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Gareth von Kallenbach (980 KP) rated Star Trek (2009) in Movies
Aug 14, 2019
With declining attendance at conventions and a dwindling audience for recent films and the last Star Trek series, Enterprise, Paramount was desperate to find a way to breathe new life into their franchise. So they pinned their hopes on director J.J. Abrams. Even with a string of hit movies and television series under his belt, some believed that Abrams was facing an uphill battle in trying to resuscitate Star Trek, with its legions of rabid fans obsessively protective of the series’ 40-plus years of established history.
While many fans were thrilled with the choice of Abrams, some of the casting choices of its beloved characters were met with doubt and skepticism. Thankfully, the man behind such motion picture hits as “Cloverfield”, “Mission Impossible 3”, and television series LOST, Alias and Fringe, was more than up to the task and has crafted a visually spectacular action film that combines the best of Trek with groundbreaking effects and creative vitality.
Using a script by Robert Orci and Alex Kurtzman, the new film focuses on the early days of the crew, and how young James. T. Kirk (Chris Pine) went from being a joy-riding, bar-fighting hothead into captain of the Enterprise. Kirk is challenged by Captain Christopher Pike (Bruce Greenwood) to live up to the legacy of his father and make something of his life in Starfleet. Despite his cocky attitude, the young man is able to thrive at the academy despite his arrogant behavior and his womanizing ways.
At the same time, a threat has arisen in the form of a Romulan named Nero (Eric Bana), who seeks to cause massive death and destruction in his quest for vengeance. With danger looming, Kirk and his fellow classmates are pressed into action, and thanks to some skillful work from his friend Leonard Mc Coy (Karl Urban), Kirk finds himself onboard the new Federation flagship Enterprise.
En route to their destination, Kirk realizes they are heading into a trap and warns Captain Pike of his concerns. Naturally this does not sit well with some of the seasoned officers, especially Spock (Zachary Quinto), who sees the emotional Kirk as an unwanted reminder of his human half, which he tries to hide at all costs.
Eventually the Enterprise is confronted by Nero and in an impressive sequence of events Kirk and Sulu (John Cho), lead an orbital skydive mission to thwart Nero’s plot. Spock finds himself commanding the ship and he and Kirk, two polar opposites, disagree over a course of action. Citing insurbordination and dereliction, Spock expels Kirk from the ship onto a frigid and dangerous planet. What follows is an amazing and thrilling adventure that culminates in an impressive finale, that proves that Trek has got plenty of life left in it.
While I loved the film, I found that I had to detach myself from my love of classic Trek to fully enjoy it. The film covers changes in established cannon by setting events in an alternate timeline. Despite the different eras of the previous series and films, there was always a certain continuity to the ships, planets, and characters that always seemed to fit, which I found myself missing in this new incarnation.
In Abram’s version, the Enterprise engine room is awash in catwalks, pipes, and valves that seemed out of place on a ship set in the 23rd century. I also found myself asking why such strategically valuable planets such as Earth and Vulcan would not have massive defense fleets in orbit, and would task only a handful of ships for their defense. There was a suggestion, that the ships of the fleet were amassed elsewhere on another matter of importance, but that does not explain what would leave the planets relatively unguarded. Defense codes aside, I found it hard to believe that automated defenses would be all that was left behind, and that reinforcements were not available.
I also had an issue with what Nero was supposedly doing for 25 years and how he kept such a low profile while he plotted his revenge. The final issue I had was with product placement as I found it hard to believe that Nokia and its familiar ringtone and Budweiser would be around as Trek lore is based on the planet narrowly surviving a nuclear war in the past that nearly destroyed everything. While this may seem like minor criticism, from the perspective of a long time Star Trek fan, it contradicts much of what had been established.
Thankfully, Abrams and crew take the series in a new direction without totally losing sight of where it came from. There are many nods to the series and Abrams clearly respects the original material enough to let fans know that their beloved Trek is still there in the original timeline, with its history intact. By cleverly establishing a different timeline, Abrams has creative freedom to go in any direction he desires.
The cast is strong, with Chris Pine’s Kirk as cocky and entertaining as his predecessor. I loved Anton Yelchin as Chekov and his struggles with the English language, Simon Pegg’s quick quips as Scotty, and the sassy attitude Zoe Saldana’s injects into her Uhura. The amazing visuals and designs of the film are breathtaking and it was clear that the Industrial Light & Magic (ILM) crew pushed themselves to bring everything they had to the film. In the end, Star Trek is a remarkable film that, despite some issues, has a solid new lease on life. Abrams boldly, and triumphantly, goes where fans, old and new, will gladly follow.
While many fans were thrilled with the choice of Abrams, some of the casting choices of its beloved characters were met with doubt and skepticism. Thankfully, the man behind such motion picture hits as “Cloverfield”, “Mission Impossible 3”, and television series LOST, Alias and Fringe, was more than up to the task and has crafted a visually spectacular action film that combines the best of Trek with groundbreaking effects and creative vitality.
Using a script by Robert Orci and Alex Kurtzman, the new film focuses on the early days of the crew, and how young James. T. Kirk (Chris Pine) went from being a joy-riding, bar-fighting hothead into captain of the Enterprise. Kirk is challenged by Captain Christopher Pike (Bruce Greenwood) to live up to the legacy of his father and make something of his life in Starfleet. Despite his cocky attitude, the young man is able to thrive at the academy despite his arrogant behavior and his womanizing ways.
At the same time, a threat has arisen in the form of a Romulan named Nero (Eric Bana), who seeks to cause massive death and destruction in his quest for vengeance. With danger looming, Kirk and his fellow classmates are pressed into action, and thanks to some skillful work from his friend Leonard Mc Coy (Karl Urban), Kirk finds himself onboard the new Federation flagship Enterprise.
En route to their destination, Kirk realizes they are heading into a trap and warns Captain Pike of his concerns. Naturally this does not sit well with some of the seasoned officers, especially Spock (Zachary Quinto), who sees the emotional Kirk as an unwanted reminder of his human half, which he tries to hide at all costs.
Eventually the Enterprise is confronted by Nero and in an impressive sequence of events Kirk and Sulu (John Cho), lead an orbital skydive mission to thwart Nero’s plot. Spock finds himself commanding the ship and he and Kirk, two polar opposites, disagree over a course of action. Citing insurbordination and dereliction, Spock expels Kirk from the ship onto a frigid and dangerous planet. What follows is an amazing and thrilling adventure that culminates in an impressive finale, that proves that Trek has got plenty of life left in it.
While I loved the film, I found that I had to detach myself from my love of classic Trek to fully enjoy it. The film covers changes in established cannon by setting events in an alternate timeline. Despite the different eras of the previous series and films, there was always a certain continuity to the ships, planets, and characters that always seemed to fit, which I found myself missing in this new incarnation.
In Abram’s version, the Enterprise engine room is awash in catwalks, pipes, and valves that seemed out of place on a ship set in the 23rd century. I also found myself asking why such strategically valuable planets such as Earth and Vulcan would not have massive defense fleets in orbit, and would task only a handful of ships for their defense. There was a suggestion, that the ships of the fleet were amassed elsewhere on another matter of importance, but that does not explain what would leave the planets relatively unguarded. Defense codes aside, I found it hard to believe that automated defenses would be all that was left behind, and that reinforcements were not available.
I also had an issue with what Nero was supposedly doing for 25 years and how he kept such a low profile while he plotted his revenge. The final issue I had was with product placement as I found it hard to believe that Nokia and its familiar ringtone and Budweiser would be around as Trek lore is based on the planet narrowly surviving a nuclear war in the past that nearly destroyed everything. While this may seem like minor criticism, from the perspective of a long time Star Trek fan, it contradicts much of what had been established.
Thankfully, Abrams and crew take the series in a new direction without totally losing sight of where it came from. There are many nods to the series and Abrams clearly respects the original material enough to let fans know that their beloved Trek is still there in the original timeline, with its history intact. By cleverly establishing a different timeline, Abrams has creative freedom to go in any direction he desires.
The cast is strong, with Chris Pine’s Kirk as cocky and entertaining as his predecessor. I loved Anton Yelchin as Chekov and his struggles with the English language, Simon Pegg’s quick quips as Scotty, and the sassy attitude Zoe Saldana’s injects into her Uhura. The amazing visuals and designs of the film are breathtaking and it was clear that the Industrial Light & Magic (ILM) crew pushed themselves to bring everything they had to the film. In the end, Star Trek is a remarkable film that, despite some issues, has a solid new lease on life. Abrams boldly, and triumphantly, goes where fans, old and new, will gladly follow.
Flynn (6 KP) rated Uhura's Song in Books
Sep 18, 2018
I've noticed there aren't many places where feline characters have background and depth in the Star Trek universe, but this book did a wonderful job of giving insight into a different culture. There was quite a lot of detail in the body language cues of the Sivoans; I especially enjoyed the fact that their tails were the main outlet of most emotions. I've also enjoyed when Uhura has her moments, when she is vital to the plot as in this book and [b:The Tears of the Singers|1560530|The Tears of the Singers|Melinda M. Snodgrass|https://d.gr-assets.com/books/1185232470s/1560530.jpg|1553068] because of her voice. I also thoroughly enjoyed the character Tail-Kinker to-Ennien, for who doesn't enjoy that character that constantly baffles and confuses Spock?
Benedict Cumberbatch
Book
Benedict Cumberbatch is an award-winning actor with a bright future. His roles as Sherlock Holmes in...
The Klingon Gambit
7.0
Rate It
Book
The Klingons are hungry for war... their target: The Enterprise! When Captain Kirk and his crew...
Jesters_folly (230 KP) rated Star Trek: The Animated Series in TV
Jul 23, 2020
Star Trek: the animated series is also known as season 4 of the original series. Kirk, Spock and the rest of the original cast return for one more run of 22 episodes. The are joined by new, alien crew members and tangle with Klingon's, Romulan's, Tribbles and Harry Mudd as well as a whole host of new races and beings.
Being animated means the aliens can look less human and the crew find themselves in more bizarre adventures.
The animated series has the same tone as the original series and the stories, although shorter have a very similar feeling. There are a few stories that seem to have influential later episodes from other series, including the first holo-deck story although here it's just known as the rec room.
Being animated means the aliens can look less human and the crew find themselves in more bizarre adventures.
The animated series has the same tone as the original series and the stories, although shorter have a very similar feeling. There are a few stories that seem to have influential later episodes from other series, including the first holo-deck story although here it's just known as the rec room.
Bob Mann (459 KP) rated Star Trek IV - The Voyage Home (1986) in Movies
Sep 28, 2021
Following a continued trend of alternating duff and good movies, here comes the most ‘non-Trek-like’ movie in the series: “Star Trek IV”, aka “Whale Meat again”.
By watching the films in sequence, I find the destructive alien ship approaching earth to be an obvious re-tread of “The Motion Picture” premise. But beyond that, the plot is completely bonkers. The time travel is trivially referenced as if they are nipping down to the local shops. But once there, there is fun to be had. Cue lots of comical fish out of water (no pun intended) situations for the 23rd century crew:
Spock’s attempts to utilise colourful language;
Chekov asking San Franciscans for directions to the “nuclear wessel”;
“Computer?” asks Scotty to the Commodore 64 on the desk… (we won’t tell them that they don’t have to wait 300 years to be able to talk to computers!)
Catherine Hicks nicely plays the cute marine biologist and love interest (and only 10 years Shatner’s junior!) – – although her reaction to discovering the ‘truth’ is a rather unbelievable “oh!”. (Later edit: oops… dodgy maths…. the age difference between Shatner and Hicks is actually 20 years!)
All in all, although rather shoving its Greenpeace-style credentials down the viewer’s throats, this is a fun and family-friendly outing in the series.
By watching the films in sequence, I find the destructive alien ship approaching earth to be an obvious re-tread of “The Motion Picture” premise. But beyond that, the plot is completely bonkers. The time travel is trivially referenced as if they are nipping down to the local shops. But once there, there is fun to be had. Cue lots of comical fish out of water (no pun intended) situations for the 23rd century crew:
Spock’s attempts to utilise colourful language;
Chekov asking San Franciscans for directions to the “nuclear wessel”;
“Computer?” asks Scotty to the Commodore 64 on the desk… (we won’t tell them that they don’t have to wait 300 years to be able to talk to computers!)
Catherine Hicks nicely plays the cute marine biologist and love interest (and only 10 years Shatner’s junior!) – – although her reaction to discovering the ‘truth’ is a rather unbelievable “oh!”. (Later edit: oops… dodgy maths…. the age difference between Shatner and Hicks is actually 20 years!)
All in all, although rather shoving its Greenpeace-style credentials down the viewer’s throats, this is a fun and family-friendly outing in the series.
Eleanor (1463 KP) rated Star Trek: Discovery - Season 1 in TV
May 24, 2019 (Updated May 24, 2019)
Klingons aren't very interesting in this (1 more)
Wired propulsion system makes little sense
Slick action packed adventure
I grew up on Star Trek The Next Generation and was pretty obsessed with it, all those now defunct VHS tapes...sigh. I enjoyed the Original series (in particular Doctor McCoy) but things started to go awry with Deep Space Nine and I struggled to get into it until the later series and the Dominion came into it. Voyager never did a lot for me the Borg made it tolerable at times and I just plain gave up on Enterprise so it’s safe to say I went into watching Discovery without much hope but came out of season 1 pleasantly surprised.
Set before the adventures of the Original series Discovery is a star-ship with a revolutionary propulsion system and set to be a key part in the battle against the Klingons which this series focuses on (the look they went for with the Klingons in this didn’t work for me - too much like a Cornish pasty head.)
Unlike previous incarnations, Discovery doesn't focus around the Captain, instead we focus more on the character of Michael Burnham who’s pretty a smart kick ass type of girl. It’s the characters and the acting in this that really engaged, I don’t think I’ve liked as many of the main cast as this before.
When we start dealing with the Mirror universe (remember goatee Spock in the original series?) this series really got going for me I love the Terran empire and when we meet the Emperor it’s just great.
This series was full of continuing story lines (unlike the more traditional Trek standalone episode formula) and had a lot more action based feel to it. It’s different but enjoyable, looking forward to watching series 2.
Set before the adventures of the Original series Discovery is a star-ship with a revolutionary propulsion system and set to be a key part in the battle against the Klingons which this series focuses on (the look they went for with the Klingons in this didn’t work for me - too much like a Cornish pasty head.)
Unlike previous incarnations, Discovery doesn't focus around the Captain, instead we focus more on the character of Michael Burnham who’s pretty a smart kick ass type of girl. It’s the characters and the acting in this that really engaged, I don’t think I’ve liked as many of the main cast as this before.
When we start dealing with the Mirror universe (remember goatee Spock in the original series?) this series really got going for me I love the Terran empire and when we meet the Emperor it’s just great.
This series was full of continuing story lines (unlike the more traditional Trek standalone episode formula) and had a lot more action based feel to it. It’s different but enjoyable, looking forward to watching series 2.
LeftSideCut (3778 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Dec 10, 2019 (Updated Dec 10, 2019)
The Force Awakens is a damn good return to the Star Wars saga, reintroducing us to beloved characters that we haven't seen in decades, whilst simultaneously introducing new and exciting blood.
The new characters take centre stage here - the most important of course being Rey. It's great that in this day and age, young girls all over the world have a strong female protagonist to look up to within Star Wars. There have of course been some great heroines before, but Rey is well developed over the course of TFA, is extremely likable, incredibly badass, and represents the ever heroic light side.
Over on the dark side, we are introduced to Kylo Ren, a villain who idolises the now legendary Darth Vader, to the point where he even wheres a mask. Ren feels emotionally unstable and dangerous throughout, and gives a strong villain for this new trilogy.
We also have Finn, a Stormtrooper who defects after seeing war atrocities commuted by the First Order. This storyline feels important, and it's nice to see that Stormtroopers are human under the armour.
And we also have Poe Dameron. Poe is my least favorite out of the new characters in all honesty. He doesn't feel all that relevant, but he's entertaining enough.
The inclusion of Chewbacca, Han Solo, C3-P0 and Leia, give us a nice shot if nostalgia, as all of our protagonists fight to thwart The First Order, and search for the AWOL Like Skywalker at the same time.
The set pieces and action sequences are nothing short of breathtaking. The CGI is top notch, and Star Wars has honestly never looked this good. All the great thing that JJ Abrams bought to his Star Trek reboot are replicated here and then some.
Saying that, he does play it safe when it comes to the plot, and a lot of the film has a familiar feeling to it. A handful of plot elements borrow heavily from A New Hope, sometimes feeling like a re tread, but for those of us who are less cynical, we can always view it as a love letter instead, from a man who adores Star Wars just as much as we do.
Once again, John Williams provides a fantastic score, and just like that, Star Wars is exciting again.
TFA has flaws here and there, but it's the best Star Wars movie since the original trilogy concluded, and it puts a huge smile on my face.
The new characters take centre stage here - the most important of course being Rey. It's great that in this day and age, young girls all over the world have a strong female protagonist to look up to within Star Wars. There have of course been some great heroines before, but Rey is well developed over the course of TFA, is extremely likable, incredibly badass, and represents the ever heroic light side.
Over on the dark side, we are introduced to Kylo Ren, a villain who idolises the now legendary Darth Vader, to the point where he even wheres a mask. Ren feels emotionally unstable and dangerous throughout, and gives a strong villain for this new trilogy.
We also have Finn, a Stormtrooper who defects after seeing war atrocities commuted by the First Order. This storyline feels important, and it's nice to see that Stormtroopers are human under the armour.
And we also have Poe Dameron. Poe is my least favorite out of the new characters in all honesty. He doesn't feel all that relevant, but he's entertaining enough.
The inclusion of Chewbacca, Han Solo, C3-P0 and Leia, give us a nice shot if nostalgia, as all of our protagonists fight to thwart The First Order, and search for the AWOL Like Skywalker at the same time.
The set pieces and action sequences are nothing short of breathtaking. The CGI is top notch, and Star Wars has honestly never looked this good. All the great thing that JJ Abrams bought to his Star Trek reboot are replicated here and then some.
Saying that, he does play it safe when it comes to the plot, and a lot of the film has a familiar feeling to it. A handful of plot elements borrow heavily from A New Hope, sometimes feeling like a re tread, but for those of us who are less cynical, we can always view it as a love letter instead, from a man who adores Star Wars just as much as we do.
Once again, John Williams provides a fantastic score, and just like that, Star Wars is exciting again.
TFA has flaws here and there, but it's the best Star Wars movie since the original trilogy concluded, and it puts a huge smile on my face.
Mark Halpern (153 KP) rated Star Trek Into Darkness (2013) in Movies
Jan 11, 2018
Remake of wrath of Kahn
The new star trek series is yet to disappoint it's loyal viewers and the remake of the orignal second film does not disappoint. The story has changed for the better and Khan (Cumberbatch) is seen a fighter, defender and murderer in this version. Krik and crew are sent to kill Khan after he first creates a terroist event within the federation and then commits first degree murder in its leadership but, we all know kirk will do the right thing and tries to be himself when his emotions are already running high. If you have seen the first one you know how it ends this ending to me was much better thought out and is way better. I don't want to spoil it so if you are a fan please watch.
Andy K (10821 KP) rated What We Left Behind: Looking Back at Deep Space Nine (2018) in Movies
Jul 23, 2019
Where would we be without DS9?
Maybe the best Trek of all time?
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
