Search
Search results
Bob Mann (459 KP) rated Ghost Stories (2018) in Movies
Sep 29, 2021
In that sleep of death, what dreams may come.
“Ghost Stories” is based on the spooky London West-End stage play by Jeremy Dyson and Andy Nyman who both write and direct the film version. I didn’t know this until the end credits, but began to wonder in the final act where the action suddenly becomes very “stagey” in nature. The screenplay was always bound to be both bizarre and intriguing, since Dyson has been a past contributor to TV’s “League of Gentlemen” and other equally surreal programmes and Nyman has been a major collaborator with the stage-illusionist Derren Brown.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Concerned Ape's Haunted Chicolatier
Video Game Watch
Hey everyone, After dedicating 10 years of my life to Stardew Valley (and counting), the time has...
Concerned Ape Haunted Chocolatier Stardew Valley
Charlotte (209 KP) rated Black Mirror - Season 4 in TV
Jan 4, 2018
each episode is unique and interesting in their own right (the only slight exception to this rule is the final episode, Black Museum, which makes a few references to those that precede it) (4 more)
humour seems to play a slightly larger role in this season, although do not be fooled!! it's certainly not a lighthearted series
FEMALE LEAD IN EVERY EPISODE !!!!!!!!!!!!!!!!! this isn't something that i should have to celebrate but it was really refreshing to be able to watch a series (especially a sci fi series??) with a variety of convincing female characters
incredibly thought provoking and relevant in the modern world
dark, terrifying, heartbreaking, funny and thrilling in equal measures
still being in the honeymoon stage with this season means i'm struggling to find major flaws- some of the concepts were ones i'd considered before (am i just really paranoid???) so did not find them as unique as i could have [cont.] (1 more)
[cont. from above] HOWEVER this made some of them more interesting as i got to see these ideas brought to life and considered from a really interesting perspective!!
black mirror is my favourite show so please do excuse a certain bias here, i am trying to remain neutral!! this season was highly awaited and i watched it all of the way through twice within the first 48 of its release- you might call that dedication but this was very much influenced by being very ill and unable to move (every cloud, eh??) THAT SAID, i would highly recommend watching each episode again after you've seen the series to spot the hints and sinister details that may have slipped by unnoticed the first time round!!
The Failure of the southern column to continue to advance north after the battle of Rosebud set the stage for the annihilation of George Armstrong Custer and his five companies of the 7th Calvary at the Little Big Horn. For nearly 150 years everything possible has been written except the true causes and culprits of the bloody fiasco at the Little Big Horn on June 25, 1876, that shocked the American nation like no other post-Civil War event. Dr. Tucker has relied primarily on source material to expose those individuals American's leading military and civilian officials, who were most responsible for the greatest military disaster. Revealing the Machiavellian currents, dark threads that had artificially manufactured against the Sioux by America's top leaders, including the president, to gain their territory of the Black Hills. He provides with a new understanding of why Custer died on that mountaintop with his most faithful followers. This book brings the reader closer to understanding exactly what occurred on that fateful day that left one man standing and the rest 7th Calvary and Custer dead in the dirt. This book does cover some of the previous books written but you can tell that Dr. Tucker took the time to research further not completely satisfied with the consciences the previous researchers on the Little Big Horn or the life of Custer. I highly recommend this book to anyone who is interested in post-civil war history, military history or Custer. The overall view was quite refreshing in the fact it covers how much was honestly lost that day not just the dead of those men.
Mark @ Carstairs Considers (2165 KP) rated Staging is Murder in Books
May 1, 2019
Starting a New Business is Murder
Laura Bishop is just getting her home staging business off the ground, and she is thrilled to land Victoria Denton as her first client. Victoria can make her reputation in their small Pennsylvania town. Unfortunately, Victoria also has a reputation for being hard to work with, and Laura is finding that all too true. Working late one night, Laura is shocked to find Victoria’s dead body. When the police arrest Laura’s assistant, she decides she needs to look into the crime to find out what really happened. But can she do it?
Since this is the first in a new series, we get to meet quite a few new characters here. I enjoyed Laura and her friends, although they do have a little room to grow as the series progresses. The plot starts off strong, but bogs down a bit as Laura struggles to figure out how to start her investigation. Not that I can say much since I identify with her struggle. Once she gets moving, thanks in part to some blunt questions from her friends (again, too much like me), the story picks up and I was fully on board. The climax was creative and answered all our questions. Laura is a mystery fan herself, and I enjoyed her comparing herself to the main characters in the books she’s read. Each chapter starts with tips on staging your home, and they made me very thankful that I am not planning on selling my condo any time soon due to all the work involved. I’ll just enjoy reading about Laura’s efforts to stage houses and solve mysteries.
Since this is the first in a new series, we get to meet quite a few new characters here. I enjoyed Laura and her friends, although they do have a little room to grow as the series progresses. The plot starts off strong, but bogs down a bit as Laura struggles to figure out how to start her investigation. Not that I can say much since I identify with her struggle. Once she gets moving, thanks in part to some blunt questions from her friends (again, too much like me), the story picks up and I was fully on board. The climax was creative and answered all our questions. Laura is a mystery fan herself, and I enjoyed her comparing herself to the main characters in the books she’s read. Each chapter starts with tips on staging your home, and they made me very thankful that I am not planning on selling my condo any time soon due to all the work involved. I’ll just enjoy reading about Laura’s efforts to stage houses and solve mysteries.
Miguel Covarrubias (143 KP) rated Game Of Thrones - Season 8 in TV
May 26, 2019
The Ingredients were mixed in the bowl without being baked.
The buildup to the climaxes of the previous seasons hand our expectations at an all time high. For those of us who became invested in the story and the characters, we were supremely let down. This season could have benefited from more time. When everything seems rushed it doesn't give enough time for things to be fulfilled and wrapped up in an emotionally satisfactory way.
The writers were unable to "Kill their darlings". You could tell they only wanted to jump from their favorite plot point to their favorite plot point without any or little explanation of how they got there. The same plot points could have been reached and been plausible had there been enough time to develop.
The entire season seemed to be half baked. It built well to a very underwhelming climax of the battle of Winterfell which made everything after that felt like a poor excuse for denouement. Some of the heroes that they spent 8 years developing became poor shadows of themselves in order to accomplish what the writers wanted. We received good ingredients but not being mixed well or even cooked to become something good, it fell horribly flat.
It also seemed like the wrong medium for this type of adaptation. It could have used more time to develop for screen what worked well in the books, instead it turned into a poor excuse for a stage show.
The writers were unable to "Kill their darlings". You could tell they only wanted to jump from their favorite plot point to their favorite plot point without any or little explanation of how they got there. The same plot points could have been reached and been plausible had there been enough time to develop.
The entire season seemed to be half baked. It built well to a very underwhelming climax of the battle of Winterfell which made everything after that felt like a poor excuse for denouement. Some of the heroes that they spent 8 years developing became poor shadows of themselves in order to accomplish what the writers wanted. We received good ingredients but not being mixed well or even cooked to become something good, it fell horribly flat.
It also seemed like the wrong medium for this type of adaptation. It could have used more time to develop for screen what worked well in the books, instead it turned into a poor excuse for a stage show.
Ande Thomas (69 KP) rated The Name of the Wind in Books
May 30, 2019
<i>The Name of the Wind</i> is a great start to a promising series. The world of Temerant feels rich and full and unpacking the histories it holds feels like it could go on forever. Sometimes I can get a bit weary of ubermensch protagonists, but Kvothe, despite being a virtuoso lute player, a prodigy arcanist, and a deft actor to boot, doesn't ever come off as invincible. He's relatable, likable, and awkward at times, in the most lovable way possible.
I don't consider myself a high fantasy fan. I generally tend to prefer a more grounded world, even just loosely, to the limitless possibilities of magic. But I <b>love</b> the way it's presented here. I love how physical Temerant's magic is. There's a tangibility to it. Not only does it require physical material, but it inflicts a physical toll on the caster. There are real consequences to it, and it relies more on quick thinking and an alchemy-like knowledge over spell memorization and gestures.
One of the only things I can hold against the author is how many times we, the reader, simply "can't understand." Never been poor? You can't understand. Not a musician? Can't understand. If you've never been in a dark cave, if you've never seen Denna, if you've never been on stage. It's a very lazy way to explain something. <i>Make us understand.</i> It's why we read. So we can reach outside of our own experiences. I can only hope he moves past his crutches in the next book because I'm really enjoying Kvothe's story.
I don't consider myself a high fantasy fan. I generally tend to prefer a more grounded world, even just loosely, to the limitless possibilities of magic. But I <b>love</b> the way it's presented here. I love how physical Temerant's magic is. There's a tangibility to it. Not only does it require physical material, but it inflicts a physical toll on the caster. There are real consequences to it, and it relies more on quick thinking and an alchemy-like knowledge over spell memorization and gestures.
One of the only things I can hold against the author is how many times we, the reader, simply "can't understand." Never been poor? You can't understand. Not a musician? Can't understand. If you've never been in a dark cave, if you've never seen Denna, if you've never been on stage. It's a very lazy way to explain something. <i>Make us understand.</i> It's why we read. So we can reach outside of our own experiences. I can only hope he moves past his crutches in the next book because I'm really enjoying Kvothe's story.
Kyera (8 KP) rated Jem and the Holograms: Infinite in Books
Feb 1, 2018
I've never seen the original tv show, but I discovered the Jem and the Holograms comics in my local comic book store and fell in love. Our main character Jerrica and her sisters Kimber, Aja and Shana are all in a band together - there's only one problem. Jerrica has major stage fright and can't perform in front of people. Thankfully their dad was a genius who created realistic hologram technology, which (although not its intended purpose) allows Jerrica to take on an alternate identity, Jem. This rockstar persona allows Jerrica to perform onstage and of course, shenanigans ensue over the course of the plotline.
As a singer myself, I really related to Jerrica because I don't like performing in front of people. I don't know if I could do what she does as Jem, even with the hologram technology but it's fascinating to think about. Despite the fact that it's a comic run and writers don't have the real estate to develop a world and their characters as much as authors can in their books, I still feel that the series is very well done. They tackle personal and social issues, which are so important and make the characters feel more authentic.
This particular bind up deals with a sci-fi style adventure they go off on and doesn't take place in their original universe. As a result, I would recommend beginning the comics series from the start and eventually delving into this storyline. It was very enjoyable and I liked it more than some of the previous storylines, so I would highly recommend it.
As a singer myself, I really related to Jerrica because I don't like performing in front of people. I don't know if I could do what she does as Jem, even with the hologram technology but it's fascinating to think about. Despite the fact that it's a comic run and writers don't have the real estate to develop a world and their characters as much as authors can in their books, I still feel that the series is very well done. They tackle personal and social issues, which are so important and make the characters feel more authentic.
This particular bind up deals with a sci-fi style adventure they go off on and doesn't take place in their original universe. As a result, I would recommend beginning the comics series from the start and eventually delving into this storyline. It was very enjoyable and I liked it more than some of the previous storylines, so I would highly recommend it.
Debbiereadsbook (1166 KP) rated The Princess of Draga (Draga Court #1) in Books
Feb 28, 2018
a slow burner
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
A bit of a slow burner, long build up kinda book, this one!
It reminds me a little of reading Game of Thrones, NOT in the content, not at all but in the way the stage is set with many players, who have their own agendas. Many players who have a say. Many players who did NOT get a say too!
But my overwhelming reaction to finishing this was, I missed something. Something was missing and I cannot figure out what.
There is a book before this one, Royal Guard of Draga, but reading the blurb, it isn't what I'm missing. I think what I'm missing is more history of Draga, more about the original invasion of the Neprijat monsters who have returned to take over the galaxy. We get bits and pieces, but not enough for me to get the whole picture, the whole history. Maybe that will come with future books, I dunno. That's just how I feel, and ya'll know I love to share how I feel!
I did think it would be a little more on the explicit side, given how we are introduced to Nadyah and why she is in court with Adelina, but it isn't overly.
It's a GOOD book, well written from lots of those players, it just didn't grab me and it took far longer for me to read the 276 pages than it should have. Maybe book two will be better. Off to read it now!
A good solid 3 stars
**same worded review will appear elsewhere**
A bit of a slow burner, long build up kinda book, this one!
It reminds me a little of reading Game of Thrones, NOT in the content, not at all but in the way the stage is set with many players, who have their own agendas. Many players who have a say. Many players who did NOT get a say too!
But my overwhelming reaction to finishing this was, I missed something. Something was missing and I cannot figure out what.
There is a book before this one, Royal Guard of Draga, but reading the blurb, it isn't what I'm missing. I think what I'm missing is more history of Draga, more about the original invasion of the Neprijat monsters who have returned to take over the galaxy. We get bits and pieces, but not enough for me to get the whole picture, the whole history. Maybe that will come with future books, I dunno. That's just how I feel, and ya'll know I love to share how I feel!
I did think it would be a little more on the explicit side, given how we are introduced to Nadyah and why she is in court with Adelina, but it isn't overly.
It's a GOOD book, well written from lots of those players, it just didn't grab me and it took far longer for me to read the 276 pages than it should have. Maybe book two will be better. Off to read it now!
A good solid 3 stars
**same worded review will appear elsewhere**
Awix (3310 KP) rated Mothra (1961) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
You're going to need some bigger mothballs
The film that sets the standard for rampaging-giant-mystic-butterfly pictures is one of the best Toho monster movies, clearly owing a debt to King Kong but adding a lovely veneer of charming Japanese weirdness to the recipe. Evil Rosilicans (i.e., Americans) gatecrash a Japanese expedition to a mysterious island and end up kidnapping the twin fairies in charge of the place and forcing them to appear in a stage musical (this film has some banging tunes, by the way). Disgruntled natives wake up Mothra, butterfly-god protector of the island, who promptly heads for Japan to express displeasure as only a 180 metre long larva can.
Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.
Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.