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The Queen's God Daughter. Her Most Trusted Maid. Adultress. Enemy Of The State. Who is The Real...
Wow.
Wow. What an ending. I would admit to having my issues with the first 3 books of the series (the cast of characters and locations is just too big from the outset to be able to comfortably remember who/where they all are!), but was generally enjoying it and loved Gwynne's writing style, particularly in action scenes.
There was still a lot of ground to cover in the final book of the series, and it really had to be a pretty epic, pacey tome to address all the plot points and end satisfactorily.
It certainly delivers on the pace. There is barely a chapter where the action isn't thick and fast with plot development and important events or revelations.
And I think Gwynne's storytelling really went up a notch. In numerous places the action was told from different PoV's with punchy short chapters delivering an awesome, rounded description of the action unfolding.
I have some very minor hang-ups about the sheer number of main character deaths in the final quarter of the book but most of these are serving a point and seem necessary.
The battle of good vs evil here has the weight shift a number of times. While in the early stages the clever tactics on the side of good seem to win the day, they are quickly brought back down to earth by the sheer numbers on the side of the bad.
A number of rivalries which have been building over the course of the series come to a climax here, and all are built up with such tension and passion that you are constantly on the edge of your seat longing for the vital sword stroke or arrow, as the action can so often happen suddenly you might not necessarily be expecting it.
Overall, this book has redeemed my minor hang-ups from the earlier books and this may now be amongst my favourite series ever.
There was still a lot of ground to cover in the final book of the series, and it really had to be a pretty epic, pacey tome to address all the plot points and end satisfactorily.
It certainly delivers on the pace. There is barely a chapter where the action isn't thick and fast with plot development and important events or revelations.
And I think Gwynne's storytelling really went up a notch. In numerous places the action was told from different PoV's with punchy short chapters delivering an awesome, rounded description of the action unfolding.
I have some very minor hang-ups about the sheer number of main character deaths in the final quarter of the book but most of these are serving a point and seem necessary.
The battle of good vs evil here has the weight shift a number of times. While in the early stages the clever tactics on the side of good seem to win the day, they are quickly brought back down to earth by the sheer numbers on the side of the bad.
A number of rivalries which have been building over the course of the series come to a climax here, and all are built up with such tension and passion that you are constantly on the edge of your seat longing for the vital sword stroke or arrow, as the action can so often happen suddenly you might not necessarily be expecting it.
Overall, this book has redeemed my minor hang-ups from the earlier books and this may now be amongst my favourite series ever.
Haley Mathiot (9 KP) rated Triangles in Books
Apr 27, 2018
The thing about Ellen Hopkins is she writes about the stuff that everyone knows happens, but nobody is willing to admit to. She gives emotion and reason to why people make the choices we do, and what they feel like in the middle of a messy hurtful situation. She is the opposite of happyland syndrome. She tells it how it is.
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
Phillip McSween (751 KP) rated Silver Linings Playbook (2012) in Movies
Feb 17, 2019
Classic
A man trying to piece his life together after being released from a mental institution befriends a woman just as whacky and out of control as he is.
Acting: 10
Beginning: 5
Characters: 10
Cinematography/Visuals: 10
Conflict: 8
Genre: 8
Silver Linings Playbook is a unique story about finding The One while finding your way. It’s a wild ride of storytelling where you hope it plays out in a certain fashion, but you’re never really sure. It’s hilarious, thought-provoking, and touching all at once. A definite classic.
Memorability: 10
One of my favorite scenes in this whole movie occurs when Tiffany (Jennifer Lawrence) confronts Pat (Bradley Cooper) after he missed their scheduled dance practice. It’s a brilliant scene where Tiffany and Pat Sr. (Robert De Niro) go back and forth about why missing practice was the worst thing Pat Jr. could have done. There are quite a few moments like these where the dialogue is just right and the scene unfolds perfectly. These moments not only captivate your attention but have you anticipating the next great moment.
Pace: 10
And it’s because of those moments that the overall pace is managed so well. Outside of a slow beginning, the story moves at an extremely consistent pace. Sometimes funny, sometimes touching, and sometimes both, it forces you through the story while you ride an emotional high.
Plot: 10
The originality of the story gives me nothing to compare it to and that’s a great thing. It’s a film that succeeds by staying in its own lane and not trying to be anything else. It also succeeds with consistency: There are no holes or weaknesses that make the overall story come up short.
Resolution: 10
Overall: 91
Memorable scenes abound in Silver Linings Playbook. Anytime Chris Tucker shows up randomly, you know it’s going to be a good time. It’s not just a good movie, but a movie with staying power. The more I watch it, the more I end up loving it.
Acting: 10
Beginning: 5
Characters: 10
Cinematography/Visuals: 10
Conflict: 8
Genre: 8
Silver Linings Playbook is a unique story about finding The One while finding your way. It’s a wild ride of storytelling where you hope it plays out in a certain fashion, but you’re never really sure. It’s hilarious, thought-provoking, and touching all at once. A definite classic.
Memorability: 10
One of my favorite scenes in this whole movie occurs when Tiffany (Jennifer Lawrence) confronts Pat (Bradley Cooper) after he missed their scheduled dance practice. It’s a brilliant scene where Tiffany and Pat Sr. (Robert De Niro) go back and forth about why missing practice was the worst thing Pat Jr. could have done. There are quite a few moments like these where the dialogue is just right and the scene unfolds perfectly. These moments not only captivate your attention but have you anticipating the next great moment.
Pace: 10
And it’s because of those moments that the overall pace is managed so well. Outside of a slow beginning, the story moves at an extremely consistent pace. Sometimes funny, sometimes touching, and sometimes both, it forces you through the story while you ride an emotional high.
Plot: 10
The originality of the story gives me nothing to compare it to and that’s a great thing. It’s a film that succeeds by staying in its own lane and not trying to be anything else. It also succeeds with consistency: There are no holes or weaknesses that make the overall story come up short.
Resolution: 10
Overall: 91
Memorable scenes abound in Silver Linings Playbook. Anytime Chris Tucker shows up randomly, you know it’s going to be a good time. It’s not just a good movie, but a movie with staying power. The more I watch it, the more I end up loving it.
Andy K (10821 KP) rated Mandy (2018) in Movies
Nov 2, 2018
Unique storytelling and visual splendor at its finest!
You never know what to think when you start a movie starring Nicolas Cage. He's almost a mockery of himself these days with so many unusual, crappy over-the-top performances, I was skeptical of this one to say the least.
I don't remember where I even heard of this film. Must have been one of the movie sites I frequent. I actually decided to purchase having not watched first, something I rarely do indeed.
To say this is a story of revenge doesn't really do it justice. In fact any words I can place here in this review won't really explain. When Nicolas Cage and his wife are kidnapped by a gang of hooligan, crazed hippie religious freaks, that is just the beginning. After some bad things happen, Cage is changed forever as he embarks down the long tunnel of revenge and vengeance for blood.
Normally, technical prowess, or saying the film "looks great" doesn't impress me since, in the age of CGI, pretty much every movie looks flawless these days.
Something about the art direction, cinematography, editing, haunting musical score, costumes and gory brutal make-up effects come together to create a truly unique film.
I can see influences from Sam Raimi's Army of Darkness, Rob Zombie's House of 1,000 Corpses and even Lars von Trier's Antichrist at times and even elements from Darren Aronofsky's Mother! or Clive Barker's Hellraiser.
The film is definitely not for everyone. I would predict others rating this film from 1 to 10 (like Mother!) but would have to admit you had never seen anything like it. Director Panos Cosmatos is one I will have to keep an eye on.
Please watch Mandy and let me know what you think whether you agree or disagree. I'd be very interested to hear and debate with you.
I don't remember where I even heard of this film. Must have been one of the movie sites I frequent. I actually decided to purchase having not watched first, something I rarely do indeed.
To say this is a story of revenge doesn't really do it justice. In fact any words I can place here in this review won't really explain. When Nicolas Cage and his wife are kidnapped by a gang of hooligan, crazed hippie religious freaks, that is just the beginning. After some bad things happen, Cage is changed forever as he embarks down the long tunnel of revenge and vengeance for blood.
Normally, technical prowess, or saying the film "looks great" doesn't impress me since, in the age of CGI, pretty much every movie looks flawless these days.
Something about the art direction, cinematography, editing, haunting musical score, costumes and gory brutal make-up effects come together to create a truly unique film.
I can see influences from Sam Raimi's Army of Darkness, Rob Zombie's House of 1,000 Corpses and even Lars von Trier's Antichrist at times and even elements from Darren Aronofsky's Mother! or Clive Barker's Hellraiser.
The film is definitely not for everyone. I would predict others rating this film from 1 to 10 (like Mother!) but would have to admit you had never seen anything like it. Director Panos Cosmatos is one I will have to keep an eye on.
Please watch Mandy and let me know what you think whether you agree or disagree. I'd be very interested to hear and debate with you.
Jessica - Where the Book Ends (15 KP) rated One to Keep (One to Hold, #2) in Books
Jan 30, 2019
Tia Louise has done it again! One To Keep is the perfect follow up of One To Hold, but it shows you things from another perspective; a man's. I loved this book, because although it did rehash some of the scenes from One To Hold it did show it from a different side.
The characters were very well developed in this book, and I felt like I really got a chance to know and understand Elaine and Patrick. They were great supporting characters, but Tia in her amazing storytelling abilities took Patrick and Elaine from supporting roles to main characters, and I instantly fell in love with them. We were also introduced to a couple new character, one I loved the other I loved to hate!
Kenny was a fabulous addition to this book, and I hope I get to see more of her. I loved her style and the way her personality played so well off of Patrick's. She's a very interesting character whom I wasn't expecting. She kind of just blindsided me with her awesomeness. Star/Toni was my love to hate character. I loved the way she came into the picture, but hated the torment she put Patrick through.
As per usual Tia Louise writing style, the characters and drama was hot, but the sex scenes were even hotter! I am so glad to have finally found an author that isn't afraid to get down to the nitty gritty and have a sex scene just be raw and call things what they really are.
Over all this book gets 4 stars and two thumbs up in my opinion! I can't wait to read more from Tia Louise! She is a great new writer that is really going to make a name for herself. I expect some great things in her future!
***This book was provided as an ARC in exchange for an honest review.***
The characters were very well developed in this book, and I felt like I really got a chance to know and understand Elaine and Patrick. They were great supporting characters, but Tia in her amazing storytelling abilities took Patrick and Elaine from supporting roles to main characters, and I instantly fell in love with them. We were also introduced to a couple new character, one I loved the other I loved to hate!
Kenny was a fabulous addition to this book, and I hope I get to see more of her. I loved her style and the way her personality played so well off of Patrick's. She's a very interesting character whom I wasn't expecting. She kind of just blindsided me with her awesomeness. Star/Toni was my love to hate character. I loved the way she came into the picture, but hated the torment she put Patrick through.
As per usual Tia Louise writing style, the characters and drama was hot, but the sex scenes were even hotter! I am so glad to have finally found an author that isn't afraid to get down to the nitty gritty and have a sex scene just be raw and call things what they really are.
Over all this book gets 4 stars and two thumbs up in my opinion! I can't wait to read more from Tia Louise! She is a great new writer that is really going to make a name for herself. I expect some great things in her future!
***This book was provided as an ARC in exchange for an honest review.***
Cat Danger Allan (29 KP) rated The Princess Bride in Books
Jan 27, 2020 (Updated Jan 27, 2020)
It is still my favourite book in all of the world. And more then ever, I wish I had written it
Contains spoilers, click to show
I watched the movie and loved how closely it related to the fairy tale in the book. We have Wesley and Buttercup who fall in love. However, when Wesley goes to make his fortune his ship is taken by the dreaded pirate Rogers, who never leaves a man alive. So Buttercup in her depression agrees to marry Prince Humperdink. One day Buttercup is kidnapped by a swordsman, a giant and the brains of the group. And so it goes.
This fairy tale has everything you could wish for. True love, a giant, a deadly forest, sword fighting, magic, pirates. You name it, its probably in there.
But what makes this writer so incredible. Is the abridgement section. Goldman writes this as if he's talking about his childhood story, alas this is all a fairytale too. The introduction where he talks about getting a copy of this book for his child's birthday like his father had done for him is one big hoax. He talks about removing all the sections and chapters from the book that never existed. He is just a great writer
The reunion scene he leaves an address to his publishers and promotes people to write in and ask for a copy of the scene. But this writer is so incredible, he replies back to these messages with a new fake story. It is all about how he is getting sued by Florin and cannot release the scene. If you would like to read the response I found a copy on twitter:
https://twitter.com/LettersOfNote/status/1063443712666161154?s=09
I just found that the storytelling was just so perfect, there was nothing you could not enjoy.
This fairy tale has everything you could wish for. True love, a giant, a deadly forest, sword fighting, magic, pirates. You name it, its probably in there.
But what makes this writer so incredible. Is the abridgement section. Goldman writes this as if he's talking about his childhood story, alas this is all a fairytale too. The introduction where he talks about getting a copy of this book for his child's birthday like his father had done for him is one big hoax. He talks about removing all the sections and chapters from the book that never existed. He is just a great writer
The reunion scene he leaves an address to his publishers and promotes people to write in and ask for a copy of the scene. But this writer is so incredible, he replies back to these messages with a new fake story. It is all about how he is getting sued by Florin and cannot release the scene. If you would like to read the response I found a copy on twitter:
https://twitter.com/LettersOfNote/status/1063443712666161154?s=09
I just found that the storytelling was just so perfect, there was nothing you could not enjoy.
I have to admit, when I first started reading this book I did stop several times, look at the cover and the blurb and think “What the heck am I reading?”
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
Gareth von Kallenbach (980 KP) rated Money Monster (2016) in Movies
Aug 6, 2019
Growing up, whenever a political or economic scandal was featured on the news, my father would utter the words, “Follow the money.” This phrase was made famous by “Deep Throat” during the Watergate scandal that eventually brought down the Nixon Administration. In the film Money Monster which stars George Clooney and Julia Roberts, this is a question that we start to ask ourselves as a financial investment show is taken captive by a disgruntled investor while it is airing live.
Clooney, who serves as the show’s host, quickly finds himself in the middle of a storm of tension and deception as he and his captor try to discover what happened to over $800 million in investments. The film itself is sufficient as an overview for satisfying our need for some sense of understanding at how corrupt and unstable the financial industry can be. Through much of the film, I found myself wondering about how many people wanted these same answers in 2008 during the financial market meltdowns and the collapse of the housing markets. The film approaches this anger that hit the American working class, but do not delve deeper than the superficial issues and discontent. There is a major lack of depth and this might be a metaphor for the industry itself that is built on confusion, misdirection, and a lack of substance. The plot is simplistic and does not allow for any surprises or twists.
It is a very straightforward movie where a flawed character wants answers. He wants closure. He wants to bring to justice the people who ruined the lives of countless Americans and took advantage of their desire to experience the American Dream. Despite the lack of complexity and a few holes in the storytelling, Money Monster provides a few laughs and leaves the audience asking questions about how deep the problems and corruption may be within our financial system nearly 8 years after the collapse. It makes us want to “follow the money” in the hopes that we will find answers.
Clooney, who serves as the show’s host, quickly finds himself in the middle of a storm of tension and deception as he and his captor try to discover what happened to over $800 million in investments. The film itself is sufficient as an overview for satisfying our need for some sense of understanding at how corrupt and unstable the financial industry can be. Through much of the film, I found myself wondering about how many people wanted these same answers in 2008 during the financial market meltdowns and the collapse of the housing markets. The film approaches this anger that hit the American working class, but do not delve deeper than the superficial issues and discontent. There is a major lack of depth and this might be a metaphor for the industry itself that is built on confusion, misdirection, and a lack of substance. The plot is simplistic and does not allow for any surprises or twists.
It is a very straightforward movie where a flawed character wants answers. He wants closure. He wants to bring to justice the people who ruined the lives of countless Americans and took advantage of their desire to experience the American Dream. Despite the lack of complexity and a few holes in the storytelling, Money Monster provides a few laughs and leaves the audience asking questions about how deep the problems and corruption may be within our financial system nearly 8 years after the collapse. It makes us want to “follow the money” in the hopes that we will find answers.
blueirisfox (125 KP) rated Write to Market: Write a Book that Sells (Write Faster, Write Smarter 3) in Books
Feb 15, 2020 (Updated Feb 15, 2020)
Very concise and to the point. (2 more)
The exercises at the end of each chapter are an absolute gift for new and aspiring writers (and I'd imagine even experienced ones). Each one is actionable and aims towards publishing successfully.
Essential for any authors that want to be self-published (especially on Amazon), as the author is writing from their own experiences.
The only reason I even knew this book existed was because I stumbled upon the authors YouTube channel.
From watching his videos, I understood the level and tone of the advice he would be giving in his books, and I've gotta say, the guy is an absolute gift to the writing community.
Even if you don't buy any of his books, there is so much to learn from him for free on his YouTube channel: from plotting to selling, this guy pretty much has it all.
Saying that, I still 100% recommend buying his Write Faster, Write Smarter book series, because I can't stress enough how amazing his targeted exercises are.
For this specific book in the series, he explains how to effectively sell books to targeted audiences. This can sound a bit controversial, as if you were simply copying an idea and trying to cash in on it. BUT THAT'S NOT IT AT All. Chris Fox himself shuts down the idea of copying hit books quite early on. What this book will do, is explain to you how to use popular tropes to your advantage.
If you're not really sure about this book from my review, check out its page on Amazon and read the first few pages. Better yet, check out Chris Fox's YouTube channel and get a feel for what this guy is like, because at the end of the day we all absorb information differently and find certain things useful that others simply don't.
Anyways, I hope that this helped someone find the tools that they need in order to do Storytelling some justice.
Peace out,
blueirisfox
From watching his videos, I understood the level and tone of the advice he would be giving in his books, and I've gotta say, the guy is an absolute gift to the writing community.
Even if you don't buy any of his books, there is so much to learn from him for free on his YouTube channel: from plotting to selling, this guy pretty much has it all.
Saying that, I still 100% recommend buying his Write Faster, Write Smarter book series, because I can't stress enough how amazing his targeted exercises are.
For this specific book in the series, he explains how to effectively sell books to targeted audiences. This can sound a bit controversial, as if you were simply copying an idea and trying to cash in on it. BUT THAT'S NOT IT AT All. Chris Fox himself shuts down the idea of copying hit books quite early on. What this book will do, is explain to you how to use popular tropes to your advantage.
If you're not really sure about this book from my review, check out its page on Amazon and read the first few pages. Better yet, check out Chris Fox's YouTube channel and get a feel for what this guy is like, because at the end of the day we all absorb information differently and find certain things useful that others simply don't.
Anyways, I hope that this helped someone find the tools that they need in order to do Storytelling some justice.
Peace out,
blueirisfox