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Awix (3310 KP) rated Gorgo (1961) in Movies

Feb 12, 2018  
Gorgo (1961)
Gorgo (1961)
1961 | Adventure
7
5.0 (5 Ratings)
Movie Rating
The poster tagline 'Like nothing you've ever seen before' is really pushing it a bit considering this British suitamation movie is composed almost entirely of bits from other, better-known films. Generations of British people have grown up believing they've seen a proper Godzilla film when in fact they were just exposed to this in their childhood. On the other hand, Eugene Lourie also directed The Beast from 20,000 Fathoms, one of the original Godzilla's main inspirations, so you could say he's just repeating himself rather than actually being derivative.

Soundly scripted with a decent twist and pretty good performances, and the devastation of London by Gorgo's mum in the final reel is well-staged. Persistent rumour suggests that a young John Carpenter made an unofficial sequel, Gorgo Vs Godzilla, but no-one seems to know for sure if this even exists - shame, as on the strength of this outing Gorgo and his mum had potential for their own series. Only really of interest to fans of vintage monster movies, but a distinctive and rather distinguished entry to this genre.
  
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John Taylor recommended Monterey Pop (1968) in Movies (curated)

 
Monterey Pop (1968)
Monterey Pop (1968)
1968 |
(0 Ratings)
Movie Favorite

"Take great care with this documentary film of an all-day concert staged by John Phillips in small-town Monterey, California, for it holds within it the greatest single performance by any electric-music instrumentalist you have ever seen, or are likely to: the U.S. debut of the Jimi Hendrix Experience. Known as the man who revolutionized the electric guitar, Jimi Hendrix appears onstage in this film a man possessed. As David Bowie sang in “Ziggy Stardust”: “He could lick ’em by smiling/ He could leave ’em to hang/ They came on so loaded, man/ Well hung and snow-white tan/ . . . He was the nazz/ With God-given ass/ He took it all too far/ But boy could he play guitar.” Never will you see a performance so sensual. There are many great films to be found of Jimi playing, but none to rival this. In Monterey Pop, there are many performances worth watching, seminal, even—Janis Joplin, Otis Redding among them—but they are all just warm-up acts to Jimi, the greatest rock-and-roll star to ever tread the boards."

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The Producers (1967)
The Producers (1967)
1967 | Classics, Comedy
Relentless knockabout bad-taste farce from Mel Brooks. A corrupt theatrical producer and his accountant embark upon a scheme to fraudulently make a fortune by mounting the worst play in history. Promising idea, and the brilliantly-staged opening number from Springtime for Hitler (all dancing SS officers and goose-stepping showgirls) is inspired, but the rest of the film struggles to meet the same standards.

The movie feels like a frenetic mixture of old-fashioned vaudeville and scatter-gun satire; there was probably something curiously dated about it even fifty-odd years ago. While it does acknowledge the counter-culture of the 60s (there's a hippy beatnik character, amongst other things), it doesn't feel like it was made by or for a young audience. Viewers nowadays may not be troubled by deliberately provocative jokes about Hitler or over-sexed pensioners, but jokes about dumb blondes in bikinis and camp transvestites feel a bit uncomfortable. Passes the time amiably, and worth watching just to see Springtime for Hitler in context, but I'd struggle to call it an actual classic.
  
The Thomas Crown Affair (1999)
The Thomas Crown Affair (1999)
1999 | Action, Drama, Mystery
Romantic thriller remake. A daring robbery from a New York museum leads the police and an insurance investigator to suspect insanely wealthy and clever tycoon Thomas Crown, but can the investigator keep her mind on the job when the sparks start a-fizzing between her and the suspect?

The world is made up of people who prefer the Steve McQueen version and those who like this one (and I suppose there are conceivably a few folk who've seen neither): I am in the Brosnan camp, although this film does kind of miss the point that Crown only steals for the fun of it in the original (Brosnan's character clearly appreciates art). Much more of a romantic drama than an actual thriller, but well played and engaging, and the set pieces, when they eventually come, are clever and well-staged. As a chance for Brosnan (then at the apogee of his Bond success) to show his range, it's a qualified success (Crown is another suave, high-living thrill seeker with possible commitment issues), but as a piece of entertainment it does the job.