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Mars Attacks! (1996)
Mars Attacks! (1996)
1996 | Action, Comedy, Sci-Fi
Lavishly camp black-comedy sci-fi extravaganza. Motivated largely by their innate gittishness, Martians attack the Earth (the clue is in the title), and various people naturally respond in their own personal ways. Much property damage and rather dated mid-90s CGI result.

One of those bizarre mutants that should never really have got past the script stage, let alone received a $70m budget: the release schedule inevitably resulted in it being hailed as a spoof of Independence Day (hard to spoof something that wasn't meant to be taken seriously in the first place), but this is much more a send-up of classic 50s sci-fi B-movies (various spot-on parodies), as well as being a startlingly subversive black comedy. You can also sense Burton trying to do his version of Dr Strangelove, with Nicholson in a multiple role, but it doesn't have anything like the same sharpness or impact. A bit patchy overall - some laugh-out-loud moments and game performances, but also a lot of dead wood and characters and jokes that just don't work. On the whole, though, the fact that films like this still get made suggests hope is not yet lost for the world.
  
Jojo Rabbit (2019)
Jojo Rabbit (2019)
2019 | Comedy, Drama, War
After seeing the trailer for this I was very skeptical. I wondered how Hitler during Nazi Germany times could possibly be funny, even in satire. Truth be told, the only reason I got past that stage was because the movie stars Sam Rockwell, and I'm a sucker for him.

I stand corrected on my initial assessment.

Jojo Rabbit is a hilarious take on the life of a child during Nazi reign in Germany. Adolf Hitler is represented as an imaginary friend of a young man who is coming into his own. I know, this seems wicked dark and awful at the same time. But the way that it's approached by the film makers creates an environment that educates and enlightens to the times that were lived by the people of Germany while making it a bit lighter so that it doesn't weigh down all of your emotions to the point of not being able to carry them.

There are some very serious moments and I wouldn't recommend watching with young children (that should be a given if you watched the trailer). However, it is well worth a watch, or even a second. The acting alone is worth a second look.
  
Van Halen by Van Halen
Van Halen by Van Halen
1978 | Rock
8.5 (2 Ratings)
Album Favorite

"If you're thinking I don't seem like a big Van Halen guy, then you'd be right. I liked parts of what they did, but what this is really about is a moment in 2017. Whenever Spoon play, we'll go through the same process in the build-up to stage time. The clock is ticking, we're sipping tequila and we're blasting music, turning it up a little louder with each track. The tour manager comes in, tells us we've got five minutes, and then it's time to pick one last song before we go on. For a while, this was it. It got us going! It was Alex (Fischel) who picked it, I think. It's sort of a David Lee Roth mission statement; all those fucked up lyrics, ""my love is rotten to the core,"" and ""you're semi-good looking."" We've had other pump-up songs - it was 'I Wish' by Stevie Wonder for a while - but this is one of those ones that makes you appreciate the art of the riff. You have to write a lot of them before you land on one this good. It's pure '70S rock and roll. I feel like we need some more of that nowadays."

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Everything You Ever Wanted To Know About Silence by Glassjaw
Everything You Ever Wanted To Know About Silence by Glassjaw
2000 | Alternative, Metal, Rock
(0 Ratings)
Album Favorite

"This record was so, so important to me. My friend went to see Slipknot play an instore show at a Virgin Megastore and he came back with this tape with The Workhorse Movement on one side and Glassjaw on the other, essentially Roadrunner Records trying to pitch their next big acts. He gave me the tape saying 'This is fucking rubbish, you should just have it,' and I listened to Workhorse movement and thought it was the worst thing I'd ever heard. But then I listened to Glassjaw and it was so raw and pure, it had that same urgency that I thought Nirvana must have had in the day, no frills, no production to hide behind, it was stripped back so there was no cloak, just dagger. I listened to this album until my CD didn't work anymore. I loved the whole story behind Glassjaw too, how Ross Robinson went and saw them play 30 seconds of a song, told them to stop and then they had a fight with him. It's rock & roll perfection. At that stage I'd played in a couple of bands but I was just taking music in. You're open at that age to everything, and this just really poured in."

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