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Rachel King (13 KP) rated Summers at Castle Auburn in Books
Feb 11, 2019
With all of the series that I constantly fight to keep up with, this was a nice change with an all-in-one plot. The story is told entirely from Coriel Halsing's point of view, so the reader only gets to know things when she learns of them. Sometimes first person P.O.V. is limiting and somewhat claustrophobic, but in this case it simplified the story line and helped me to better get inside the mind of Coriel.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
Mark @ Carstairs Considers (2322 KP) rated Murder from Scratch in Books
Apr 11, 2019
Sally Must Look Closely to Find a Killer
Sally Solari gets the news from her father that her distant cousin Jackie has died of a drug overdose. While Sally is sad, she and Jackie weren’t close – in fact, they hadn’t spoken in years and she hadn’t met Evelyn, Jackie’s twenty-year-old daughter, who happens to be blind. Evelyn was still living with her mom, and she can’t face trying to live in the house alone right away, so she winds up moving into Sally’s spare room for a little while. The two women hit it off, and are soon plotting home cooked meals and plans for Evelyn’s twenty-first birthday.
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
Phillip McSween (751 KP) rated Lords of Chaos (2018) in Movies
May 28, 2019
This Was a Miss For Me
Lords of Chaos is the tragic story of a teenager trying to bring Black Metal to Norway. Let’s get this out of the way now: The movie is a mess. I didn’t feel enriched after watching it in any shape, form, or fashion. Instead, I left with a very bad taste in my mouth and a desire to cut on a comedy after watching something so morbidly depressing.
Acting: 10
Beginning: 2
”What are you watching?” my wife asked from the other room. “Sounds awful!” She wasn’t wrong as the beginning attempts to explain all the W’s to the backdrop of hardcore, in-your-face metal. The music isn’t the problem, but I feel like they should have chosen one or the other: Either jump right into the metal music and set the tone or narrate the backstory first. Both made for a horrible mix.
Characters: 10
Cinematography/Visuals: 4
Conflict: 5
Genre: 3
Memorability: 4
Pace: 1
Show a gruesome suicide. Burn 100 churches. Stab a man in the woods. There was nothing that could be done to really get me interested in this movie. A lot of the film felt like shock value which diminished my interest in what was happening. My eyes spent more time running from what was happening than being engrossed in it. Pacing is one of the most important parts of a movie. You screw that up and it spells doom for the rest of the movie.
Plot: 7
Resolution: 3
One of the worst endings I’ve seen in movies. The worst part is you absolutely know it’s coming, but director Jonas Akerlund decides to make you sit through it anyway. After it was over, I felt like I had been skunked.
Overall: 49
There are some things that this movie did well. As you watch these characters go off the deep end, it definitely feels genuine and real. Unfortunately, for every one good thing I can name about Lords of Chaos, I can think of ten bad. This was a miss for me.
Acting: 10
Beginning: 2
”What are you watching?” my wife asked from the other room. “Sounds awful!” She wasn’t wrong as the beginning attempts to explain all the W’s to the backdrop of hardcore, in-your-face metal. The music isn’t the problem, but I feel like they should have chosen one or the other: Either jump right into the metal music and set the tone or narrate the backstory first. Both made for a horrible mix.
Characters: 10
Cinematography/Visuals: 4
Conflict: 5
Genre: 3
Memorability: 4
Pace: 1
Show a gruesome suicide. Burn 100 churches. Stab a man in the woods. There was nothing that could be done to really get me interested in this movie. A lot of the film felt like shock value which diminished my interest in what was happening. My eyes spent more time running from what was happening than being engrossed in it. Pacing is one of the most important parts of a movie. You screw that up and it spells doom for the rest of the movie.
Plot: 7
Resolution: 3
One of the worst endings I’ve seen in movies. The worst part is you absolutely know it’s coming, but director Jonas Akerlund decides to make you sit through it anyway. After it was over, I felt like I had been skunked.
Overall: 49
There are some things that this movie did well. As you watch these characters go off the deep end, it definitely feels genuine and real. Unfortunately, for every one good thing I can name about Lords of Chaos, I can think of ten bad. This was a miss for me.
Lee (2222 KP) rated Sicario: Day of the Soldado (2018) in Movies
Jul 3, 2018
Not quite as good as the original
Before watching Sicario 2, I really wanted to try and watch the original movie again, but never got a chance. I remember it being brutal and intense, with outstanding performances from Emily Blunt and Benicio Del Toro. I remember it gripping me from beginning to end. But, strangely, I couldn't remember very much about it at all other than basic plot details. I know I would recommend it in a heartbeat though, so I was excited for what the sequel would bring.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
In Sicario: Day of the Solado (or just Sicario 2: Soldado here in the UK...), the brutal intensity is introduced right from the start. A suicide bomber blows himself up at the U.S. - Mexican border. Then, in a Kansas supermarket, terrorists enter and detonate two bombs, followed by a third which is detonated while a woman and child plead to be set free. It's shocking, upsetting, and sticks with you uncomfortably for a while, serving as a push to get you behind federal agent Matt Graver (Josh Brolin) as he's brought in to start a war between the Mexican drug cartels. The plan has something to do with securing the border from terrorists, which kind of doesn't make much sense, but after the events in the opening scenes, you just want somebody to get out there and kick some ass. And with the promise that he's allowed to play things "dirty", you know that Josh Brolin is more than capable. He locates and recruits Alejandro (Benicio Del Toro) to help him out, with the promise of getting revenge against the family responsible for the death of his own family. They kidnap the daughter of a top gang boss, and attempt to blame it on a rival gang. But things don't go according to plan.
Like the original, there are plenty of intense, well executed scenes, but this just didn't grip me in the same way as the first movie did. Benicio Del Toro is just brilliant, but the lack of Emily Blunt was noticeable. Still a very enjoyable movie though.
Lee (2222 KP) rated The Haunting of Hill House in TV
Oct 20, 2018
Outstanding
I'm not familiar with the book that this Netflix show is based on, but then from what I understand this is meant to be more a 'remix' of the book anyway. All I can say though is, faithful to the book or not, this is without a doubt one of the most incredibly brilliant shows I have seen in a very long time.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.
Kristy H (1252 KP) rated The Family Upstairs in Books
Oct 24, 2019
Twenty-five years ago, a tragedy occurred at the large house at 16 Cheyne Walk. When the police arrived, they found three dead adults, an apparent suicide note, and, upstairs, a healthy ten-month-old baby. The neighbors spoke of other children who lived in the house, but there was no trace of them. The house is left in trust, and twenty-five years later, Libby Jones receives the letter she's been waiting for. In it, she learns about her birth parents and that she's inherited their home on Cheyne Walk: making her an instant millionaire. But others have been waiting for this day for years, too, and now Libby is about to learn more about her past and what happened so long ago at Cheyne Walk.
"Now she owns a house in Chelsea and the proportions of her existence have been blown apart."
In typical Lisa Jewell fashion, The Family Upstairs is a dark and twisted story of family secrets, and betrayal. It's told from the perspective of Libby, who inherits the house; Lucy, a mother in France struggling to find shelter and safety for herself and her two children; and Henry, who tells his story from the past, when he lived at Cheyne Walk.
As their three stories intertwine, we learn more about the horrors that happened at the house all those years ago, and how exactly Libby, Lucy, and Henry are tied together. It's an enthralling story and not easy to put down. It's dark, with plenty of twists and turns, and it certainly kept me guessing. There's lots of wondering who is who, and lots of awful things that happen to people. There were a lot of surprises at every turn. I was drawn to Libby, along with Lucy and her children, even if I sometimes wasn't sure if everyone was making the right decisions.
I was really into this book until the end, where the vagueness of the ending disappointed me a bit. But it's still an interesting thriller, no matter what: lots to keep you entertained, tons of dark and twisted bits, and plenty that kept me wondering right up to the end. 4 stars.
"Now she owns a house in Chelsea and the proportions of her existence have been blown apart."
In typical Lisa Jewell fashion, The Family Upstairs is a dark and twisted story of family secrets, and betrayal. It's told from the perspective of Libby, who inherits the house; Lucy, a mother in France struggling to find shelter and safety for herself and her two children; and Henry, who tells his story from the past, when he lived at Cheyne Walk.
As their three stories intertwine, we learn more about the horrors that happened at the house all those years ago, and how exactly Libby, Lucy, and Henry are tied together. It's an enthralling story and not easy to put down. It's dark, with plenty of twists and turns, and it certainly kept me guessing. There's lots of wondering who is who, and lots of awful things that happen to people. There were a lot of surprises at every turn. I was drawn to Libby, along with Lucy and her children, even if I sometimes wasn't sure if everyone was making the right decisions.
I was really into this book until the end, where the vagueness of the ending disappointed me a bit. But it's still an interesting thriller, no matter what: lots to keep you entertained, tons of dark and twisted bits, and plenty that kept me wondering right up to the end. 4 stars.
LeftSideCut (3776 KP) rated Aquaman (2018) in Movies
Jul 16, 2019 (Updated Sep 1, 2019)
An average DC entry saved by its own absurdity
I found that Aquaman is a movie of three distinct parts.
It actually starts off pretty strongly, as we're introduced to all the players involved, and all of the important locations.
Jason Mamoa is a very likeable guy, but it takes a while to warm to his gym bro approach Arthur Curry, but he managed to win me over eventually, the charming hairy bastard.
Patrick Wilson is pretty good as Ocean Master, and it's nice to see veterans like Willem Defoe and Nicole Kidman (who gets an early and very brief action scene which I reckon trumps anything in Batman vs Superman).
The story set up is all fine and straightforward, and some of the visuals are pretty impressive, especially sweeping shots of Atlantis.
When the story heads back to land at the mid point is where the films takes a bit of a nosedive.
It all just becomes a bit...boring.
It also falls into the weird "play-a-cool-song-at-random-intervals" trap that Suicide Squad enjoyed flogging to death. (Whoever decided to put that God awful hip hop cover of Africa in the mix deserves a slap)
I also feel that Black Manta was sort of wasted here. He's sidelined to make room for other story lines, which I guess is fine if he's being set up for a bigger role in future installments, but here he just feels kind of tacked on.
The last act of the film is a CGI orgy, but it stands apart from a lot of films in the genre, as it's actually colourful! The sheer scope of the last battle is absolutely absurd, so absurd that it kind of works.
The CGI in question is pretty hit and miss throughout the film - sometimes it looks horrific (young Willem Defoe is haunting) and other times, it's pretty flawless, making for some pretty good action shots.
Overall, for me, the DCEU is still struggling to leave it's mark, but Aquaman and this years Shazam seem like a small step in the right direction.
It actually starts off pretty strongly, as we're introduced to all the players involved, and all of the important locations.
Jason Mamoa is a very likeable guy, but it takes a while to warm to his gym bro approach Arthur Curry, but he managed to win me over eventually, the charming hairy bastard.
Patrick Wilson is pretty good as Ocean Master, and it's nice to see veterans like Willem Defoe and Nicole Kidman (who gets an early and very brief action scene which I reckon trumps anything in Batman vs Superman).
The story set up is all fine and straightforward, and some of the visuals are pretty impressive, especially sweeping shots of Atlantis.
When the story heads back to land at the mid point is where the films takes a bit of a nosedive.
It all just becomes a bit...boring.
It also falls into the weird "play-a-cool-song-at-random-intervals" trap that Suicide Squad enjoyed flogging to death. (Whoever decided to put that God awful hip hop cover of Africa in the mix deserves a slap)
I also feel that Black Manta was sort of wasted here. He's sidelined to make room for other story lines, which I guess is fine if he's being set up for a bigger role in future installments, but here he just feels kind of tacked on.
The last act of the film is a CGI orgy, but it stands apart from a lot of films in the genre, as it's actually colourful! The sheer scope of the last battle is absolutely absurd, so absurd that it kind of works.
The CGI in question is pretty hit and miss throughout the film - sometimes it looks horrific (young Willem Defoe is haunting) and other times, it's pretty flawless, making for some pretty good action shots.
Overall, for me, the DCEU is still struggling to leave it's mark, but Aquaman and this years Shazam seem like a small step in the right direction.
MaryAnn (14 KP) rated Fragments of Fear in Books
Nov 4, 2019
From award-winning author Carrie Stuart Parks comes a new novel with danger that reaches from a New Mexico Anasazi archaeological dig to micro- and nano-chip technology.
Evelyn Yvonne McTavish-Tavish to her friends-had her almost perfect world in Albuquerque, New Mexico, come to a crashing end with the suicide of her fiancé. As she struggles to put her life back together and make a living from her art, shes given the news that her dog is about to be destroyed at the dog pound. Except she doesnt own a dog. The shelter is adamant that the microchip embedded in the canine-with her name and address-makes it hers. Tavish recognizes the dog as one owned by an archaeologist named Pat Caron because she did a commissioned drawing of the two of them months earlier. The simple solution is to return the dog to his owner, but she arrives only to discover Carons murdered body. After meeting undercover FBI agent Sawyer Price the mystery deepens as more people start disappearing and Tavish becomes a target as well. Her only solution is to find the links between microchip technology, an Anasazi site in the desert, her fiancés death, a late-night radio show, and the dog. And the clock is ticking.
My Thoughts: This is an interesting suspense mystery novel. The author has a whimsical way of writing, that puts a little humor into the storyline. When the story begins, we have a young woman at the funeral of her fiance, then finds herself with a dog she doesn't really want and then discovers that it's the owner has been murdered. No wonder Tavish had so many panic attacks. I really enjoyed this novel. It kept my attention from the beginning and did not disappoint me throughout the story.
I enjoyed this novel, the one point I did like about this novel, is that the main character does come to Christ, and learns to overcome her fears by leaning on God.
I look forward to more from Carrie Stuart Parks.
????
Evelyn Yvonne McTavish-Tavish to her friends-had her almost perfect world in Albuquerque, New Mexico, come to a crashing end with the suicide of her fiancé. As she struggles to put her life back together and make a living from her art, shes given the news that her dog is about to be destroyed at the dog pound. Except she doesnt own a dog. The shelter is adamant that the microchip embedded in the canine-with her name and address-makes it hers. Tavish recognizes the dog as one owned by an archaeologist named Pat Caron because she did a commissioned drawing of the two of them months earlier. The simple solution is to return the dog to his owner, but she arrives only to discover Carons murdered body. After meeting undercover FBI agent Sawyer Price the mystery deepens as more people start disappearing and Tavish becomes a target as well. Her only solution is to find the links between microchip technology, an Anasazi site in the desert, her fiancés death, a late-night radio show, and the dog. And the clock is ticking.
My Thoughts: This is an interesting suspense mystery novel. The author has a whimsical way of writing, that puts a little humor into the storyline. When the story begins, we have a young woman at the funeral of her fiance, then finds herself with a dog she doesn't really want and then discovers that it's the owner has been murdered. No wonder Tavish had so many panic attacks. I really enjoyed this novel. It kept my attention from the beginning and did not disappoint me throughout the story.
I enjoyed this novel, the one point I did like about this novel, is that the main character does come to Christ, and learns to overcome her fears by leaning on God.
I look forward to more from Carrie Stuart Parks.
????
Kristy H (1252 KP) rated The Other Mrs. in Books
Mar 19, 2020
Sadie and her husband inherit a house in Maine after the death of Will's sister, Alice. So they move their two sons from Chicago to chilly Maine, hoping for a fresh start. Moving to Maine means living with Alice's broody sixteen-year-old daughter, Imogen. Will is convinced she's just grieving the loss of her mother, but Sadie isn't so sure. Then their neighbor, Morgan Baines, is found murdered--a death that rocks their small community. Sadie no longer feels safe in her own home, so she starts looking into Morgan's death. But soon she realizes that suspicion is pointed at her own family and that the more she discovers about Morgan's death, the more she has to lose.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
LeftSideCut (3776 KP) rated Tiger King: Murder, Mayhem and Madness in TV
Mar 31, 2020 (Updated Mar 31, 2020)
Tiger King is a true story. That in itself is an absurd thought. The story of Joe Exotic and his self built zoo, housing no less than 227 live tigers is something I never knew I wanted to hear until it was too late.
This well put together documentary took approximately 15 minutes to draw me in, and before I knew it, I had watched the whole thing.
The story in question revolves around Joe's constant rivalry and back-and-forth lawsuits with Carole Baskin, and her Big Cat Rescue sanctuary. It doesn't take long for everything to escalate to dangerous silliness, and the show documents Joe's eventual incarceration, where he is still residing currently.
This deep look into this cult like practice is fascinating to say the least. Some, including me, will argue that wild animals bred in captivity purely for profit is cruel, but it's genuinely difficult to see Joe Exotic as a bad person. His heart seems in the right place, and its sad to see him get so caught up in the money side of things, to the point where his intentions start to stray.
On the flip side, Carole Baskin on the surface doesn't agree with these kind of zoos and aims to rescue these animals, but in reality, she is still turning profit and her sanctuary is arguably just as bad.
These characters that we meet throughout all have layers and secrets, and ensures that the narrative being told through archive footage and interviews never stops throwing curve balls, as what starts as an animal park feud, devolves into embezzlement, attempted murder, suicide, missing persons, million-dollar legal battles... It's honestly hectic.
I'm incredibly interested to see what happens as a result of this series, and I personally don't think Joe will be incarcerated for too much longer.
The limited series could have benefited from losing an episode I feel, as it did drag a little towards the end, but overall, Tiger King is a fantastic documentary that's edited and put together to draw you in, and not let go.
This well put together documentary took approximately 15 minutes to draw me in, and before I knew it, I had watched the whole thing.
The story in question revolves around Joe's constant rivalry and back-and-forth lawsuits with Carole Baskin, and her Big Cat Rescue sanctuary. It doesn't take long for everything to escalate to dangerous silliness, and the show documents Joe's eventual incarceration, where he is still residing currently.
This deep look into this cult like practice is fascinating to say the least. Some, including me, will argue that wild animals bred in captivity purely for profit is cruel, but it's genuinely difficult to see Joe Exotic as a bad person. His heart seems in the right place, and its sad to see him get so caught up in the money side of things, to the point where his intentions start to stray.
On the flip side, Carole Baskin on the surface doesn't agree with these kind of zoos and aims to rescue these animals, but in reality, she is still turning profit and her sanctuary is arguably just as bad.
These characters that we meet throughout all have layers and secrets, and ensures that the narrative being told through archive footage and interviews never stops throwing curve balls, as what starts as an animal park feud, devolves into embezzlement, attempted murder, suicide, missing persons, million-dollar legal battles... It's honestly hectic.
I'm incredibly interested to see what happens as a result of this series, and I personally don't think Joe will be incarcerated for too much longer.
The limited series could have benefited from losing an episode I feel, as it did drag a little towards the end, but overall, Tiger King is a fantastic documentary that's edited and put together to draw you in, and not let go.