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Sophia (Bookwyrming Thoughts) (530 KP) rated This Is Where It Ends in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I don't know whether or not to applaud Marieke Nijkamp for writing about a school shooting. (I might have to – I'll honestly admit I haven't read a single book about this particular subject.)
I won't be applauding over the fact <i>This Is Where It Ends</i> is told in a span of about an hour from four different student perspectives.
Far too much is happening in the span of 1-3 minutes per chapter for the book to feel realistic in some parts. But the timing is the least of my worries, because I've never actually been a shooting (nor do I ever want to). Therefore, I don't actually know. Maybe <em>a lot</em> of things actually happen in a minute when it comes to the fight for survival. Maybe everyone does everything faster, including moving around the outside of an auditorium (large or small, it wasn't specifically mentioned, but let's go with a typically large auditorium).
But then there are texts and social media and a blog. It only makes the book feel modernized.
I also won't be applauding over the name, aside from the fact the punny side of me is in a fit of giggles the entire time. The city name – Opportunity – is one of those puns worthy of a major facepalm (but I do love horrible puns).
Anyways, to the student perspectives. All of them are related to or impacted by the shooter, Tyler, in some way.
<ul>
<li><strong>Autumn</strong> – Tyler's sister who loves to dance.</li>
<li><strong>Sylv</strong> – Raped by Tyler for liking girls.</li>
<li><strong>Claire</strong> – Tyler's ex-girlfriend (who apparently has a thing for kissing guys first).</li>
<li><strong>Tomas</strong> – Some sort of clash/feud with Tyler. Among other problemos. Oh, and Sylv's twin brother.</li>
</ul>
Then the shooter. Tyler, who apparently has a lot of problems with the above four people and many more. Who got kicked out of high school, planned to come back, and then decided to blow as many brains out as possible in the process.
I feel like I'm repeating what plenty of other reviewers have said thus far, but I have to say, I agree with them.
I want to hear from Tyler's viewpoint. I want to hear his motives that led him to this action. I don't really want to hear from four other people who may or may not know Tyler really well – they don't actually read minds and are therefore more worried about the now (read: surviving or finding help), pondering on his motives, and wondering if they should have known he was going to go blow the brains out of people.
Maybe a prequel needs to be in store.
Although <i>This Is Where It Ends</i> should have been a sequel, it's still psychologically impacting to those who had first hand experience with the topic.
<a href="https://bookwyrmingthoughts.com/arc-review-this-is-where-it-ends-by-marieke-nijkamp/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I don't know whether or not to applaud Marieke Nijkamp for writing about a school shooting. (I might have to – I'll honestly admit I haven't read a single book about this particular subject.)
I won't be applauding over the fact <i>This Is Where It Ends</i> is told in a span of about an hour from four different student perspectives.
Far too much is happening in the span of 1-3 minutes per chapter for the book to feel realistic in some parts. But the timing is the least of my worries, because I've never actually been a shooting (nor do I ever want to). Therefore, I don't actually know. Maybe <em>a lot</em> of things actually happen in a minute when it comes to the fight for survival. Maybe everyone does everything faster, including moving around the outside of an auditorium (large or small, it wasn't specifically mentioned, but let's go with a typically large auditorium).
But then there are texts and social media and a blog. It only makes the book feel modernized.
I also won't be applauding over the name, aside from the fact the punny side of me is in a fit of giggles the entire time. The city name – Opportunity – is one of those puns worthy of a major facepalm (but I do love horrible puns).
Anyways, to the student perspectives. All of them are related to or impacted by the shooter, Tyler, in some way.
<ul>
<li><strong>Autumn</strong> – Tyler's sister who loves to dance.</li>
<li><strong>Sylv</strong> – Raped by Tyler for liking girls.</li>
<li><strong>Claire</strong> – Tyler's ex-girlfriend (who apparently has a thing for kissing guys first).</li>
<li><strong>Tomas</strong> – Some sort of clash/feud with Tyler. Among other problemos. Oh, and Sylv's twin brother.</li>
</ul>
Then the shooter. Tyler, who apparently has a lot of problems with the above four people and many more. Who got kicked out of high school, planned to come back, and then decided to blow as many brains out as possible in the process.
I feel like I'm repeating what plenty of other reviewers have said thus far, but I have to say, I agree with them.
I want to hear from Tyler's viewpoint. I want to hear his motives that led him to this action. I don't really want to hear from four other people who may or may not know Tyler really well – they don't actually read minds and are therefore more worried about the now (read: surviving or finding help), pondering on his motives, and wondering if they should have known he was going to go blow the brains out of people.
Maybe a prequel needs to be in store.
Although <i>This Is Where It Ends</i> should have been a sequel, it's still psychologically impacting to those who had first hand experience with the topic.
<a href="https://bookwyrmingthoughts.com/arc-review-this-is-where-it-ends-by-marieke-nijkamp/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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BankofMarquis (1832 KP) rated Last Night in Soho (2021) in Movies
Nov 5, 2021
Unique
Writer/Director Edgar Wright has developed into one of the more unique film makers working today with a stylistic look, feel and sound to all of his films. Long known as the Director of the Simon Pegg/Nick Frost comedies (SHAUN OF THE DEAD, HOT FUZZ and AT WORLD’S EDGE), Wright started coming into his own with the under-rated SCOTT PILGRIM vs. THE WORLD and the marvelous BABY DRIVER and with his latest film, the trippy thriller LAST NIGHT IN SOHO, Wright has graduated - in my eyes - as a Director who’s work is “must watch” whenever they come out.
LAST NIGHT IN SOHO is unique, stylized, stunning - both visually and aurally - mind-bending, tense and satisfying. A truly unique film by a unique filmmaker.
To tell the tale of LAST NIGHT IN SOHO is to spoil it. The less you know about it, the better. But, as the trailers suggest, a modern young fashion student is in London and is transported into the “swinging ‘60’s London and ends up living, vicariously, the life of another. That’s all I’ll say. I would recommend just going in and let the story wash all over you - both through the eyes and through the ears - which is why I would recommend this film been seen in a theater (or, at the very least, on a set-up with a killer sound system).
Because of the highly stylized and “go with it” feel of this film, the performances have a tendency to move to the background, but they are very well done. Thomasin McKenzie (JOJO RABBIT) is a strong choice as the Fashion Student who has this “adventure” (to say more is to spoil), she brings the right amount of reality and “unreality” to her character. Anya Taylor-Joy (THE QUEEN’S GAMBIT) is superb as Sandie, the object of the “adventure”. She isn’t asked to do much more than be mysterious - and she does it well.
Wright, wisely, fills the rest of the film with strong supporting players - Matt Smith (DR. WHO), the great Terence Stamp (THE LIMEY) and, most importantly, Dame Diana Rigg (Emma Peel in THE AVENGERS in the 1960’s, in her final film role before her death in September 2020), all bring their “A” game to the festivities and fill their roles well.
It’s not a perfect film, the beginning drags on a bit before things start to get good (and weird) and their is a superfluous subplot involving some “Mean Girls” at the Fashion School that our heroine attends in today’s world - a subplot that never really goes anywhere. The ending, also, does go “over the top”, but by that time, I was swept up in the style of this film and forgave it it’s flaws.
I ended up having LAST NIGHT IN SOHO-type dreams, and indication that this film struck a chord with me and is going to stay with me for awhile - and is probably worth a re-watch (it certainly is one of those types of films that can be different upon a re-watch).
Well worth the effort to check it out on the Big Screen - certainly the visuals and sound will make it worthwhile.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
LAST NIGHT IN SOHO is unique, stylized, stunning - both visually and aurally - mind-bending, tense and satisfying. A truly unique film by a unique filmmaker.
To tell the tale of LAST NIGHT IN SOHO is to spoil it. The less you know about it, the better. But, as the trailers suggest, a modern young fashion student is in London and is transported into the “swinging ‘60’s London and ends up living, vicariously, the life of another. That’s all I’ll say. I would recommend just going in and let the story wash all over you - both through the eyes and through the ears - which is why I would recommend this film been seen in a theater (or, at the very least, on a set-up with a killer sound system).
Because of the highly stylized and “go with it” feel of this film, the performances have a tendency to move to the background, but they are very well done. Thomasin McKenzie (JOJO RABBIT) is a strong choice as the Fashion Student who has this “adventure” (to say more is to spoil), she brings the right amount of reality and “unreality” to her character. Anya Taylor-Joy (THE QUEEN’S GAMBIT) is superb as Sandie, the object of the “adventure”. She isn’t asked to do much more than be mysterious - and she does it well.
Wright, wisely, fills the rest of the film with strong supporting players - Matt Smith (DR. WHO), the great Terence Stamp (THE LIMEY) and, most importantly, Dame Diana Rigg (Emma Peel in THE AVENGERS in the 1960’s, in her final film role before her death in September 2020), all bring their “A” game to the festivities and fill their roles well.
It’s not a perfect film, the beginning drags on a bit before things start to get good (and weird) and their is a superfluous subplot involving some “Mean Girls” at the Fashion School that our heroine attends in today’s world - a subplot that never really goes anywhere. The ending, also, does go “over the top”, but by that time, I was swept up in the style of this film and forgave it it’s flaws.
I ended up having LAST NIGHT IN SOHO-type dreams, and indication that this film struck a chord with me and is going to stay with me for awhile - and is probably worth a re-watch (it certainly is one of those types of films that can be different upon a re-watch).
Well worth the effort to check it out on the Big Screen - certainly the visuals and sound will make it worthwhile.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)