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Debbiereadsbook (1749 KP) rated Around and Around We Go (Vermont Trailblazers #2) in Books
Apr 30, 2026
it was EPIC, when Sandro let Bennett in!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
This is book 2 in the Vermont Trailblazers series. While it can be read as a stand alone to book 1, The Best Parts of Him, I reckon you SHOULD read that book first. Why? Cos it was freaking awesome and so is this one!
Sandro is the oldest player in the team, and until his knees and/or back give out, he'll keep playing cos The Trailblazers are heading for a third consecutive championship this year. He just needs to hold out and put up with this documentary that is being made around them. Bennett is the director. He too, is facing the end of his career if this series tanked as much as the last one. That he is here, facing the love of his life after 15 years? Minor detail, and Bennett just needs to talk to Sandro, if Sandro will let him.
What I noticed while reading this book, (nay, I inhaled this book!) was although it's a hockey based book, there was very little actual on ice descriptions of play. And as a non-sporty person, I absolutely loved that! There are some, but only enough to give you a picture of what's going on, and it's not in great detail. It all made perfect sense to me, as sometimes, I get overwhelmed by the detail and I didn't here and I was able to fully concentrate on Sandro and Bennett.
And they were beautiful, they really were.
I fully understood why Sandro didn't really want to talk to Bennett, off camera, the man was still hurting, even after all this time, but when Sandro allowed Bennett in, finally?? Oh it was truly epic. Sandro made Bennett work for it, he really did.
I loved that Bennett found the theme for the series based on his own experience. Loved how the older Trailblazers were helping the new team members who really were struggling. And that Sandro found his future, along the same thread.
It takes time for the steam to build, and I loved being made to wait for it. This book is more about the emotions of these two men, and giving the other a second chance. Oh Bennett wanted Sandro, he really did, but Sandro wasn't sure about letting him in and I loved that they didn't jump straight back in. 15 years is a long time!
Absolutely cracking follow-up to book 1, and I can't wait to see what comes next. Well, I know who comes next, but I gotta wait so freaking long!
A stunning 5 star read!
*same worded review will appear elsewhere
This is book 2 in the Vermont Trailblazers series. While it can be read as a stand alone to book 1, The Best Parts of Him, I reckon you SHOULD read that book first. Why? Cos it was freaking awesome and so is this one!
Sandro is the oldest player in the team, and until his knees and/or back give out, he'll keep playing cos The Trailblazers are heading for a third consecutive championship this year. He just needs to hold out and put up with this documentary that is being made around them. Bennett is the director. He too, is facing the end of his career if this series tanked as much as the last one. That he is here, facing the love of his life after 15 years? Minor detail, and Bennett just needs to talk to Sandro, if Sandro will let him.
What I noticed while reading this book, (nay, I inhaled this book!) was although it's a hockey based book, there was very little actual on ice descriptions of play. And as a non-sporty person, I absolutely loved that! There are some, but only enough to give you a picture of what's going on, and it's not in great detail. It all made perfect sense to me, as sometimes, I get overwhelmed by the detail and I didn't here and I was able to fully concentrate on Sandro and Bennett.
And they were beautiful, they really were.
I fully understood why Sandro didn't really want to talk to Bennett, off camera, the man was still hurting, even after all this time, but when Sandro allowed Bennett in, finally?? Oh it was truly epic. Sandro made Bennett work for it, he really did.
I loved that Bennett found the theme for the series based on his own experience. Loved how the older Trailblazers were helping the new team members who really were struggling. And that Sandro found his future, along the same thread.
It takes time for the steam to build, and I loved being made to wait for it. This book is more about the emotions of these two men, and giving the other a second chance. Oh Bennett wanted Sandro, he really did, but Sandro wasn't sure about letting him in and I loved that they didn't jump straight back in. 15 years is a long time!
Absolutely cracking follow-up to book 1, and I can't wait to see what comes next. Well, I know who comes next, but I gotta wait so freaking long!
A stunning 5 star read!
*same worded review will appear elsewhere
Movie Metropolis (309 KP) rated The Revenant (2015) in Movies
Jun 11, 2019
Typical Oscar Fodder
There are two types of film critic when it comes to the Academy Awards. Those who enjoy the glamour that the Oscars bring every spring and those who despise what the awards mean for film. I’m in the latter camp, I find them out of touch with what movie-watching audiences enjoy and feel an overhaul is necessary to reflect that.
That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/
That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/
Gareth von Kallenbach (980 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 6, 2019
Full disclosure, I grew up a huge X-Men fan. As a kid it was one of the few comics that I would try read as often as I could. I would borrow my friends books, convince my mom to buy me an issue every chance I got and like so many growing up in the early 90s, never miss a Saturday morning episode of the fantastic X-Men cartoon.
As such, I have been waiting for the films to capture the X-Men team dynamic while creating interesting fleshed out characters for the mass audiences to appreciate. I felt the franchise was headed in that direction with the last two films, X-Men: First class and X-Men: Days of Futures Past. Unfortunately, X-Men: Apocalypse takes a bit of a stumble in this department when it tries to introduce several fan favorite characters to this X-Men Universe. However it sacrifices solid character development in order to introduce them all in this one story. That’s not to say that this decision makes a bad film, it’s just that the characters are somewhat hollow and we never really connect with any of them. Not even the older characters who we already know. In the 2016 landscape of superhero/comic movies, when you have too many hollow characters the film often feels like we are just going through the motions of fan service, rather than telling a good story though film. This shallow character development makes me wish that instead of making more X-Men movies, Fox would team up with Netflix and produce an episodic series that can really dig down into the story of these characters and the missions they go on to help all of humanity…sigh…one can hope.
As for the rest of this film, it is safe to say that it is a fun popcorn adventure just in time for the summer blockbuster season. The first act suffers from a bit of pacing issues, but once the film starts to pick up steam, it becomes a full action packed adventure filled with all the mutant powers you would expect from an X-Men film. We receive excellent performances we have come to expect from James McAvoy, Michael Fassbender, Jennifer Lawrence and the rest of the standard cast. As far as the new characters added to this film, Sophie Turner (Game of Thrones) is the stand out as Jean Gery. She delivers one of the few nuanced performances of the whole film and I look forward to her continuing to build on the roll in future X-Men films.
X-Men: Apocalypse is more of what you would expect from the X-Men series. Not terrible but not all that great either. Fans will be exited and enjoy this entry to the series while casual viewers will enjoy the blockbuster elements.
As such, I have been waiting for the films to capture the X-Men team dynamic while creating interesting fleshed out characters for the mass audiences to appreciate. I felt the franchise was headed in that direction with the last two films, X-Men: First class and X-Men: Days of Futures Past. Unfortunately, X-Men: Apocalypse takes a bit of a stumble in this department when it tries to introduce several fan favorite characters to this X-Men Universe. However it sacrifices solid character development in order to introduce them all in this one story. That’s not to say that this decision makes a bad film, it’s just that the characters are somewhat hollow and we never really connect with any of them. Not even the older characters who we already know. In the 2016 landscape of superhero/comic movies, when you have too many hollow characters the film often feels like we are just going through the motions of fan service, rather than telling a good story though film. This shallow character development makes me wish that instead of making more X-Men movies, Fox would team up with Netflix and produce an episodic series that can really dig down into the story of these characters and the missions they go on to help all of humanity…sigh…one can hope.
As for the rest of this film, it is safe to say that it is a fun popcorn adventure just in time for the summer blockbuster season. The first act suffers from a bit of pacing issues, but once the film starts to pick up steam, it becomes a full action packed adventure filled with all the mutant powers you would expect from an X-Men film. We receive excellent performances we have come to expect from James McAvoy, Michael Fassbender, Jennifer Lawrence and the rest of the standard cast. As far as the new characters added to this film, Sophie Turner (Game of Thrones) is the stand out as Jean Gery. She delivers one of the few nuanced performances of the whole film and I look forward to her continuing to build on the roll in future X-Men films.
X-Men: Apocalypse is more of what you would expect from the X-Men series. Not terrible but not all that great either. Fans will be exited and enjoy this entry to the series while casual viewers will enjoy the blockbuster elements.
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