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Heather Cranmer (2721 KP) created a post

Sep 9, 2020

Sneak a peek at THE EDGE OF BELONGING, a Christian contemporary fiction novel, by Amanda Cox on my blog. Be sure to enter the GIVEAWAY to win a copy of the book, a fern tote bag, and a $25 or $10 Barnes & Noble gift card - three winners!

https://alltheupsandowns.blogspot.com/2020/09/book-blog-tour-and-giveaway-edge-of.html

**BOOK SYNOPSIS**
When Ivy Rose returns to her hometown to oversee her late grandmother's estate sale, she soon discovers that the woman left behind more than trinkets and photo frames—she provided a path to the truth behind Ivy's adoption. Shocked, Ivy seeks clues to her past, but a key piece to the mystery is missing.

Twenty-four years earlier, Harvey James finds an abandoned newborn who gives him a sense of human connection for the first time in his life. His desire to care for the baby runs up against the stark fact that he is homeless. When he becomes entwined with two people seeking to help him find his way, Harvey knows he must keep the baby a secret or risk losing the only person he's ever loved.

In this dual-timeline story from debut novelist Amanda Cox, the truth—both the search for it and the desire to keep it from others—takes center stage as Ivy and Harvey grapple with love, loss, and letting go.

Kudos Comment

LoganCrews (2861 KP) rated House of 1000 Corpses (2003) in Movies

Oct 9, 2020

Has there ever been another movie that more profoundly screams "Halloween" than this one? If there is, I have yet to see it. A front-to-back phantasmagoria of blood, ick, and some of the all-time greatest horror movie imagery you'll ever see: what can only be described as a carnival of pure filth sprawled out in the form of a feature length Rob Zombie music video - the increasing amounts of bonkers gore, the unforgettable and outright euphoric production design, the horror-ready cast all grotesquely dolled up, the sheer headstrong devotion to being as revolting as can be all interspliced with film-grained smut footage, diagnostic seething Zombie tunes, and 50s/60s primetime television spookiness. Every frame just oozes old school shock and terror, a clear love letter to the sweaty stuck pig that was the 70s horror film meets a neon-soaked greasy stage provocation. Plus it's funny as hell, too. It's so eager to bash its brains up against the wall to please, the copious amounts of passion and work that went into this is always apparent on the screen - quite possibly the most self-assured and satisfying debut since the previous year's 𝘛𝘩𝘦 𝘚𝘪𝘹𝘵𝘩 𝘚𝘦𝘯𝘴𝘦. A tremendous time inside and out that could only be possible by a seasoned visual + audible horror maestro and forever one of my go-to movies for the October season.