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BankofMarquis (1832 KP) rated Last Night in Soho (2021) in Movies
Nov 5, 2021
Unique
Writer/Director Edgar Wright has developed into one of the more unique film makers working today with a stylistic look, feel and sound to all of his films. Long known as the Director of the Simon Pegg/Nick Frost comedies (SHAUN OF THE DEAD, HOT FUZZ and AT WORLD’S EDGE), Wright started coming into his own with the under-rated SCOTT PILGRIM vs. THE WORLD and the marvelous BABY DRIVER and with his latest film, the trippy thriller LAST NIGHT IN SOHO, Wright has graduated - in my eyes - as a Director who’s work is “must watch” whenever they come out.
LAST NIGHT IN SOHO is unique, stylized, stunning - both visually and aurally - mind-bending, tense and satisfying. A truly unique film by a unique filmmaker.
To tell the tale of LAST NIGHT IN SOHO is to spoil it. The less you know about it, the better. But, as the trailers suggest, a modern young fashion student is in London and is transported into the “swinging ‘60’s London and ends up living, vicariously, the life of another. That’s all I’ll say. I would recommend just going in and let the story wash all over you - both through the eyes and through the ears - which is why I would recommend this film been seen in a theater (or, at the very least, on a set-up with a killer sound system).
Because of the highly stylized and “go with it” feel of this film, the performances have a tendency to move to the background, but they are very well done. Thomasin McKenzie (JOJO RABBIT) is a strong choice as the Fashion Student who has this “adventure” (to say more is to spoil), she brings the right amount of reality and “unreality” to her character. Anya Taylor-Joy (THE QUEEN’S GAMBIT) is superb as Sandie, the object of the “adventure”. She isn’t asked to do much more than be mysterious - and she does it well.
Wright, wisely, fills the rest of the film with strong supporting players - Matt Smith (DR. WHO), the great Terence Stamp (THE LIMEY) and, most importantly, Dame Diana Rigg (Emma Peel in THE AVENGERS in the 1960’s, in her final film role before her death in September 2020), all bring their “A” game to the festivities and fill their roles well.
It’s not a perfect film, the beginning drags on a bit before things start to get good (and weird) and their is a superfluous subplot involving some “Mean Girls” at the Fashion School that our heroine attends in today’s world - a subplot that never really goes anywhere. The ending, also, does go “over the top”, but by that time, I was swept up in the style of this film and forgave it it’s flaws.
I ended up having LAST NIGHT IN SOHO-type dreams, and indication that this film struck a chord with me and is going to stay with me for awhile - and is probably worth a re-watch (it certainly is one of those types of films that can be different upon a re-watch).
Well worth the effort to check it out on the Big Screen - certainly the visuals and sound will make it worthwhile.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
LAST NIGHT IN SOHO is unique, stylized, stunning - both visually and aurally - mind-bending, tense and satisfying. A truly unique film by a unique filmmaker.
To tell the tale of LAST NIGHT IN SOHO is to spoil it. The less you know about it, the better. But, as the trailers suggest, a modern young fashion student is in London and is transported into the “swinging ‘60’s London and ends up living, vicariously, the life of another. That’s all I’ll say. I would recommend just going in and let the story wash all over you - both through the eyes and through the ears - which is why I would recommend this film been seen in a theater (or, at the very least, on a set-up with a killer sound system).
Because of the highly stylized and “go with it” feel of this film, the performances have a tendency to move to the background, but they are very well done. Thomasin McKenzie (JOJO RABBIT) is a strong choice as the Fashion Student who has this “adventure” (to say more is to spoil), she brings the right amount of reality and “unreality” to her character. Anya Taylor-Joy (THE QUEEN’S GAMBIT) is superb as Sandie, the object of the “adventure”. She isn’t asked to do much more than be mysterious - and she does it well.
Wright, wisely, fills the rest of the film with strong supporting players - Matt Smith (DR. WHO), the great Terence Stamp (THE LIMEY) and, most importantly, Dame Diana Rigg (Emma Peel in THE AVENGERS in the 1960’s, in her final film role before her death in September 2020), all bring their “A” game to the festivities and fill their roles well.
It’s not a perfect film, the beginning drags on a bit before things start to get good (and weird) and their is a superfluous subplot involving some “Mean Girls” at the Fashion School that our heroine attends in today’s world - a subplot that never really goes anywhere. The ending, also, does go “over the top”, but by that time, I was swept up in the style of this film and forgave it it’s flaws.
I ended up having LAST NIGHT IN SOHO-type dreams, and indication that this film struck a chord with me and is going to stay with me for awhile - and is probably worth a re-watch (it certainly is one of those types of films that can be different upon a re-watch).
Well worth the effort to check it out on the Big Screen - certainly the visuals and sound will make it worthwhile.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated Radical: Taking Back Your Faith from the American Dream in Books
Apr 27, 2018
A while back in the beginning of the year, I was offered a copy of Radical for review. I didn't have time, I was loaded down with school, and I wanted fiction, not "God-books." But before I went to college, I was browsing the books in my book store, and saw Radical. I read the back and thought "why didn't I get this earlier?" So I bought it.
Yep, you read right. I, a broke college student, forked over fifteen hard-earned dollars and bought a book.
Probably the best fifteen dollars I've ever spent.
In a sentence: Radical will change your life. It's not a 'feel-good' kind of book, it's a 'dangit-now-i-feel-guilty' kind of book. Platt takes Jesus' commandment to His followers of going and making disciples and puts it in our world, in our day and age, at our level.
Which, as he will show you, is exactly the same as it was 2000 years ago—whether we like to believe that or not.
I don't think I can possibly go a day without thinking about the things I've learned from this skinny little book. I read through it very fast, I journaled and underlined in it, I've re-read sections, I've prayed about it.
Summarizing Radical and the effects it's had on my thinking would be pointless for me to do: it would be better for you to get a copy for yourself and read it, cover to cover. Trust me when I say there is no going back, there is not excuse. After reading this book, a question is posed: What is Jesus worth to you?
Recommendation: All ages
Yep, you read right. I, a broke college student, forked over fifteen hard-earned dollars and bought a book.
Probably the best fifteen dollars I've ever spent.
In a sentence: Radical will change your life. It's not a 'feel-good' kind of book, it's a 'dangit-now-i-feel-guilty' kind of book. Platt takes Jesus' commandment to His followers of going and making disciples and puts it in our world, in our day and age, at our level.
Which, as he will show you, is exactly the same as it was 2000 years ago—whether we like to believe that or not.
I don't think I can possibly go a day without thinking about the things I've learned from this skinny little book. I read through it very fast, I journaled and underlined in it, I've re-read sections, I've prayed about it.
Summarizing Radical and the effects it's had on my thinking would be pointless for me to do: it would be better for you to get a copy for yourself and read it, cover to cover. Trust me when I say there is no going back, there is not excuse. After reading this book, a question is posed: What is Jesus worth to you?
Recommendation: All ages