"People might question this but Rudderless, which was directed by my husband [William H. Macy]. But I say Rudderless because of two things. One is because of the way the movie was structured, and the way Bill directed it. The audience got to experience in a small way, I think, what parents get to experience when their child does something horrific. That you’re going along with one experience of your child, which is, “He or she is like this, and this is the kind of person they are, and I love them dearly.” And then they do some horrific, incomprehensible action and it pulls the rug out from under you. And Bill did that and the movie Rudderless does that; it pulls a rug out from under you. Your breath gets knocked out of you, you go, “[Gasp].” And suddenly you are reevaluating Billy Crudup’s relationship with his son from a completely different perspective and, again, I just think that’s masterful storytelling. The other reason is Billy Crudup’s performance. And, acting with Billy Crudup, I mean, what, did I do two scenes with him, maybe three? It really changed the target for me. I went, “Oh that’s what good acting is.” Really, and it really informed my work on American Crime. So for me it was a clinic on great acting. So for those two reasons."

"Like many people I was stunned and saddened when the world lost Tony Horwitz. I had met Tony and his wife, Geraldine Brooks, at several book functions over the years, and I marveled at his comingling of journalism and storytelling, as he traveled the world in search of knowledge. I was introduced to Horwitz, as many were, with Confederates in the Attic. In this, unfortunately his last book, Horwitz travels the south again as he traces the footsteps of Frederick Law Olmsted, who would find fame and fortune as a landscape architect, with perhaps his crowning glory being Central Park in New York. Horwitz travels throughout the south and talks to people from all walks of life in an effort to figure out what has changed in America, or if it’s always been so divided. And if there is a pathway forward to forge a national consensus on anything. Like Bill Bryson has done in his travels, and Mark Twain did well over a century before, Horwitz has not simply written a book chronicling his journey, he has opened the heart of America, its majesty and its darkness for all to see. We all will miss Tony Horwitz and what he has brought to our collective conscience. If you’ve never read him, this would be an ideal place to start."