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Grandpa Day
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Discover the heartwarming wisdom and practical guidance of being an exemplary grandfather in Perry...
Biography Autobiography Self-Help Grandparenting
Gareth von Kallenbach (980 KP) rated Harry Potter and the Deathly Hallows - Part 2 (2011) in Movies
Aug 7, 2019
My anticipation for the second part of Harry Potter and the Deathly Hallows, much like my anticipation of Part 1, was accompanied by great reluctance to witness the culmination of 10 years of storytelling.
Opening exactly where Part 1 left off, we find Harry, Hermione and Ron continuing on their quest to locate the remaining Horcruxes, objects in which Harry’s nemesis, Lord Voldemort (Ralph Fiennes) has implanted a part of his soul. Destruction of these Horcruxes help weaken Voldemort. Polyjuice, goblins and a dragon ride provide some humor and thrills and eventually leads to the trios’ return to Hogwarts, where Alan Rickman’s Severus Snape is now the hated headmaster. Voldemort has attained the powerful Elder Wand and has turned his evil sights on the school in hopes of drawing Harry out. Along with his questionably loyal Deatheaters, they surround Hogwarts and prepare to attack.
At times the storytelling is a bit slow, at times too abrupt. While the special Harry Potter 3D glasses were amusing, I didn’t notice any spectacular effects that would warrant the extra charge to watch this movie in 3D. As is the case for converted 3D movies, the effects are more of a distracting afterthought than a real enhancement. For those not familiar with the books, the storylines may be a bit convoluted but your patience will be rewarded. Daniel Radcliffe’s matured Harry Potter is grim and resolute, his best friends Hermione and Ron (Emma Watson and Rupert Grinch) are aptly desperate but determined. Taking a stand with them, wile making their cinematic curtain call, are many of their Hogwarts professors, their classmates in Dumbldore’s Army and their mentors in the Order of the Phoenix. There are more heartwrenching moments than heartwarming parts as Harry learns more about the events surrounding his existence and what he must do to defeat Voldemort.
Few books, and far fewer movie adaptations, have captured the hearts of such a loyal and enthusiastic fanbase. The valiant attempts by directors Chris Columbus, Alfonso Cuaron, Mike Newell and, lastly, David Yates, to recreate the vast, enchanting wizarding world imagined by J.K. Rowling, have deservedly garnered the franchise a loyal and enthusiastic fanbase. Yet, as lush and vivid as the movies have been, they only touched on some of the best parts of the books. Needless to say, I wasn’t expecting perfection. But what I saw in Part 2 was pretty darn close. While movie adaptations of beloved stories will always leave serious fans wanting more, Deathly Hallows Part 2 is a fitting finale to this epic tale.
Opening exactly where Part 1 left off, we find Harry, Hermione and Ron continuing on their quest to locate the remaining Horcruxes, objects in which Harry’s nemesis, Lord Voldemort (Ralph Fiennes) has implanted a part of his soul. Destruction of these Horcruxes help weaken Voldemort. Polyjuice, goblins and a dragon ride provide some humor and thrills and eventually leads to the trios’ return to Hogwarts, where Alan Rickman’s Severus Snape is now the hated headmaster. Voldemort has attained the powerful Elder Wand and has turned his evil sights on the school in hopes of drawing Harry out. Along with his questionably loyal Deatheaters, they surround Hogwarts and prepare to attack.
At times the storytelling is a bit slow, at times too abrupt. While the special Harry Potter 3D glasses were amusing, I didn’t notice any spectacular effects that would warrant the extra charge to watch this movie in 3D. As is the case for converted 3D movies, the effects are more of a distracting afterthought than a real enhancement. For those not familiar with the books, the storylines may be a bit convoluted but your patience will be rewarded. Daniel Radcliffe’s matured Harry Potter is grim and resolute, his best friends Hermione and Ron (Emma Watson and Rupert Grinch) are aptly desperate but determined. Taking a stand with them, wile making their cinematic curtain call, are many of their Hogwarts professors, their classmates in Dumbldore’s Army and their mentors in the Order of the Phoenix. There are more heartwrenching moments than heartwarming parts as Harry learns more about the events surrounding his existence and what he must do to defeat Voldemort.
Few books, and far fewer movie adaptations, have captured the hearts of such a loyal and enthusiastic fanbase. The valiant attempts by directors Chris Columbus, Alfonso Cuaron, Mike Newell and, lastly, David Yates, to recreate the vast, enchanting wizarding world imagined by J.K. Rowling, have deservedly garnered the franchise a loyal and enthusiastic fanbase. Yet, as lush and vivid as the movies have been, they only touched on some of the best parts of the books. Needless to say, I wasn’t expecting perfection. But what I saw in Part 2 was pretty darn close. While movie adaptations of beloved stories will always leave serious fans wanting more, Deathly Hallows Part 2 is a fitting finale to this epic tale.
Noddy Toyland Detective - Let's Investigate
Education and Games
App
Join Noddy as Toyland’s most famous detective in an adventure filled with storytelling, learning...
King of Dragon Pass
Games and Entertainment
App
Create your own epic saga of conflict, mythology, and community! This acclaimed game of magical...
Andy K (10826 KP) rated The Mist (2007) in Movies
Jan 6, 2018
The creatures (2 more)
The feud
The ending
When walking into The Mist, I was hopeful and skeptical at the same time.
I knew director Frank Darabont could product a great film as he did with The Shawshank Redemption and The Green Mile. Even being comfortable with Stephen King material was a plus. However, I just thought another lame creature feature with no real development or point and just a lot of senseless gore.
I could not have been more wrong.
The visual effects, creatures and scares in this film are definitely A+ for sure, but what makes the film work without a doubt is the fantastic screenplay.
When people start dying, it doesn't really matter unless you care about them first as people and get invested in their circumstance and fate. Once the townspeople are trapped by the mist in the grocery store, some of their true personalities start to emerge as the tension builds.
Much has been written about the ending whether plausible, not necessary, too much of a coincidence or just right. In the day of carbon copy, nonoriginal storytelling, I would definitely reward a film that takes risks vs. one that doesn't.
The risks in this film pay off big time.
I knew director Frank Darabont could product a great film as he did with The Shawshank Redemption and The Green Mile. Even being comfortable with Stephen King material was a plus. However, I just thought another lame creature feature with no real development or point and just a lot of senseless gore.
I could not have been more wrong.
The visual effects, creatures and scares in this film are definitely A+ for sure, but what makes the film work without a doubt is the fantastic screenplay.
When people start dying, it doesn't really matter unless you care about them first as people and get invested in their circumstance and fate. Once the townspeople are trapped by the mist in the grocery store, some of their true personalities start to emerge as the tension builds.
Much has been written about the ending whether plausible, not necessary, too much of a coincidence or just right. In the day of carbon copy, nonoriginal storytelling, I would definitely reward a film that takes risks vs. one that doesn't.
The risks in this film pay off big time.
Concept of adults disappearing (3 more)
Well written with a great plot and interesting world building and action packed scenes
Likeable main characters
Secondary characters are realistic and well fleshed out
Highly enjoyable, hooks you at the very start
The storytelling is straightforward and Grant's imagination is so fertile. The writing in the book was good and I liked the fact that there were so many characters to read about. Each one was fully fleshed out. There is a lot of violence in this book, the author does not gloss over any gory details. There are also some downright evil characters with no redeeming qualities whatsoever, the line between good and evil was well defined. The characters were either good or evil. In fact, there were only one or two characters who struggled with their identity, whether or not they identified themselves as good or evil. Those characters really stood out and made for a quite interesting read. There are also many twists and turns in the plot that you won’t be able to put this book down. The characters are well developed, and are relatable. There is action, suspense, romance, and fantasy all rolled into one. Gone is a spectacular beginning to what I can only hope will be a thrilling series.
Ross (3284 KP) rated King of Thorns in Books
Sep 5, 2017
The second in the broken empire trilogy continues from where the "prince..." left off. Jorg is now King of Renar having successfully taken over rule from his naughty uncle.
In this book we see Jorg seemingy become more regal, less of a renegade loose canon, though this turns out not to be through his choice.
Similar to the first book, the story line is split between the "present", 4 years after the events of the Prince of Thorns and a separate timeline following immediately from the first book. The way these are woven together allows a good rate of reveals of key events and information along the way, while also leaving enough mystery behind for later.
The plot follows Jorg on his wedding day trying to defend his land from the would-be emperor, the prince of Arrow, and also in the past on a tour of the outlying countries trying to solve various problems.
The post-apocalyptic element hinted at in the first book is further explored here, but not in a way to detract from the important points of the story.
Overall this is an excellent follow-up with top-notch storytelling and engaging action, with the prince/king we love to hate and hate to hate.
In this book we see Jorg seemingy become more regal, less of a renegade loose canon, though this turns out not to be through his choice.
Similar to the first book, the story line is split between the "present", 4 years after the events of the Prince of Thorns and a separate timeline following immediately from the first book. The way these are woven together allows a good rate of reveals of key events and information along the way, while also leaving enough mystery behind for later.
The plot follows Jorg on his wedding day trying to defend his land from the would-be emperor, the prince of Arrow, and also in the past on a tour of the outlying countries trying to solve various problems.
The post-apocalyptic element hinted at in the first book is further explored here, but not in a way to detract from the important points of the story.
Overall this is an excellent follow-up with top-notch storytelling and engaging action, with the prince/king we love to hate and hate to hate.
Awix (3310 KP) rated Green Lantern (2011) in Movies
May 18, 2018
Boxing Glove ends up as Punch Line
Yet more proof that DC was capable of making slightly shoddy movies even before Zach Snyder was put in charge of their operation, Green Lantern may end up being better remembered as the butt of a whole series of jokes now that Ryan Reynolds has been much more successful playing a character for the opposition. Test pilot is given magic ring by dying alien which initiates him into universal police force (the 'Green Lanterns'); ring allows him to convert his willpower into giant green boxing gloves and anything else he can think of.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Awix (3310 KP) rated The Invaders in TV
Mar 15, 2018 (Updated Mar 15, 2018)
One of the classic TV alien invasion shows; the theme tune and the various visual gimmicks (aliens with crooked little fingers who incinerate when killed) are quite well-remembered, along with (possibly) the fact that many of the episodes aren't actually any good.
Larry Cohen's original concept - a paranoid thriller with few overt SF elements - was rapidly abandoned, and Cohen himself had little involvement. The programme is really a victim of the time it was made: episodic storytelling means that the aliens come up with bizarrely different schemes on a weekly basis (weather control, infiltrating industry, man-eating butterflies), and there are nagging problems with the format - it is required that the aliens never just kill Vincent, and that he never manages to get evidence of their activity, either. Some would say that Roy Thinnes' intensely dour performance is not exactly what a show like this needs.
Still, there are some good individual episodes, and the iconography of the show does hang around in your head (it's clearly one of the shows that was a major influence on The X Files). It's a shame this kind of story has since been done to death as you could easily imagine a contemporary Invaders remake being really good (even though the 90s mini-series really wasn't).
Larry Cohen's original concept - a paranoid thriller with few overt SF elements - was rapidly abandoned, and Cohen himself had little involvement. The programme is really a victim of the time it was made: episodic storytelling means that the aliens come up with bizarrely different schemes on a weekly basis (weather control, infiltrating industry, man-eating butterflies), and there are nagging problems with the format - it is required that the aliens never just kill Vincent, and that he never manages to get evidence of their activity, either. Some would say that Roy Thinnes' intensely dour performance is not exactly what a show like this needs.
Still, there are some good individual episodes, and the iconography of the show does hang around in your head (it's clearly one of the shows that was a major influence on The X Files). It's a shame this kind of story has since been done to death as you could easily imagine a contemporary Invaders remake being really good (even though the 90s mini-series really wasn't).
Nicole Hadley (380 KP) rated Vanished: True Tales of Mysterious Disappearances in Books
Jun 18, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
Vanished: True Tales of Mysterious Disappearances by Elizabeth MacLeod is a non-fiction book for middle grade readers. The book discusses six stories about mysterious disappearances in chronological order. It starts with the 17th-century in North Carolina with the settlement of Roanoke Island, and ends with a 1990 art heist from Boston’s Isabella Stewart Gardner Art Museum.
The author could have taken on a negative tone with the subject but instead MacLeod is enthusiastic. The upbeat tone draws the reader into each mystery. Each story is filled with interesting facts and information.With each story there are pictures within the design.
The design of the book is uncluttered, featuring sidebars and appropriate images. The design also includes historical photographs, maps, and posters. These visuals add to the overall effectiveness of the book.
Each story begins with a factionalize vignette, which provides some background information about the disappearance. The ending of each section could have ended with a more smooth conclusion instead of abruptly. The combination of MacLeod’s storytelling and the resources included at the back of the book are sure to engage.
I received this book from the publisher via NetGalley in exchange for an honest review.
Vanished: True Tales of Mysterious Disappearances by Elizabeth MacLeod is a non-fiction book for middle grade readers. The book discusses six stories about mysterious disappearances in chronological order. It starts with the 17th-century in North Carolina with the settlement of Roanoke Island, and ends with a 1990 art heist from Boston’s Isabella Stewart Gardner Art Museum.
The author could have taken on a negative tone with the subject but instead MacLeod is enthusiastic. The upbeat tone draws the reader into each mystery. Each story is filled with interesting facts and information.With each story there are pictures within the design.
The design of the book is uncluttered, featuring sidebars and appropriate images. The design also includes historical photographs, maps, and posters. These visuals add to the overall effectiveness of the book.
Each story begins with a factionalize vignette, which provides some background information about the disappearance. The ending of each section could have ended with a more smooth conclusion instead of abruptly. The combination of MacLeod’s storytelling and the resources included at the back of the book are sure to engage.
I received this book from the publisher via NetGalley in exchange for an honest review.