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The Intermission
7.0
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Have you ever had a secret so gut-wrenching you couldn't share it with anyone, not even the person...
Mark @ Carstairs Considers (2346 KP) rated City of Betrayal in Books
Dec 6, 2023
Observing the War of the Roses
It's August of 1920, and the fight to ratify the nineteenth amendment giving women the right to vote has come down to Tennessee. Everyone thinks that, among the states that haven’t voted on it yet, the best chance to pass it will be here. Elizabeth Bates and her mother-in-law have been asked to go to Tennessee and help with the lobbying of state representatives to get it passed. Gideon joins them as well. When the three arrive, they quickly see the see of various color roses, those for and against ratification. But can they do anything to make a difference in the vote?
Normally, I love this author’s books, so I picked this book up without paying too much attention to what it was about. However, this one didn’t live up to her usual standards. I have a feeling she was so fascinated by the real life stuff she uncovered while doing research she tried to fit it all into a novel. The problem is the result reads more like a history book than a novel, and Elizabeth and the others get involved in mini episodes without having an overall plot to drive us other than will the amendment get passed or not. Several supporting characters show up for cameos, and even the three main characters feel flat. If you are a fan of the author, know what to expect going in. If you are new to her, don’t judge her by this book, but pick up some of her other books and you’ll get caught up in them.
Normally, I love this author’s books, so I picked this book up without paying too much attention to what it was about. However, this one didn’t live up to her usual standards. I have a feeling she was so fascinated by the real life stuff she uncovered while doing research she tried to fit it all into a novel. The problem is the result reads more like a history book than a novel, and Elizabeth and the others get involved in mini episodes without having an overall plot to drive us other than will the amendment get passed or not. Several supporting characters show up for cameos, and even the three main characters feel flat. If you are a fan of the author, know what to expect going in. If you are new to her, don’t judge her by this book, but pick up some of her other books and you’ll get caught up in them.
Laura Doe (1350 KP) rated An Offer From a Gentleman (Bridgertons, #3) in Books
Jan 5, 2022
I would give this 3.5 stars but round it up to 4. While an Offer From A Gentleman has not been my favourite of the Bridgerton books I’ve read so far, it still has the ease of reading that the rest of the series has, meaning that I read it in a day again!
Benedict’s story is a retelling of the classic Cinderella story, with Sophie being the daughter of an Earl who dies suddenly and her stepmother moves her into a life of servitude. In fact, the whole book gave reminded me of the film Ever After with some of the actions and situations that Sophie found herself in.
When I first started reading and realised that it was going to be a retelling of Cinderella, I thought that I would get bored very quickly and was doubtful that I would enjoy the book at all. But I was most definitely wrong. Although Benedict definitely didn’t act like a gentleman for a lot of the book, I was glad when he realised that he had been wrong and apologised to Sophie. I also realise that by todays standards he may not have been acting like a gentleman, but back in 1817 when the majority of the book is set, that is exactly how they acted and they were very much focused on not marrying out of their class.
I flew through this, mainly because of the ease of reading Julia Quinn’s writing and also her ability to make you want to know what happens to her characters. I’m looking forward to moving onto the 4th instalment!
Benedict’s story is a retelling of the classic Cinderella story, with Sophie being the daughter of an Earl who dies suddenly and her stepmother moves her into a life of servitude. In fact, the whole book gave reminded me of the film Ever After with some of the actions and situations that Sophie found herself in.
When I first started reading and realised that it was going to be a retelling of Cinderella, I thought that I would get bored very quickly and was doubtful that I would enjoy the book at all. But I was most definitely wrong. Although Benedict definitely didn’t act like a gentleman for a lot of the book, I was glad when he realised that he had been wrong and apologised to Sophie. I also realise that by todays standards he may not have been acting like a gentleman, but back in 1817 when the majority of the book is set, that is exactly how they acted and they were very much focused on not marrying out of their class.
I flew through this, mainly because of the ease of reading Julia Quinn’s writing and also her ability to make you want to know what happens to her characters. I’m looking forward to moving onto the 4th instalment!
ClareR (5879 KP) rated Daughters of Sparta in Books
May 21, 2023
I had read The Shadow of Perseus first, so I knew what to expect from Daughters of Sparta, and I also knew that I was going to love it!
First of all, these books read as historical fiction, NOT as myths. There are no gods or goddesses intervening in the lives of mortals, messing it all up. The mortals are all perfectly capable of doing that themselves.
Secondly, the women are strong in the context of the time they live in, not by our modern standards. Women were completely reliant on their husbands and families; sold off to the men who would most benefit their fathers. As is the case with Klytemnestra (spelt with a ‘K’ here, but it can be a ‘C’ as well!) and Helen.
To be fair, both women have a lot about them. Klytemnestra commits the ultimate two fingered salute to her husband, and Helen removes herself from the possibility of dying in childbirth. There’s also the fact that Helen seems to be constantly searching for affection and love. Denied both by her mother, she doesn’t get those things from her husband either, probably because they never get to know one another. And Paris certainly doesn’t show her love or affection once they get to Troy. She must feel supremely uncomfortable around the other women in Troy once the Greeks turn up and start killing all of their husbands.
Don’t get me wrong, I love the Greek myths where the gods are involved, but I really like this version too. Really very enjoyable, I raced through this book. I’m hoping that Claire Heywood has another retelling in the pipeline!
First of all, these books read as historical fiction, NOT as myths. There are no gods or goddesses intervening in the lives of mortals, messing it all up. The mortals are all perfectly capable of doing that themselves.
Secondly, the women are strong in the context of the time they live in, not by our modern standards. Women were completely reliant on their husbands and families; sold off to the men who would most benefit their fathers. As is the case with Klytemnestra (spelt with a ‘K’ here, but it can be a ‘C’ as well!) and Helen.
To be fair, both women have a lot about them. Klytemnestra commits the ultimate two fingered salute to her husband, and Helen removes herself from the possibility of dying in childbirth. There’s also the fact that Helen seems to be constantly searching for affection and love. Denied both by her mother, she doesn’t get those things from her husband either, probably because they never get to know one another. And Paris certainly doesn’t show her love or affection once they get to Troy. She must feel supremely uncomfortable around the other women in Troy once the Greeks turn up and start killing all of their husbands.
Don’t get me wrong, I love the Greek myths where the gods are involved, but I really like this version too. Really very enjoyable, I raced through this book. I’m hoping that Claire Heywood has another retelling in the pipeline!
Gratification in Gluttony (Passing Through Cafe #2)
6.0
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When Jude entered The Passing Through Cafe, Toni thought he’d be nothing more than a fun night, a...
Urban Fantasy Rom-Com
RəX Regent (349 KP) rated Wreck-It-Ralph (2012) in Movies
Feb 25, 2019
Wish it had been made by Pixar...
Contains spoilers, click to show
At first glance this would appear, as some reviews have sighted, the new Toy Story (1995). Maybe it is, but I just didn't feel it. I'm old enough to remember these 8-bit games and even though Fix It Felix, Hero's Duty and Sugar Rush are all fictitious, they're all rooted in the reality of the industry, with their real life counterparts being Donkey Kong, Call Of Duty and Super Mario Cart.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.
RəX Regent (349 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Mar 7, 2019
Contains spoilers, click to show
At first glance this would appear, as some reviews have sighted, the new Toy Story (1995). Maybe it is, but I just didn't feel it. I'm old enough to remember these 8-bit games and even though Fix It Felix, Hero's Duty and Sugar Rush are all fictitious, they're all rooted in the reality of the industry, with their real life counterparts being Donkey Kong, Call Of Duty and Super Mario Cart.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.
Mark @ Carstairs Considers (2346 KP) rated Taken in Books
Jun 5, 2019
Elvis Cole and Joe Pike Track the Taken
Los Angeles PI Elvis Cole is hired by Nita Morales to find her daughter Krista. Krista and her boyfriend, Jack, disappeared several days ago. Nita has received a ransom call, but she was only asked for $500. Surely, this is just Krista and Jack trying to get some money from Nita so they can elope, right? However, Elvis quickly begins to determine that Krista and Jack are in serious danger; they’ve been kidnapped by a group that captures illegal immigrants trying to get into California. But knowing what happened to them only increases the stakes. Can Elvis and his partner, Joe Pike, find the two young adults and rescue them before it is too late?
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
Kelly (279 KP) rated The Birth of a Nation (2016) in Movies
Jan 9, 2019
Moving and powerful story
Contains spoilers, click to show
The birth of a nation tells the story of slave preacher Nat Turner, who leads an uprising on a plantation in the 1830s. The film itself is based on a true story.
The film tells a story of a personal history, which may otherwise be forgotten and serves as a stark reminder of what happens when we allow profits to prioritise over humanity. The bulk of the film concentrates on the slipping standards and increasing violence on the plantation where Nat was enslaved. Being a preacher, Nat was privy to conditions on nearby plantations, but chose to act after a series of event, which included the brutal attack of his wife and his own lashing for baptising a white man without the permission of his owner.
The acting within the film was good and believable. The plot line includes some pretty horrific scenes that demonstrates the ways in which slaves were punished. These scenes were used to serve a purpose to the story rather than forced to the audience.
Personally, I felt that the film itself focuses too much on the motivation of Nat Turners rebellion, and brushed over the events of the rebellion and Nat’s execution. However I have still scored the film highly, as I believe that it is a story that needs to be told in order to remind us of the horrific way that an entire race of people were perceived and treated during the 17 and 1800s. So many story’s of brave people have been lost, and we need to be aware of stories like that of Nat Turner in order to understand that slaves were not always complacent of their circumstance.
The film tells a story of a personal history, which may otherwise be forgotten and serves as a stark reminder of what happens when we allow profits to prioritise over humanity. The bulk of the film concentrates on the slipping standards and increasing violence on the plantation where Nat was enslaved. Being a preacher, Nat was privy to conditions on nearby plantations, but chose to act after a series of event, which included the brutal attack of his wife and his own lashing for baptising a white man without the permission of his owner.
The acting within the film was good and believable. The plot line includes some pretty horrific scenes that demonstrates the ways in which slaves were punished. These scenes were used to serve a purpose to the story rather than forced to the audience.
Personally, I felt that the film itself focuses too much on the motivation of Nat Turners rebellion, and brushed over the events of the rebellion and Nat’s execution. However I have still scored the film highly, as I believe that it is a story that needs to be told in order to remind us of the horrific way that an entire race of people were perceived and treated during the 17 and 1800s. So many story’s of brave people have been lost, and we need to be aware of stories like that of Nat Turner in order to understand that slaves were not always complacent of their circumstance.
Gareth von Kallenbach (980 KP) rated Fame (2009) in Movies
Aug 9, 2019
I love musicals so whenever the big guys at the studios decide to remake a classic like “Fame”(1982), I get, well, nervous. How could there be a remake of a film that is so well associated with the 1980s without mocking current audience’s film going standards? Would a new “Fame” be possible without the time period that created it in the first place?
“Fame” follows the year-by-year story of a group of kids who apply to and later attend the New York Academy of Performing Arts. The story follows their growth as performers and as people in the never forgiving streets of New York City. The film has the expected music, dancing, and moral tales about the harsh realities of people in search of that ever-elusive “Fame”.
Littered in guest stars ranging from “Frasier’s” Kelsey Grammer to “Will and Grace’s” Megan Mullally, “Fame” seemed less like the remake of a musical and more like a star studded Ellen show.
Still, there are some exceptional performances from less seasoned stars like Anna Maria Perez de Tagle who plays young aspiring actress Joy and Natuari Naughton as Denise a classical pianist who dreams of singing.
While the film is good, it lacks the heart of a truly engrossing musical. The acting is decent and the choreography is excellent but this modernized version of “Fame” complete with Barenaked Ladies song jokes is no “Chicago”. Moreover, the new version of “Fame” varies significantly from the classic, with hip-hop tracks and a rhythm heavy version of the classic theme song. For many the biggest downside to this musical is sure to be the less than engrossing musical numbers.
Like a darker “High School Musical” for a slightly older audience, “Fame” is a decent film worth a watch, but it will not have you singing a medley in your living room.
“Fame” follows the year-by-year story of a group of kids who apply to and later attend the New York Academy of Performing Arts. The story follows their growth as performers and as people in the never forgiving streets of New York City. The film has the expected music, dancing, and moral tales about the harsh realities of people in search of that ever-elusive “Fame”.
Littered in guest stars ranging from “Frasier’s” Kelsey Grammer to “Will and Grace’s” Megan Mullally, “Fame” seemed less like the remake of a musical and more like a star studded Ellen show.
Still, there are some exceptional performances from less seasoned stars like Anna Maria Perez de Tagle who plays young aspiring actress Joy and Natuari Naughton as Denise a classical pianist who dreams of singing.
While the film is good, it lacks the heart of a truly engrossing musical. The acting is decent and the choreography is excellent but this modernized version of “Fame” complete with Barenaked Ladies song jokes is no “Chicago”. Moreover, the new version of “Fame” varies significantly from the classic, with hip-hop tracks and a rhythm heavy version of the classic theme song. For many the biggest downside to this musical is sure to be the less than engrossing musical numbers.
Like a darker “High School Musical” for a slightly older audience, “Fame” is a decent film worth a watch, but it will not have you singing a medley in your living room.