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Lee (2222 KP) rated Castle Rock in TV
Jan 21, 2019
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
Bob Mann (459 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 15, 2020
A lot of squawking birds
Although not saying much, Margot Robbie’s Harley Quinn was one of the best thing in the lacklustre D.C. outing “Suicide Squad” of 2016. Now, she returns in her own vehicle. Jared Leto’s Joker is a thing of the past (clearly he wasn’t keen on dredging up the past for even a cameo in this one).
Harley had spent years building up a catalog of enemies in Gotham, with no-one daring to lift a finger for fear of “the big J’s” retribution. With that now a thing of the past, the streets are no longer safe for Harley. Whereas most characters have a reason to want to kill Harley, mid-level gangster Roman Sionis (Ewan McGregor) has a list as long as his arm (a blurred list that will probably make freeze-framing of the blu-ray entertaining!). Roman, who has a penchant for having his right-hand man Victor (Chris Messina) de-glove his victim’s faces, has his heart set on obtaining a missing diamond that (McGuffin-alert) is engraved with account details to $billions.
Through a convoluted and messy plot, Harley meets various ‘birds of prey’ who are either friend or foe: notably young pickpocket Cassandra (Ella Jay Basco); cop Renée Montoya (Rosie Perez); the “Crossbow Killer” (Mary Elizabeth Winstead); and the “Black Canary” (Jurnee Smollett-Bell), who you don’t want to let near your best glasses.
As you might expect from your knowledge of Harley Quinn’s character, the movie is bat-shit crazy, with periodic breaking of the 4th wall; much acrobatic kick-boxing; and some random dream sequences….. Robbie as Marilyn is particularly entertaining, although at times (the ‘egg sandwich’ sequence in particular) the gurning made me muse to myself about just what a good film “I, Tonya” was.
It all comes across as something of a “Deadpool” sequel. Actually, I’d more describe it as “Deadpool-lite” since it’s not powered here by the charisma of Ryan Reynolds. However, I did find myself quite enjoying the first reel of the movie.
Unfortunately, it didn’t last.
It all just becomes incredibly tiresome. Although Margot Robbie is very good in the role, Harley’s incessant squawking just gets annoying.
Also in this battle of men vs women, the women always win and are (mostly) completely unscathed. In one particular scene there are 5 or 6 burly men taking on Harley: clearly she whips their sorry asses in improbable fashion. What? Only one at a time guys?
If you were confused by the timeline of “Little Women“, this will blow your mind! It makes Greta Gerwig‘s masterpiece look as linear as “News at Ten”! It’s really difficult to follow at times as the timeline flashes forwards and backwards and sideways at random!
Also confusing (for me anyway… did I have a nap?) was the finale. There’s something to do with a ring which made NO SENSE to me at all? Am I alone in that?
Ewan MacGregor has fun with his role as the gay (I assume?) gangster, but it all turns cartoonish at times. But perhaps, that’s the point? However while the violence in “Deadpool” was cartoonishly funny (as in Tom and Jerry) the violence here is decidedly of the vicious and unpleasant variety, with a vindictive edge. It makes you not particularly like any of the movie’s characters.
The movie is written by Christina Hodson, who is slated to write too more upcoming superhero films: “The Flash” and “Batgirl”. The director is Chinese director Cathy Yan in only her second directorial feature.
Summary: It’s loud and brash and at 109 minutes it overstays its welcome by about 20 minutes. Less would have been more. It’s somewhat better than “Suicide Squad” (which I unfathomably seem to have given 2.5 stars to), but it’s still a movie that I will struggle to remember in a month’s time.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/15/one-manns-movies-film-review-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-2020/
Harley had spent years building up a catalog of enemies in Gotham, with no-one daring to lift a finger for fear of “the big J’s” retribution. With that now a thing of the past, the streets are no longer safe for Harley. Whereas most characters have a reason to want to kill Harley, mid-level gangster Roman Sionis (Ewan McGregor) has a list as long as his arm (a blurred list that will probably make freeze-framing of the blu-ray entertaining!). Roman, who has a penchant for having his right-hand man Victor (Chris Messina) de-glove his victim’s faces, has his heart set on obtaining a missing diamond that (McGuffin-alert) is engraved with account details to $billions.
Through a convoluted and messy plot, Harley meets various ‘birds of prey’ who are either friend or foe: notably young pickpocket Cassandra (Ella Jay Basco); cop Renée Montoya (Rosie Perez); the “Crossbow Killer” (Mary Elizabeth Winstead); and the “Black Canary” (Jurnee Smollett-Bell), who you don’t want to let near your best glasses.
As you might expect from your knowledge of Harley Quinn’s character, the movie is bat-shit crazy, with periodic breaking of the 4th wall; much acrobatic kick-boxing; and some random dream sequences….. Robbie as Marilyn is particularly entertaining, although at times (the ‘egg sandwich’ sequence in particular) the gurning made me muse to myself about just what a good film “I, Tonya” was.
It all comes across as something of a “Deadpool” sequel. Actually, I’d more describe it as “Deadpool-lite” since it’s not powered here by the charisma of Ryan Reynolds. However, I did find myself quite enjoying the first reel of the movie.
Unfortunately, it didn’t last.
It all just becomes incredibly tiresome. Although Margot Robbie is very good in the role, Harley’s incessant squawking just gets annoying.
Also in this battle of men vs women, the women always win and are (mostly) completely unscathed. In one particular scene there are 5 or 6 burly men taking on Harley: clearly she whips their sorry asses in improbable fashion. What? Only one at a time guys?
If you were confused by the timeline of “Little Women“, this will blow your mind! It makes Greta Gerwig‘s masterpiece look as linear as “News at Ten”! It’s really difficult to follow at times as the timeline flashes forwards and backwards and sideways at random!
Also confusing (for me anyway… did I have a nap?) was the finale. There’s something to do with a ring which made NO SENSE to me at all? Am I alone in that?
Ewan MacGregor has fun with his role as the gay (I assume?) gangster, but it all turns cartoonish at times. But perhaps, that’s the point? However while the violence in “Deadpool” was cartoonishly funny (as in Tom and Jerry) the violence here is decidedly of the vicious and unpleasant variety, with a vindictive edge. It makes you not particularly like any of the movie’s characters.
The movie is written by Christina Hodson, who is slated to write too more upcoming superhero films: “The Flash” and “Batgirl”. The director is Chinese director Cathy Yan in only her second directorial feature.
Summary: It’s loud and brash and at 109 minutes it overstays its welcome by about 20 minutes. Less would have been more. It’s somewhat better than “Suicide Squad” (which I unfathomably seem to have given 2.5 stars to), but it’s still a movie that I will struggle to remember in a month’s time.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/15/one-manns-movies-film-review-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-2020/
Heather Cranmer (2721 KP) rated Yeah, but I Didn't in Books
Feb 15, 2020
I love books that deal with some sort of downward spiral. I don't mean that in a morbid sense. I just mean that I usually find them interesting. When I was presented with the opportunity of reading Yeah, but I Didn't by Ann Swann, I jumped at the chance.
Benji Stevens is a bright 14 year old high school girl. In fact, she's so smart, she's even skipped a grade in school. When something horrible happens to her one day at her house, her life begins to spiral out of control. With bad things happening right after one another, will Benji find the light at the end of the tunnel or will it be too late?
The premise for Yeah, but I Didn't is really interesting. There were some great aspects of this book. In fact, after reading this book, my new life motto is now, "You can’t control how other people treat you. But you CAN control how you react. And that’s how you take back your power." I love that quote, and it's said a few times throughout Yeah, but I Didn't. I liked the theme of hope and forgiveness towards the end of the book as well. Ann Swann did a fantastic job with her descriptive language at making it easy to picture each scene in the book. I found myself being transported to the setting of Yeah, But I Didn't whenever I started reading.
The characters in Yeah, but I Didn't felt fairly realistic throughout the novel, though Benji's character seemed more like she was 12 with how she would speak and act sometimes. I liked Benji though, and I admired her determination to get through this horrible part of her life. I enjoyed reading about Benji's mom and how (in the last quarter of the book) she turns to God to help her with everything. (Though this was a sudden shift and was a little jarring. The story went from no real mention of God to suddenly focusing on how God can help you.) Janie was a well-written character, but I just wanted to shake that girl sometimes for being so spiteful and horrible to her mom and Benji especially! My favorite characters were Uncle Aidan and Dr Blue. They always came across as being optimistic and wanting to help Benji be the best version of herself. I will also say that each character is described very well, so it's easy to picture each one as a real life person instead of just some character in a book.
As much as I enjoyed the book, there were things that didn't work for me. I found the pacing to be a bit too slow for my liking, and I felt like there was too much narrative description through much of the book; I didn't need to know exact details of every little thing. I could have done without the mention of politics in this book; it didn't seem necessary. And a pet peeve: it's mentioned that Benji and her uncle they order chicken nuggets from Sonic. Sonic does not do chicken nuggets; they do chicken strips, popcorn chicken, and boneless wings -- but never chicken nuggets!
I also felt like, although this book is considered a young adult book and deals with some heavy subject matters, it felt like it was written for a middle grade audience.
Trigger warnings for Yeah, but I Didn't include alcoholism, suicide, attempted suicide, teenage pregnancy, some violence, and attempted rape.
While I found Yeah, but I Didn't to be a bit of a slow read mostly, I do think younger teens that who are going through a dark patch in their life would enjoy this. I would recommend Yeah, but I Didn't by Ann Swann to those 14+ who need a bit of hope in their life.
--
(A special thank you to Lone Star Literary Life for providing me with an eBook of Yeah, but I Didn't by Ann Swann in exchange for an honest and unbiased review.)
Benji Stevens is a bright 14 year old high school girl. In fact, she's so smart, she's even skipped a grade in school. When something horrible happens to her one day at her house, her life begins to spiral out of control. With bad things happening right after one another, will Benji find the light at the end of the tunnel or will it be too late?
The premise for Yeah, but I Didn't is really interesting. There were some great aspects of this book. In fact, after reading this book, my new life motto is now, "You can’t control how other people treat you. But you CAN control how you react. And that’s how you take back your power." I love that quote, and it's said a few times throughout Yeah, but I Didn't. I liked the theme of hope and forgiveness towards the end of the book as well. Ann Swann did a fantastic job with her descriptive language at making it easy to picture each scene in the book. I found myself being transported to the setting of Yeah, But I Didn't whenever I started reading.
The characters in Yeah, but I Didn't felt fairly realistic throughout the novel, though Benji's character seemed more like she was 12 with how she would speak and act sometimes. I liked Benji though, and I admired her determination to get through this horrible part of her life. I enjoyed reading about Benji's mom and how (in the last quarter of the book) she turns to God to help her with everything. (Though this was a sudden shift and was a little jarring. The story went from no real mention of God to suddenly focusing on how God can help you.) Janie was a well-written character, but I just wanted to shake that girl sometimes for being so spiteful and horrible to her mom and Benji especially! My favorite characters were Uncle Aidan and Dr Blue. They always came across as being optimistic and wanting to help Benji be the best version of herself. I will also say that each character is described very well, so it's easy to picture each one as a real life person instead of just some character in a book.
As much as I enjoyed the book, there were things that didn't work for me. I found the pacing to be a bit too slow for my liking, and I felt like there was too much narrative description through much of the book; I didn't need to know exact details of every little thing. I could have done without the mention of politics in this book; it didn't seem necessary. And a pet peeve: it's mentioned that Benji and her uncle they order chicken nuggets from Sonic. Sonic does not do chicken nuggets; they do chicken strips, popcorn chicken, and boneless wings -- but never chicken nuggets!
I also felt like, although this book is considered a young adult book and deals with some heavy subject matters, it felt like it was written for a middle grade audience.
Trigger warnings for Yeah, but I Didn't include alcoholism, suicide, attempted suicide, teenage pregnancy, some violence, and attempted rape.
While I found Yeah, but I Didn't to be a bit of a slow read mostly, I do think younger teens that who are going through a dark patch in their life would enjoy this. I would recommend Yeah, but I Didn't by Ann Swann to those 14+ who need a bit of hope in their life.
--
(A special thank you to Lone Star Literary Life for providing me with an eBook of Yeah, but I Didn't by Ann Swann in exchange for an honest and unbiased review.)
The New PSYCHOLOGY
10.0
Rate It
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From the mind of genius to the suicide bombers of today’s news, from science to sex, understanding...
Acanthea Grimscythe (300 KP) rated End of Watch in Books
May 16, 2018
Whew, I finally finished End of Watch and man... It's been more than twenty-four hours and I'm still messed up about it. King definitely has a way of drawing the reader in, even if said reader is as nihilistic as me when it comes to developing character attachments. Unlike Finders Keepers, book two of the trilogy, King dives right into continuing the story with our main characters, Bill, Holly, and Jerome rather than beginning from the left field as he had with the Saubers family and the Rothstein manuscripts.
The Mercedes Killer himself, Brady Hartsfield, is back thanks to the help of Dr. Babineau. Desiring to truly earn his name as the Suicide Prince, he continues on his rampage of convincing people to kill themselves. His bitterness towards Hodges is stronger than ever and our trio of heroes soon find themselves within the scope of Harsfeild's thirst for blood.
This time around, we aren't really introduced to a whole ton of new characters. In fact, the majority of characters in End of Watch we've already met. Because of that, King is able to jump right into the action and wastes no time in doing what King does best: keeping the reader on the edge of their seat. (Not counting From a Buick 8, of course, but let's not get into that. I'd review it, but I don't even want to pick it up again, let alone buy it.)
Other than that I really don't have a whole lot to say about the final installment in this series that I haven't already said on the books before it. I loved the fact that we were able to immediately return to the story that was left open ended at the conclusion of Mr. Mercedes, rather than being dragged through the filler episode that was Finders Keepers. (I couldn't think of a much better way to word that because before I turned to reviewing books, I spent quite a bit of time reviewing anime and if you've ever watched the mainstream, popular series you know exactly what I mean.) I would have felt alright for the most part if I had skipped Finders Keepers, as it plays a very small role outside of the company being created.
The Mercedes Killer himself, Brady Hartsfield, is back thanks to the help of Dr. Babineau. Desiring to truly earn his name as the Suicide Prince, he continues on his rampage of convincing people to kill themselves. His bitterness towards Hodges is stronger than ever and our trio of heroes soon find themselves within the scope of Harsfeild's thirst for blood.
This time around, we aren't really introduced to a whole ton of new characters. In fact, the majority of characters in End of Watch we've already met. Because of that, King is able to jump right into the action and wastes no time in doing what King does best: keeping the reader on the edge of their seat. (Not counting From a Buick 8, of course, but let's not get into that. I'd review it, but I don't even want to pick it up again, let alone buy it.)
Other than that I really don't have a whole lot to say about the final installment in this series that I haven't already said on the books before it. I loved the fact that we were able to immediately return to the story that was left open ended at the conclusion of Mr. Mercedes, rather than being dragged through the filler episode that was Finders Keepers. (I couldn't think of a much better way to word that because before I turned to reviewing books, I spent quite a bit of time reviewing anime and if you've ever watched the mainstream, popular series you know exactly what I mean.) I would have felt alright for the most part if I had skipped Finders Keepers, as it plays a very small role outside of the company being created.
Rachel King (13 KP) rated Summers at Castle Auburn in Books
Feb 11, 2019
With all of the series that I constantly fight to keep up with, this was a nice change with an all-in-one plot. The story is told entirely from Coriel Halsing's point of view, so the reader only gets to know things when she learns of them. Sometimes first person P.O.V. is limiting and somewhat claustrophobic, but in this case it simplified the story line and helped me to better get inside the mind of Coriel.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
Mark @ Carstairs Considers (2206 KP) rated Murder from Scratch in Books
Apr 11, 2019
Sally Must Look Closely to Find a Killer
Sally Solari gets the news from her father that her distant cousin Jackie has died of a drug overdose. While Sally is sad, she and Jackie weren’t close – in fact, they hadn’t spoken in years and she hadn’t met Evelyn, Jackie’s twenty-year-old daughter, who happens to be blind. Evelyn was still living with her mom, and she can’t face trying to live in the house alone right away, so she winds up moving into Sally’s spare room for a little while. The two women hit it off, and are soon plotting home cooked meals and plans for Evelyn’s twenty-first birthday.
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
Phillip McSween (751 KP) rated Lords of Chaos (2018) in Movies
May 28, 2019
This Was a Miss For Me
Lords of Chaos is the tragic story of a teenager trying to bring Black Metal to Norway. Let’s get this out of the way now: The movie is a mess. I didn’t feel enriched after watching it in any shape, form, or fashion. Instead, I left with a very bad taste in my mouth and a desire to cut on a comedy after watching something so morbidly depressing.
Acting: 10
Beginning: 2
”What are you watching?” my wife asked from the other room. “Sounds awful!” She wasn’t wrong as the beginning attempts to explain all the W’s to the backdrop of hardcore, in-your-face metal. The music isn’t the problem, but I feel like they should have chosen one or the other: Either jump right into the metal music and set the tone or narrate the backstory first. Both made for a horrible mix.
Characters: 10
Cinematography/Visuals: 4
Conflict: 5
Genre: 3
Memorability: 4
Pace: 1
Show a gruesome suicide. Burn 100 churches. Stab a man in the woods. There was nothing that could be done to really get me interested in this movie. A lot of the film felt like shock value which diminished my interest in what was happening. My eyes spent more time running from what was happening than being engrossed in it. Pacing is one of the most important parts of a movie. You screw that up and it spells doom for the rest of the movie.
Plot: 7
Resolution: 3
One of the worst endings I’ve seen in movies. The worst part is you absolutely know it’s coming, but director Jonas Akerlund decides to make you sit through it anyway. After it was over, I felt like I had been skunked.
Overall: 49
There are some things that this movie did well. As you watch these characters go off the deep end, it definitely feels genuine and real. Unfortunately, for every one good thing I can name about Lords of Chaos, I can think of ten bad. This was a miss for me.
Acting: 10
Beginning: 2
”What are you watching?” my wife asked from the other room. “Sounds awful!” She wasn’t wrong as the beginning attempts to explain all the W’s to the backdrop of hardcore, in-your-face metal. The music isn’t the problem, but I feel like they should have chosen one or the other: Either jump right into the metal music and set the tone or narrate the backstory first. Both made for a horrible mix.
Characters: 10
Cinematography/Visuals: 4
Conflict: 5
Genre: 3
Memorability: 4
Pace: 1
Show a gruesome suicide. Burn 100 churches. Stab a man in the woods. There was nothing that could be done to really get me interested in this movie. A lot of the film felt like shock value which diminished my interest in what was happening. My eyes spent more time running from what was happening than being engrossed in it. Pacing is one of the most important parts of a movie. You screw that up and it spells doom for the rest of the movie.
Plot: 7
Resolution: 3
One of the worst endings I’ve seen in movies. The worst part is you absolutely know it’s coming, but director Jonas Akerlund decides to make you sit through it anyway. After it was over, I felt like I had been skunked.
Overall: 49
There are some things that this movie did well. As you watch these characters go off the deep end, it definitely feels genuine and real. Unfortunately, for every one good thing I can name about Lords of Chaos, I can think of ten bad. This was a miss for me.
Lee (2222 KP) rated Sicario: Day of the Soldado (2018) in Movies
Jul 3, 2018
Not quite as good as the original
Before watching Sicario 2, I really wanted to try and watch the original movie again, but never got a chance. I remember it being brutal and intense, with outstanding performances from Emily Blunt and Benicio Del Toro. I remember it gripping me from beginning to end. But, strangely, I couldn't remember very much about it at all other than basic plot details. I know I would recommend it in a heartbeat though, so I was excited for what the sequel would bring.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
Lee (2222 KP) rated The Haunting of Hill House in TV
Oct 20, 2018
Outstanding
I'm not familiar with the book that this Netflix show is based on, but then from what I understand this is meant to be more a 'remix' of the book anyway. All I can say though is, faithful to the book or not, this is without a doubt one of the most incredibly brilliant shows I have seen in a very long time.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.
Ross (3284 KP) Jan 21, 2019
Lee (2222 KP) Jan 21, 2019