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The Craggus (360 KP) rated Shazam! (2019) in Movies
Apr 6, 2019 (Updated Apr 6, 2019)
The Shazam! (2019) movie is the Billy Batson of the DCEU
The movie comes properly into focus when it becomes clear that thematically, the movie itself is echoing Billy Batson’s character arc. Just as SHAZAM derives his power from the wisdom of Solomon, the strength of Hercules, the stamina of Atlas; the energy bolts of Zeus, the courage of Achilles and the speed of Mercury, so “Shazam!” inherits potent traits from its forebears. Like “Man Of Steel”, it’s perhaps a little too fond of fight scenes featuring flying people being flung through skyscrapers. Like “Aquaman”, it suffers the curse of a conspicuously ropey special effects moment. Like “Suicide Squad”, it’s trying a little too hard with its soundtrack choices and like “Batman V Superman: Dawn Of Justice” it relies too heavily on YouTube clips for exposition. And just as Billy Batson has to battle his own mean-spirited, selfish and angsty urges to become the hero Shazam is meant to be, so too does “Shazam!” push back against the DCEU grimdark tropes to forge a bright new pathway to fun, adventure and a hopeful tone without sacrificing the superhero action...
FULL REVIEW: http://bit.ly/CraggusShazam
FULL REVIEW: http://bit.ly/CraggusShazam
Awix (3310 KP) rated A View to a Kill (1985) in Movies
Mar 2, 2018 (Updated Mar 2, 2018)
Fourteenth Bond movie, known in Hong Kong as 'Indestructible Iron Man Fights the Electronic Gang'. (Which is pretty accurate, to be honest.) Rogue eugenic superman Zorin (Walken) has slightly Goldfingerish plan to artificially inflate the value of silicon chips; Bond has to stop him (obvs).
Bond gets it on with a record-breaking four different people in the course of the movie, including the villain's chief heavy, which may explain why he looks so exhausted most of the time. Or this may be due to Roger Moore's own advanced age (he was apparently dismayed to discover he was older than the parents of leading lady Tanya Roberts). Very much an example of Bond-movie-as-Bond-movie, i.e. a knockabout light-hearted action spectacular with only occasional pretensions to being a serious thriller or having anything meaningful to say about the world. Some decent chases and set pieces, helped by an occasionally effective soundtrack. Pleasantly distracting to watch but it's hardly going to rock your boat, let alone your world. It's possible that the opening sequence, in which Bond invents (gosh wow!) snowboarding , is the most glaringly dated moment of any major film in history.
Bond gets it on with a record-breaking four different people in the course of the movie, including the villain's chief heavy, which may explain why he looks so exhausted most of the time. Or this may be due to Roger Moore's own advanced age (he was apparently dismayed to discover he was older than the parents of leading lady Tanya Roberts). Very much an example of Bond-movie-as-Bond-movie, i.e. a knockabout light-hearted action spectacular with only occasional pretensions to being a serious thriller or having anything meaningful to say about the world. Some decent chases and set pieces, helped by an occasionally effective soundtrack. Pleasantly distracting to watch but it's hardly going to rock your boat, let alone your world. It's possible that the opening sequence, in which Bond invents (gosh wow!) snowboarding , is the most glaringly dated moment of any major film in history.
David McK (3921 KP) rated Superman: Whatever Happened to the Man of Tomorrow? in Books
Jan 28, 2019
Hmmmm ... how best to describe this?
Perhaps the foreword puts it best: released back in the mid-80s, this is (now) effectivel a 'what-if', with the central conceit being that this was a story told by Lois to a Daily Planet reporter about Superman's Last Days.
I say a 'What-if' as, obviously, the Man of Steel is still around today: at the time this was released, however, DC was going through a major 'cleaning of the house'; retconning and throwing out over 50 years worth of backstory for their various properties in an attempt to reset the switch; to go back to basics (as it were). As such, it was possible (just) that this very well could have been the last Superman story ever written.
Unlike some of Moore's other works ([b:Batman: The Dark Knight Returns|59960|Batman The Dark Knight Returns (The Dark Knight Saga, #1)|Frank Miller|https://images.gr-assets.com/books/1327892039s/59960.jpg|1104159]The Dark Knight Returns, for example, or even [b:Watchmen|472331|Watchmen|Alan Moore|https://images.gr-assets.com/books/1442239711s/472331.jpg|4358649]Watchmen), this does show it's age somewhat; very much having a 'Silver Age' feel to it.
Perhaps the foreword puts it best: released back in the mid-80s, this is (now) effectivel a 'what-if', with the central conceit being that this was a story told by Lois to a Daily Planet reporter about Superman's Last Days.
I say a 'What-if' as, obviously, the Man of Steel is still around today: at the time this was released, however, DC was going through a major 'cleaning of the house'; retconning and throwing out over 50 years worth of backstory for their various properties in an attempt to reset the switch; to go back to basics (as it were). As such, it was possible (just) that this very well could have been the last Superman story ever written.
Unlike some of Moore's other works ([b:Batman: The Dark Knight Returns|59960|Batman The Dark Knight Returns (The Dark Knight Saga, #1)|Frank Miller|https://images.gr-assets.com/books/1327892039s/59960.jpg|1104159]The Dark Knight Returns, for example, or even [b:Watchmen|472331|Watchmen|Alan Moore|https://images.gr-assets.com/books/1442239711s/472331.jpg|4358649]Watchmen), this does show it's age somewhat; very much having a 'Silver Age' feel to it.
David McK (3921 KP) rated Iron Man: Extremis in Books
Jan 30, 2019
I'll be honest - I was one of those who, before I saw the first Iron Man movie (2008?) had no idea who the character was.
That, of course, is not the case now, after 3 solo outings (to date) and 2 'team' entries (Avengers Assemble and Age of Ultron).
As my only real exposure to the character had also only come form those movies, I was also unaware that Tony Stark's identity (as Iron Man) was NOT common knowledge - I had always thought that was one thing that had set him apart from the likes of Batman, Superman, et al.
I also later discovered that this comic was one of those that had influenced those movies - while pretty obvious in Iron Man 3 (which also deals with Extremis), it had also had an impact on the first movie - reading this comic in 2016, it's interesting to see how: from the 'reboot' of his origins from the original Vietnam War to more modern Afghanistan, to even the look of the character (this came first, remember), and to the whole 'Genius Playboy Billionaire Philantropist' persona after he is injured by his own weaponry.
That, of course, is not the case now, after 3 solo outings (to date) and 2 'team' entries (Avengers Assemble and Age of Ultron).
As my only real exposure to the character had also only come form those movies, I was also unaware that Tony Stark's identity (as Iron Man) was NOT common knowledge - I had always thought that was one thing that had set him apart from the likes of Batman, Superman, et al.
I also later discovered that this comic was one of those that had influenced those movies - while pretty obvious in Iron Man 3 (which also deals with Extremis), it had also had an impact on the first movie - reading this comic in 2016, it's interesting to see how: from the 'reboot' of his origins from the original Vietnam War to more modern Afghanistan, to even the look of the character (this came first, remember), and to the whole 'Genius Playboy Billionaire Philantropist' persona after he is injured by his own weaponry.
Justice League: Volume 1: Origin
Jim Lee and Geoff Johns
8.0
Rate It
Book
*A New York Times Bestseller! As a part of the monumental DC Comics - The New 52 event, comics...
Sean Lennon recommended Shakara/London Scene by Fela Kuti in Music (curated)
Rickey A. Mossow Jr. (689 KP) rated Shazam! (2019) in Movies
Jun 29, 2019
Zachary Levi is amazing and charisma leaps off screen. (1 more)
A fun enjoyable film that flew by.
Seemed a bit simplistic. (1 more)
Cooper Andrews is wasted in his supporting role.
An actual fun DC movie.
It goes without saying that most modern DC Universe movies tend to be on the dark and very serious side. So, this was a nice turn. Once the villain is introduced in typical DC dark fashion, the movie tilts to the lightness of youth and the chicanery that can ensue. So many light-hearted fun moments throughout. Zachary Levi is brilliant as the quick-quipping hero and embraces his child alter ego with ease. While the gaining understanding of powers and defeat of the villian seemed a little simplistic to me, overall it was just a fun, enjoyable film. The time flew by. It had laughs. It had heart. The cast had amazing charisma and chemistry. (Though the incredibly charismatic Cooper Andrews is kinda wasted in his supporting role.) While I think Batman and Superman need the gravitas, the light tone fit perfectly here. Great job by DC and a hope that they are making changes for the future thread of films in this universe.
Bostonian916 (449 KP) rated Man of Steel (2013) in Movies
Aug 18, 2020 (Updated Aug 18, 2020)
Contains spoilers, click to show
I have been a HUGE Supes fan since I was very young. I was sooooo excited when I saw that this movie was being made and I was even more excited to find out that Snyder was in control.
While there are a couple of things that kind of threw me off (I'm talking to you crazy skull scene) I thoroughly enjoyed the film as a whole. I liked that they included some of the story that took place on Krypton and gave some humanity (yes I see the irony of "humanity") to Supes parents and people as a whole. Even Zod, who until now has only been portrayed (though done so with excellence) as a cold, mostly heartless soldier of fortune.
The biggest hiccup for me was the final climax. That's not how Superman does things. Plain and simple, he doesn't kill for any reason. He always finds another way.
I do think that this is a great movie and I have viewed it several times, It made me feel things for characters that until now were completely tertiary or non existent and that alone deserves praise.
While there are a couple of things that kind of threw me off (I'm talking to you crazy skull scene) I thoroughly enjoyed the film as a whole. I liked that they included some of the story that took place on Krypton and gave some humanity (yes I see the irony of "humanity") to Supes parents and people as a whole. Even Zod, who until now has only been portrayed (though done so with excellence) as a cold, mostly heartless soldier of fortune.
The biggest hiccup for me was the final climax. That's not how Superman does things. Plain and simple, he doesn't kill for any reason. He always finds another way.
I do think that this is a great movie and I have viewed it several times, It made me feel things for characters that until now were completely tertiary or non existent and that alone deserves praise.
David McK (3921 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Nov 28, 2021 (Updated Feb 4, 2026)
Martha!
The secind entry in what-was-then the burgeoning Extended Universe, following on from 2013's Man of Steel - the finale of which (re. seemingly half of Metropolis getting destroyed) has repercussions in this.
I remember the film was also hotly anticipated, with lots of speculation on who it would adopt the graphic novel 'The Dark Knight Returns', a portion of which features a showdown between the Man of Steel and Batman.
So, this introduces Ben Affleck's (aka 'Batfleck') during the prologue.
It's also - unfortunately - the movie with the infamous 'save Martha!' scene, and with the very ineptly handed expansion of the DCEU via video clips played on a laptop.
This version of Batman also seems to have completely abandoned his famous 'no killing' rule, dispatching goons left, right and centre during several key moments of the film, while Henry Cavill's Superman still needs to, well, 'lighten up' quite a bit to be closer to how the Man of Steel is more commonly viewed.
And don't start me on Jesse Eisenberg's Lex Luthor, or on the completely extraneous final 'Doomsday' act ...
(still, at least the Directors Cut manages to salvage it somewhat)
I remember the film was also hotly anticipated, with lots of speculation on who it would adopt the graphic novel 'The Dark Knight Returns', a portion of which features a showdown between the Man of Steel and Batman.
So, this introduces Ben Affleck's (aka 'Batfleck') during the prologue.
It's also - unfortunately - the movie with the infamous 'save Martha!' scene, and with the very ineptly handed expansion of the DCEU via video clips played on a laptop.
This version of Batman also seems to have completely abandoned his famous 'no killing' rule, dispatching goons left, right and centre during several key moments of the film, while Henry Cavill's Superman still needs to, well, 'lighten up' quite a bit to be closer to how the Man of Steel is more commonly viewed.
And don't start me on Jesse Eisenberg's Lex Luthor, or on the completely extraneous final 'Doomsday' act ...
(still, at least the Directors Cut manages to salvage it somewhat)
Lee (2222 KP) rated Wonder Woman (2017) in Movies
Jul 14, 2017
After a pretty lengthy drought, we finally get another decent DC movie
As the DC TV universe continues to go from strength to strength, the DC movie universe is gradually going downhill. Don’t get me wrong, I really liked Man of Steel, despite the overloaded CGI destruction at the end. I didn’t mind Batman Vs Superman either, even with Jesse Eisenberg doing his very best to try and ruin it. But, despite successfully introducing two other major DC heavyweight characters (and not so successfully introducing a few others) and picking up steam in the final act, the movie struggled. Suicide Squad then managed to take bad to a completely new level, and was just a complete train-wreck.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.