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Layapp Pro – Collage Maker & Photo Editor
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Layapp – is a professional collage maker that allows you to create your own creative photo...
Better Homes and Gardens Magazine
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Better Homes and Gardens is America’s most trusted magazine. BHG stimulates creativity, delivers...
Madame Tussaud: A Novel of the French Revolution
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The world knows Madame Tussaud as a wax artist extraordinaire . . . but who was this woman who...
Furthermore (Furthermore, #1)
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This captivating and colorful adventure that reads like a modern day fairy tale, from the...
Sensitivemuse (246 KP) rated The Sworn Virgin in Books
Sep 28, 2017
Great historical detail, but falls short
So what I really liked the most about the book is the historical background and aspect. It’s rich in detail and sheds a light on the customs in Albania. I loved the descriptions of the setting, the clothing especially and how family life was at the time. Despite that Eleanora lived differently from others in the village, traditions are deep rooted, strong and followed to the exact detail. It’s all about maintaining family honor and if disgraced, the way to gain it back is likely with someone killing the other from the rival family that did you wrong. It’s pretty harsh and during that time doesn’t give much voice to women in general, but Eleanora’s personality is strong and admirable even though she’s pretty much a daddy’s girl (which helps her let her be who she wants to be).
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.
The first half of the book was great and got the reading going pretty quickly. It wasn’t until the last third of the novel where things bog down and I was afraid of this: the moment the ‘man of the her dreams’ came into the story. Then I was instantly reminded as to why I hated “Memoirs of a Geisha” so much and this mirrors it. Holy mother. The guy was the sun, moon and stars for Eleanora. I kind of get it after what happened to her dad but for crying out loud I was rooting for Eleanora for taking the vow and being strong. All it takes is an Adonis to break that all down. Eleanora then takes a complete 360 and becomes a mooncalf.
I lost admiration after her treatment of Meria. I get it. Meria shouldn’t have done that nonsense because she’s all obsessed with family honor and had Eleanora’s best interest even though it was far from beneficial. I thought her treatment was excessive to the point of abuse and cruelty and I felt like jumping in and giving Eleanora the beat down for her stupidities.
Then Eleanora’s mood swings go from pity party to guilt and goes back and forth for what seemed like the entire last third of the novel and it got tiresome to read. You know Eleanora, you could have solved all this if you JUST. TELL. HIM.
And when she does. Your patience is done with the book and depending how you found the book you either breathe a sigh in relief or roll your eyes because it took about 50 pages to get Eleanora to smarten up and the book would have ended sooner than later.
I liked the book at first, but it just didn’t hold it for me. The pity trips, and the self torment Eleanora goes through is just too much and made up a good half of the novel. I wish it could have been better because the historical aspect was excellent.
BankofMarquis (1832 KP) rated Roman J. Israel, Esq. (2018) in Movies
Feb 23, 2018
Come for Denzel, stay for...well...there isn't much else to stay for
Denzel Washington is one of the finest actors of his generation. A charismatic screen presence, he commands the viewer's attention whether he is performing a comedy, drama or action film. He has won 2 Oscars as a performer and has been nominated for his acting 6 other times - including (rightfully so) for his performance as the titular character in ROMAN J ISRAEL, ESQ.
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Kristin (149 KP) rated When the Siren Calls (The Siren, #1) in Books
Dec 7, 2018
Disclaimer: I was given an e-copy from the author in exchange for an honest review.
Infidelity, fraud, and just plain ol' lying: That's what Julian "Jay" Brooke is all about. Whether he's running around with his mistress Lucy, trying to get into the pants of assistant Gina or the married Isobel, or selling timeshares at inflated prices to the filthy rich, Jay always has something up his sleeve. Can he get away with it all, or is it just a house of cards, waiting to come down?
Isobel Roberts is a married woman, on vacation with her husband in Morocco when she first encounters Jay, who saves her from an unsightly development in the market. From that point on, she thinks of him, her feelings growing into more than she's ready for, or so she thinks. What will she choose to do: Stay committed to her husband, or stray into the arms (and bed) of another (married) man?
There are so many characters in this book whose stories grab your attention (aside from Jay and Isobel). Lucy's feisty in trying to get her way in her relationship with Jay; Isobel's friend Maria is the no-nonsense birdie on Isobel's shoulder, helping her along throughout her decisions, whether good or bad; Andy Skinner is always trying to figure out just what Jay has pulled him into with this timeshare business in Tuscany, and whether or not he's getting screwed in the process; and so many more. With all the people involved, how long will it take for Jay's lies to come to the surface, or will he get away with everything?
Honestly, almost from the jump I wanted Jay to get caught at something, whether it was the infidelity, the fraud in Tuscany, just something. There's so many people in the world just like him, who think they're above everything and everyone and nothing can touch them, and I REALLY wanted someone to knock him down a peg (or several). There's schemes going on, underhanded business deals, price-gouging against "holiday tourists", and so much more. For the life of me, I wanted to just scream at all the characters to get them to catch onto it all.
The reason I dropped to 4 stars is because I got a little confused in the beginning as to the timeline, as weeks/months would pass between chapters, which bounce back and forth between characters, so I had a hard time keeping track for a little while. However, the time frame slows down, and it's easier to tell what's going on after the first quarter or so of the story.
Now, all that being said, DOES Jay ever get caught? Do his lies catch up to him, either in his personal or professional life, or does he get away scot-free? You'll have to read and see! =)
4 stars
Infidelity, fraud, and just plain ol' lying: That's what Julian "Jay" Brooke is all about. Whether he's running around with his mistress Lucy, trying to get into the pants of assistant Gina or the married Isobel, or selling timeshares at inflated prices to the filthy rich, Jay always has something up his sleeve. Can he get away with it all, or is it just a house of cards, waiting to come down?
Isobel Roberts is a married woman, on vacation with her husband in Morocco when she first encounters Jay, who saves her from an unsightly development in the market. From that point on, she thinks of him, her feelings growing into more than she's ready for, or so she thinks. What will she choose to do: Stay committed to her husband, or stray into the arms (and bed) of another (married) man?
There are so many characters in this book whose stories grab your attention (aside from Jay and Isobel). Lucy's feisty in trying to get her way in her relationship with Jay; Isobel's friend Maria is the no-nonsense birdie on Isobel's shoulder, helping her along throughout her decisions, whether good or bad; Andy Skinner is always trying to figure out just what Jay has pulled him into with this timeshare business in Tuscany, and whether or not he's getting screwed in the process; and so many more. With all the people involved, how long will it take for Jay's lies to come to the surface, or will he get away with everything?
Honestly, almost from the jump I wanted Jay to get caught at something, whether it was the infidelity, the fraud in Tuscany, just something. There's so many people in the world just like him, who think they're above everything and everyone and nothing can touch them, and I REALLY wanted someone to knock him down a peg (or several). There's schemes going on, underhanded business deals, price-gouging against "holiday tourists", and so much more. For the life of me, I wanted to just scream at all the characters to get them to catch onto it all.
The reason I dropped to 4 stars is because I got a little confused in the beginning as to the timeline, as weeks/months would pass between chapters, which bounce back and forth between characters, so I had a hard time keeping track for a little while. However, the time frame slows down, and it's easier to tell what's going on after the first quarter or so of the story.
Now, all that being said, DOES Jay ever get caught? Do his lies catch up to him, either in his personal or professional life, or does he get away scot-free? You'll have to read and see! =)
4 stars
Gareth von Kallenbach (980 KP) rated Stonehearst Asylum (2015) in Movies
Jun 19, 2019
In the late 19th century in England, medicine was by today’s standards primitive and at times barbaric. The nature of psychiatric care of the times was even more frightening as maladies that today are treated with medication often resulted in a lifetime of confinement in an Asylum where all manner of treatments which today would be considered torture were used.
In the new thriller “Stonehearst Asylum” a young doctor named Edward Newgate (Jim Sturgess), travels to a remote asylum on Christmas Eve to being a practical study following his time at Oxford.
He is greeted upon his arrival by Silas Lamb (Ben Kingsley, who is eager to size up the new assistant upon his arrival.
Newgate is fascinated by the patients especially one named Eliza (Kate Beckinsale), who shows a grace and range of talents not normally associated with those who have been committed. It is explained that all of those assigned to Stonehearts are from the upper class of society and as such, their maladies have made them outcasts from polite society.
Edward begins to have concerns when he is told by Eliza that he must leave immediately and not return and despite her warnings, he remains and soon makes a startling discovery.
It is learned that a patient named Salt (Michael Caine) is actually the man in charge of the facility and that Lamb is a dangerous psychopath who has imprisoned or killed the asylum staff and has replaced them with his fellow inmates.
Trapped in a world gone mad, Edward must strive to do his duty as a physician to care for those in need, while trying to walk the line between the madness of Lamb and his fellow inmates.
The film is a well-cast and exciting thriller that keeps you entertained without resorting to the standard scares and tricks of other suspense films.
The characters have a complexity and compassion to them as you will find yourself engrossed by the various characters and their situations.
Director Brad Anderson is no stranger to suspense and he has crafted a captivating take that is rich with the visuals of the era yet remaining a character based drama it its core.
The film is based on a short story by Edgar Allen Poe and Mel Gibson is one of the Producers attached to the film which helps underscore how they were able to assemble such a strong cast to the film despite the lack of a major studio to finance or distribute the film.
The film does have some moments that at times make you wonder why some characters did not take more obvious courses of action but yet the film works in spite of this.
In the end the haunting setting and subject matter mesh well with the characters to create a thrilling and entertaining drama that is one of the more enjoyable surprises of the year.
http://sknr.net/2014/10/24/stonehearst-asylum/
In the new thriller “Stonehearst Asylum” a young doctor named Edward Newgate (Jim Sturgess), travels to a remote asylum on Christmas Eve to being a practical study following his time at Oxford.
He is greeted upon his arrival by Silas Lamb (Ben Kingsley, who is eager to size up the new assistant upon his arrival.
Newgate is fascinated by the patients especially one named Eliza (Kate Beckinsale), who shows a grace and range of talents not normally associated with those who have been committed. It is explained that all of those assigned to Stonehearts are from the upper class of society and as such, their maladies have made them outcasts from polite society.
Edward begins to have concerns when he is told by Eliza that he must leave immediately and not return and despite her warnings, he remains and soon makes a startling discovery.
It is learned that a patient named Salt (Michael Caine) is actually the man in charge of the facility and that Lamb is a dangerous psychopath who has imprisoned or killed the asylum staff and has replaced them with his fellow inmates.
Trapped in a world gone mad, Edward must strive to do his duty as a physician to care for those in need, while trying to walk the line between the madness of Lamb and his fellow inmates.
The film is a well-cast and exciting thriller that keeps you entertained without resorting to the standard scares and tricks of other suspense films.
The characters have a complexity and compassion to them as you will find yourself engrossed by the various characters and their situations.
Director Brad Anderson is no stranger to suspense and he has crafted a captivating take that is rich with the visuals of the era yet remaining a character based drama it its core.
The film is based on a short story by Edgar Allen Poe and Mel Gibson is one of the Producers attached to the film which helps underscore how they were able to assemble such a strong cast to the film despite the lack of a major studio to finance or distribute the film.
The film does have some moments that at times make you wonder why some characters did not take more obvious courses of action but yet the film works in spite of this.
In the end the haunting setting and subject matter mesh well with the characters to create a thrilling and entertaining drama that is one of the more enjoyable surprises of the year.
http://sknr.net/2014/10/24/stonehearst-asylum/
Gareth von Kallenbach (980 KP) rated The Nice Guys (2016) in Movies
Aug 6, 2019
This is how it’s supposed to be done. Though it’s not the most original flick to grace the silver screen, Shane Black’s follow-up to his instant cult classic Kiss Kiss Bang Bang has everything you could want in an action/comedy romp. A solid dynamic between its two charming yet flawed leads, a strong plot that has enough twists and turns to keep you thrilled but not lost, and plenty of quotably razor-sharp dialogue. Imagine the Lethal Weapon type meets a less obtuse Inherent Vice. Besides the return of Jason Bourne in July, it will undoubtedly be the most entertaining thing you’ll see in another summer season of mediocrity. Is anybody really that interested in a ninth X-Men film?
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
The Island:Brave Heart
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The Island,Man in the Wild,Amazing Adventure.... This is a game about exploring and surviving on a...