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Goddess in the Stacks (553 KP) rated Six of Crows in Books
Jan 11, 2018
Amazing duology
Six of Crows and Crooked Kingdom are a duology set in Leigh Bardugo's Grishaverse. Grisha being the magic users in her world. I haven't read the rest of the Grishaverse (Shadow and Bone, Siege and Storm, and Ruin and Rising) - but I will definitely be doing so, because Crows and Crooked Kingdom are AMAZING.
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Goddess in the Stacks (553 KP) rated Crooked Kingdom in Books
Jan 11, 2018
Amazing duology
Six of Crows and Crooked Kingdom are a duology set in Leigh Bardugo's Grishaverse. Grisha being the magic users in her world. I haven't read the rest of the Grishaverse (Shadow and Bone, Siege and Storm, and Ruin and Rising) - but I will definitely be doing so, because Crows and Crooked Kingdom are AMAZING.
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Haley Mathiot (9 KP) rated How to Knit a Wild Bikini in Books
Apr 27, 2018
Rating: 3.5
Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.
Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?
How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.
I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.
It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.
There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)
Content/Recommendation: Some language and sex. Ages 18+
Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.
Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?
How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.
I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.
It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.
There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)
Content/Recommendation: Some language and sex. Ages 18+
Rachel King (13 KP) rated Masquerade in Books
Feb 11, 2019
I was surprised at how much I enjoyed reading this novel by the end of it. The beginning is a bit slow and dry, as Moser sets up the background information and almost struggles to get the reader to "side" with the main character Charlotte Gleason by using her maid's voice to excuse Charlotte's "spoiled rich girl" behavior. I really have a hard time buying the lines that Charlotte really is a good person even though she chooses to be naive about the world she lives in because she feels helpless to enact change. But what happens to her family to force her to travel to America is just the thing to wake her up to the real world and her own responsibilities in it.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
Kristy H (1252 KP) rated The Broken Girls in Books
Mar 20, 2018
Captivating, ghostly thriller
Idlewild Hall has been abandoned since 1979. Until then, it was a boarding school of last resort, where parents sent the daughters they'd sooner rather forget. Now someone is looking to restore it, bringing back all of journalist Fiona Sheridan's memories of her teenage sister, Deb. Deb was murdered and her body left in the fields of Idlewild. A rich teen--her sister's boyfriend--named Tim Christopher was charged with Deb's murder. But it never seemed quite right to Fiona. So, she decides to write a story about the restoration, but encounters more than she bargained for as she begins to uncover years of long-buried secrets.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
Carma (21 KP) rated Crash Landing (Stop The Wedding, #3) in Books
Jun 17, 2019
While I have quite a few Lori Wilde books sitting on my TBR shelf, this one was a freebie of the day for my kindle and I decided to give it a gander. I read it in about a day so it flowed pretty well. Here are my thoughts on Crash Landing by Lori Wilde.
We start the book with a girl staring at a hunky guy, I mean who doesnt like to do that on occasion right?? Sophia Cruz likes very much what Gibb Martin has to offer in the looks department. He is an American, she is Costa Rican and American by birth. He is all business all the time, while she likes to take each day slow and steady. What could they possibly have in common??
Gibb needs a ride to Florida quickly because his best friend is getting married after only knowing his fiancée for a month. He is backing out of partnering with Gibb, because of his new love, on a new money making deal and that cant happen. Sophia is a bush pilot and his only hope to get there in time to stop the wedding. Now if he can only stop lusting after her long enough to get focused on stopping this wedding.
Sophia wouldnt mind a quick roll in the hay with this rich boy but no long lasting relationship, why would he possibly look at her twice? She really needs the money so she goes against her own better advice and agrees to fly him to Florida. A long close cabin ride will certainly not help squelch her desire.
Gibb and Sophia get to know each other on the flight then the unexpected crash landing on a deserted island gets them even closer. Will they find out they have more in common than they both realize?
I liked the flow of this story for the most part. I feel like it started off and a good pace then slowed a little in the middle. Without giving too many spoilers I feel like there was a weird middle part on the island that served no real purpose but I thoroughly enjoyed the part with the monkeys. I am giggling still as I write this review. I liked Lori Wildes way of capturing the culture and interactions so you could really picture it all in your minds eye. Crash Landing captured my attention pretty quickly and kept it all the way through. I would say this was a good way to get my feet wet in Lori Wildes title pool.
We start the book with a girl staring at a hunky guy, I mean who doesnt like to do that on occasion right?? Sophia Cruz likes very much what Gibb Martin has to offer in the looks department. He is an American, she is Costa Rican and American by birth. He is all business all the time, while she likes to take each day slow and steady. What could they possibly have in common??
Gibb needs a ride to Florida quickly because his best friend is getting married after only knowing his fiancée for a month. He is backing out of partnering with Gibb, because of his new love, on a new money making deal and that cant happen. Sophia is a bush pilot and his only hope to get there in time to stop the wedding. Now if he can only stop lusting after her long enough to get focused on stopping this wedding.
Sophia wouldnt mind a quick roll in the hay with this rich boy but no long lasting relationship, why would he possibly look at her twice? She really needs the money so she goes against her own better advice and agrees to fly him to Florida. A long close cabin ride will certainly not help squelch her desire.
Gibb and Sophia get to know each other on the flight then the unexpected crash landing on a deserted island gets them even closer. Will they find out they have more in common than they both realize?
I liked the flow of this story for the most part. I feel like it started off and a good pace then slowed a little in the middle. Without giving too many spoilers I feel like there was a weird middle part on the island that served no real purpose but I thoroughly enjoyed the part with the monkeys. I am giggling still as I write this review. I liked Lori Wildes way of capturing the culture and interactions so you could really picture it all in your minds eye. Crash Landing captured my attention pretty quickly and kept it all the way through. I would say this was a good way to get my feet wet in Lori Wildes title pool.
Sophia (Bookwyrming Thoughts) (530 KP) rated Shade Me (Nikki Kill, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Shade Me</i> and I are completely polar opposites. Everything Nikki is, Im not (and Im typically against it in some way), which is an extreme rarity (and definitely not a problem). And if this is a series, Ill probably have a love/hate relationship with Nikki akin to love triangles where I love/hate both guys (and maybe the girl as well).
Anyways
I feel Nikkis past feels like a pity party with a really rough childhood. However, it just goes with the story because her rough childhood tells readers why Nikki is the way she is in the novel. Shes afraid of falling in love (hello? Im not a romantic, but um ), probably hooks up with guys on a weekly basis (okay ), and is close enough to flunking and not graduating basically, she seems like a character I would probably stay away from in real life. Also, with her Tae Kwon Do (is it Tae Kwon Do?) skills, shes also just a person I would avoid messing around with.
But the coolest thing about Shade Me is how Nikki sees everything in color (synesthesia) and when she gets a call to identify a person in an attempted murder, Nikki uses her synesthesia to try and find the attempted murderer. The person she identifies isnt even someone she knows really well (shes heard of them because the person is the daughter of a famous producer, but doesnt know them), which I find really admirable. I mean, its not typical a random person goes out of her way just to find out why someone attempted to murder someone she doesnt even associate herself with. Shes also horrible with sneaking around everything just backfires, but Nikki is an amazing sleuth who has extreme guts.
Overall, though? The book is about rich people problems with a dash of family drama. Brown takes something readers would typically find on daytime drama and mixes it up with something else completely different, making Shade Me just a tad bit different than simply family drama.
<a href="https://bookwyrmingthoughts.com/blog-tour-shade-me-by-jennifer-brown-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Shade Me</i> and I are completely polar opposites. Everything Nikki is, Im not (and Im typically against it in some way), which is an extreme rarity (and definitely not a problem). And if this is a series, Ill probably have a love/hate relationship with Nikki akin to love triangles where I love/hate both guys (and maybe the girl as well).
Anyways
I feel Nikkis past feels like a pity party with a really rough childhood. However, it just goes with the story because her rough childhood tells readers why Nikki is the way she is in the novel. Shes afraid of falling in love (hello? Im not a romantic, but um ), probably hooks up with guys on a weekly basis (okay ), and is close enough to flunking and not graduating basically, she seems like a character I would probably stay away from in real life. Also, with her Tae Kwon Do (is it Tae Kwon Do?) skills, shes also just a person I would avoid messing around with.
But the coolest thing about Shade Me is how Nikki sees everything in color (synesthesia) and when she gets a call to identify a person in an attempted murder, Nikki uses her synesthesia to try and find the attempted murderer. The person she identifies isnt even someone she knows really well (shes heard of them because the person is the daughter of a famous producer, but doesnt know them), which I find really admirable. I mean, its not typical a random person goes out of her way just to find out why someone attempted to murder someone she doesnt even associate herself with. Shes also horrible with sneaking around everything just backfires, but Nikki is an amazing sleuth who has extreme guts.
Overall, though? The book is about rich people problems with a dash of family drama. Brown takes something readers would typically find on daytime drama and mixes it up with something else completely different, making Shade Me just a tad bit different than simply family drama.
<a href="https://bookwyrmingthoughts.com/blog-tour-shade-me-by-jennifer-brown-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
DA
Down and Out in the New Economy: How People Find (or Don't Find) Work Today
Book
Finding a job used to be simple. You'd show up at an office and ask for an application. A friend...
A muddled faux memoir posing as fiction
This is the eleventh book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Jay leaves college, determined to become a writer, and heads to Paris. There he meets a young model, Katerina, and falls in love. Twenty-five years later, Jay is a writer--famous and rich--but he's lost his way. Then he receives a message from a lost love. The message draws him back to memories of his old life and his old loves.
Years ago, James Frey dazzled me with A Million Little Pieces and My Friend Leonard. I loved those books so much, and while I was aware of some of the controversy surrounding Pieces, I don't think I fully grasped it. Katerina is a strange book--a memoir type story hidden as a novel that loosely covers Frey's life, including the time he wrote a novel that was sort of a memoir. Following? Confused? Me too.
I thought Katerina was a book, fiction, but it's really Frey's retelling of his life, trying to cast himself as a sympathetic character (I think? Jay doesn't exactly come across as all that likeable.). It did intrigue me enough to read up more on the past controversies of his life and truly, the end result was that I didn't care for Katerina all that much, and I felt disillusioned about Pieces, a book I really enjoyed. Sigh.
Katerina uses the same stream of consciousness writing style from Pieces, and if you don't want your writing filled with profanity and sex, I wouldn't go near Katerina with a ten-foot pole. There's drinking--so much drinking here--that it physically pained me at times. It's an emotional read--Frey excels at that--and there are some twists. I won't lie, I found it interesting at times, and narcissistic and boring at others. Jay is hard to like in the past and present (the book splits it time between the two), but I do not think Frey cares, and it covers Frey's scandals lightly disguised as Jay's.
It's a beautiful love letter to Paris; the descriptions of the city are wonderful. There's no real characterization of Jay's beloved Katerina (the person), though, and many descriptions are just repetitive. The ending comes up quickly, as well.
Overall, while I found pieces of this novel engaging, I was disappointed overall. Honestly, I'll probably never be able to capture the magic I found in Frey's early works. 2.5 stars.
Jay leaves college, determined to become a writer, and heads to Paris. There he meets a young model, Katerina, and falls in love. Twenty-five years later, Jay is a writer--famous and rich--but he's lost his way. Then he receives a message from a lost love. The message draws him back to memories of his old life and his old loves.
Years ago, James Frey dazzled me with A Million Little Pieces and My Friend Leonard. I loved those books so much, and while I was aware of some of the controversy surrounding Pieces, I don't think I fully grasped it. Katerina is a strange book--a memoir type story hidden as a novel that loosely covers Frey's life, including the time he wrote a novel that was sort of a memoir. Following? Confused? Me too.
I thought Katerina was a book, fiction, but it's really Frey's retelling of his life, trying to cast himself as a sympathetic character (I think? Jay doesn't exactly come across as all that likeable.). It did intrigue me enough to read up more on the past controversies of his life and truly, the end result was that I didn't care for Katerina all that much, and I felt disillusioned about Pieces, a book I really enjoyed. Sigh.
Katerina uses the same stream of consciousness writing style from Pieces, and if you don't want your writing filled with profanity and sex, I wouldn't go near Katerina with a ten-foot pole. There's drinking--so much drinking here--that it physically pained me at times. It's an emotional read--Frey excels at that--and there are some twists. I won't lie, I found it interesting at times, and narcissistic and boring at others. Jay is hard to like in the past and present (the book splits it time between the two), but I do not think Frey cares, and it covers Frey's scandals lightly disguised as Jay's.
It's a beautiful love letter to Paris; the descriptions of the city are wonderful. There's no real characterization of Jay's beloved Katerina (the person), though, and many descriptions are just repetitive. The ending comes up quickly, as well.
Overall, while I found pieces of this novel engaging, I was disappointed overall. Honestly, I'll probably never be able to capture the magic I found in Frey's early works. 2.5 stars.
Joe Goodhart (27 KP) rated The Flash, Vol. 9: Reckoning of the Forces in Books
Nov 30, 2020
This review pertains to the last three Flash trades, this one and the previous two.
Vol. 7: PERFECT STORM was quite good. I found it to be an interesting addition to the Gorilla Grodd stories. I was so inspired that I took it upon myself to read Vol. 8 & 9.
Vol. 8: FLASH WAR was like a ride on the BARRY ALLEN ANGST and SELF-LOATHING EXPRESS! But, even with that feeling in mind, I continued reading, eventually taking on the even more difficult task of taking on Vol. 9, which turned into yet another ride on that same depressing train ride!
I had read Vol 1, Joshua Williamson's first outing with "REBIRTH" Barry Allen's Flash. That one I found to be lifeless and missing something that Geoff John's Flash definitely had! But, I thought I'd give it one more try with that Gorilla Grodd story, which I turned out to like more than Vol. 1!
Vol. 9 just continues to show us overly-doubting-himself Barry as well as Wally West's Flash, only now with more angst as well as Barry-centric anger! Yeah, not good! NOPE!
It seems like writing for the Flash would be a fun writing assignment, then factoring in Wally West, it should be that much more fun! Unfortunately, that was not the case! DC allowed Barry to experience a sense of self-loathing and a lack of self-confidence, doing a huge disservice to a character with such a rich history as his!
Equally frustrating was the way Wally was treated! I know he and Barry are both comic characters, meaning they are not real. I get that, but I still felt the need to want to buy them each a short stack of pancakes (my treat, of course) and then offer to give each of them a "bro hug" and maybe a Mini Schnauzer puppy as well!
Oh, and how about that shit Williamson did in regard to the Speed Force? I am pretty sure <b>NO ONE</b> wanted there to be other Forces, especially ones as unnecessary as the ones he was serving up!
And how about that art? What the hell?!!? I felt like the dude was trying to emulate Scott Kolin's style of art, only failing to not even come close!
I understand there may be those of you reading this review who like Williamson's Flash. Hey, good for you. No, really. But, I am not gonna be one of them!
Shame on you, DC Comics! BOOOOOO!
Vol. 7: PERFECT STORM was quite good. I found it to be an interesting addition to the Gorilla Grodd stories. I was so inspired that I took it upon myself to read Vol. 8 & 9.
Vol. 8: FLASH WAR was like a ride on the BARRY ALLEN ANGST and SELF-LOATHING EXPRESS! But, even with that feeling in mind, I continued reading, eventually taking on the even more difficult task of taking on Vol. 9, which turned into yet another ride on that same depressing train ride!
I had read Vol 1, Joshua Williamson's first outing with "REBIRTH" Barry Allen's Flash. That one I found to be lifeless and missing something that Geoff John's Flash definitely had! But, I thought I'd give it one more try with that Gorilla Grodd story, which I turned out to like more than Vol. 1!
Vol. 9 just continues to show us overly-doubting-himself Barry as well as Wally West's Flash, only now with more angst as well as Barry-centric anger! Yeah, not good! NOPE!
It seems like writing for the Flash would be a fun writing assignment, then factoring in Wally West, it should be that much more fun! Unfortunately, that was not the case! DC allowed Barry to experience a sense of self-loathing and a lack of self-confidence, doing a huge disservice to a character with such a rich history as his!
Equally frustrating was the way Wally was treated! I know he and Barry are both comic characters, meaning they are not real. I get that, but I still felt the need to want to buy them each a short stack of pancakes (my treat, of course) and then offer to give each of them a "bro hug" and maybe a Mini Schnauzer puppy as well!
Oh, and how about that shit Williamson did in regard to the Speed Force? I am pretty sure <b>NO ONE</b> wanted there to be other Forces, especially ones as unnecessary as the ones he was serving up!
And how about that art? What the hell?!!? I felt like the dude was trying to emulate Scott Kolin's style of art, only failing to not even come close!
I understand there may be those of you reading this review who like Williamson's Flash. Hey, good for you. No, really. But, I am not gonna be one of them!
Shame on you, DC Comics! BOOOOOO!