"A Prophet is a film that I saw a few years back now. That completely blew my mind, and I thought that could have easily been quite… Not cheesy; cheesy is the wrong word. They have this sort of ghost and kind of have this supernatural element of it in places. I feel that it could easily kind of be done to a point that it takes me out of the story, but I think they handled it so beautifully and subtly. The madness of it being in the prison system. I thought it was a really gritty, real film. I thought that the performances, in fact, were just wonderful. Very gritty. A Prophet, it’s a strange film. Yeah, it’s really a great film."

"I heard the track 'Timing X' from that album when my friend played it at the 333 Club in Old Street. It was only a minute-and-a-half long, but it was just really funky and just very strange -sounding. That's why I bought the record. I found it at this little junk shop in Cambridge, and it was just very exciting to hear - it goes from this really aggressive mood to this disco tune. I liked how full-on it sounded. I remember watching videos of them live and admiring how confrontational they were, and they had so much energy - they'd always be right at the front of the stage. It was exhilarating music from an era where it just felt very adventurous."

"My current favorite Fassbinder film. A love story against all odds—the age difference is quite outrageous. Who would make a film like this now, about an older, somewhat stolid woman who finds unexpected happiness, for a time, with a handsome, younger Moroccan immigrant? Fassbinder walks a tightrope—it feels real and unsentimental, and he doesn’t shy away from cruelty, but he truly earns Emmi’s words to Ali: “Together we’re strong.” I admire the economy of the storytelling. The repetition of scenes (even camera angles)—when Emmi walks into the bar or sits on the stairwell eating her lunch—gives the film a fated quality. And I love the many strange moments when time stands still and everyone just stands there looking!"