"…and it’s something that happens with Raging Bull, also. And Marty Scorsese’s notion of sound — the memory. Sound memory is so important in Raging Bull; when you see the scene where Robert De Niro shows Cathy Moriarty his father’s house and tells him about the bird — “It was a bird, it’s dead” — and what’s going on around in the street, and you realize how important sound is. The other thing is the acting: Joe Pesci and Robert are so great together. I mean, the hardest thing in the world to do is just shoot two people in a room. All these other things are very easy to do — you get 150 people, you turn your camera on, you create a situation and as long as nobody looks at the camera you can make them seem very real. [Two people in a room] is really difficult. If I think of Robert Duvall, say, talking to Al Pacino in The Godfather two, when Al says to him, “Well what’d you get my son for Christmas?” and he says, “I got him a little car,” and Robert Duvall puts his hand over the couch — these are gestures that people understand as human gestures and they bring you into the storytelling."

"Probably everybody has that on their list. [Star Wars] came out and I just finished my sophomore year at CalArts. The May of ’77, saw it opening weekend at the Chinese Theatre. It worked in so many ways, but one of the things personally [that] was so inspiring [was] how it entertained an audience to a new level. I was there with a packed audience. I waited six hours. Towards the climax, when Luke is in the X-Wing and he’s going down the trench, I was just shaking I was so excited. And I’d never seen an audience so excited. First of all, it was everybody, from kids to adults, teenagers. Everybody was going crazy for this film. The quality of the storytelling, where it’s one foot in sort of the past and one foot in the future, I was so impressed by that. I came out and said, “That’s what I want to do with animation.” Many of my friends left animation [because of Star Wars] and went to actual special effects. At that time, animation was thought of just for kids. I saw this and said, “No, no, I want to entertain audiences.” That’s all I think about when I make my movies."