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Lost (House of Night Otherworld #2)
9.0
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The moment Other Kevin returns to his world trouble begins. Thankfully, he finds friends and...
Wicked (A Wicked Trilogy, #1)
8.0
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Things are about to get Wicked in New Orleans. Twenty-two year old Ivy Morgan isn’t your...
Lyndsey Gollogly (2893 KP) rated Hidden Magic ( Harper Shadow Academy 1) in Books
May 2, 2023
53 of 235
Kindle
Hidden Magic ( Harper Shadow Academy 1)
By Luna Pierce
⭐️⭐️⭐️
A cursed witch, four sexy men, and a shadow realm hidden within their academy.
My name is Willow Oliver, and I’m descended from a bloodline of powerful yet cursed witches. At least, that’s what my mother claims. Most people think she’s crazy.
I never put too much thought into it—the whole being a witch thing—I assumed my strange quirks were something everyone else had.
Flowers don’t glow when you look at them?
When others my age go off to faraway colleges and escape our sleepy town, I stay close to home so I can continue to keep an eye on my mother.
My new academy buzzes with a familiar energy. One that half the student body doesn’t seem to notice. The others simply disappear through hazy shadows, vanishing into thin air. Three of the four men I’m magnetically drawn to have skin that feels like electric when we touch, something magical hidden under the surface of each of them.
The more I uncover, the more I doubt my sanity, making me consider one of two things: I’m going crazy, too, or maybe my mom was right after all.
And if what she said of our lineage was true, will I be strong enough to face the ancient curse that is stealing our power? Or will I succumb to it while risking the lives of the ones I can’t help but care for?
It was good. Good story, decent characters and pretty much what I was expecting. Didn’t blow me away but was a decent read.
Kindle
Hidden Magic ( Harper Shadow Academy 1)
By Luna Pierce
⭐️⭐️⭐️
A cursed witch, four sexy men, and a shadow realm hidden within their academy.
My name is Willow Oliver, and I’m descended from a bloodline of powerful yet cursed witches. At least, that’s what my mother claims. Most people think she’s crazy.
I never put too much thought into it—the whole being a witch thing—I assumed my strange quirks were something everyone else had.
Flowers don’t glow when you look at them?
When others my age go off to faraway colleges and escape our sleepy town, I stay close to home so I can continue to keep an eye on my mother.
My new academy buzzes with a familiar energy. One that half the student body doesn’t seem to notice. The others simply disappear through hazy shadows, vanishing into thin air. Three of the four men I’m magnetically drawn to have skin that feels like electric when we touch, something magical hidden under the surface of each of them.
The more I uncover, the more I doubt my sanity, making me consider one of two things: I’m going crazy, too, or maybe my mom was right after all.
And if what she said of our lineage was true, will I be strong enough to face the ancient curse that is stealing our power? Or will I succumb to it while risking the lives of the ones I can’t help but care for?
It was good. Good story, decent characters and pretty much what I was expecting. Didn’t blow me away but was a decent read.
Learned by Heart
10.0
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Adding to the already moving, richly told and gripping collection of historical fiction from Emma...
Historical fiction
Bruce Wayne: Not Super
Stuart Gibbs and Berat Pekmezci
10.0
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13-year-old Bruce Wayne attends an exclusive prep school for the gifted. But in this case, "gifted"...
Relight My Fire
10.0
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Some comebacks can be murder . . . Stella is enjoying life as an almost student, or at least she...
The Persians
8.0
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A riotously funny and moving debut novel following five women from three generations of a once...
Historical fiction Iran
Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
Scott Tostik (389 KP) rated Happy Death Day (2017) in Movies
Oct 23, 2017 (Updated Jan 11, 2019)
Funnier than a horror film and bloodier than a comedy
Have you ever just wanted to watch someone die??? Over and over and over and over again???
Well... This movie gives you the opportunity to watch an annoying sorority girl get slaughtered time and time again.
Mind you, she does lighten up a little bit as she dies again and again... Eventually streaking theough a full quad on campus because she just knows she's going to croak.
Overall, this movie is fun. A little silly, but it's horror... Its supposed to be silly...ish... But not too silly like Saturday the 14th and Student Bodies from the 80's... Which i recommend if you want to fall into a deep sleep... Happy Death Day is a vicious little horror film... That has the ability to make you belly laugh so hard it can hurt.
The sequel... Happy Death Day 2 U comes out on Febuary 14th of this year(2019). And i am already trying to get tickets...
In closing just let me add that I am not a huge fan of the newer horror film. If you've read my reviews you know that I hate the fact that everything Netflix comes out with horror wise, with the exceptions of 1922 and The Haunting of Hill House, is complete garbage. But Jason Blum knows good horror. He is a seriously deranged individual who completely gets what horror fans want... He's had his hands in some of the finest. The Purge series, Insidious series.
I only hope he gets his hands on the rights for Friday the 13th and finally does it some justice.
So Happy Death Day.... Give er. Ita worth it.
Well... This movie gives you the opportunity to watch an annoying sorority girl get slaughtered time and time again.
Mind you, she does lighten up a little bit as she dies again and again... Eventually streaking theough a full quad on campus because she just knows she's going to croak.
Overall, this movie is fun. A little silly, but it's horror... Its supposed to be silly...ish... But not too silly like Saturday the 14th and Student Bodies from the 80's... Which i recommend if you want to fall into a deep sleep... Happy Death Day is a vicious little horror film... That has the ability to make you belly laugh so hard it can hurt.
The sequel... Happy Death Day 2 U comes out on Febuary 14th of this year(2019). And i am already trying to get tickets...
In closing just let me add that I am not a huge fan of the newer horror film. If you've read my reviews you know that I hate the fact that everything Netflix comes out with horror wise, with the exceptions of 1922 and The Haunting of Hill House, is complete garbage. But Jason Blum knows good horror. He is a seriously deranged individual who completely gets what horror fans want... He's had his hands in some of the finest. The Purge series, Insidious series.
I only hope he gets his hands on the rights for Friday the 13th and finally does it some justice.
So Happy Death Day.... Give er. Ita worth it.
Suswatibasu (1703 KP) rated Serial in Podcasts
Jan 4, 2018 (Updated Jan 4, 2018)
Gripping first series, second underwhelming
Serial is one of those high-trending true crime phenomena, gripping a nation similar to the likes of @Making A Murderer - Season 1. The first series follows the murder case of a young student Hae Min Lee, allegedly killed by her former boyfriend Adnan Syed and the apparent failings in the investigation. Is he guilty or innocent? Journalist Sarah Koenig tries to retrace the steps of both Adnan and other suspects to get to the bottom of this disturbing story in 12 episodes.
The first series is well-made, each episode carefully crafted to leave you on a cliffhanger. It is easy to binge-listen, but like MAM, there are parts that have been omitted from the case, so not all is what it actually seems. Either way, I fell for it hook, line and sinker.
The second series, unfortunately, is an entirely different ballgame. Unlike its true crime predecessor, Koenig looks at the infamous case of Sergeant Bowe Bergdahl, a US soldier who allegedly defected and was subsequently captured by Taliban insurgents in Afghanistan. The series focuses on his perception and experiences, and eventual vilification, as his release caused much political controversy over whether a deal should have been negotiated or not. The price of his freedom was an exchange for five Taliban-linked inmates held at maximum security prison Guantanamo Bay. The reason he says, for his defection, was that he attempted to become a whistleblower for the apparently mismanaged unit he belonged to.
Sadly, as with most popular media, the change in direction with the podcast came at a price, as many felt the subject was too dry and too heavy. With dense military language, it seem to become too bogged down with the details, losing its edge.
It's not a perfect podcast, but the first series is still worth the listen.
The first series is well-made, each episode carefully crafted to leave you on a cliffhanger. It is easy to binge-listen, but like MAM, there are parts that have been omitted from the case, so not all is what it actually seems. Either way, I fell for it hook, line and sinker.
The second series, unfortunately, is an entirely different ballgame. Unlike its true crime predecessor, Koenig looks at the infamous case of Sergeant Bowe Bergdahl, a US soldier who allegedly defected and was subsequently captured by Taliban insurgents in Afghanistan. The series focuses on his perception and experiences, and eventual vilification, as his release caused much political controversy over whether a deal should have been negotiated or not. The price of his freedom was an exchange for five Taliban-linked inmates held at maximum security prison Guantanamo Bay. The reason he says, for his defection, was that he attempted to become a whistleblower for the apparently mismanaged unit he belonged to.
Sadly, as with most popular media, the change in direction with the podcast came at a price, as many felt the subject was too dry and too heavy. With dense military language, it seem to become too bogged down with the details, losing its edge.
It's not a perfect podcast, but the first series is still worth the listen.