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Kevin Wilson (179 KP) rated Black Panther (2018) in Movies
Jul 19, 2018
Great cast (2 more)
Lots of action
Interesting story
The typical marvel formula (2 more)
Too many characters to develop each one
Boring villain
Are we finally feeling marvel fatigue?
I do feel this movie is very overrated. It was good sure but not as good as what people have made it out to be.
This could just be superhero fatigue. Or maybe it's just marvel fatigue because I'm still interesyed in what DC will offer. This just didn't feel very unique to me. Marvel seems to focus a lot on action, set pieces, CGI than its characters. The villain was boring and underdeveloped. It did have strong female characters, I'll give it that but was very underused. Black panther is well cast.
There were parts of this movie that felt very ironman and other parts that felt very James bond weirldy enough. There were times the CGI was distracting and when they tried to be too funny it didn't work. I'm talking about the car chase scene.
I knew nothing about black panther going in except was was in civil war and I'm not sure where they are going to go with the character.
I know I'm talking negatively but don't get me wrong the action was fun. The fight scenes were well choreographed, I live Martin Freeman in everything and it was interesting to see wakanda with all the technological advances. It's nots a bad movie, it was just overrated and just didn't live up to expectations. They falled flat in many areas.
This could just be superhero fatigue. Or maybe it's just marvel fatigue because I'm still interesyed in what DC will offer. This just didn't feel very unique to me. Marvel seems to focus a lot on action, set pieces, CGI than its characters. The villain was boring and underdeveloped. It did have strong female characters, I'll give it that but was very underused. Black panther is well cast.
There were parts of this movie that felt very ironman and other parts that felt very James bond weirldy enough. There were times the CGI was distracting and when they tried to be too funny it didn't work. I'm talking about the car chase scene.
I knew nothing about black panther going in except was was in civil war and I'm not sure where they are going to go with the character.
I know I'm talking negatively but don't get me wrong the action was fun. The fight scenes were well choreographed, I live Martin Freeman in everything and it was interesting to see wakanda with all the technological advances. It's nots a bad movie, it was just overrated and just didn't live up to expectations. They falled flat in many areas.
Merissa (12051 KP) rated Awakened (Semiramis #1) in Books
Jan 11, 2019
Awakened (Semiramis Book 1) by Maya Daniels
Awakened is the first book in the Semiramis series, and we start of with Al, who is our main female. She is a strong character, who also seems a bit absent-minded at times. She is working in a place where she is unhappy, but has Daisy there to keep her company. Things change when she has a car accident, and her life changes forever.
This book is told in two (uneven) halves as you could call it before and after the accident. Obviously, there is not that much from before, and you spend most of the book with Al as she meets Warlocks, Gods, Goddesses, and Angels. She has a dry sense of humour which was delightful to read, and really came across well on the page.
Awakened is well written, with characters that jump off the page. Be warned though, there are a lot of them so you will need to keep track of who they are. With a few editing issues in words being misspelt, this was nevertheless an intriguing read. I was slightly disappointed we didn't meet Daisy again after Al's accident, especially when Philip is there so much.
Ending with a cliffhanger, this is a book to be enjoyed, and will definitely leave you wanting more. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This book is told in two (uneven) halves as you could call it before and after the accident. Obviously, there is not that much from before, and you spend most of the book with Al as she meets Warlocks, Gods, Goddesses, and Angels. She has a dry sense of humour which was delightful to read, and really came across well on the page.
Awakened is well written, with characters that jump off the page. Be warned though, there are a lot of them so you will need to keep track of who they are. With a few editing issues in words being misspelt, this was nevertheless an intriguing read. I was slightly disappointed we didn't meet Daisy again after Al's accident, especially when Philip is there so much.
Ending with a cliffhanger, this is a book to be enjoyed, and will definitely leave you wanting more. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ari Augustine (10 KP) rated Bride of the Water God, Volume 1 in Books
May 4, 2020
It's not often that I read a manga--or, in this case, a manhwa. But after watching the <i>terrible</i> Kdrama and having this recommended to me so many times, I decided to give it a go.
And I loved it.
I think I'm on volume 10 now and I only just started reading yesterday.
That's how much I loved it.
But I suppose I should explain why I enjoyed it so much. Okay. So....probably one of my favorites elements of Bride of the Water God was the world-building here. It doesn't such an incredibly job introducing Korean mythology and the realm of the gods. While it was hard to keep track of all the characters, I really liked learning about Habaek and Soah, and the complicated fate of their relationtship. It IS a little tropey in many ways, but I am so trash for brooding gods with hidden soft hearts and seemingly weak female characters with tempered strength. I didn't think of Soah as strong at first, to be honest, but I do like how her character is built upon in each volume.
And the kindness of her heart. Yes, she's a bit childish and helpless, but I think this also gives her resilience, strength, and emotional perception.
My only annoyance was Nakbin...who is pretty much the Katherina Petrova of this story. And there were times I wish Habaek would JUST GET THE HECK OVER HER and totally admit feels for Soah. But overall, this tension was what kept me turning the pages.
And I loved it.
I think I'm on volume 10 now and I only just started reading yesterday.
That's how much I loved it.
But I suppose I should explain why I enjoyed it so much. Okay. So....probably one of my favorites elements of Bride of the Water God was the world-building here. It doesn't such an incredibly job introducing Korean mythology and the realm of the gods. While it was hard to keep track of all the characters, I really liked learning about Habaek and Soah, and the complicated fate of their relationtship. It IS a little tropey in many ways, but I am so trash for brooding gods with hidden soft hearts and seemingly weak female characters with tempered strength. I didn't think of Soah as strong at first, to be honest, but I do like how her character is built upon in each volume.
And the kindness of her heart. Yes, she's a bit childish and helpless, but I think this also gives her resilience, strength, and emotional perception.
My only annoyance was Nakbin...who is pretty much the Katherina Petrova of this story. And there were times I wish Habaek would JUST GET THE HECK OVER HER and totally admit feels for Soah. But overall, this tension was what kept me turning the pages.
ClareR (5721 KP) rated Moonlight and the Pearler’s Daughter in Books
Jul 19, 2022
Moonlight and the Pearler’s daughter ticked a lot of the boxes on my ‘favourite books’ list:
Historical fiction ✅
Set somewhere completely out of my previous knowledge ✅
A strong female character, operating in a difficult situation ✅
A bit of a mystery ✅ (I don’t really want to try and solve it, I just like the big reveal!)
As is often the case, the expectation of women in historical fiction is to stay at home, look after the house, wait to get married and have babies. But Eliza won’t stay at home when her father goes missing - she doesn’t assume he’s dead like the rest of the townsfolk.
There’s a real feeling of danger in a town where there appears to be no law keepers - not honest one’s, anyway. And if the corrupt, prejudiced townsfolk don’t get you, the climate and the wildlife (jellyfish, crocodiles!!) will.
This is a gripping, descriptive novel, that puts the reader firmly in Eliza’s world. I certainly had more of an idea of the hardships of living in NW Australia at this time. What will stay with me however, is Eliza’s determination to save her father and her family. She’s single-minded in her quest to find him, and determined not to let anyone else take the blame for his supposed death. It’s unnerving at times, when the attitudes of the white settlers towards the Aboriginals and other people of colour are starkly described.
A dark time in history, indeed.
And I’d highly recommend this. It’s wonderfully told.
Historical fiction ✅
Set somewhere completely out of my previous knowledge ✅
A strong female character, operating in a difficult situation ✅
A bit of a mystery ✅ (I don’t really want to try and solve it, I just like the big reveal!)
As is often the case, the expectation of women in historical fiction is to stay at home, look after the house, wait to get married and have babies. But Eliza won’t stay at home when her father goes missing - she doesn’t assume he’s dead like the rest of the townsfolk.
There’s a real feeling of danger in a town where there appears to be no law keepers - not honest one’s, anyway. And if the corrupt, prejudiced townsfolk don’t get you, the climate and the wildlife (jellyfish, crocodiles!!) will.
This is a gripping, descriptive novel, that puts the reader firmly in Eliza’s world. I certainly had more of an idea of the hardships of living in NW Australia at this time. What will stay with me however, is Eliza’s determination to save her father and her family. She’s single-minded in her quest to find him, and determined not to let anyone else take the blame for his supposed death. It’s unnerving at times, when the attitudes of the white settlers towards the Aboriginals and other people of colour are starkly described.
A dark time in history, indeed.
And I’d highly recommend this. It’s wonderfully told.
Hadley (567 KP) rated American Gods in Books
Jun 5, 2020
Mad Sweeney (1 more)
Gaiman's writing and descriptions
No character development (2 more)
Dehumanizes women
The ending
The gods of the old world still exist in Neil Gaiman's 2001 novel "American Gods."
A science fiction/ fantasy story set in today's America, American Gods tries to answer the question of what happens when people stop believing in the past gods, and start worshiping new ones?
Shadow is our main character, who we meet while he's attempting to get released from prison after three years of incarceration - - - afterall, he has a job, wife and life waiting for him on the outside. And even though he's built up a strong exterior while in prison, everything comes crashing down after he receives news that his wife and best friend have died in a car accident.
Cue Wednesday, an old, odd man who gives Shadow a job after his release from prison - - - with strings attached: Shadow can't ask any questions, he must protect his employer at all costs, and if people need to be hurt, he must hurt them. Although Wednesday doesn't tell him exactly what is going on, Shadow agrees to his duties and begins a road trip with the eccentric old man, meeting an array of colorful characters along the way. But soon, Shadow begins to realize that his employer may be a mythical god in disguise, yet, oddly Shadow never really questions it or anything in the entire book for that matter.
The novel takes an odd turn early on when Shadow's dead wife, Laura, comes back to life in a zombified way. While Shadow is staying in a cheap hotel room, and Wednesday sharing a room with a young hotel employee in another, Shadow sees his wife in the clothing she was buried in, but he doesn't flinch - - - he carries a very calm conversation with dead Laura, he even goes down to the lobby to buy her a pack of cigarettes, and the next morning, he still doesn't seem bothered by it when he sees her muddy footprints on the floor. Wednesday tries to convince Shadow it was a dream, but makes snarky remarks that tells Shadow that even he knows it wasn't a dream. The two simply move on on their road trip, no questions asked.
But during this road trip, Shadow's suspicions are confirmed. He gets to see not only Wednesday, but two others in their true god-form, and afterwards, Wednesday confirms that he is indeed the Norse god, Odin.
Gaiman's take on mythological gods living in today's society is interesting, but disappointing. From recognizable gods to the forgotten ones, readers with a liking to history would probably enjoy this story most.
American Gods centers on the question of what happens to gods when they are no longer worshipped, and Gaiman merely focuses on male gods, while making all female characters (gods and humans) either prostitutes and/or sexual objects which is really off-putting for me as a female reader. And Gaiman's character development in the novel for gods and humans is nowhere to be seen thus lending very little plot development that is actually believable or enjoyable. I was unable to bring myself to care about our main character, Shadow, nor the plight with his zombie wife.And speaking of Laura, the disappointing character traits makes her not just unlikable, but also an unnecessary character overall.
I just can't recommend this book: the novel is good for the first 100 pages, but you could easily skip the next 450 pages that is just filler, and not miss much of the story. Gaiman also dehumanizes women, introduces characters in a way that would make them seem an important part of the story to only drop them out of it as quickly as they came in, and the ending is just a huge disappointment. All in all, Gaiman had a great idea, but the execution he used was poorly done - - - some parts even seem like Gaiman wrote them in a completely different state of mind, contradicting story lines and character traits altogether.
I did, however, have three favorite characters that weren't utilized enough for me to rate the story higher than I have: Mad Sweeney, Ibis and Jacquel. Mad Sweeney is a giant leprechaun that can pull gold coins out of the air; Ibis and Jacquel are Anubis and Jackel from Egyptian mythology, who run a funeral home in Cairo, Illinois today.
American Gods takes place only over a few months, which is surprising with how long the novel is. But the story is a buildup with no climax. Most characters come and go before readers can even decide if they like them or not,and that paired up with severe lack of character development leaves most of the main characters pretty forgettable. With this special edition containing 1200 more words, the story is still not worth it in the end. Gaiman is still a great writer, but this is not the book to recommend to anyone who wants to begin reading his work.
A science fiction/ fantasy story set in today's America, American Gods tries to answer the question of what happens when people stop believing in the past gods, and start worshiping new ones?
Shadow is our main character, who we meet while he's attempting to get released from prison after three years of incarceration - - - afterall, he has a job, wife and life waiting for him on the outside. And even though he's built up a strong exterior while in prison, everything comes crashing down after he receives news that his wife and best friend have died in a car accident.
Cue Wednesday, an old, odd man who gives Shadow a job after his release from prison - - - with strings attached: Shadow can't ask any questions, he must protect his employer at all costs, and if people need to be hurt, he must hurt them. Although Wednesday doesn't tell him exactly what is going on, Shadow agrees to his duties and begins a road trip with the eccentric old man, meeting an array of colorful characters along the way. But soon, Shadow begins to realize that his employer may be a mythical god in disguise, yet, oddly Shadow never really questions it or anything in the entire book for that matter.
The novel takes an odd turn early on when Shadow's dead wife, Laura, comes back to life in a zombified way. While Shadow is staying in a cheap hotel room, and Wednesday sharing a room with a young hotel employee in another, Shadow sees his wife in the clothing she was buried in, but he doesn't flinch - - - he carries a very calm conversation with dead Laura, he even goes down to the lobby to buy her a pack of cigarettes, and the next morning, he still doesn't seem bothered by it when he sees her muddy footprints on the floor. Wednesday tries to convince Shadow it was a dream, but makes snarky remarks that tells Shadow that even he knows it wasn't a dream. The two simply move on on their road trip, no questions asked.
But during this road trip, Shadow's suspicions are confirmed. He gets to see not only Wednesday, but two others in their true god-form, and afterwards, Wednesday confirms that he is indeed the Norse god, Odin.
Gaiman's take on mythological gods living in today's society is interesting, but disappointing. From recognizable gods to the forgotten ones, readers with a liking to history would probably enjoy this story most.
American Gods centers on the question of what happens to gods when they are no longer worshipped, and Gaiman merely focuses on male gods, while making all female characters (gods and humans) either prostitutes and/or sexual objects which is really off-putting for me as a female reader. And Gaiman's character development in the novel for gods and humans is nowhere to be seen thus lending very little plot development that is actually believable or enjoyable. I was unable to bring myself to care about our main character, Shadow, nor the plight with his zombie wife.And speaking of Laura, the disappointing character traits makes her not just unlikable, but also an unnecessary character overall.
I just can't recommend this book: the novel is good for the first 100 pages, but you could easily skip the next 450 pages that is just filler, and not miss much of the story. Gaiman also dehumanizes women, introduces characters in a way that would make them seem an important part of the story to only drop them out of it as quickly as they came in, and the ending is just a huge disappointment. All in all, Gaiman had a great idea, but the execution he used was poorly done - - - some parts even seem like Gaiman wrote them in a completely different state of mind, contradicting story lines and character traits altogether.
I did, however, have three favorite characters that weren't utilized enough for me to rate the story higher than I have: Mad Sweeney, Ibis and Jacquel. Mad Sweeney is a giant leprechaun that can pull gold coins out of the air; Ibis and Jacquel are Anubis and Jackel from Egyptian mythology, who run a funeral home in Cairo, Illinois today.
American Gods takes place only over a few months, which is surprising with how long the novel is. But the story is a buildup with no climax. Most characters come and go before readers can even decide if they like them or not,and that paired up with severe lack of character development leaves most of the main characters pretty forgettable. With this special edition containing 1200 more words, the story is still not worth it in the end. Gaiman is still a great writer, but this is not the book to recommend to anyone who wants to begin reading his work.
JT (287 KP) rated Real Steel (2011) in Movies
Mar 10, 2020
Michael Bay, take note, this is how to make a proper film about robots beating the living shit out of each other. Based on the Richard Matheson short story Steel, this follows the journey of former professional boxer Charlie Kenton (Jackman) who now spends his time in debt, as a promoter for the new sport of robot boxing.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
Bob Mann (459 KP) rated Phantom Thread (2017) in Movies
Sep 29, 2021
“There’s an air of quiet death in this house”.
The alleged acting swan-song of Daniel Day-Lewis (“Lincoln“) sees him deliver a brilliantly intense portrayal of a maestro in his craft with all the quirks and egotistical faults that come with that position.
Reynolds Woodcock is the craftsman behind a world-renowned 1950’s fashion house, in demand from the elite classes and even royalty. He has a magnetic personality, is overtly self-confident, obsessive, a cruel bully and treats his girlfriends as chattels that he can tire of and dismiss from his life without a backward glance. Trying to keep the business and Reynolds on track, with ruthless efficiency, is his sister Cyril (Leslie Manville, “Maleficent“).
Looking for his next conquest during a trip to his seaside residence, he reels in blushing young waitress Alma (Vicky Krieps, “The Colony”). But he gets more than he bargains for.
This is a really exquisite and gentle film. Aside from some dubious fungi-related practices, there is no violence, no sex and – aside from about half a dozen well-chosen F-words – limited swearing (of which more below). This is a study of the developing relationship between the two protagonists, with little in the way of plot. Sounds dull? Far from it. This is two hours that flew by.
What it also features is (yet) another example of extremely strong women asserting their power. A scene (well trailed in Manville’s award snippets) where Cyril firmly puts Reynolds back in his box is brilliant: a real turning of tables with Woodcock meekly falling into line. And Alma makes for an incredibly rich and complicated character, one of the most interesting female roles I’ve seen this year so far.
It’s a stellar acting performance from Day-Lewis, and while Oldman fully deserves all of his award kudos for “Darkest Hour”, Day-Lewis delivers the goods without any of the make-up. It feels like Day-Lewis is a long way down the betting odds this year because “he always gets one”. He certainly gets my vote ahead of all of the other three nominees.
Kreips – not an actress I know – also brilliantly holds her own, and if it wasn’t such a strong female field this year she could well have been nominated.
Also worthy of note is the pervasive piano score by (suprisingly) Radiohead’s Jonny Greenwood. It’s really lovely and counterpoints the rest of the classical score nicely. Its BAFTA and Oscar nominations are both well deserved (though I would expect the Oscar to follow the BAFTA steer with “The Shape of Water“).
All in all, this is a real tour de force by writer/director Paul Thomas Anderson (“Inherent Vice”, “There Will Be Blood”). How much I enjoyed this film was a surprise to me, since I have no interest in the “fashion industry” (as my family will no doubt be quick to point out!) and I went to see this more out of ‘duty’ based on its Oscar buzz than because I really wanted to see it.
The big curiosity is why exactly the BBFC decided that this film was worthy of a 15 certificate rather than a 12A. Their comments on the film say “There is strong language (‘f**k’), as well as milder terms including ‘bloody’ and ‘hell’. Other issues include mild sex references and scenes of emotional upset. In one scene, a woman’s nipples are visible through her slip while she is measured for a dress.” For a 12A, the board say “The use of strong language (for example, ‘f***’) must be infrequent”. I didn’t count the f-words… but as I said I don’t think it amounts to more than a half-dozen. Is that “frequent”? And – SHOCK, HORROR… visible covered nipples you say?! Lock up your teenagers! When you look at the gentleness of this film versus the violence within “Black Panther”, you have to question this disparity.
Reynolds Woodcock is the craftsman behind a world-renowned 1950’s fashion house, in demand from the elite classes and even royalty. He has a magnetic personality, is overtly self-confident, obsessive, a cruel bully and treats his girlfriends as chattels that he can tire of and dismiss from his life without a backward glance. Trying to keep the business and Reynolds on track, with ruthless efficiency, is his sister Cyril (Leslie Manville, “Maleficent“).
Looking for his next conquest during a trip to his seaside residence, he reels in blushing young waitress Alma (Vicky Krieps, “The Colony”). But he gets more than he bargains for.
This is a really exquisite and gentle film. Aside from some dubious fungi-related practices, there is no violence, no sex and – aside from about half a dozen well-chosen F-words – limited swearing (of which more below). This is a study of the developing relationship between the two protagonists, with little in the way of plot. Sounds dull? Far from it. This is two hours that flew by.
What it also features is (yet) another example of extremely strong women asserting their power. A scene (well trailed in Manville’s award snippets) where Cyril firmly puts Reynolds back in his box is brilliant: a real turning of tables with Woodcock meekly falling into line. And Alma makes for an incredibly rich and complicated character, one of the most interesting female roles I’ve seen this year so far.
It’s a stellar acting performance from Day-Lewis, and while Oldman fully deserves all of his award kudos for “Darkest Hour”, Day-Lewis delivers the goods without any of the make-up. It feels like Day-Lewis is a long way down the betting odds this year because “he always gets one”. He certainly gets my vote ahead of all of the other three nominees.
Kreips – not an actress I know – also brilliantly holds her own, and if it wasn’t such a strong female field this year she could well have been nominated.
Also worthy of note is the pervasive piano score by (suprisingly) Radiohead’s Jonny Greenwood. It’s really lovely and counterpoints the rest of the classical score nicely. Its BAFTA and Oscar nominations are both well deserved (though I would expect the Oscar to follow the BAFTA steer with “The Shape of Water“).
All in all, this is a real tour de force by writer/director Paul Thomas Anderson (“Inherent Vice”, “There Will Be Blood”). How much I enjoyed this film was a surprise to me, since I have no interest in the “fashion industry” (as my family will no doubt be quick to point out!) and I went to see this more out of ‘duty’ based on its Oscar buzz than because I really wanted to see it.
The big curiosity is why exactly the BBFC decided that this film was worthy of a 15 certificate rather than a 12A. Their comments on the film say “There is strong language (‘f**k’), as well as milder terms including ‘bloody’ and ‘hell’. Other issues include mild sex references and scenes of emotional upset. In one scene, a woman’s nipples are visible through her slip while she is measured for a dress.” For a 12A, the board say “The use of strong language (for example, ‘f***’) must be infrequent”. I didn’t count the f-words… but as I said I don’t think it amounts to more than a half-dozen. Is that “frequent”? And – SHOCK, HORROR… visible covered nipples you say?! Lock up your teenagers! When you look at the gentleness of this film versus the violence within “Black Panther”, you have to question this disparity.
Kristy H (1252 KP) rated Girls Like Us in Books
Jul 12, 2019
Nell Flynn has reluctantly returned home to Long Island after the death of her father, Martin Flynn, a homicide detective. Nell hasn't seen her father in years, but must settle his estate after his motorcycle skidded off Montauk Highway in the early morning. She assumes her dad was drunk, per usual, when the incident occurred. Nell's mom was murdered when she was a child, and there's nothing about being home that makes her happy. But when Lee, a young homicide detective and her dad's latest partner, asks her to informally help with a case, Nell's curiosity is piqued. She is, after all, on paid medical leave from the Behavioral Analysis Unit at the FBI. Lee and team have found the body of a girl, murdered, near the dunes. It's similar to a case her father worked a year ago. Nell gets caught up in the investigation and the more she digs, the more she can't help but wonder if her father was involved in the killings.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
Merissa (12051 KP) rated The Pig Wars in Books
Jan 18, 2022
THE PIG WARS is a standalone fantasy set in a world of Elves, Half-Elves, and Humans, although it does feel as though this is a follow-on or spin-off from a previous set of stories. Our main female, Renna, is a Half-Elf and a strong warrior who has hung up her sword after a long and heart-breaking battle. Gorsfeld is human and wants to rule the Marches, either by marrying Renna or taking over her lands. He's not bothered which. Renna has a dodgy leg from birth which is used as the reason she is still alone.
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kristy H (1252 KP) rated A Cold Day in Hell in Books
Jan 29, 2018
Engaging characters (2 more)
Great courtroom scene
Strong female lead
Engaging debut mystery
Lauren Riley is a thirty-eight-year-old twice-divorced mother of two college age daughters, working cold case homicides. She has a great, younger cold case partner, Reese, and carries a torch for her ex-husband, Mark. Meanwhile, her ex, Joe Wheeler, is a Garden Valley homicide detective and a total (excuse my language) a-hole, who brazenly punches Lauren in the mouth after learning she's working against him on a case. Lauren's working two jobs -- her daytime gig on cold cases and also as a certified Private Investigator (PI). Lauren is hired by her nemesis, attorney Frank Violanti, to work the high-profile case of David, who is accused of murdering Katherine Vine, the beautiful, younger wife of Anthony Vine, who runs a successful chain of gyms. Lauren knows taking the case could stir up some issues in her department, with the DA, and with Reese. But in her gut, she feels that David is innocent. Can she and Frank make peace and prove it?
I read a lot of mysteries and while there are thankfully more strong female detectives coming on the scene (see Kristen Lepionka's Roxanne Weary and Emily Littlejohn's Gemma Monroe, for instance), they are still few and far between. While Lauren Riley may still be finding herself (there's a lot of side coverage of emotional entanglements and relationships here), I still love finding and championing a complicated, real, strong female detective.
Lauren's PI case is really the star of the show, and it's interesting and engaging throughout the entire novel. It keeps you guessing throughout, questioning whether David did it or not, and who else played a key role in Katherine and Anthony Vine lives. Nothing is cut or dried.
Also fascinating is Lauren's main cold case. While you could argue some of it ties up neatly, it doesn't go as expected, per se, if that makes sense, and the characters involved are intriguing and different. All the cases kept me interested as I read. A lot certainly happens in this novel, between Lauren's work and personal life. Nothing is boring, and there's never really a dull moment, especially once you get into the swing of things and realize that the book covers both her personal life and her work life in-depth. It also tells the story from more than Lauren's POV, even if she's the main focus, which works surprisingly well.
I don't think it's a spoiler to say that the book culminates in a trial related to Lauren's PI case, and it's a great, suspenseful, incredibly well-written piece of work. The courtroom scenes were so well-done and really had me on the edge of my seat. One of the things I loved about this novel was how I could so easily picture each of these characters-- each is well-described and fleshed out. Redmond writes darn good trial scenes (and a darn good book), and I was frantically flipping the pages to see how things would turn out.
It wasn't until I finished the book that I learned the author is a retired homicide detective, but it definitely shows as you read. The novel is written expertly in terms of police and courtroom procedure, but still enjoyable in terms of the characters. There is a lot of personal "stuff" in terms of Lauren; this will be a little different if you are used to the Bosch type of detective (the love of my life and my hero). Still, it's completely refreshing to see a complicated female lead detective, and, as mentioned, so nice to be reading more of these stories. I grew to really love Lauren.
The courtroom scenes are great, and a lot will keep you guessing. Sure, some of the cold cases wrap up what seem a little easily, but even Lauren addresses that as she works. I read some reviews that Joe Wheeler is a cliche character, and I guess I could see where people get that, but for me, society as of late seems to be showing us everyday that these sort of angry, abusive men truly exist. Everywhere. To me, Joe was a sadly realistic portrayal of a horrible man, and his slow, boiling anger only added to the tension of the entire novel.
Overall, I really enjoyed this one. It looks like it's going to be a series, and it ends with some unfinished issues that make me even more eager for book two.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
I read a lot of mysteries and while there are thankfully more strong female detectives coming on the scene (see Kristen Lepionka's Roxanne Weary and Emily Littlejohn's Gemma Monroe, for instance), they are still few and far between. While Lauren Riley may still be finding herself (there's a lot of side coverage of emotional entanglements and relationships here), I still love finding and championing a complicated, real, strong female detective.
Lauren's PI case is really the star of the show, and it's interesting and engaging throughout the entire novel. It keeps you guessing throughout, questioning whether David did it or not, and who else played a key role in Katherine and Anthony Vine lives. Nothing is cut or dried.
Also fascinating is Lauren's main cold case. While you could argue some of it ties up neatly, it doesn't go as expected, per se, if that makes sense, and the characters involved are intriguing and different. All the cases kept me interested as I read. A lot certainly happens in this novel, between Lauren's work and personal life. Nothing is boring, and there's never really a dull moment, especially once you get into the swing of things and realize that the book covers both her personal life and her work life in-depth. It also tells the story from more than Lauren's POV, even if she's the main focus, which works surprisingly well.
I don't think it's a spoiler to say that the book culminates in a trial related to Lauren's PI case, and it's a great, suspenseful, incredibly well-written piece of work. The courtroom scenes were so well-done and really had me on the edge of my seat. One of the things I loved about this novel was how I could so easily picture each of these characters-- each is well-described and fleshed out. Redmond writes darn good trial scenes (and a darn good book), and I was frantically flipping the pages to see how things would turn out.
It wasn't until I finished the book that I learned the author is a retired homicide detective, but it definitely shows as you read. The novel is written expertly in terms of police and courtroom procedure, but still enjoyable in terms of the characters. There is a lot of personal "stuff" in terms of Lauren; this will be a little different if you are used to the Bosch type of detective (the love of my life and my hero). Still, it's completely refreshing to see a complicated female lead detective, and, as mentioned, so nice to be reading more of these stories. I grew to really love Lauren.
The courtroom scenes are great, and a lot will keep you guessing. Sure, some of the cold cases wrap up what seem a little easily, but even Lauren addresses that as she works. I read some reviews that Joe Wheeler is a cliche character, and I guess I could see where people get that, but for me, society as of late seems to be showing us everyday that these sort of angry, abusive men truly exist. Everywhere. To me, Joe was a sadly realistic portrayal of a horrible man, and his slow, boiling anger only added to the tension of the entire novel.
Overall, I really enjoyed this one. It looks like it's going to be a series, and it ends with some unfinished issues that make me even more eager for book two.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Lee (2222 KP) Jul 19, 2018