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LoganCrews (2861 KP) rated Road to Perdition (2002) in Movies

Jul 4, 2021  
Road to Perdition (2002)
Road to Perdition (2002)
2002 | Crime, Drama
6
8.1 (14 Ratings)
Movie Rating Watch
A rich sensory experience until around the third act when I began choking on soap - could this be the most beautiful looking + sounding mob movie out there? Maybe, what with its otherworldly Thomas Newman score (which I can't believe people complained about) and downright tantalizing cinematography, paired with such lush period detail that never feels overbearing for a single second. Unfortunately (though expectedly) *too* pristine for its own good - tries so unsubtly to be a ''''serious'''' movie that's above the violent pulp this so desperately needed. It would be another thing entirely if they replaced it with something to say but this is perhaps the most simple mob story ever told. Initially presents itself as subdued mafia eye candy, which I was on board with until the jarring tonal shift beginning with the bank heists where it reveals its moral fiber to be the cloying relationship between Hanks and this annoying kid who can't act for shit. And don't even get me started on that dumbass narration which just spoon feeds you what this is supposed to be 'about' as if it wasn't already blatantly obvious. But Paul Newman and Jude Law are swell, and it's got a fair amount of good scenes that handle the simple melodrama well. Dazzling aesthetic showcase meets cringe Oscar bait which has been rendered mostly useless now that we have other movies of the genre/premise that aren't afraid to have some bite.
  
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LoganCrews (2861 KP) rated The Devil's Rejects (2005) in Movies

Oct 10, 2020  
The Devil's Rejects (2005)
The Devil's Rejects (2005)
2005 | Horror
9
7.3 (24 Ratings)
Movie Rating Watch
Still largely prefer the viscera of gross circus-esque horror movie eye candy of 𝘏𝘰𝘢𝘴𝘦 𝘰𝘧 1000 𝘊𝘰𝘳𝘱𝘴𝘦𝘴, but this one somehow might be more repulsive and disturbing. I'm astounded this movie even works at all, revisiting such ostentatious caricatures by way of Americana on-the-run crime movie should never have worked - but not only did it manage to be one of the best crime thrillers of the 21st century, but it also set the template for how more sequels oughta look into telling their story, by completely flipping the script and going with an entirely different genre while still maintaining the root of what makes the characters so great. Loaded with moody desolate (both physically and morally) cinematography, a deliciously over-the-top William Forsythe villain, pounds upon pounds of stomach-churning brutality, and a rich late-70s tone that takes over anything from the aesthetic to the soundtrack. Zombie has created some of the hall-of-fame best horror movie characters ever put to screen through Baby, Otis, and Captain Spaulding - not only gleefully cruel, unique, and uproariously riveting but also able to see the fault of their own detrimental wickedness yet still choosing not to change even if they could. Their own self-destructiveness isn't even allowed to take full hold because of the American system they're forced to act within, also the "Free Bird" ending is as amazing as everyone says.