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Death (The Four Horsemen #4) by T.A. Chase
Death (The Four Horsemen #4) by T.A. Chase
T.A. Chase | 2015 | LGBTQ+, Paranormal, Romance
10
9.0 (2 Ratings)
Book Rating
Okay, so I might be a bit biased towards Death as I have loved his character in the other three books, but I loved the insights into his past and his character that we got in this book. Death has his own lesson to learn, just like the other Horsemen did. And I will also admit to LOVING the growth of Pierre in this story. He goes from being a poor little rich boy, with no friends, high on heroin, to taking responsibility and standing on his own two feet. He no longer blames the world for his shortcomings, instead, he is working hard to overcome them. And he has done the big first step BY HIMSELF. He didn't use Death as a heroin replacement but instead took the first scary step whilst Death was away.

I think the only thing that confused me momentarily in this book is that Aldo (Pestilence) and Bart had both met Pierre, albeit when he was suffering withdrawal symptoms, but still. However, they are both confused in their own book when they receive a wedding invitation from Gatian and Pierre. Now they might not have known Death's 'mortal' name, but they did know Pierre's. Still, this is a very insignificant point that in no way detracted from my enjoyment.

Well-written, smoothly paced and with an amazing amount of growth, this book is simply delightful. This is definitely the star in the series for me although I have thoroughly enjoyed every book. I would love for a story of Lam and Day *hint hint*. Definitely recommended.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Nov 24, 2015
  
40x40

Hazel (1853 KP) rated Ilsa in Books

Dec 17, 2018  
I
Ilsa
6
6.0 (1 Ratings)
Book Rating
<i>This eBook was provided by the author in exchange for an honest review </i>

After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.

Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.

Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.

Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.

For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.

Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.