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Bob Mann (459 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 16, 2021
Relationship between Shaun and Katy (1 more)
Great Shakespearean level of story
Ten rings to rule them all
Positives:
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
BankofMarquis (1832 KP) rated Ant-Man and The Wasp: Quantumania (2023) in Movies
Mar 18, 2023
Middle of the Road Marvel
The good news for long-time, hard core Marvel Cinematic Universe fans is that the next “big bad” in the Marvel Cinematic Universe has been unleashed and we will now get to see “Kang The Conqueror” (in his permutations) battling our heroes for the foreseeable future.
The bad news is that for casual fans – and folks that are just plain tired of the MCU – things are going to get more complex and convoluted as the MCU heads deeper into the “Comic Bookiness” of their source material.
Such is the case with ANT-MAN AND THE WASP: QUANTUMANIA, the 3rd standalone Ant Man film starring Paul Ruud, Evangeline Lilly and Michael Douglas. It is a very “Comic Bookie” film in that it takes the audience to the “Quantum Realm” and all the quirky characters and locations therein.
Director Peyton Reed (who helmed the previous 2 Ant-Man films) leans into this “Comic Bookieness” in that he accents the weird and bizarre and creates comic-book-like panels on the images on the screen. Consequently, this makes the film interesting to look at, but for the most part, there is not much substance under the surface.
For their part, Ruud, Lilly, Douglas, Michelle Pfeiffer (returning from the 2nd Ant-Man film) and newcomer Kathryn Newton (taking over the role of Ruud’s daughter, Cassie) are game in what they are asked to work with and react to (mostly to a green screen with CGI filled in later) and they all are winning (enough) presences on screen to spend a very enjoyable time with.
Jonathan Majors is on-board as Kang the Conqueror (a version of him was seen at the end of the first season of the Disney+ series LOKI) and he brings his considerable acting chops, gravitas and weight to the proceedings. He is a force to be reckoned with which was apparent from almost the first time he commanded the screen in this film. It will be interesting to see where he takes things from here.
The problem with this film is that it is (mostly) style with very little substance. Necessarily, the plot drives a more dramatic, darker theme to this Ant-Man film than in previous outings and the film suffers because of it. One of the charms of the Ant-Man films is that Director Reed was able to lean into the inherent goofiness of Paul Ruud and the absurd idea of him being able to shrink. That quirkiness and sense of fun is gone – as are regular characters played in the past 2 films by the likes of Bobby Canavale, Judy Greer, Randall Park (who has a blink or you’ll miss him cameo) and (most egregiously) Michael Pena.
What they are replaced by are some quirky “Quantum Realm” characters – most of whom are CGI and are voiced by some very good voice performers – it just doesn’t hit the same, since the overall theme is darker. Katy M. O’Brian and William Jackson Harper (who is rounding into a very intriguing performer) bring gusto to their roles as a few members of the Quantum realm, which helps pick up the sagginess of this film, but not enough. Not even a Bill Murray appearance can elevate this film to something funner than it is.
All in all a “fine” entry in the Marvel Cinematic Universe – and one that will remind you very much that you are watching a film based on Comic Book characters – but it falls squarely in the middle of the MCU entries...a catalogue of which is becoming very deep (maybe too deep), indeed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The bad news is that for casual fans – and folks that are just plain tired of the MCU – things are going to get more complex and convoluted as the MCU heads deeper into the “Comic Bookiness” of their source material.
Such is the case with ANT-MAN AND THE WASP: QUANTUMANIA, the 3rd standalone Ant Man film starring Paul Ruud, Evangeline Lilly and Michael Douglas. It is a very “Comic Bookie” film in that it takes the audience to the “Quantum Realm” and all the quirky characters and locations therein.
Director Peyton Reed (who helmed the previous 2 Ant-Man films) leans into this “Comic Bookieness” in that he accents the weird and bizarre and creates comic-book-like panels on the images on the screen. Consequently, this makes the film interesting to look at, but for the most part, there is not much substance under the surface.
For their part, Ruud, Lilly, Douglas, Michelle Pfeiffer (returning from the 2nd Ant-Man film) and newcomer Kathryn Newton (taking over the role of Ruud’s daughter, Cassie) are game in what they are asked to work with and react to (mostly to a green screen with CGI filled in later) and they all are winning (enough) presences on screen to spend a very enjoyable time with.
Jonathan Majors is on-board as Kang the Conqueror (a version of him was seen at the end of the first season of the Disney+ series LOKI) and he brings his considerable acting chops, gravitas and weight to the proceedings. He is a force to be reckoned with which was apparent from almost the first time he commanded the screen in this film. It will be interesting to see where he takes things from here.
The problem with this film is that it is (mostly) style with very little substance. Necessarily, the plot drives a more dramatic, darker theme to this Ant-Man film than in previous outings and the film suffers because of it. One of the charms of the Ant-Man films is that Director Reed was able to lean into the inherent goofiness of Paul Ruud and the absurd idea of him being able to shrink. That quirkiness and sense of fun is gone – as are regular characters played in the past 2 films by the likes of Bobby Canavale, Judy Greer, Randall Park (who has a blink or you’ll miss him cameo) and (most egregiously) Michael Pena.
What they are replaced by are some quirky “Quantum Realm” characters – most of whom are CGI and are voiced by some very good voice performers – it just doesn’t hit the same, since the overall theme is darker. Katy M. O’Brian and William Jackson Harper (who is rounding into a very intriguing performer) bring gusto to their roles as a few members of the Quantum realm, which helps pick up the sagginess of this film, but not enough. Not even a Bill Murray appearance can elevate this film to something funner than it is.
All in all a “fine” entry in the Marvel Cinematic Universe – and one that will remind you very much that you are watching a film based on Comic Book characters – but it falls squarely in the middle of the MCU entries...a catalogue of which is becoming very deep (maybe too deep), indeed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated Mistletoe Miracles (Ransom Canyon #7) in Books
Sep 12, 2018
Lovable Characters (3 more)
Interesting Plot
Great Worldbuilding
Good Pacing
A Clean, Sweet Read
I'm not usually a romance person, but the synopsis for Mistletoe Miracles by Jodi Thomas caught my attention. I'm really glad I read Mistletoe Miracles because I absolutely adored this book. In fact, Mistletoe Miracles may have converted me to be a romance reader. It has definitely made me a Jodi Thomas fan for sure.
The pacing for Mistletoe Miracles was spot on. It wasn't a fast paced book, but it wasn't slow paced either. It moved at a nice relaxing pace, and I found myself loving it.
The plot for Mistletoe Miracles is a sweet one. It was interesting to see each couple's relationship blossom. Mallory is on the run from her abusive ex-boyfriend. She ends up in a car crash. Her dog is also injured in the crash. Little does Jax know he has her dog, but once he figures it out, it's the start of something sweet. Griffin needs a rich bride in order to save his working ranch that's been in the family for generations. Sunlan, a ranch girl herself, is just the right woman to fill that position. She's also looking for someone to take her away from her overbearing father. Wyatt is a soldier just looking for a place to rest while on leave. With everyone assuming he's Jamie's husband, he is taken to Jamie's house after he falls asleep and has a small crash. Jamie has been out of town, but when she returns, she's gets the biggest surprise of her life. However, she's been telling everyone she's married even though she's not. Wyatt may just be the (pretend) husband she needs. The reader has the pleasure of reading about each immersive relationship and how each one blossoms in its own way. There are no major plot twists, but Mistletoe Miracles is a book that doesn't need plot twists to be enjoyable. All loose ends are also tied up by the end of the book which I was happy about. I also liked that Mistletoe Miracles can be read as a standalone.
I felt that the world building in Mistletoe Miracles was done very well. Jodi Thomas makes it so easy to feel as if you are one of the characters in her book. She puts you right in the midst of everything that is happening, and it is so easy to lose yourself within each page of the story. Mistletoe Miracles takes place in Texas which made me enjoy the book even more! The world building is so realistic in this novel that I would lose track of time whenever I was reading it.
I loved every character in Mistletoe Miracles. I felt each character was fleshed out substantially, and every character felt like they were an actual real person instead of a character in a book. My favorite characters in this book were Sunlan and Griffin. I loved how they started out a bit distant towards each other, but eventually, they warmed up to one another and came out of their shell, especially Sunlan. Don't get me wrong, I loved the other characters too, but it was Sunlan's and Griffin's relationship that I loved the most. I did enjoy reading about all the other character's relationships as well, and I found them to be very interesting. Each character had something to bring to the table to make Mistletoe Miracles the great read it is.
There aren't many trigger warnings for Mistletoe Miracles. I would classify it was a clean romance. There's no swearing and no steamy scenes. There is some violence although it is not graphic. There is some drinking of alcohol as well as kissing. There's also talk about making love but everything is implied and not described in graphic detail.
Overall, Mistletoe Miracles is a very sweet and refreshing read that will warm even the most hardened hearts. It's got very likable and realistic characters characters, an interesting plot, and fantastic world building. I would definitely recommend Mistletoe Miracles by Jodi Thomas to everyone aged 16+ whether they like romance or not. This is one of those books that everyone should read even if romance isn't their preferred genre.
(Thank you to Netgalley for providing me with a copy of this title in exchange for an honest and unbiased review.)
The pacing for Mistletoe Miracles was spot on. It wasn't a fast paced book, but it wasn't slow paced either. It moved at a nice relaxing pace, and I found myself loving it.
The plot for Mistletoe Miracles is a sweet one. It was interesting to see each couple's relationship blossom. Mallory is on the run from her abusive ex-boyfriend. She ends up in a car crash. Her dog is also injured in the crash. Little does Jax know he has her dog, but once he figures it out, it's the start of something sweet. Griffin needs a rich bride in order to save his working ranch that's been in the family for generations. Sunlan, a ranch girl herself, is just the right woman to fill that position. She's also looking for someone to take her away from her overbearing father. Wyatt is a soldier just looking for a place to rest while on leave. With everyone assuming he's Jamie's husband, he is taken to Jamie's house after he falls asleep and has a small crash. Jamie has been out of town, but when she returns, she's gets the biggest surprise of her life. However, she's been telling everyone she's married even though she's not. Wyatt may just be the (pretend) husband she needs. The reader has the pleasure of reading about each immersive relationship and how each one blossoms in its own way. There are no major plot twists, but Mistletoe Miracles is a book that doesn't need plot twists to be enjoyable. All loose ends are also tied up by the end of the book which I was happy about. I also liked that Mistletoe Miracles can be read as a standalone.
I felt that the world building in Mistletoe Miracles was done very well. Jodi Thomas makes it so easy to feel as if you are one of the characters in her book. She puts you right in the midst of everything that is happening, and it is so easy to lose yourself within each page of the story. Mistletoe Miracles takes place in Texas which made me enjoy the book even more! The world building is so realistic in this novel that I would lose track of time whenever I was reading it.
I loved every character in Mistletoe Miracles. I felt each character was fleshed out substantially, and every character felt like they were an actual real person instead of a character in a book. My favorite characters in this book were Sunlan and Griffin. I loved how they started out a bit distant towards each other, but eventually, they warmed up to one another and came out of their shell, especially Sunlan. Don't get me wrong, I loved the other characters too, but it was Sunlan's and Griffin's relationship that I loved the most. I did enjoy reading about all the other character's relationships as well, and I found them to be very interesting. Each character had something to bring to the table to make Mistletoe Miracles the great read it is.
There aren't many trigger warnings for Mistletoe Miracles. I would classify it was a clean romance. There's no swearing and no steamy scenes. There is some violence although it is not graphic. There is some drinking of alcohol as well as kissing. There's also talk about making love but everything is implied and not described in graphic detail.
Overall, Mistletoe Miracles is a very sweet and refreshing read that will warm even the most hardened hearts. It's got very likable and realistic characters characters, an interesting plot, and fantastic world building. I would definitely recommend Mistletoe Miracles by Jodi Thomas to everyone aged 16+ whether they like romance or not. This is one of those books that everyone should read even if romance isn't their preferred genre.
(Thank you to Netgalley for providing me with a copy of this title in exchange for an honest and unbiased review.)
Gareth von Kallenbach (971 KP) rated Veronica Mars (2014) in Movies
Aug 6, 2019
The incomparable Rob Thomas has delivered a masterpiece of dramatic film that all Veronica Mars fans will thoroughly enjoy.
(Note: I am a rabid fan of the Veronica Mars TV series. Much of the review will be clearly colored by this.)
10 years after the debut of an exceptional TV show, and eight years after it was unceremoniously pulled from the airwaves, Rob Thomas put up a Kickstarter campaign to fund a movie. It had a goal of $2 million, which would get the movie made — but it wouldn’t get us much.
As it turned out, 91,585 people liked his plan to create a film that would wrap up storylines from the series. They liked it enough that rather than pledging just $2 million, the backers generated over $5.7 million.
In the process of doing so, they achieved a number of amazing Kickstarter awards:
Fastest project to reach $1 million.
Fastest project to reach $2 million.
All-time highest-funded project in the FILM category.
Third-highest-funded project in Kickstarter history.
Most project backers of any project in Kickstarter history.
On to the movie itself.
The movies share its title with the TV show: Veronica Mars. It opens with a quick recap of the show’s two-season run before launching forward to a time 10 years after the series ended (intelligently appropriate, Rob).
Veronica (Kristen Bell) is primed to take the bar exam and become a lawyer. For a reason I can’t explain, she is interviewing with a very prestigious law firm in New York City. It’s a firm which, I have to imagine, doesn’t hire people fresh out of school, especially those who haven’t even passed the bar yet.
In the midst of her interviews, she gets a call from an old high school love interest, Logan Echolls (Jason Dohring). He has been accused of murder (again).
Naturally, Veronica decides to pack up, say goodbye to her boyfriend, Stosh “piz” Piznarski (Chris Lowell), and head back to her sunny home town of Neptune, California.
Logan, an Air Force pilot, is relieved to see his friend. He starts bringing her up to speed, and shortly thereafter, the rest of the familiar faces join in: Gia Goodman (Krysten Ritter), Mac (Cindy Majorino), Dick Casablancas (Ryan Hansen), Weevil (Francis Copa), Keith Mars (Enrico Colantoni), Wallace Fennel (Percy Daggs III), and many more that will delight returning viewers.
As you might imagine, a complex series of issues comes to light, creating a symphony of drama, and, in typical Rob-Thomas fashion, some true laugh-out-loud moments.
While this is a great standalone film, it is peppered with many humorous references and nods to the movie’s predecessor. If you are a fan of the series, you won’t be disappointed. There are many giggle-worthy moments: from the guy on the street singing, “we used to be friends,” to Dax Shepard’s appearance, to the mention of Veronica supposedly going to work for the FBI (referring to a potential third season).
My only real note of contention is, admittedly, somewhat petty. Kristen Bell was just recovering from having her child with husband Dax Shepard. The unfortunate (and expected) weight gain from that wonderful life event left her looking very unlike the character we all fell in love with, and distracted from the film. I’m curious to know why they couldn’t have waited a few more months to start filming, to allow Bell to get back into shape for the movie.
Aside from that one tiny note, the film was fantastic. The script was masterfully written, the acting superb, the humor gut-heaving, and the drama well done.
Cinematography for the film was indistinguishable from other high-quality films, and it’s easy to see that a lot of time, effort, and care went into it. Its creators ensured that the $5.7 million of pledges went into a work of art that does not disappoint.
As one of the 91,000+ backers, I am proud to be a part of this community effort. As a huge fan of Thomas, the series, and the mythos, I am ecstatic to report that this is an excellent film.
(Note: I am a rabid fan of the Veronica Mars TV series. Much of the review will be clearly colored by this.)
10 years after the debut of an exceptional TV show, and eight years after it was unceremoniously pulled from the airwaves, Rob Thomas put up a Kickstarter campaign to fund a movie. It had a goal of $2 million, which would get the movie made — but it wouldn’t get us much.
As it turned out, 91,585 people liked his plan to create a film that would wrap up storylines from the series. They liked it enough that rather than pledging just $2 million, the backers generated over $5.7 million.
In the process of doing so, they achieved a number of amazing Kickstarter awards:
Fastest project to reach $1 million.
Fastest project to reach $2 million.
All-time highest-funded project in the FILM category.
Third-highest-funded project in Kickstarter history.
Most project backers of any project in Kickstarter history.
On to the movie itself.
The movies share its title with the TV show: Veronica Mars. It opens with a quick recap of the show’s two-season run before launching forward to a time 10 years after the series ended (intelligently appropriate, Rob).
Veronica (Kristen Bell) is primed to take the bar exam and become a lawyer. For a reason I can’t explain, she is interviewing with a very prestigious law firm in New York City. It’s a firm which, I have to imagine, doesn’t hire people fresh out of school, especially those who haven’t even passed the bar yet.
In the midst of her interviews, she gets a call from an old high school love interest, Logan Echolls (Jason Dohring). He has been accused of murder (again).
Naturally, Veronica decides to pack up, say goodbye to her boyfriend, Stosh “piz” Piznarski (Chris Lowell), and head back to her sunny home town of Neptune, California.
Logan, an Air Force pilot, is relieved to see his friend. He starts bringing her up to speed, and shortly thereafter, the rest of the familiar faces join in: Gia Goodman (Krysten Ritter), Mac (Cindy Majorino), Dick Casablancas (Ryan Hansen), Weevil (Francis Copa), Keith Mars (Enrico Colantoni), Wallace Fennel (Percy Daggs III), and many more that will delight returning viewers.
As you might imagine, a complex series of issues comes to light, creating a symphony of drama, and, in typical Rob-Thomas fashion, some true laugh-out-loud moments.
While this is a great standalone film, it is peppered with many humorous references and nods to the movie’s predecessor. If you are a fan of the series, you won’t be disappointed. There are many giggle-worthy moments: from the guy on the street singing, “we used to be friends,” to Dax Shepard’s appearance, to the mention of Veronica supposedly going to work for the FBI (referring to a potential third season).
My only real note of contention is, admittedly, somewhat petty. Kristen Bell was just recovering from having her child with husband Dax Shepard. The unfortunate (and expected) weight gain from that wonderful life event left her looking very unlike the character we all fell in love with, and distracted from the film. I’m curious to know why they couldn’t have waited a few more months to start filming, to allow Bell to get back into shape for the movie.
Aside from that one tiny note, the film was fantastic. The script was masterfully written, the acting superb, the humor gut-heaving, and the drama well done.
Cinematography for the film was indistinguishable from other high-quality films, and it’s easy to see that a lot of time, effort, and care went into it. Its creators ensured that the $5.7 million of pledges went into a work of art that does not disappoint.
As one of the 91,000+ backers, I am proud to be a part of this community effort. As a huge fan of Thomas, the series, and the mythos, I am ecstatic to report that this is an excellent film.
Heather Cranmer (2721 KP) rated Dollhouse (Dark Carousel #1) in Books
Oct 29, 2020
I had been in a book funk for awhile, so when someone recommended Dollhouse by Anya Allyn, I thought I'd give it a try. It seemed right up my alley, and luckily, I wasn't disappointed!
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
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Bob Mann (459 KP) rated Ghost in the Shell (2017) in Movies
Sep 29, 2021
A robot you could take home to meet mother.
I was intrigued to watch the other day (purely for the interest in the technology employed of course!) a short Guardian video on the development of the world’s first fully functioning sex robot: a disturbing watch, requiring a fairly broad mind. Watching it on the same day as going to see Scarlett Johansson’s new film “Ghost in the Shell” though was a mistake, since the similarities between Johansson’s character (‘Major’) and the animatronic sex doll (‘Harmony’) were… erm… distracting.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Puke Flyswatter (7 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Sep 12, 2017
Incredible special effects for the time (1 more)
Story writing and characters
The Force is strong with this one
Contains spoilers, click to show
Most fans argue over which of its ongoing episodes, is the best in the Star Wars saga. The Empire Strikes Back took a darker approach than its predecessor in delivering the story of the Rebellion's fight to bring peace and freedom to the galaxy by destroying the Empire who now rule with far more than just iron fist, having snatched its power from the dead hands of the Old Republic. This in my opinion, is what made it not only the best of the saga, but the best science fiction movie of all time and more controversially- one of the best movies ever made; an accolade that has still to be taken by any other movie of the genre to date.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
Movie Metropolis (309 KP) rated Avengers: Infinity War (2018) in Movies
Jun 10, 2019
An Exhausting Thrill Ride
The Marvel Cinematic Universe has been delighting fans of the comics and thrilling moviegoers since 2008 when Iron Man steamrolled itself onto the big screen in an epic fashion. From the special effects to the casting of Robert Downey Jr. as Tony Stark, it was the complete package.
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
Heather Cranmer (2721 KP) rated Ultraviolet (Ultraviolet, #1) in Books
Jun 7, 2018
(This review can be found on my blog (<a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Wow, wow, wow! This is one of the best books that I've read this year! I absolutely loved this book!
Alison is in a mental institution after she went crazy the night she claimed to have killed Tori Beaugrand, the most popular girl in school, by making her disintegrate. However, Tori's body hasn't been found. Alison also has the weird ability to see numbers as colors and to taste words amongst other things. Ali just wants to know what's wrong with her and why people won't help her find out what happened to Tori.
To be honest, I didn't really know what to think when I saw the title. It doesn't really capture my attention. While the title does have something to do with the book, I think there could've been better titles. But please, don't let the title fool you. Ultraviolet is amazing!
I felt the same with the cover as I did with the title. I feel like the cover is a bit bland which is a shame because there is an excellent story underneath. I just feel like the cover could've been a bit more interesting so that people would actually pick up the book.
I loved the fact that this book was mainly set in a mental asylum. Anything to do with those kind of institutions makes me want to read a book instantly! The world building is definitely believable. I felt as if I was right beside Ali in everything she did. I loved getting a glimpse at the inside of this institution. Even when the plot takes a twist, I still found everything to be quite believable.
The pacing was fantastic! I was always reading a few words ahead just because I wanted to see what was coming next. Ultraviolet is a real page turner, and I couldn't read this book fast enough. Most of the time, I felt like shutting myself in a room where no one could disturb me. I am even saddened that it ended because I was enjoying it so much.
The plot was fantastic! While the whole girl locked up in mental institution even though she thinks she's fine thing has been done before, Anderson puts her own spin on it to make it her own. I even enjoyed the plot twist even though it was kind of predictable. I also enjoyed the fact that there was minimal romance in this book. I'm not big on romances, so this was perfect for me.
The characters were fantastic! I loved Alison! I felt that she was such a strong character especially with what she had to endure. I sympathized with her a lot of the time, and I even felt what she was feeling most of the time. I just wish she would've chose to tell her therapist about her condition rather then hiding it although I can totally understand why she was scared to tell him. I found Kirk to be annoying, but I think that's how the author wanted us to feel about it. Faraday was an interesting character. I loved how he was willing to listen, and I mean really listen, to what Ali had to say. I loved his helpful nature as well. Tori was super interesting as well, but I'll just leave it at that because of spoilers.
The dialogue was fantastic! I enjoyed reading about what Alison was going through and what she was thinking. It was super interesting. It did annoy me that we were told over and over what a certain noise looked like or what color a number was, etc. I really wish there was just a bit less then that. Overall though, I found the dialogue to flow quite well and feel natural. There was also no swearing in this book.
While this book is part of a series, it can be read as a standalone. The second book in the series is about another character that was mentioned in the book and is more of a companion novel.
Overall, Ultraviolet was a fantastic book that has an incredible plot as well as interesting characters. This book taught me a bit more about Synthesia which I was thrilled about learning. This is one of those books that I know I'll be thinking about for a long time.
I'd recommend this book to everyone aged 13+ because it is just that amazing!
Wow, wow, wow! This is one of the best books that I've read this year! I absolutely loved this book!
Alison is in a mental institution after she went crazy the night she claimed to have killed Tori Beaugrand, the most popular girl in school, by making her disintegrate. However, Tori's body hasn't been found. Alison also has the weird ability to see numbers as colors and to taste words amongst other things. Ali just wants to know what's wrong with her and why people won't help her find out what happened to Tori.
To be honest, I didn't really know what to think when I saw the title. It doesn't really capture my attention. While the title does have something to do with the book, I think there could've been better titles. But please, don't let the title fool you. Ultraviolet is amazing!
I felt the same with the cover as I did with the title. I feel like the cover is a bit bland which is a shame because there is an excellent story underneath. I just feel like the cover could've been a bit more interesting so that people would actually pick up the book.
I loved the fact that this book was mainly set in a mental asylum. Anything to do with those kind of institutions makes me want to read a book instantly! The world building is definitely believable. I felt as if I was right beside Ali in everything she did. I loved getting a glimpse at the inside of this institution. Even when the plot takes a twist, I still found everything to be quite believable.
The pacing was fantastic! I was always reading a few words ahead just because I wanted to see what was coming next. Ultraviolet is a real page turner, and I couldn't read this book fast enough. Most of the time, I felt like shutting myself in a room where no one could disturb me. I am even saddened that it ended because I was enjoying it so much.
The plot was fantastic! While the whole girl locked up in mental institution even though she thinks she's fine thing has been done before, Anderson puts her own spin on it to make it her own. I even enjoyed the plot twist even though it was kind of predictable. I also enjoyed the fact that there was minimal romance in this book. I'm not big on romances, so this was perfect for me.
The characters were fantastic! I loved Alison! I felt that she was such a strong character especially with what she had to endure. I sympathized with her a lot of the time, and I even felt what she was feeling most of the time. I just wish she would've chose to tell her therapist about her condition rather then hiding it although I can totally understand why she was scared to tell him. I found Kirk to be annoying, but I think that's how the author wanted us to feel about it. Faraday was an interesting character. I loved how he was willing to listen, and I mean really listen, to what Ali had to say. I loved his helpful nature as well. Tori was super interesting as well, but I'll just leave it at that because of spoilers.
The dialogue was fantastic! I enjoyed reading about what Alison was going through and what she was thinking. It was super interesting. It did annoy me that we were told over and over what a certain noise looked like or what color a number was, etc. I really wish there was just a bit less then that. Overall though, I found the dialogue to flow quite well and feel natural. There was also no swearing in this book.
While this book is part of a series, it can be read as a standalone. The second book in the series is about another character that was mentioned in the book and is more of a companion novel.
Overall, Ultraviolet was a fantastic book that has an incredible plot as well as interesting characters. This book taught me a bit more about Synthesia which I was thrilled about learning. This is one of those books that I know I'll be thinking about for a long time.
I'd recommend this book to everyone aged 13+ because it is just that amazing!