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Mark @ Carstairs Considers (2165 KP) rated Murder in the Bayou Boneyard in Books
Sep 9, 2020
Graveside Murder
In an effort to increase bookings at her family’s Louisiana bed and breakfast during October, Maggie Crozat has come up with the “Pelican’s Spooky Past” promotion. Five of the area B & B’s are teaming up and offering historical crafts, food, and other promotions to tie in to the season. Someone else has gotten into the act since guests keep siting a rougarou, a local legendary monster. One of the events during the month is a play being staged at a nearby dilapidated graveyard. The first couple of weekends, the play goes well, but then at one performance someone in a rougarou costume stumbles onto the stage and dies. As cross jurisdictional strife heats up, Maggie and her family find themselves caught in the middle as prime suspects. Can Maggie clear their names?
Reading this series always makes me want to visit Louisiana in person, and this book is no exception. I also appreciate how we learn something about local customs, legends, and food while we read. The plot is strong with plenty of twists and action to keep us engaged and guessing. I do have a couple of niggles with the climax, but they are minor overall. The characters are as wonderful as ever. I love seeing the regulars again and watching them and their relationships grow. Meanwhile, the suspects are just as strong as the series regulars. Those looking for some Cajun flavor in their life will enjoy the five recipes we get at the end of the book. Fans of the series will enjoy the latest book, and if you are new to the series, this will make you go back and read the books you’ve missed.
Reading this series always makes me want to visit Louisiana in person, and this book is no exception. I also appreciate how we learn something about local customs, legends, and food while we read. The plot is strong with plenty of twists and action to keep us engaged and guessing. I do have a couple of niggles with the climax, but they are minor overall. The characters are as wonderful as ever. I love seeing the regulars again and watching them and their relationships grow. Meanwhile, the suspects are just as strong as the series regulars. Those looking for some Cajun flavor in their life will enjoy the five recipes we get at the end of the book. Fans of the series will enjoy the latest book, and if you are new to the series, this will make you go back and read the books you’ve missed.
LoganCrews (2861 KP) rated Children of a Lesser God (1986) in Movies
Sep 19, 2020
Unfortunately doesn't come out entirely unscathed from stage to screen, a touch too long and a touch too slow for this to be consistently potent - and some segments are a bit too writerly even for me as well as the occasional Broadway banality here and there that sort of brings this to a lull in the middle. But all the same, this is surprisingly complex and fragile filmmaking on the subject for 1986. On a technical note the music and visuals are hushed rhapsody together, and I particularly admire how there's an expressive intimacy in the conversations Hurt has with deaf characters whereas there's this palpably cold distance in the ones he has with hearing ones - an aspect that seems almost intrinsic. And on that note I also have to appreciate how it confronts Hurt's fixer mentality *as well as* Matlin's resistant anger rather than making the deaf character ultimately bend to the will of the 'virtuous helper' 'for their own good'. William Hurt is sensational, and Marlee Matlin is in one of the top-tier greatest performances of the 80s - the fact that they self-gratifyingly gave her their pity award and then immediately refused to cast her in much else is evidence #18,000 on why the Oscars are rancid bullshit. On top of all of that it's packed with awesome scenes and it's just a damn good romance... though if I have one more quibble: do the hearing characters really need to repeat aloud every fucking thing the deaf characters sign to them to absolutely no one at all but themselves like they're talking to a toddler? This really couldn't have been subtitled? But I digress, I still cried multiple times so we aight.
LoganCrews (2861 KP) rated Joji Presents: The Extravaganza (2020) in Movies
Nov 27, 2020 (Updated Nov 27, 2020)
Not as good as Hair Cake. In seriousness, as someone who firmly believes that FIlthy Frank was perhaps the single greatest online entertainer who ever lived - something this casual was always going to seem like a downgrade for me as opposed to his former persona's caustic, over-the-top antics. But I also really enjoy Joji and feel he's similarly unique in a different way - one of which I dig quite a lot. Ballads 1 and Nectar have some *banger* songs on them that I regularly put on repeat so I was fully ready to have fun with this. But what was marketed as a dark spin on a circus stage performance meets a lite version of The Eric Andre Show ended up being a rather low-energy, repetitive slog that stretches at barely over an hour. I'm still not even sure what the point of this was, the only half-inspired bit was Run (and maybe Sanctuary yet it seemed so telegraphed) but other than that it's a collection of confusingly samey (though never bad) live renditions of songs that you get no benefit of seeing performed here as opposed to hearing/seeing them on the albums or music videos. Joji's downtrodden, walking broken heart persona (which - by the way - I love) tries to mix with this high-energy would-be attention grabber and truthfully it doesn't work or come even close to justifying the ticket price. The costumes and songs are still rock-solid even though two or three of them just feel like the same track. It makes me happy to see George's newfound success in something he's so passionate about, but this was a misfire imo. Alas, not even Joji performing Tick Tock as a 𝘋𝘦𝘴𝘱𝘪𝘤𝘢𝘣𝘭𝘦 𝘔𝘦 minion can save it. God-tier ending, though - why wasn't the whole thing more like that?
Bong Mines Entertainment (15 KP) rated Keeper - Single by Olivia Nelson in Music
Jun 25, 2019
Olivia Nelson is a 23-year-old singer-songwriter based in East London. Not too long ago, she released an honest R&B tune, entitled, “Keeper”, the third track from her upcoming EP.
“I hope he cracks your back and treats you better than he did to me. I hope he builds a bridge and gets over his insecurities. I’m so over the complications, over the not letting go. I’m ready to move on, ready to open the door. And she’s a keeper if she can deal with all your sh*t. No, I wasn’t the one, wasn’t no fun to play with.” – lyrics
‘Keeper’ tells a straightforward tale of a young woman who sends her ex-beau an evergreen message.
Apparently, not too long ago, the once budding couple called it quits. Their breakup occurred because she lived in a fairytale world while he simultaneously dated someone else.
Later, after healing from her heartache, she tells her ex to keep his new girl close because she’s the only one who will deal with his shenanigans.
‘Keeper’ contains a bittersweet storyline, ear-welcoming vocals, and funky instrumentation flavored with contemporary R&B and neo-soul elements.
“It’s a message to his new girlfriend. A warning of what’s potentially to come.” – Olivia Nelson
Olivia Nelson blossomed after releasing her collaborative debut, “Someone That You Love”, which has amassed over 15M streams; and her standalone single, “Smother Me”, has over 1M streams online.
She is labeled one of British R&B’s most exciting new talents and set to perform on the BBC Introducing Stage at Reading & Leeds Festival this year. Followed by her own headline show at Hoxton Bar & Kitchen in London on October 15, 2019.
“I hope he cracks your back and treats you better than he did to me. I hope he builds a bridge and gets over his insecurities. I’m so over the complications, over the not letting go. I’m ready to move on, ready to open the door. And she’s a keeper if she can deal with all your sh*t. No, I wasn’t the one, wasn’t no fun to play with.” – lyrics
‘Keeper’ tells a straightforward tale of a young woman who sends her ex-beau an evergreen message.
Apparently, not too long ago, the once budding couple called it quits. Their breakup occurred because she lived in a fairytale world while he simultaneously dated someone else.
Later, after healing from her heartache, she tells her ex to keep his new girl close because she’s the only one who will deal with his shenanigans.
‘Keeper’ contains a bittersweet storyline, ear-welcoming vocals, and funky instrumentation flavored with contemporary R&B and neo-soul elements.
“It’s a message to his new girlfriend. A warning of what’s potentially to come.” – Olivia Nelson
Olivia Nelson blossomed after releasing her collaborative debut, “Someone That You Love”, which has amassed over 15M streams; and her standalone single, “Smother Me”, has over 1M streams online.
She is labeled one of British R&B’s most exciting new talents and set to perform on the BBC Introducing Stage at Reading & Leeds Festival this year. Followed by her own headline show at Hoxton Bar & Kitchen in London on October 15, 2019.
Emma @ The Movies (1786 KP) rated Suburbicon (2017) in Movies
Sep 25, 2019
Suburbicon is a peaceful, idyllic, suburban community with affordable homes and manicured lawns -- the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town's dark underbelly of betrayal, deceit and violence.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.
Emma @ The Movies (1786 KP) rated Mary Queen of Scots (2018) in Movies
Sep 25, 2019
January is proving to be a challenging month, so many historical and biographical movies and a lot of me saying "this was great but..."
Scrolling back through Saoirse Ronan's acting career I've only actually seen her in two things, Lady Bird and City Of Embers (which for the life of me I cannot remember her in), and I can't say that I was going in as a fan, but I came out pleasantly surprised by her powerful portrayal of Mary.
The cast in this is brilliant, so many recognisable faces. Ian Hart, Gemma Chan, David Tennant (not initially so recognisable until he starts to speak), Brendan Coyle and Joe Alwyn who is clearly hedging his bets by appearing in The Favourite as well.
Margot Robbie is wonderful, just generally, and I love so many of her roles. I do feel like she was rather underused as Elizabeth, but thankfully her brief appearances were quite striking.
I was so happy to see Adrian Lester's name connected to this. I'm slightly obsessed with Hustle, and his stage and screen work is usually something tremendously entertaining to watch. However, I didn't feel that the script allowed him to get anything good out of Lord Randolph sadly. Guy Pearce fared much better and gave an impressive performance.
Visually the locations and costumes make for a magnificent film, but while I wasn't bored at any point it does feel like it could have lost a few minutes here and there.
What you should do
It's worth giving a watch at some point but I don't think there's any rush to get to the cinema for it.
Movie thing you wish you could take home
Some quality Mary ginger hair... maybe without the halo of volume.
Scrolling back through Saoirse Ronan's acting career I've only actually seen her in two things, Lady Bird and City Of Embers (which for the life of me I cannot remember her in), and I can't say that I was going in as a fan, but I came out pleasantly surprised by her powerful portrayal of Mary.
The cast in this is brilliant, so many recognisable faces. Ian Hart, Gemma Chan, David Tennant (not initially so recognisable until he starts to speak), Brendan Coyle and Joe Alwyn who is clearly hedging his bets by appearing in The Favourite as well.
Margot Robbie is wonderful, just generally, and I love so many of her roles. I do feel like she was rather underused as Elizabeth, but thankfully her brief appearances were quite striking.
I was so happy to see Adrian Lester's name connected to this. I'm slightly obsessed with Hustle, and his stage and screen work is usually something tremendously entertaining to watch. However, I didn't feel that the script allowed him to get anything good out of Lord Randolph sadly. Guy Pearce fared much better and gave an impressive performance.
Visually the locations and costumes make for a magnificent film, but while I wasn't bored at any point it does feel like it could have lost a few minutes here and there.
What you should do
It's worth giving a watch at some point but I don't think there's any rush to get to the cinema for it.
Movie thing you wish you could take home
Some quality Mary ginger hair... maybe without the halo of volume.
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