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Think Again – a Big Think Podcast
Podcast
We surprise some of the world's brightest minds with ideas they're not at all prepared to discuss....
BookInspector (124 KP) rated Trailblazers: Stephen Hawking: A Life Beyond Limits in Books
Sep 24, 2020 (Updated Jan 26, 2021)
This book tells the life story of this great astronomer from his birth to the end of his days. However, this book is written in a quite simple and understandable language, that curious children could process. I think to enjoy this book, the child needs to know a little bit of physics and be interested in space and black holes. This book not only shares the parts of Stephen’s life but also explains his discoveries, that are quite technical. I really liked the illustrations in this novel, they make the whole book less textbook-like and more enjoyable to read.
As an adult, I really liked the knowledge I was able to gather from this book. Stephen Hawking was a charismatic, funny, and intelligent person, and I respect his bravery and strength. I was very happy and inspired by his inventions and personality, and I think not only children, but adults should familiarise themselves with this incredible person’s life and achievements. Do give this book a go, and hopefully, the next generation can continue his great work. 🙂
As an adult, I really liked the knowledge I was able to gather from this book. Stephen Hawking was a charismatic, funny, and intelligent person, and I respect his bravery and strength. I was very happy and inspired by his inventions and personality, and I think not only children, but adults should familiarise themselves with this incredible person’s life and achievements. Do give this book a go, and hopefully, the next generation can continue his great work. 🙂
Benedict Cumberbatch: The Biography
Book
BENEDICT CUMBERBATCH has played detective and monster, barrister and scientist, politician and...
New Scientist: The Origin of (Almost) Everything: From the Big Bang to Belly-Button Fluff
Stephen Hawking, New Scientist, Graham Lawton and Jennifer Daniel
Book
Introduction by Professor Stephen Hawking. From what actually happened in the Big Bang to the...
Machines That Think: Everything You Need to Know About the Coming Age of Artificial Intelligence
Book
Sometime in the future the intelligence of machines will exceed that of human brain power. So are we...
Eddie Redmayne: The Biography
Book
In February 2015, when Eddie Redmayne won the Oscar for Best Actor for his portrayal of the...
Ian McCulloch recommended Transformer by Lou Reed in Music (curated)
Humanity in a Creative Universe
Book
In the hard sciences, which can often feel out of grasp for many lay readers, there are "great...
Rachel King (13 KP) rated Out of My Mind in Books
Feb 11, 2019
This book was both fascinating and highly emotional for me from beginning to end. I think I cried six separate times throughout the read, and not always because it was something sad. It is so easy to fall into believing the stereotype that just because a person is physically disabled, he or she is also mentally disabled. This book proves the very opposite. Yes, some diseases do affect the mind, but certainly not all of them. Draper proves that with the story of Melody.
Melody is an amazing character, with both a personality and an intelligence at odds with her physical appearance, and I wonder if there is not an actual person just like Melody in this world, just waiting to be discovered. So many times I wanted to sit down and talk to Melody with the help of her computer and ask her a million questions about life through her eyes.
I love the ingenuity of her neighbor in helping Melody to gain some physical functionality, and the heart and dedication of her parents to defend Melody's rights and provide for all of her needs. I found the different characters to all be unique in their own way, and the obstacles that Melody faced socially are realistic and believable.
I like the parallels that Melody drew between herself and Stephen Hawking, and it makes me wonder what life was like for him as a kid and what obstacles he faced.
Even though this book largely took place within the confines of Melody's thoughts and memories, the difficulties she has daily in dealing with all of the words stifled in her mind became more real and believable this way.
I really can not describe adequately how this book has affected my perspective on the physically-disabled population. All I know for sure is that whoever you are and whatever genres you prefer, you simple must read this book.
Melody is an amazing character, with both a personality and an intelligence at odds with her physical appearance, and I wonder if there is not an actual person just like Melody in this world, just waiting to be discovered. So many times I wanted to sit down and talk to Melody with the help of her computer and ask her a million questions about life through her eyes.
I love the ingenuity of her neighbor in helping Melody to gain some physical functionality, and the heart and dedication of her parents to defend Melody's rights and provide for all of her needs. I found the different characters to all be unique in their own way, and the obstacles that Melody faced socially are realistic and believable.
I like the parallels that Melody drew between herself and Stephen Hawking, and it makes me wonder what life was like for him as a kid and what obstacles he faced.
Even though this book largely took place within the confines of Melody's thoughts and memories, the difficulties she has daily in dealing with all of the words stifled in her mind became more real and believable this way.
I really can not describe adequately how this book has affected my perspective on the physically-disabled population. All I know for sure is that whoever you are and whatever genres you prefer, you simple must read this book.
Bob Mann (459 KP) rated Soul (2020) in Movies
Dec 30, 2020
Soul is Pixar at its most cerebral
In the last few days I've seen Pixar's latest animation - "Soul" - described by various reviewers as a cross between "Inside Out", "Coco", "La La Land" and "Whiplash". I'll add to that some older movies with more obvious parallels with the story: 1946's "A Matter of Life and Death" with David Niven; 1941's "Here Comes Mr Jordan" with Robert Montgomery and its 1978 remake - a personal favourite of mine - "Heaven Can Wait" with Warren Beatty. For these all tell the story of someone plucked from the world a tad too early.
In "Soul", Joe (Jamie Foxx) is a talented jazz pianist always dreaming of getting to be a big time session musician. He is stuck though in a worthwhile but unappreciated job as a high school music teacher. But his luck is - temporarily - about to change when an old successful student (nice touch) recommends him to provide backing to the fearsome jazz star Dorothea Williams (Angela Bassett).
Just as things seem to going his way, an open manhole cover has other ideas, and Joe falls to his 'death'. Feeling his soul has exited the world too early, and just before he gets his big shot, Joe's spirit struggles to return to the world with the help of reluctant soul/recruit "22" (Tina Fey).
Pete Docter seems to have done it again with "Soul". The man behind Pixar's hugely successful "Up" and "Inside Out" has the magic touch with these animated classics. He's had more than his share of Oscar success. (Although having gone straight to streaming on Disney+, does it qualify for the Oscars this year? Or have they relaxed the rules?) Assuming it is eligible, you'd be a brave man to bet against "Soul" winning Best Animated Feature this year.
For there are some sequences of this movie that are breathtakingly effective. The fall of Joe from the "stairway to the great beyond" to the pre-life domain (as shown in the trailer) is a masterpiece of graphic design. (And do I detect in there a tribute to the "stargate" in "2001: A Space Odyssey"?) What makes these sequences distinctive is not the afterlife soul's or the "great before" souls, who resemble blue variants of Casper. It's the 'counsellors' of the realms. They are surreally drawn Picasso-style in 2D and - although easy to draw for preschooler's with a crayon - might be a bit of a stretch for them to relate to.
But will the kids get it? I know that my 6-year old grandson enjoyed watching it. But ultimately, this is principally a Pixar film squarely targeted at adults to enjoy. Indeed, the themes of death and afterlife might be disturbing for younger children (as in "Coco"). They will certainly struggle to understand the land of lost souls, where those obsessed with their work or hobbies (metal detecting! LOL!) are almost beyond reach. And surely the message of 'enjoying the everyday here and now' rather than getting too wrapped up in career or life goals will only be relatable to adults.
"Soul" is brim-full with Pixar quirkiness. As per normal, the movie has a lot of detail that will need multiple watches. And I can confirm that the pause button helps! For example, "22" has been an earth-apprentice for so many millennia that he has had just about every mentor who's ever passed through. His 'den' is wallpapered with "Hello, My Name is ...." badges, and a pause at that point reveals mentors as varied as Gandhi, Aretha Franklin, Albert Einstein and Stephen Hawking! And in the end titles, the usual list of babies born during production are "Recent You Seminar graduates"!
The movie also features two of the most distinctive voices from UK television. Graham Norton plays Moonwind: a sign-spinning hippy and lost-soul-sea piratical captain (I've honestly not been taking drugs). And Richard Ayoade, a UK TV regular but familiar to US audiences from his role in "The IT Crowd", plays Counsellor Jerry (well, one of them!). Alice Braga, as another Counsellor Jerry and most recently seen as the doctor in "The New Mutants", is another familiar voice
For once, Michael Giacchino doesn't get the scoring gig. Instead, this went to the "Nine Inch Nails" partnership of Trent Reznor and Atticus Ross. (The soundtrack for "Mank" was their most recent work). The music is perhaps not as immediately accessible as some of the previous Pixar scores. But I think will be a 'grower'.
I have a "but" in my review. I sobbed like a young child during parts of "Up". And similarly, I was a mess as 'Bing Bong' faded away in "Inside Out". And yet here, my tear ducts remained stubbornly unchallenged. Perhaps this is a personal thing, and others were a soggy mess after this movie. But, for me, it simply didn't connect with me at the same raw emotional level that Docter's other work (and indeed other Pixar movies) have done. So, for that reason (only), I'm going to hold off my highest rating.
It's highly recommended since, notwithstanding this, it's a magnificent effort. (At the 11th hour, it made my "Number 7" slot in my Top 10 of 2020). It's also worth noting that it's mildly groundbreaking in being the first Pixar movie with a black leading character.
(For the full graphical review, please check out the full review in One Mann's Movies here - https://bob-the-movie-man.com/2020/12/30/soul-is-pixar-at-its-most-cerebral/).
In "Soul", Joe (Jamie Foxx) is a talented jazz pianist always dreaming of getting to be a big time session musician. He is stuck though in a worthwhile but unappreciated job as a high school music teacher. But his luck is - temporarily - about to change when an old successful student (nice touch) recommends him to provide backing to the fearsome jazz star Dorothea Williams (Angela Bassett).
Just as things seem to going his way, an open manhole cover has other ideas, and Joe falls to his 'death'. Feeling his soul has exited the world too early, and just before he gets his big shot, Joe's spirit struggles to return to the world with the help of reluctant soul/recruit "22" (Tina Fey).
Pete Docter seems to have done it again with "Soul". The man behind Pixar's hugely successful "Up" and "Inside Out" has the magic touch with these animated classics. He's had more than his share of Oscar success. (Although having gone straight to streaming on Disney+, does it qualify for the Oscars this year? Or have they relaxed the rules?) Assuming it is eligible, you'd be a brave man to bet against "Soul" winning Best Animated Feature this year.
For there are some sequences of this movie that are breathtakingly effective. The fall of Joe from the "stairway to the great beyond" to the pre-life domain (as shown in the trailer) is a masterpiece of graphic design. (And do I detect in there a tribute to the "stargate" in "2001: A Space Odyssey"?) What makes these sequences distinctive is not the afterlife soul's or the "great before" souls, who resemble blue variants of Casper. It's the 'counsellors' of the realms. They are surreally drawn Picasso-style in 2D and - although easy to draw for preschooler's with a crayon - might be a bit of a stretch for them to relate to.
But will the kids get it? I know that my 6-year old grandson enjoyed watching it. But ultimately, this is principally a Pixar film squarely targeted at adults to enjoy. Indeed, the themes of death and afterlife might be disturbing for younger children (as in "Coco"). They will certainly struggle to understand the land of lost souls, where those obsessed with their work or hobbies (metal detecting! LOL!) are almost beyond reach. And surely the message of 'enjoying the everyday here and now' rather than getting too wrapped up in career or life goals will only be relatable to adults.
"Soul" is brim-full with Pixar quirkiness. As per normal, the movie has a lot of detail that will need multiple watches. And I can confirm that the pause button helps! For example, "22" has been an earth-apprentice for so many millennia that he has had just about every mentor who's ever passed through. His 'den' is wallpapered with "Hello, My Name is ...." badges, and a pause at that point reveals mentors as varied as Gandhi, Aretha Franklin, Albert Einstein and Stephen Hawking! And in the end titles, the usual list of babies born during production are "Recent You Seminar graduates"!
The movie also features two of the most distinctive voices from UK television. Graham Norton plays Moonwind: a sign-spinning hippy and lost-soul-sea piratical captain (I've honestly not been taking drugs). And Richard Ayoade, a UK TV regular but familiar to US audiences from his role in "The IT Crowd", plays Counsellor Jerry (well, one of them!). Alice Braga, as another Counsellor Jerry and most recently seen as the doctor in "The New Mutants", is another familiar voice
For once, Michael Giacchino doesn't get the scoring gig. Instead, this went to the "Nine Inch Nails" partnership of Trent Reznor and Atticus Ross. (The soundtrack for "Mank" was their most recent work). The music is perhaps not as immediately accessible as some of the previous Pixar scores. But I think will be a 'grower'.
I have a "but" in my review. I sobbed like a young child during parts of "Up". And similarly, I was a mess as 'Bing Bong' faded away in "Inside Out". And yet here, my tear ducts remained stubbornly unchallenged. Perhaps this is a personal thing, and others were a soggy mess after this movie. But, for me, it simply didn't connect with me at the same raw emotional level that Docter's other work (and indeed other Pixar movies) have done. So, for that reason (only), I'm going to hold off my highest rating.
It's highly recommended since, notwithstanding this, it's a magnificent effort. (At the 11th hour, it made my "Number 7" slot in my Top 10 of 2020). It's also worth noting that it's mildly groundbreaking in being the first Pixar movie with a black leading character.
(For the full graphical review, please check out the full review in One Mann's Movies here - https://bob-the-movie-man.com/2020/12/30/soul-is-pixar-at-its-most-cerebral/).
