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Yu-Gi-Oh! Duel Links
Games and Entertainment
App
Take on global Duelists in real-time and while on the go with "Yu-Gi-Oh! Duel Links"! - Star-studded...
Demi Lovato: Path to Fame
Games and Entertainment
App
New Season! DEMI LOVATO: PATH TO FAME -- In Season 3: Confidently Me, you star in your very own...
The Byline Bible
9.0
Rate It
Book
Newspaper, magazine, and web editors are desperate for new voices and anyone, in any field, can...
The Sugarless Plum
10.0
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Book
It started as the perfect story. Zippora Karz was a member of the famed New York City Ballet by the...
Running to the Edge
Book
Visionary American running coach Bob Larsen assembled a mismatched team of elite California runners...
American Woman (2019)
Movie
A political activist (Hong Chau) helps take care of a group of America’s most wanted fugitives —...
Bob Mann (459 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Sep 28, 2021
“1, 2, You know what to do”.
I’ve put off watching this movie, since the subject matter didn’t immediately grab me. But I’m glad I caught it, since I really enjoyed it. All in all, it feels a little surprising in retrospect that “Ma Rainey’s Black Bottom” didn’t make the Oscar “Best Picture” list.
Positives:
I really wanted to put down all of the ‘Oscar buzz’ about the late Chadwick Boseman to a mawkish sentimentality about the actor’s tragic passing (which sounds disrespectful, but is not intended to). But having seen the performance as Levee, I take it all back. He’s stunning in the role and thoroughly deserves not only the Oscar nomination, but potentially also the win. A monologue about a traumatic childhood experience is Oscar-clip gold. What a way to ‘go out on a high’.
Viola Davis has a miraculous transformation as the historical singer in the twilight of her career. When you see her doing interviews (there is a very good 30 minute “Making of” documentary on Netflix), it’s almost impossible to believe that she is the same actress.
There are some great supporting performances as well: Glynn Turman as Toledo is great; and Taylour Paige is memorably sexy as the love interest (surprisingly) of two of the leads.
Both the production design and the costume/hair design are exquisite: no more so than in the gorgeous opening scene of the performance in the tent. Again, very deserving of their Oscar nominations.
There are some great directorial flourishes by Wolfe. One of my favourite scenes has Boseman finally breaking down a mystery door to find…. well, no spoilers, but it is a metaphor for Levee’s own struggles against life.
Negatives:
Just as in another August Wilson adaptation, “Fences” (and indeed in the recent “One Night in Miami”), the production feels like a filmed stage play. The forward motion of the movie keeps stopping for monologues by some of the characters (albeit brilliant ones in many cases).
Positives:
I really wanted to put down all of the ‘Oscar buzz’ about the late Chadwick Boseman to a mawkish sentimentality about the actor’s tragic passing (which sounds disrespectful, but is not intended to). But having seen the performance as Levee, I take it all back. He’s stunning in the role and thoroughly deserves not only the Oscar nomination, but potentially also the win. A monologue about a traumatic childhood experience is Oscar-clip gold. What a way to ‘go out on a high’.
Viola Davis has a miraculous transformation as the historical singer in the twilight of her career. When you see her doing interviews (there is a very good 30 minute “Making of” documentary on Netflix), it’s almost impossible to believe that she is the same actress.
There are some great supporting performances as well: Glynn Turman as Toledo is great; and Taylour Paige is memorably sexy as the love interest (surprisingly) of two of the leads.
Both the production design and the costume/hair design are exquisite: no more so than in the gorgeous opening scene of the performance in the tent. Again, very deserving of their Oscar nominations.
There are some great directorial flourishes by Wolfe. One of my favourite scenes has Boseman finally breaking down a mystery door to find…. well, no spoilers, but it is a metaphor for Levee’s own struggles against life.
Negatives:
Just as in another August Wilson adaptation, “Fences” (and indeed in the recent “One Night in Miami”), the production feels like a filmed stage play. The forward motion of the movie keeps stopping for monologues by some of the characters (albeit brilliant ones in many cases).
Wolves Always Bite (Willow Lake Supernaturals #2)
8.0
Rate It
Book
What’s a simple human to do when he discovers supernatural beings are real? Ask many, many, many...
MM Paranormal Romance
DaveySmithy (107 KP) rated Wicked (2024) in Movies
Dec 3, 2024
A Magical, If Slightly Uneven Journey
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.
Lucy Buglass (45 KP) rated Ghost Stories (2018) in Movies
Jun 20, 2019
For years, mankind has pondered over the existence of ghosts, demons and the paranormal. Many have claimed to have experienced it firsthand, while others dedicate their lives and careers to debunking those experiences. It seems to be a question that no one has been able to answer or prove one way or the other, and this fear of the unknown has been the basis of a number of popular horror stories.
Based on the stage play of the same name, ‘Ghost Stories’ follows skeptic Professor Phillip Goodman’s (Nyman) investigation of three unsolved cases, each one detailing a different haunting. After meeting with his idol and fellow skeptic Charles Cameron, and feeling deflated when he begins to question his lifelong skepticism, Goodman meets with former night watchman Tony Matthews (Whitehouse), teenager Simon Rifkind (Lawther), and businessman Mike Priddle (Freeman) to learn about their firsthand experiences with the supernatural. The film is split into three segments, allowing each character to explain their case through the use of flashbacks where we get to see exactly what happened to the characters.
Throughout these flashbacks, Nyman and Dyson have utilised a number of popular horror techniques that will make you jump out of your seat, or hide behind your hands. There’s a serious feeling of unease throughout the entire film, and you have no idea what’s going to happen next. Even as an avid fan of the genre, I found myself genuinely terrified during a large portion of the film. ‘Ghost Stories’ knows exactly how to pace a horror film, and how to leave an audience uncomfortable yet unable to look away from the screen. Whilst the jump scare is inevitable, the film doesn’t overuse these and instead finds ways to build tension and fear, which actually heightens the experience because you find yourself trying to predict when something’s going to pop out at you. It leaves you on edge for the entire ninety minutes, which in my mind, is exactly what a horror film should do.
The stories told by each of the men are gripping, and the actors all do exceptional jobs of portraying their characters. Each of the men interviewed by Goodman are very different in their class backgrounds, beliefs and personalities, but are united in their adamancy that they did experience hauntings and that they left them completely shaken up afterwards. This reinforces the idea that the supernatural can target anyone, and leave anyone feeling helpless. Particular praise has to be given to Alex Lawther; after seeing him in season 3 of ‘Black Mirror’ I had high hopes, and he delivered. He’s certainly one to watch and I look forward to seeing what he gets up to next.
‘Ghost Stories’ is incredibly British in nature, mixing the right amount of dry humour and satire into what is an utterly terrifying experience overall. Other critics have said it’s the best British horror film in years, and I couldn’t agree more. It’s an incredibly gripping story that has a lot of twists and turns, and tugs at all of your heartstrings. Alongside the characters, I went through a number of emotions and felt fully invested in their lives. These are all characters that feel familiar, they’re your average human, which throws realism into the mix. Being able to identify with characters in a horror film makes your fear 100 times worse.
This film is best experienced with as little context as possible, if you walk into it completely blind, I believe you’ll get maximum enjoyment out of it. The trailers have done a great job at keeping it as vague as possible, which was a bonus. There’s nothing worse than trailers giving everything away in a few seconds. ‘Ghost Stories’ does have a twist ending, but I thought this was done brilliantly and I personally was unable to predict it. Nyman and Dyson have put so much effort into crafting an intense, thrilling, mysterious story and it’s seriously paid off. I’m now hoping ‘Ghost Stories’ will be returning to the stage soon, because I’ll be first in line for a ticket!
https://jumpcutonline.co.uk/ghost-stories/
Based on the stage play of the same name, ‘Ghost Stories’ follows skeptic Professor Phillip Goodman’s (Nyman) investigation of three unsolved cases, each one detailing a different haunting. After meeting with his idol and fellow skeptic Charles Cameron, and feeling deflated when he begins to question his lifelong skepticism, Goodman meets with former night watchman Tony Matthews (Whitehouse), teenager Simon Rifkind (Lawther), and businessman Mike Priddle (Freeman) to learn about their firsthand experiences with the supernatural. The film is split into three segments, allowing each character to explain their case through the use of flashbacks where we get to see exactly what happened to the characters.
Throughout these flashbacks, Nyman and Dyson have utilised a number of popular horror techniques that will make you jump out of your seat, or hide behind your hands. There’s a serious feeling of unease throughout the entire film, and you have no idea what’s going to happen next. Even as an avid fan of the genre, I found myself genuinely terrified during a large portion of the film. ‘Ghost Stories’ knows exactly how to pace a horror film, and how to leave an audience uncomfortable yet unable to look away from the screen. Whilst the jump scare is inevitable, the film doesn’t overuse these and instead finds ways to build tension and fear, which actually heightens the experience because you find yourself trying to predict when something’s going to pop out at you. It leaves you on edge for the entire ninety minutes, which in my mind, is exactly what a horror film should do.
The stories told by each of the men are gripping, and the actors all do exceptional jobs of portraying their characters. Each of the men interviewed by Goodman are very different in their class backgrounds, beliefs and personalities, but are united in their adamancy that they did experience hauntings and that they left them completely shaken up afterwards. This reinforces the idea that the supernatural can target anyone, and leave anyone feeling helpless. Particular praise has to be given to Alex Lawther; after seeing him in season 3 of ‘Black Mirror’ I had high hopes, and he delivered. He’s certainly one to watch and I look forward to seeing what he gets up to next.
‘Ghost Stories’ is incredibly British in nature, mixing the right amount of dry humour and satire into what is an utterly terrifying experience overall. Other critics have said it’s the best British horror film in years, and I couldn’t agree more. It’s an incredibly gripping story that has a lot of twists and turns, and tugs at all of your heartstrings. Alongside the characters, I went through a number of emotions and felt fully invested in their lives. These are all characters that feel familiar, they’re your average human, which throws realism into the mix. Being able to identify with characters in a horror film makes your fear 100 times worse.
This film is best experienced with as little context as possible, if you walk into it completely blind, I believe you’ll get maximum enjoyment out of it. The trailers have done a great job at keeping it as vague as possible, which was a bonus. There’s nothing worse than trailers giving everything away in a few seconds. ‘Ghost Stories’ does have a twist ending, but I thought this was done brilliantly and I personally was unable to predict it. Nyman and Dyson have put so much effort into crafting an intense, thrilling, mysterious story and it’s seriously paid off. I’m now hoping ‘Ghost Stories’ will be returning to the stage soon, because I’ll be first in line for a ticket!
https://jumpcutonline.co.uk/ghost-stories/
