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JT (287 KP) rated Captain America: The First Avenger (2011) in Movies
Mar 10, 2020
With the impending Avengers flick due out in the summer this year, 2011 was all about wrapping up the the final film which would link yet another character into the superhero pack. If I’m honest I am pretty bored of the superhero genre of late, so this one was going to have to work hard if it was going to hold my interest. But, for the most part… hold my interest it did!
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.
Sarah (7800 KP) rated The Boys - Season 1 in TV
Sep 21, 2020
A refreshing take on superheroes
Note: This is a copy of my review of the main series, as it was done solely on the basis of the first series.
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
tapestry100 (306 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 26, 2017
I was a little hesitant over a third Spider-Man reboot, even tho I really enjoyed his introduction in Civil War. I was pleasantly surprised when we were given an origin movie without rehashing yet again the way that Peter Parker receives his powers (it's all mentioned in conversation, since I think everyone is fairly familiar with the particulars at this point). What we're given is a young kid of 14 who has been handed these amazing powers and we get to watch as he struggles to find his place in a superhero world where there isn't much room for a kid 14. Of course, he thinks he can handle situations far outside his capabilities, and we watch as he predictably fails, and comes to terms with his limitations. It's a stereotypical hero's journey film, but somehow Tom Holland's performance captures that early teen awkwardness and nothing seems heavy handed in telling Spider-Man's story. I'm hoping this is the Spider-man that's going to stick around for a while.
starwarsluvr (236 KP) rated She Who Hunts in Books
Jan 30, 2018
This was seriously amazing. I love demons and loved how they were a part of Tenna's life even though she never chose it. Tenna is an amazing character.. Her love, her life, her wanting to be an outcast because the other hunters didn't want her. I loved her "uncle and aunt". I felt so bad for them.. and yet not bad for them at the same time. This was a very fast paced story that kept me interested and I loved the writing so much. Tenna was wonderful. She had her own problems and had her own wants and love and wishes. I love that Tenna was a strong, confident hero who still had her own inner demons and inner problems that made her more human and not just superhero. This story and the writing made me very happy and kept me on the edge of my seat wanting to see where it was going and what would happen next. I cannot wait to see the next book and what happens in it.
Sarah (7800 KP) rated Suicide Squad (2016) in Movies
Jan 21, 2018
One of the better DC films... and it’s awful
The only good thing I have to say about this film is it has a pretty good soundtrack. And it’s probably one of the better DC films (although I haven’t seen Wonder Woman). But that isn’t saying much.
Everything else in this film is atrocious. The acting is terrible, even coming from some fairly established actors. Jared Leto’s Performance as the Joker is so over the top and unnecessary that it’s cringeworthy and laughable. Enchantress and her brother as the villains, along with their squid head army, are possibly the lamest villains in any superhero film. The CGI is really bad for the most part, and the script is terrible along with the very weak plot. Continuity also seems to be a big issue, flitting between evening and daylight for a number of scenes and expecting us not to notice. This isn’t even one of those that is so bad it’s good, it’s just plain old bad. Avoid at all costs.
Everything else in this film is atrocious. The acting is terrible, even coming from some fairly established actors. Jared Leto’s Performance as the Joker is so over the top and unnecessary that it’s cringeworthy and laughable. Enchantress and her brother as the villains, along with their squid head army, are possibly the lamest villains in any superhero film. The CGI is really bad for the most part, and the script is terrible along with the very weak plot. Continuity also seems to be a big issue, flitting between evening and daylight for a number of scenes and expecting us not to notice. This isn’t even one of those that is so bad it’s good, it’s just plain old bad. Avoid at all costs.
Awix (3310 KP) rated The League of Extraordinary Gentlemen (2003) in Movies
Mar 2, 2018 (Updated Mar 2, 2018)
A career that spanned over forty-five years, included nearly seventy movies, and featured the same accent every single time came to an end with this, Sean Connery's final on-screen appearance, in a would-be blockbuster based on Alan Moore and Kevin O'Neill's idiosyncratic comic series. The original heroes of pulp fiction are assembled to battle a mysterious villain with plans for world domination.
Connery had one of his massive spats with the director and virtually disowned the movie, but it's not really as bad as all that. It's not nearly as subtle, dark or clever as the comic book, obviously, and there's a horrendous moment in the second act where the whole thing grinds to a halt, but the effects are never less than competent, and the art direction is good. In the Marvel age of movies this is not without interest, making clear as it does the debt comic book heroes owe to the characters of an earlier age. Inevitably a bit of a disappointment, but not even the worst superhero movie of 2003.
Connery had one of his massive spats with the director and virtually disowned the movie, but it's not really as bad as all that. It's not nearly as subtle, dark or clever as the comic book, obviously, and there's a horrendous moment in the second act where the whole thing grinds to a halt, but the effects are never less than competent, and the art direction is good. In the Marvel age of movies this is not without interest, making clear as it does the debt comic book heroes owe to the characters of an earlier age. Inevitably a bit of a disappointment, but not even the worst superhero movie of 2003.
Mike Carlson (115 KP) rated The Amazing Spider-Man: Died In Your Arms Tonight in Books
Mar 18, 2018
Issue 600, plus
This 4-issue collection circles ASM #600 and Aunt May's wedding to J. Jonah Jameson Sr. While there is a lot of creative talent here, many of the stories involve peripheral stuff. Half of the book focuses on Uncle Ben's method of raising Peter, how Ben and May met, the Spider-Mobile, playground kids verbalizing what it would be like to be Spider-Man, Jessica Jones' inspiration, and a tongue-in-cheek couch session for Spidey's changes over the years. All of it is well- handled...just not my first choice for superhero reading.
The book really shines in two stories in particular. The first, "Peter Parker Must Die" has Peter dealing with a Ben Reilly repercussion called Raptor. The second,"Last Legs", contains the return of a physically inferior Doc Ock that wants the leave a lasting legacy. This issue was really good, and even the follow-up, which was a wedding aftermath issue due to a surprise wedding guest, was pretty entertaining.
The book really shines in two stories in particular. The first, "Peter Parker Must Die" has Peter dealing with a Ben Reilly repercussion called Raptor. The second,"Last Legs", contains the return of a physically inferior Doc Ock that wants the leave a lasting legacy. This issue was really good, and even the follow-up, which was a wedding aftermath issue due to a surprise wedding guest, was pretty entertaining.
David McK (3880 KP) rated Batman: Knightfall, Vol. 1 in Books
Jan 28, 2019
In large part the inspiration behind 2012's movie 'The Dark Knight Rises', what surprised me on reading this is just how faithfully that movie actually stuck to the events of this!
Oh, sure, there are differences: no Azrael or Robin (or, at least, not in his superhero mantle) in the movie, and a larger part for Catwoman/Selina Kyle, but more than just lip service is paid to the comic on which it is based: in particular, the bit about Bane's early life.
And, talking of Bane, the movie sticks an awful lot closer to him than the 1997 'Batman and Robin' version, or even the more recent Arkham series of games do.
The plot of the movie and comic should be pretty much common knowledge by now: Bane comes to Gotham, pushes Batman/Bruce Wayne to the edge and finally breaks his back in a 1-on-1 fight between the two.
In the words of Monty Python, however, 'I got better ... ' (albeit not by the end of this particular 'Knightfall' arc)
Oh, sure, there are differences: no Azrael or Robin (or, at least, not in his superhero mantle) in the movie, and a larger part for Catwoman/Selina Kyle, but more than just lip service is paid to the comic on which it is based: in particular, the bit about Bane's early life.
And, talking of Bane, the movie sticks an awful lot closer to him than the 1997 'Batman and Robin' version, or even the more recent Arkham series of games do.
The plot of the movie and comic should be pretty much common knowledge by now: Bane comes to Gotham, pushes Batman/Bruce Wayne to the edge and finally breaks his back in a 1-on-1 fight between the two.
In the words of Monty Python, however, 'I got better ... ' (albeit not by the end of this particular 'Knightfall' arc)
Kelly (279 KP) rated The Protector in TV
Dec 18, 2018
The backdrop of Istanbul (1 more)
Relationships between the main characters.
A Turkish superhero story
The story of the protector is one that we are familiar with: unlikely orphaned hero suddenly finds out that he was destined to defeat a big evil villain. A story, that over the years we have seen many times in many different ways. Somehow however, this did not bore me as much as it should. The backdrop of Istanbul made the plot line much more interesting to me (having no Turkish background and little knowledge of the country).
The characters were intriguing and I did genuinely care for them, as well as being interested in the love triangle that emerged between Hakan, Leyla and Zeynep. The female characters in the series were portrayed as strong women, which I particularly enjoyed. Hakan was goofy at times, but a likeable character overall. The immortal villain in the series could have been a bit more sinister, but this is just nitpicking.
Overall, I found the show really enjoyable, and hope that Netflix find the opportunity to make a sequel.
The characters were intriguing and I did genuinely care for them, as well as being interested in the love triangle that emerged between Hakan, Leyla and Zeynep. The female characters in the series were portrayed as strong women, which I particularly enjoyed. Hakan was goofy at times, but a likeable character overall. The immortal villain in the series could have been a bit more sinister, but this is just nitpicking.
Overall, I found the show really enjoyable, and hope that Netflix find the opportunity to make a sequel.
Mark @ Carstairs Considers (2631 KP) rated Who is The Mystery Reader? in Books
Nov 4, 2019
Reading is a Superpower!
This book is broken up into many parts. The main story involves Zoom Squirrel who gets some help in reading for The Mystery Reader, a costumed superhero. But who is the masked man, er squirrel? And can Zoom enter the world of masked superheroes? After the main story, we get a couple of terrible (and by that, I mean delightful) puns and jokes related to reading. There’s also a section where we see the work that goes into creating a book.
As an adult, I don’t find these picture books as delightful as some of Mo’s other works. They are missing the humor and charm. However, I can see the appeal to young readers, and if the addition of superheroes to reading encourages kids to read, I’m all in favor of it. The multiple sections can make the book disjointed, especially if you are reading the book to a group of kids, but it would be great for kids ready to expand their reading beyond the traditional easy readers.
As an adult, I don’t find these picture books as delightful as some of Mo’s other works. They are missing the humor and charm. However, I can see the appeal to young readers, and if the addition of superheroes to reading encourages kids to read, I’m all in favor of it. The multiple sections can make the book disjointed, especially if you are reading the book to a group of kids, but it would be great for kids ready to expand their reading beyond the traditional easy readers.







