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Larry Eisner (2082 KP) rated Maniac in TV
Oct 3, 2018
Realistic views of mental illness (4 more)
So much vision in the palette and visual storytelling
The acting is top-notch!
Retro-Futurism!!!
Such creativity!
A beautiful, creative series about mental illness
Absurdism at its finest. Full stop.
Maniac is a beautifully written, beautifully shot and masterfully acted work of art. Taking a 70s-80s retro idea of future technology, and making it real, making it believable and all the while throwing crazy funny oddity at the same time is an insane balancing act and it works! My god, it works!
It is episodic and works as such, but it could also very well have been an excellent 5-6 hour film. Every scene is necessary. Every frame is intentional. The jokes hit, the visual universe is consistent, and the whole thing tugs on you like very little film does these days. In fact I hesitate to call it TV. Because while it is indeed episodic, it’s not serialized. It’s one long and perfectly crafted story. It winds and twists and it jumps at the sky but it always has a reason to do so.
And all I can say is that every damn time I forget how great Sally Field is, she kills it. She absolutely kills it. I wouldn’t have cast her or Jonah Hill, but they are PERFECT. I can not recommend this show enough. Honestly it’s the best original content I’ve seen this year. Hands down.
It’s funny, it’s bizarre, and it’s emotional. It gets, via sideways and transverse angles, what it means to be a broken and fragile human, when everyone around you seems to have it together but you.
Please watch it. You won’t regret it.
Maniac is a beautifully written, beautifully shot and masterfully acted work of art. Taking a 70s-80s retro idea of future technology, and making it real, making it believable and all the while throwing crazy funny oddity at the same time is an insane balancing act and it works! My god, it works!
It is episodic and works as such, but it could also very well have been an excellent 5-6 hour film. Every scene is necessary. Every frame is intentional. The jokes hit, the visual universe is consistent, and the whole thing tugs on you like very little film does these days. In fact I hesitate to call it TV. Because while it is indeed episodic, it’s not serialized. It’s one long and perfectly crafted story. It winds and twists and it jumps at the sky but it always has a reason to do so.
And all I can say is that every damn time I forget how great Sally Field is, she kills it. She absolutely kills it. I wouldn’t have cast her or Jonah Hill, but they are PERFECT. I can not recommend this show enough. Honestly it’s the best original content I’ve seen this year. Hands down.
It’s funny, it’s bizarre, and it’s emotional. It gets, via sideways and transverse angles, what it means to be a broken and fragile human, when everyone around you seems to have it together but you.
Please watch it. You won’t regret it.
Phillip McSween (751 KP) rated E.T. The Extra-Terrestrial (1982) in Movies
Nov 18, 2019
A True Classic
Not that we don’t already know what E.T. The Extra-Terrestrial is about but: A young boy finds himself in trouble with special agents when he befriends a stranded alien.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Steven Spielberg does a wonderful job with achieving more with less. He doesn’t shoot for break-your-neck special effects, rather he gives it to you in glimpses. We see the lights from E.T.’s spaceship, but we only see the actual spaceship flying for a second or two. E.T.’s ability to make things take flight is never overdone and always used in necessary circumstances. Outside of the special effects, there are a number of touches here and there, again small nuances, that make this film great. One of my favorites occurs when E.T. sees a kid in Yoda costume and starts following him.
Conflict: 10
Entertainment Value: 10
Memorability: 10
These scenes have been recounted and retold in a number of different ways. This movie set the precedent on how we see and interact with life outside of Earth. The relationship between Elliott and E.T. is unforgettable.
Pace: 10
Spielberg is a true master of storytelling as he aces pacing yet again. There are no dull moments and the few lulls are there for a reason. Exposition and character development are handled within the context of the moving story itself as it should be.
Plot: 10
Resolution: 10
Overall: 100
I had someone tell me once that not only was E.T. not that great, but it was pretty terrible in retrospect. My reply: What crack are you smoking? This movie is not only great, but it’s one of the all-time greats. Believe it.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Steven Spielberg does a wonderful job with achieving more with less. He doesn’t shoot for break-your-neck special effects, rather he gives it to you in glimpses. We see the lights from E.T.’s spaceship, but we only see the actual spaceship flying for a second or two. E.T.’s ability to make things take flight is never overdone and always used in necessary circumstances. Outside of the special effects, there are a number of touches here and there, again small nuances, that make this film great. One of my favorites occurs when E.T. sees a kid in Yoda costume and starts following him.
Conflict: 10
Entertainment Value: 10
Memorability: 10
These scenes have been recounted and retold in a number of different ways. This movie set the precedent on how we see and interact with life outside of Earth. The relationship between Elliott and E.T. is unforgettable.
Pace: 10
Spielberg is a true master of storytelling as he aces pacing yet again. There are no dull moments and the few lulls are there for a reason. Exposition and character development are handled within the context of the moving story itself as it should be.
Plot: 10
Resolution: 10
Overall: 100
I had someone tell me once that not only was E.T. not that great, but it was pretty terrible in retrospect. My reply: What crack are you smoking? This movie is not only great, but it’s one of the all-time greats. Believe it.
JT (287 KP) rated Sucker Punch (2011) in Movies
Mar 10, 2020
Sucker Punch will pack just that, a massive visual punch, so hard you’ll be doubled over by the stunning action sequences the film has to offer. Using a number of different scenarios from an alternative reality concocted in the mind of Baby Doll (Emily Browning), she plots a daring escape with the help of her fellow sexy inmates, and I do mean sexy.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
Gareth von Kallenbach (980 KP) rated The Hundred-Foot Journey (2014) in Movies
Aug 6, 2019
When it comes to food, opinions on colors, flavors, and textures are dynamic. No two foodies are the same. Throughout the world culinary differences abound; even ideas of what constitutes a food can be disparate. Blurring the line between history and the future, favorite dishes get modern twists and contemporary chefs discover innovation by studying the foods of yesteryear.
Films always have a location, but while “The 100 Foot Journey” is set in small town France, the story really exists at the crossroads of two fiercely independent culinary traditions. Throughout the film, Indian and French cuisines feed the visual storytelling and nourish the scenes.
As the leading man, Hassan, actor Manish Dayal plays a convincing chef struggling between two cultural and culinary worlds. But it is the support of Papa, Hassan’s can-do attitude driven father, played by actor Om Puri, and Michelin star obsessed know-it-all neighbor Madame Mallory (Helen Mirren) that invigorate the screen.
Simple yet engaging, plot is not where “The 100 Foot Journey” excels. Opting to focus on subtle interpersonal scenes, the film lacks twists, suspense, and grand surprises. Instead “The 100 Foot Journey” explores the joys, sorrows, and revelations that happen when two culinary histories and lifestyles meet. The journey highlights the challenges faced with preserving tradition while also carving a new path.
Consumables garnish almost every moment of character interaction; food plays a role in careers, conflicts, and mutual understanding. It could be easy, and not entirely wrong, to write-off this picture as a feel good foodie flick. However, just like a good croissant, “The 100 Foot Journey” is worth more than a deceptively uncomplicated a first glance; it contains flavorful and complex layers upon further examination. Be it a story of coincidence, lucky, or fate, “The 100 Foot Journey” is worth a taste if not a feast.
Films always have a location, but while “The 100 Foot Journey” is set in small town France, the story really exists at the crossroads of two fiercely independent culinary traditions. Throughout the film, Indian and French cuisines feed the visual storytelling and nourish the scenes.
As the leading man, Hassan, actor Manish Dayal plays a convincing chef struggling between two cultural and culinary worlds. But it is the support of Papa, Hassan’s can-do attitude driven father, played by actor Om Puri, and Michelin star obsessed know-it-all neighbor Madame Mallory (Helen Mirren) that invigorate the screen.
Simple yet engaging, plot is not where “The 100 Foot Journey” excels. Opting to focus on subtle interpersonal scenes, the film lacks twists, suspense, and grand surprises. Instead “The 100 Foot Journey” explores the joys, sorrows, and revelations that happen when two culinary histories and lifestyles meet. The journey highlights the challenges faced with preserving tradition while also carving a new path.
Consumables garnish almost every moment of character interaction; food plays a role in careers, conflicts, and mutual understanding. It could be easy, and not entirely wrong, to write-off this picture as a feel good foodie flick. However, just like a good croissant, “The 100 Foot Journey” is worth more than a deceptively uncomplicated a first glance; it contains flavorful and complex layers upon further examination. Be it a story of coincidence, lucky, or fate, “The 100 Foot Journey” is worth a taste if not a feast.
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