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BookblogbyCari (345 KP) rated A Little Less Than Love in Books
Sep 4, 2018 (Updated Sep 4, 2018)
Book Review by Cari Mayhew. Rating 5/10.
Warning – this is not a feel-good book! And, to be honest, almost every single character got on my nerves! It’s a book about relationships and has several different themes regarding relationships.
When I read the blurb on the back of the book, I could see that Leece, the female central character, was suffering a dilemma as to whether to purposely rediscover past times that she had willfully forgotten. This is at times a dilemma for myself, which is why I decided to read the book.
Despite the focus being on 2 same-sex relationships encountered by, Lecce, her sexuality is by no means the only reason for the relationship complexities.
The storytelling begins with Lecce discovering a Pandora’s box of letters, handwritten notes, and diaries, that she had completely forgotten about. The first being from an infatuation and love affair with a charismatic older woman, Dian. Although the two were close and were together every week, Dian would never dream of leaving her husband for Lecce.
The second of these 2 relationships begins when the young, and perhaps somewhat troubled, Karin takes a shine to Lecce. What starts as friendship, turns into a dark and seedy secret, and quickly descends to an unhealthy and abusive relationship.
Knitted around these relationships are thoughts from other characters, which is where more complexity comes in. There is much insecurity, jealousy, and selfishness.
The meat of the story is in how the abusive relationship between Lecce and Karin comes to its end (no spoilers!).
In fairness, I have to say the author’s scene setting is above par. I came across this book at a meeting of my local library’s book club. Although we haven’t discussed it yet, I can see there are several points for discussion.
The style of the book is very fragmented – and not just because of the postcards, letters, and diaries entries, but also because it tells the story from several viewpoints and points in time. I often began to feel I had missed huge sections of the story, but it wasn’t I who had missed sections – it was the author! Oftentimes passages weren’t labeled “past” or “present” and I was left to guess where I was in the story.
Throughout the book, I felt compelled to read on. To be honest, the main reason for the relatively poor rating is that the book tended, overall, to bring me down. It’s given me some insight into what life may be like for some (not all) gay women.
For more of my reviews, check out my blog: www. bookblogbycari.com
Warning – this is not a feel-good book! And, to be honest, almost every single character got on my nerves! It’s a book about relationships and has several different themes regarding relationships.
When I read the blurb on the back of the book, I could see that Leece, the female central character, was suffering a dilemma as to whether to purposely rediscover past times that she had willfully forgotten. This is at times a dilemma for myself, which is why I decided to read the book.
Despite the focus being on 2 same-sex relationships encountered by, Lecce, her sexuality is by no means the only reason for the relationship complexities.
The storytelling begins with Lecce discovering a Pandora’s box of letters, handwritten notes, and diaries, that she had completely forgotten about. The first being from an infatuation and love affair with a charismatic older woman, Dian. Although the two were close and were together every week, Dian would never dream of leaving her husband for Lecce.
The second of these 2 relationships begins when the young, and perhaps somewhat troubled, Karin takes a shine to Lecce. What starts as friendship, turns into a dark and seedy secret, and quickly descends to an unhealthy and abusive relationship.
Knitted around these relationships are thoughts from other characters, which is where more complexity comes in. There is much insecurity, jealousy, and selfishness.
The meat of the story is in how the abusive relationship between Lecce and Karin comes to its end (no spoilers!).
In fairness, I have to say the author’s scene setting is above par. I came across this book at a meeting of my local library’s book club. Although we haven’t discussed it yet, I can see there are several points for discussion.
The style of the book is very fragmented – and not just because of the postcards, letters, and diaries entries, but also because it tells the story from several viewpoints and points in time. I often began to feel I had missed huge sections of the story, but it wasn’t I who had missed sections – it was the author! Oftentimes passages weren’t labeled “past” or “present” and I was left to guess where I was in the story.
Throughout the book, I felt compelled to read on. To be honest, the main reason for the relatively poor rating is that the book tended, overall, to bring me down. It’s given me some insight into what life may be like for some (not all) gay women.
For more of my reviews, check out my blog: www. bookblogbycari.com
Gareth von Kallenbach (980 KP) rated Harry Potter and the Deathly Hallows - Part 1 (2010) in Movies
Aug 8, 2019
With the slow, familiar strains of “Hedwig’s Theme”, the leitmotif that shepherds us into the world of Harry Potter, we’re once again immersed in the magic and adventure of the wizarding world. If for some reason you forgot where the story left off at the end of The Half-Blood Prince, the mournful dirge that plays as Harry Potter, Hermione Granger and Ron Weasley prepare to meet reminds you that their world has changed drastically.
Like returning to your childhood home, it all looks familiar, but everything feels different. Gone are the school preparations, the train ride to Hogwarts, uniformed students jostling about, the easygoing camaraderie between our favorite trio, all the whimsical elements we’ve come to expect in a Harry Potter movie. Instead we have unease, sorrow and anger taking turns in the form of Hermione, Harry and Ron.
The Deathly Hallows Part I is the first of a two-part adaptation of the final book of J.K. Rowling’s popular series. Just like the anticipation of getting the seventh and final book, my excitement at screening this movie was tempered with the dread of seeing the series end. I actually did not have high expectations for this installment as the first part of the book was slow-paced and, not unlike another movie about wizards and elves, had a lot of walking and searching. But instead of one elusive ring, Harry, Hermione and Ron are searching for three Horcruxes, objects in which Harry’s nemesis, Lord Voldemort has implanted a part of his soul in his quest to achieve immortality. While they seek clues to the remaining Horcruxes, they learn that Voldemort seeks one of three Deathly Hallows, three sacred objects, the stories of which are revealed in a beautifully mesmerizing shadow-puppet sequence.
Director David Yates balances dark action with solid storytelling and arresting cinematography. Daniel Radcliffe is in turn sympathetic and charming as the heavily burdened hero. Rupert Grint’s Ron Weasley brings most of the movie’s humor again, but he’s most impressive when he becomes believably tortured and resentful when the dark magic of Voldemort’s Horcrux takes over. Emma Watson gracefully infuses the normally astute and self-assured Hermione with weary resolve and poignant anguish. The most charged moments are of course when the trio share the screen with the dark wizards, the most notable played with relish by Ralph Fiennes as Voldemort and Helena Bonham Carter as his most ardent minion, Bellatrix.
Having waited what felt like an eternity for this installment, it seems almost cruel to be made to wait until next summer for the conclusion. But that’s the only real complaint I can make about this movie. Widely and wildly anticipated, Deathly Hallows Part I will not disappoint.
Like returning to your childhood home, it all looks familiar, but everything feels different. Gone are the school preparations, the train ride to Hogwarts, uniformed students jostling about, the easygoing camaraderie between our favorite trio, all the whimsical elements we’ve come to expect in a Harry Potter movie. Instead we have unease, sorrow and anger taking turns in the form of Hermione, Harry and Ron.
The Deathly Hallows Part I is the first of a two-part adaptation of the final book of J.K. Rowling’s popular series. Just like the anticipation of getting the seventh and final book, my excitement at screening this movie was tempered with the dread of seeing the series end. I actually did not have high expectations for this installment as the first part of the book was slow-paced and, not unlike another movie about wizards and elves, had a lot of walking and searching. But instead of one elusive ring, Harry, Hermione and Ron are searching for three Horcruxes, objects in which Harry’s nemesis, Lord Voldemort has implanted a part of his soul in his quest to achieve immortality. While they seek clues to the remaining Horcruxes, they learn that Voldemort seeks one of three Deathly Hallows, three sacred objects, the stories of which are revealed in a beautifully mesmerizing shadow-puppet sequence.
Director David Yates balances dark action with solid storytelling and arresting cinematography. Daniel Radcliffe is in turn sympathetic and charming as the heavily burdened hero. Rupert Grint’s Ron Weasley brings most of the movie’s humor again, but he’s most impressive when he becomes believably tortured and resentful when the dark magic of Voldemort’s Horcrux takes over. Emma Watson gracefully infuses the normally astute and self-assured Hermione with weary resolve and poignant anguish. The most charged moments are of course when the trio share the screen with the dark wizards, the most notable played with relish by Ralph Fiennes as Voldemort and Helena Bonham Carter as his most ardent minion, Bellatrix.
Having waited what felt like an eternity for this installment, it seems almost cruel to be made to wait until next summer for the conclusion. But that’s the only real complaint I can make about this movie. Widely and wildly anticipated, Deathly Hallows Part I will not disappoint.
BankofMarquis (1832 KP) rated Big Fish (2003) in Movies
May 1, 2020
Whimsical, Fantastical and Entrancing
Looking for a charming, fantastical diversion that will whisk you away from this world for 2 hours? Look no further than the heartwarming father/son story BIG FISH.
Set in the unmistakable stylings of idealic living from the mind of Tim Burton, BIG FISH tells the tale of a father by the name of Ed Bloom (the great Albert Finney) who's son, Will Bloom (Billy Crudup - fresh off of ALMOST FAMOUS) has separated himself from his father for he is sick of the "tall tales" that his father tells about his life. Most of the movie is the reconciliation of father and son set against the backdrop of these fantastical stories (the younger Ed Bloom is played with whimsical wonder by Ewan McGregor).
And...it is the telling of these stories where Director Tim Burton really shines. It is a perfect match of Director, tone and style to tell the story. He uses a primary color palate (much the same way he used it in Edward Scissorhands) punctuated by "steam punk blacks and grays" that creates a world that is a wonder to look at and is instantly recognizable not only by what is familiar but also by how it is UN-familiar. If overused, this type of stylings could be a detriment to the storytelling, but in BIG FISH, Burton paints the canvas perfectly.
As I stated, McGregor is whimsical as the young Ed Bloom. You can see a young man exploring and drinking in all the world has to offer. On the other side, Albert Finney shows that he has a twinkle in his eye (even though the older Ed Bloom is battling a chronic disease). He sparkles when he tells his stories. Finney's performance draws you in while McGregor's keeps you there.
As does the performances of such terrific actors like Steve Buscemi, Helena Bonham Carter and Danny DeVito (as individuals that Ed meets along the way). They "get" what Burton is going for and embrace the charm and whimsy of it all. "Back in the real world" - a (then) unknown Marion Cotillard is engaging as Will Bloom's pregnant wife and Jessica Lange shines as Ed's wife who has "heard it all" and is still charmed by it all after all these years. There is a scene later in the film between Finney and Lange (and a bathtub) that shows that these 2 veteran actors can throw their fastball when asked.
I was entranced by the tall tales told in this film and I think you will be to.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Set in the unmistakable stylings of idealic living from the mind of Tim Burton, BIG FISH tells the tale of a father by the name of Ed Bloom (the great Albert Finney) who's son, Will Bloom (Billy Crudup - fresh off of ALMOST FAMOUS) has separated himself from his father for he is sick of the "tall tales" that his father tells about his life. Most of the movie is the reconciliation of father and son set against the backdrop of these fantastical stories (the younger Ed Bloom is played with whimsical wonder by Ewan McGregor).
And...it is the telling of these stories where Director Tim Burton really shines. It is a perfect match of Director, tone and style to tell the story. He uses a primary color palate (much the same way he used it in Edward Scissorhands) punctuated by "steam punk blacks and grays" that creates a world that is a wonder to look at and is instantly recognizable not only by what is familiar but also by how it is UN-familiar. If overused, this type of stylings could be a detriment to the storytelling, but in BIG FISH, Burton paints the canvas perfectly.
As I stated, McGregor is whimsical as the young Ed Bloom. You can see a young man exploring and drinking in all the world has to offer. On the other side, Albert Finney shows that he has a twinkle in his eye (even though the older Ed Bloom is battling a chronic disease). He sparkles when he tells his stories. Finney's performance draws you in while McGregor's keeps you there.
As does the performances of such terrific actors like Steve Buscemi, Helena Bonham Carter and Danny DeVito (as individuals that Ed meets along the way). They "get" what Burton is going for and embrace the charm and whimsy of it all. "Back in the real world" - a (then) unknown Marion Cotillard is engaging as Will Bloom's pregnant wife and Jessica Lange shines as Ed's wife who has "heard it all" and is still charmed by it all after all these years. There is a scene later in the film between Finney and Lange (and a bathtub) that shows that these 2 veteran actors can throw their fastball when asked.
I was entranced by the tall tales told in this film and I think you will be to.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
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