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ClareR (5991 KP) rated The Road Trip in Books

Aug 4, 2021  
The Road Trip
The Road Trip
Beth O'Leary | 2021 | Contemporary, Fiction & Poetry, Romance
10
10.0 (1 Ratings)
Book Rating
I loved this book. The Road Trip has a different feel to it compared to Beth O’Leary’s previous two novels, and whatever direction she’ll take next, I’m going along for the ride (see what I did there!🤭)

I just love the way that O’Leary writes characters: in this book they’re funny, flawed and feel like genuine, real people. There are those with mental health problems, dysfunctional families and strong sibling relationships.

We see the contrast of the carefree student on holiday, and the way that real life has a habit of sticking its oar in - and not always in a good way.

The road trip element was hilarious though. Deliciously awkward, thanks to Addie, Dylan and Dylan’s friend Marcus, with the devil-may-care attitude of Addie’s sister, Debs. And than there’s Rodney (I’l leave him right here - I don’t want to spoil THIS character for you!).

This book is a little darker in places in comparison to her other books, but I absolutely loved every page. I can’t wait to see what’s next from Beth O’Leary. Oh, and you should definitely read this book!!

Many thanks to Quercus for my copy via NetGalley.
  
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Julia Holter recommended Messe De Notre-Dame by Guillame de Machaut in Music (curated)

 
Messe De Notre-Dame by Guillame de Machaut
Messe De Notre-Dame by Guillame de Machaut
(0 Ratings)
Album Favorite

"I went to music school and this piece is probably given to every music student as a main example of what medieval music is, so it's not obscure in that world. It's almost funny that I'm putting it in here but I do love Machaut. To me, he's probably more notable for having written these secular love songs, which was pretty cool for that period. But I chose this piece because it's so powerful in an obvious way, just sonically, and what's cool about this performance is that they have these inflections in the voices which they think, I guess, is authentic. But I think that's debatable. It might be true, I'm not really sure. The singers bend the notes: they sing in kind of straight tones and then they bend the notes in a way that you don't really hear in other performances of this piece. It just sounds incredible, authentic or not. There are revolutionary things about this piece and why it's important but I don't remember what they are. When I was writing my song 'Marienbad', I was into madrigals and that straight-tone singing with lots of different voices"

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