Strategies and Their Economic Impact: 2017
Book
Periprosthetic joint infection (PJI) is among the most serious complications in the field of...
Technologies for Livelihood Enhancement
Book
Twenty five s in this book are grouped into six sections: o setting the stage: topics relevant to...
Daniel Boyd (1066 KP) rated Nobody (2021) in Movies
May 5, 2021
Choreography (1 more)
Bob Odenkirk
Nobody knows what it's like...
If you’ve seen the trailers for Nobody, then you already know exactly the type of movie that you are in for. That is not a slight against the movie, it is just to say that there are no great twists here or subversion of audience expectations. The question in looking at Nobody for review is; does it fulfil its purpose and deliver on that intention? Thankfully, the answer is hell yes, it does!
If like me you are a Better Call Saul fan, then you will have a pre-conceived notion of who Bob Odenkirk is as an actor at this stage in his career. That was my one main concern going into this film; can Odenkirk pull off being a believable badass at this stage in his life? Again, the answer is hell yes, he can!
Odenkirk is phenomenal as Hutch Mansell in this movie, he delivers in both the role of a washed up nobody leading an unfulfilled life and as an unrelenting killing machine. He really looks the part after the two years he spent training for this role and although a stuntman was used in a few brief instances, Odenkirk does nearly all of his own stunt work in the film. After seeing some of the stunts performed in the movie, this fact is extremely impressive for a guy pushing 60.
Derek Kolstad’s writing in Nobody is also huge factor in what makes this film great. Kolstad also wrote the John Wick movies, so we already know that the guy knows how to write action. What I really appreciated though was the pacing of the action and the pacing of the movie overall. There is enough set-up to the character of Hutch that we are invested in him by the time that the first punch is thrown. I also enjoyed the tongue-in-cheek nature present in a lot of the film’s scenes.
The action choreography is as intense and exhilarating throughout the movie as you would expect. Something that I did really like though was how brutal and gritty the fight sequences were. In the John Wick movies, although the action is exciting to watch, it sometimes feels a bit too clean and smooth, whereas here it is a lot rougher and more visceral.
Check out the rest of my review here - https://www.bigglasgowcomicpage.com/review-nobody/
If like me you are a Better Call Saul fan, then you will have a pre-conceived notion of who Bob Odenkirk is as an actor at this stage in his career. That was my one main concern going into this film; can Odenkirk pull off being a believable badass at this stage in his life? Again, the answer is hell yes, he can!
Odenkirk is phenomenal as Hutch Mansell in this movie, he delivers in both the role of a washed up nobody leading an unfulfilled life and as an unrelenting killing machine. He really looks the part after the two years he spent training for this role and although a stuntman was used in a few brief instances, Odenkirk does nearly all of his own stunt work in the film. After seeing some of the stunts performed in the movie, this fact is extremely impressive for a guy pushing 60.
Derek Kolstad’s writing in Nobody is also huge factor in what makes this film great. Kolstad also wrote the John Wick movies, so we already know that the guy knows how to write action. What I really appreciated though was the pacing of the action and the pacing of the movie overall. There is enough set-up to the character of Hutch that we are invested in him by the time that the first punch is thrown. I also enjoyed the tongue-in-cheek nature present in a lot of the film’s scenes.
The action choreography is as intense and exhilarating throughout the movie as you would expect. Something that I did really like though was how brutal and gritty the fight sequences were. In the John Wick movies, although the action is exciting to watch, it sometimes feels a bit too clean and smooth, whereas here it is a lot rougher and more visceral.
Check out the rest of my review here - https://www.bigglasgowcomicpage.com/review-nobody/
MEGA MAN X
Games
App
The super masterpiece of the action game "MEGA MAN X” now powered up! With variety of weapons and...
BankofMarquis (1832 KP) rated Indiana jones and the dial of destiny (2023) in Movies
Jul 9, 2023
Needed A Spark
Have you ever gone to a live stage play/musical on a Friday or Saturday evening and you can just feel the crackle of excitement and energy in the air and the performers on stage seem to catch that surge of energy and their performances are turned up a notch because of it?
And then, you return to that same theater - for the same show - for a Wednesday matinee and things are just flat. Same show, same performers, same entertainment, but that “spark” just isn’t there?
Such is the case of INDIANA JONES AND THE DIAL OF DESTINY - the Wednesday Matinee performance of an Indiana Jones adventures.
This James Mangold (FORD v FERRARI) Directed Indiana Jones adventure hits all the right notes - chase scenes, fights on a moving train, treasure hunt/quest for an ancient artifact, Indy getting into (and out of) trouble, etc…but Dial of Destiny never quite elevated itself above the norm.
80 year old Harrison Ford (and some stunt doubles and a boatload of de-aging software) is back, of course, as Indiana Jones and it is like pulling on an old, tattered sweatshirt - very comfortable and comforting. He is aided (in a cameo) by John Rhys-Davies’ Sallah (good to see him in an Indy movie again) and by rock solid additions of Antonio Banderas (ZORRO) and good ol’ Toby Jones (INFAMOUS) as colleagues and fellow adventurers as well as an above-average turn by Phoebe Waller-Bridge (TV’s FLEABAG).
These folks fight Nazis (naturally) and a bad guy played by Mads Mikkelsen (ROGUE ONE: A STAR WARS STORY) in an adventure that was “just fine” but “nothing special”, all set to a score by 90 year old John Williams(!). Oh, and don’t forget the welcome appearance of Karen Allen as Marion Ravenswood in what was one of the highlight scenes of the film.
Unfortunately, Mangold never elevates these characters, the chases, the escapes, the call backs to earlier Indiana Jones films above a pleasant warmth of memory, recalling all the good times/grand adventures that Indy has taken the audience on throughout the years. This film needed someone/some THING to help elevate it above the norm.
It needed Steven Spielberg to Direct.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then, you return to that same theater - for the same show - for a Wednesday matinee and things are just flat. Same show, same performers, same entertainment, but that “spark” just isn’t there?
Such is the case of INDIANA JONES AND THE DIAL OF DESTINY - the Wednesday Matinee performance of an Indiana Jones adventures.
This James Mangold (FORD v FERRARI) Directed Indiana Jones adventure hits all the right notes - chase scenes, fights on a moving train, treasure hunt/quest for an ancient artifact, Indy getting into (and out of) trouble, etc…but Dial of Destiny never quite elevated itself above the norm.
80 year old Harrison Ford (and some stunt doubles and a boatload of de-aging software) is back, of course, as Indiana Jones and it is like pulling on an old, tattered sweatshirt - very comfortable and comforting. He is aided (in a cameo) by John Rhys-Davies’ Sallah (good to see him in an Indy movie again) and by rock solid additions of Antonio Banderas (ZORRO) and good ol’ Toby Jones (INFAMOUS) as colleagues and fellow adventurers as well as an above-average turn by Phoebe Waller-Bridge (TV’s FLEABAG).
These folks fight Nazis (naturally) and a bad guy played by Mads Mikkelsen (ROGUE ONE: A STAR WARS STORY) in an adventure that was “just fine” but “nothing special”, all set to a score by 90 year old John Williams(!). Oh, and don’t forget the welcome appearance of Karen Allen as Marion Ravenswood in what was one of the highlight scenes of the film.
Unfortunately, Mangold never elevates these characters, the chases, the escapes, the call backs to earlier Indiana Jones films above a pleasant warmth of memory, recalling all the good times/grand adventures that Indy has taken the audience on throughout the years. This film needed someone/some THING to help elevate it above the norm.
It needed Steven Spielberg to Direct.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Suswatibasu (1703 KP) rated On Tyranny: Twenty Lessons From The Twentieth Century in Books
Jan 3, 2018
READ THIS NOW!
Apologies for such a forthright command, but this pithy and punchy short book is an absolute must-read. In less than 200 pages, Timothy Snyder, a Yale chair and renowned historian, describes why our actions today matter.
Along with Burleigh and Kershaw he has exposed the monstrosities of the evil regimes ruled by Hitler, Mussolini, Lenin, Stalin, Pol Pot and other tyrants who have murdered at home and abroad. Having extensively studied both right-wing and left-wing tyrannical regimes, Snyder goes onto look at the 2016 presidential campaign and Donald Trump. "Post-truth is pre-fascism," he writes, in one of many passages that seem to cast the US as a society in a pre-fascist stage.
Snyder succinctly suggests that 20 lessons from history are invaluable if we are to avoid democracy collapsing as it did after 1918. History he agrees does not repeat but it does instruct.
In a world where truth, reality and fantasy are thrown into a huge melting pot - having a book that researched facts, presents political history and encourages the reader to make their own decisions is a liberating read.
Along with Burleigh and Kershaw he has exposed the monstrosities of the evil regimes ruled by Hitler, Mussolini, Lenin, Stalin, Pol Pot and other tyrants who have murdered at home and abroad. Having extensively studied both right-wing and left-wing tyrannical regimes, Snyder goes onto look at the 2016 presidential campaign and Donald Trump. "Post-truth is pre-fascism," he writes, in one of many passages that seem to cast the US as a society in a pre-fascist stage.
Snyder succinctly suggests that 20 lessons from history are invaluable if we are to avoid democracy collapsing as it did after 1918. History he agrees does not repeat but it does instruct.
In a world where truth, reality and fantasy are thrown into a huge melting pot - having a book that researched facts, presents political history and encourages the reader to make their own decisions is a liberating read.
okletmereviewit (4 KP) rated Margaret Cho: PsyCHO (2015) in Movies
May 11, 2018
she isn't as funny as she use to be
Contains spoilers, click to show
Is it me or has Margaret Cho lost her "funny"? It seems to me that over the course of the last few years that she has become less funny and more mainstream.
Before during with her stand up it was more edgy and hard hitting and funny. Most of her comedy from pre 2003 was amazing and insightful. But now it feels like she just gets on stage and drones on for however long she has been booked.
There were parts of this stand up that were funny, but for the most part it was like sitting in a class waiting for the bell to ring.
Through out her career she has undergone many changes, from coming out to weight loss. And before her comedy reflected the funnier aspects of her life, but now is kind of a sad dribble of what she once was. Don't get me wrong, I will continue to watch her stand up routine in hopes of her making me laugh like she once did. But for right now I don't find her all that funny any more.
Before during with her stand up it was more edgy and hard hitting and funny. Most of her comedy from pre 2003 was amazing and insightful. But now it feels like she just gets on stage and drones on for however long she has been booked.
There were parts of this stand up that were funny, but for the most part it was like sitting in a class waiting for the bell to ring.
Through out her career she has undergone many changes, from coming out to weight loss. And before her comedy reflected the funnier aspects of her life, but now is kind of a sad dribble of what she once was. Don't get me wrong, I will continue to watch her stand up routine in hopes of her making me laugh like she once did. But for right now I don't find her all that funny any more.
Andy K (10826 KP) rated The Lobster (2015) in Movies
Apr 15, 2018 (Updated Apr 15, 2018)
Rather like a trip to the dentist!
The title may suggest I didn't like the film, but that's not correct. I guess I just meant watching a film directed by Yorgos Lanthimos makes you uneasy, awkward and you are not sure what is about to happen. In the case of this film, though, I found it very interesting, surreal, deadpan and funny all at the same time.
The unusual premise involves people checking into a hotel where they 45 days to find love or must become an animal. Colin Farrell and Rachel Weisz navigate their way through this extremely unusual film not for most tastes I would imagine. After recently watching The Killing of a Sacred Deer, i was curious to check this one out and I wasn't disappointed.
The actors must have had a hard time showing little emotion and not cracking up when they sputter the awkward, contrite but witty dialogue and some of the very bizarre situations they find themselves in.
Still, with myriads of films under my belt at this stage in my life, I'll gladly take something original over Fast & Furious 27.
The unusual premise involves people checking into a hotel where they 45 days to find love or must become an animal. Colin Farrell and Rachel Weisz navigate their way through this extremely unusual film not for most tastes I would imagine. After recently watching The Killing of a Sacred Deer, i was curious to check this one out and I wasn't disappointed.
The actors must have had a hard time showing little emotion and not cracking up when they sputter the awkward, contrite but witty dialogue and some of the very bizarre situations they find themselves in.
Still, with myriads of films under my belt at this stage in my life, I'll gladly take something original over Fast & Furious 27.
CHILLFILTR (46 KP) rated Electric Light by James Bay in Music
Jun 5, 2019 (Updated Jun 5, 2019)
https://chillfiltr.com/blog/2019/5/24/james-bay-bad
Bad is the latest single from Electric Light, which is the latest studio album by British singer-songwriter James Bay. He took the world by storm in 2014 when his EP Let It Go debuted on the iTunes album top 10.
Since then, he has shared the stage with Ed Sheeran, performed on the Burberry runway, and toured with Hozier: his star is certainly on the rise, while his classic combination of angelic falsetto and crush-worthy good looks will continue to bring adoring new fans to his side. Produced by Dan Wilson, Bad quickly became a fan favorite after a recent US headline tour this spring. It features the melancholic soul of his powerful tenor voice, as well as a stripped-down roots vibe from the rhythm section that leaves the vulnerability intact - we are left with the painful residue of a tough situation.
Bay says of the track:
'I wanted to be honest about some of my own stories and other stories I was being pulled into. Bad is a break up song, it’s just not my break up.'
Bad is the latest single from Electric Light, which is the latest studio album by British singer-songwriter James Bay. He took the world by storm in 2014 when his EP Let It Go debuted on the iTunes album top 10.
Since then, he has shared the stage with Ed Sheeran, performed on the Burberry runway, and toured with Hozier: his star is certainly on the rise, while his classic combination of angelic falsetto and crush-worthy good looks will continue to bring adoring new fans to his side. Produced by Dan Wilson, Bad quickly became a fan favorite after a recent US headline tour this spring. It features the melancholic soul of his powerful tenor voice, as well as a stripped-down roots vibe from the rhythm section that leaves the vulnerability intact - we are left with the painful residue of a tough situation.
Bay says of the track:
'I wanted to be honest about some of my own stories and other stories I was being pulled into. Bad is a break up song, it’s just not my break up.'