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David McK (3880 KP) rated Batman: A Death In The Family in Books
Jan 28, 2019
Ah, 1988/89.
I was just entering double digits, the Cold War was still in force, and DC decided to bump off Robin.
Of course, when I say 'Robin' I actually mean the second character (Jason Todd) to take that mantle (with the first being the more famous Dick Grayson, who has now become Nightwing), and when I say DC I actually mean the DC readers - in a (then) unprecedented move, DC had actually left it open to the readers to decide his fate, via a telephone poll.
It is, of course, Batman's nemesis Joker who is responsible for the killing, after he (yet again) breaks out of Arkham Asylum and heads to the middle East to sell a nuclear weapon that he just-so-happened to have lying around. Batman goes off in pursuit, with a sidelined-by-Batman (due to his erratic nature) Robin on the trail of his real parent; a trail that leads to the two of them meeting up (amazing coincidence, Batman!), Robin ignoring Batman's advice and proceeding to put himself in harms way.
Apparently there was also a media storm around this; around the fact that over the course - and due t 0the events of - this plot-line, that Batman was moving back to his nihilistic vigilante loner roots rather than the kid-friendly character he had become: he even goes so far, in this, to punch out at Superman! The horror!!
I was just entering double digits, the Cold War was still in force, and DC decided to bump off Robin.
Of course, when I say 'Robin' I actually mean the second character (Jason Todd) to take that mantle (with the first being the more famous Dick Grayson, who has now become Nightwing), and when I say DC I actually mean the DC readers - in a (then) unprecedented move, DC had actually left it open to the readers to decide his fate, via a telephone poll.
It is, of course, Batman's nemesis Joker who is responsible for the killing, after he (yet again) breaks out of Arkham Asylum and heads to the middle East to sell a nuclear weapon that he just-so-happened to have lying around. Batman goes off in pursuit, with a sidelined-by-Batman (due to his erratic nature) Robin on the trail of his real parent; a trail that leads to the two of them meeting up (amazing coincidence, Batman!), Robin ignoring Batman's advice and proceeding to put himself in harms way.
Apparently there was also a media storm around this; around the fact that over the course - and due t 0the events of - this plot-line, that Batman was moving back to his nihilistic vigilante loner roots rather than the kid-friendly character he had become: he even goes so far, in this, to punch out at Superman! The horror!!
David McK (3880 KP) rated Batman: Hush in Books
Jan 28, 2019
So, not long ago I picked up a copy of the Batman 75th anniversary box set, which is made up of 3 separate stories: The Dark Knight Returns, The Court of Owls and Hush. I also put caked up both Year One and The Killing Joke separately.
Of them all, I knew that at least 3 were (supposedly) very good: The Dark Knight Returns, The Killing Joke and Year One. What I ddid nt know, however, was just how good Hush was.
Set during a period when Batman is at the top of his game (unlike the older Batman of The Dark Knight Returns, or the younger of Year One), this graphic novel includes just about any and all of Batmans friends and foes - top of my head, I can think of only one major villain who doesn't play a role (but is mentioned in passing).
Like The Dark Knight Returns, it also includes The Man of Steel in the story, with Batman and Superman again facing off against one another in a portion of it (but for very different reasons than in The Dark Knight Returns).
OK, it may be pretty obvious - I felt - fairly early on just who is pulling the strings,but this still makes for a very enjoyable and dynamic read, with some of the best artwork I have yet seen in any of the graphic novels I have read.
Of them all, I knew that at least 3 were (supposedly) very good: The Dark Knight Returns, The Killing Joke and Year One. What I ddid nt know, however, was just how good Hush was.
Set during a period when Batman is at the top of his game (unlike the older Batman of The Dark Knight Returns, or the younger of Year One), this graphic novel includes just about any and all of Batmans friends and foes - top of my head, I can think of only one major villain who doesn't play a role (but is mentioned in passing).
Like The Dark Knight Returns, it also includes The Man of Steel in the story, with Batman and Superman again facing off against one another in a portion of it (but for very different reasons than in The Dark Knight Returns).
OK, it may be pretty obvious - I felt - fairly early on just who is pulling the strings,but this still makes for a very enjoyable and dynamic read, with some of the best artwork I have yet seen in any of the graphic novels I have read.
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Eleanor Luhar (47 KP) rated Supergirl, Volume 1: Reign Of The Cyborg Super-Men in Books
Jun 24, 2019
I went on a little comic spree yesterday and this is my favourite of the three I read. It was my first introduction to the Supergirl series, and I really enjoyed it. I look forward to reading more!
Kara Zor-El, the cousin to Superman, is sent to Earth while her home city is dying. She;s given a secret identity, a human life to lead under the name of Kara Danvers. Her human parents try to help her settle in and live like a normal human, going to school with other teens and even learning to drive a car. But then her father - who she thought was dead - returns, with some strange new (and very modern) changes.
I love Kara as a character. She's a sassy teen, but she also has so much more going on. She's from a whole different planet, she lost her parents (twice, now) and has to make decisions that no teenager could ever dream of.
And the art style in this is a bit different to other comics - more sketchy, kind of sharper. I liked it.
The overall plot was really good - Kara's dad, Zor-El, is trying to rebuild Argon for her. But his visions are twisted, and he's causing harm to Kara's new family while trying to bring back her old one.
This was easily one of my favourite comics I've read. 5 stars. It was so interesting and exciting and I just love Kara's character so much.
Kara Zor-El, the cousin to Superman, is sent to Earth while her home city is dying. She;s given a secret identity, a human life to lead under the name of Kara Danvers. Her human parents try to help her settle in and live like a normal human, going to school with other teens and even learning to drive a car. But then her father - who she thought was dead - returns, with some strange new (and very modern) changes.
I love Kara as a character. She's a sassy teen, but she also has so much more going on. She's from a whole different planet, she lost her parents (twice, now) and has to make decisions that no teenager could ever dream of.
And the art style in this is a bit different to other comics - more sketchy, kind of sharper. I liked it.
The overall plot was really good - Kara's dad, Zor-El, is trying to rebuild Argon for her. But his visions are twisted, and he's causing harm to Kara's new family while trying to bring back her old one.
This was easily one of my favourite comics I've read. 5 stars. It was so interesting and exciting and I just love Kara's character so much.
Tim McGuire (301 KP) rated Mission: Impossible - Fallout (2018) in Movies
Oct 7, 2019
274. Mission: Impossible - Fallout. Tom Cruise is totally insane, but, he does make some entertaining flicks, even in this 20+ year film franchise. He does some crazy stunts, the ankle scene, I think is still in there, and its brutal. And he fights Superman! So the main theme to part 6 is this. Ethan Hunt did not kill the bad guy, Solomon Lane from the previous film, played by Sean Harris, a cool creepy character actor, and he's back to tear Ethan Hunt a new butthole, and plans to take a bunch of people with him, including Ethan's ex Julia, what??? And to top it all off, the government bastards don't really trust Ethan, so they send a babysitter, Henry Cavill as August Walker. Ok, so the big mystery of this one... there's a mystery guy out there working against Ethan's team, and they seem to know their every move. So Ethans entire team, and August Walker is out to recapture Solomon and stop the madness before the mystery bad spy can get him. Who could it be??? The basic cast has remained the same, a few additions along the way, and then there's Henry Cavill's character, this one will be tough to figure out. But a really fun entertaining flick... Were they hinting at Ethan Hunt getting a little old?? Several scenes were focused on Hunt catching his breath....maybe its just me... Filmbufftim on FB
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Movie Metropolis (309 KP) rated Justice League (2017) in Movies
Jun 10, 2019
Hoorah, it's not a total dud
The entire production of Justice League has been enveloped in the tragedy surrounding director Zack Snyder’s sudden departure from the project in March this year.
After losing his daughter, Autumn, to suicide, the DC regular decided to hand over the reins of his passion project to Avengers director Joss Whedon so that he could spend time with his family. Whedon came on board and decided to undertake costly reshoots in order to get the film finished on time.
In that respect, it’s a miracle we’ve even got a Justice League movie in the first place. What’s even more of a miracle is that it turns out to be not rubbish – unfortunately that’s probably the biggest compliment I can give this frequently entertaining but messy outing for our favourite selection of DC Comic superheroes.
Fuelled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) act of selflessness, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince (Gal Gadot) to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against their newly awakened enemy, Steppenwolf. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and the Flash (Ezra Miller) – it may be too late to save the planet from an assault of catastrophic proportions.
This year’s Wonder Woman proved that the DC Universe can be at least a passable alternative to the might of Marvel and Batman v Superman: Dawn of Justice was an entertaining, if entirely forgettable mash up of the two titular heroes. Justice League sits somewhere in between – it’s not as much of an ordeal as BvS, but it’s also not as interesting as Wonder Woman. The less said about Suicide Squad, the better.
Acting wise, it’s a good start for the League. Ben Affleck is a cracking Bruce Wayne, but his Batman is lacking the gritty humanity of Christian Bale’s turn as the caped crusader. Ezra Miller, Jason Momoa and Ray Fisher all perform well with the former in particular being a highlight, but their rushed introductions do them no favours. However, the standout once again is the wonderful Gal Gadot. Her selfless Diana Prince really is magnificent and her increased screen-time in Justice League when compared to Batman v Superman is more than welcome.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film.
The main villain, Steppenwolf, voiced well by Ciarán Hinds is less successful. Masked behind walls of at-times poor CGI, his threat never feels truly realised and poor Hinds is wasted in a role reminiscent of the dreadful work 20th Century Fox did on Oscar Issac in X-Men: Apocalypse. He gets some good lines however, and makes for a decent, if unremarkable antagonist.
Amy Adams and Diane Lane are once again side-lined in their roles as Lois Lane and Martha Kent respectively. These incredible actresses really are wasted in roles that have little-to-no outcome to the plot. And this is a problem that has blighted the DCEU from the get-go. The calibre of actors used in these films is frankly, astounding and each one of them deserves better than the overly expositional and cringe worthy dialogue they continue to be lumped with.
The final act, like so many films before it, is a mess of ugly CGI that spoils a very decent middle section that has some truly poignant moments. The return of Superman (that isn’t a spoiler if you’ve been following the marketing for Justice League) is handled well and the moment he is reunited with his mother is touching and well-acted.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film. It’s also painfully obvious where Snyder’s very ‘operatic’ filming style is replaced with Joss Whedon’s trademark wit and this doesn’t sit well all of the time. It’s clear that a turbulent production has created a film that’s biggest merit is that it even managed to exist in the first place, and that’s a real shame. Entertaining? Yes. But entertainment can’t mask a film that reeks of mediocrity.
https://moviemetropolis.net/2017/11/19/justice-league-review/
After losing his daughter, Autumn, to suicide, the DC regular decided to hand over the reins of his passion project to Avengers director Joss Whedon so that he could spend time with his family. Whedon came on board and decided to undertake costly reshoots in order to get the film finished on time.
In that respect, it’s a miracle we’ve even got a Justice League movie in the first place. What’s even more of a miracle is that it turns out to be not rubbish – unfortunately that’s probably the biggest compliment I can give this frequently entertaining but messy outing for our favourite selection of DC Comic superheroes.
Fuelled by his restored faith in humanity and inspired by Superman’s (Henry Cavill) act of selflessness, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince (Gal Gadot) to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against their newly awakened enemy, Steppenwolf. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and the Flash (Ezra Miller) – it may be too late to save the planet from an assault of catastrophic proportions.
This year’s Wonder Woman proved that the DC Universe can be at least a passable alternative to the might of Marvel and Batman v Superman: Dawn of Justice was an entertaining, if entirely forgettable mash up of the two titular heroes. Justice League sits somewhere in between – it’s not as much of an ordeal as BvS, but it’s also not as interesting as Wonder Woman. The less said about Suicide Squad, the better.
Acting wise, it’s a good start for the League. Ben Affleck is a cracking Bruce Wayne, but his Batman is lacking the gritty humanity of Christian Bale’s turn as the caped crusader. Ezra Miller, Jason Momoa and Ray Fisher all perform well with the former in particular being a highlight, but their rushed introductions do them no favours. However, the standout once again is the wonderful Gal Gadot. Her selfless Diana Prince really is magnificent and her increased screen-time in Justice League when compared to Batman v Superman is more than welcome.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film.
The main villain, Steppenwolf, voiced well by Ciarán Hinds is less successful. Masked behind walls of at-times poor CGI, his threat never feels truly realised and poor Hinds is wasted in a role reminiscent of the dreadful work 20th Century Fox did on Oscar Issac in X-Men: Apocalypse. He gets some good lines however, and makes for a decent, if unremarkable antagonist.
Amy Adams and Diane Lane are once again side-lined in their roles as Lois Lane and Martha Kent respectively. These incredible actresses really are wasted in roles that have little-to-no outcome to the plot. And this is a problem that has blighted the DCEU from the get-go. The calibre of actors used in these films is frankly, astounding and each one of them deserves better than the overly expositional and cringe worthy dialogue they continue to be lumped with.
The final act, like so many films before it, is a mess of ugly CGI that spoils a very decent middle section that has some truly poignant moments. The return of Superman (that isn’t a spoiler if you’ve been following the marketing for Justice League) is handled well and the moment he is reunited with his mother is touching and well-acted.
Justice League is a film with a bit of an identity crisis as it frequently feels like a mishmash of scenes put together to make a film. It’s also painfully obvious where Snyder’s very ‘operatic’ filming style is replaced with Joss Whedon’s trademark wit and this doesn’t sit well all of the time. It’s clear that a turbulent production has created a film that’s biggest merit is that it even managed to exist in the first place, and that’s a real shame. Entertaining? Yes. But entertainment can’t mask a film that reeks of mediocrity.
https://moviemetropolis.net/2017/11/19/justice-league-review/
Phillip McSween (751 KP) rated Point Break (1991) in Movies
Jan 17, 2018
Not Bad
My buddy who recommended Point Break asked for my thoughts almost immediately after I watched it. In a word: Fun. No, it's not going to blow your mind or give you chills, but it's a great film to watch if you're just trying to have a good time. It's like Fast and the Furious before Fast and the Furious became Fast and the Furious. Oh yeah, and with surfer dudes.
Point Break can be a bit over the top at times. One scene in particular involving a chase scene where someone literally threw a dog at Keanu Reeves left me scratching my head and chuckling, but I'm pretty sure I wasn't supposed to be laughing at that point. The plot holes threw me off just as much. Spoiler Alert In the Form of a Question: After Johnny Utah's cover is blown, why the hell is he still hanging out with the bankrobbers?
After a slow start, I managed to find myself engaged in what was unfolding. Keanu Reeves got off to a slow start as well in his role as Johnny Utah, but found his way midway through. It was almost like this was the film where he learned how to act, but director Kathryn Bigelow didn't notice until they were well past the point of reshoots. It doesn't kill the movie, not by a longshot, especially considering its setting.
The ending was extremely ambiguous and, ten years ago, probably would have ruined the entire film for me. Now, it left me asking myself, "What does this mean exactly?" My answer in a sec...
For those of you like me that are new to the film, Point Break is the story of a detective trying to take down a gang of surfers that have become notorious on the bank-robbing circuit as the Ex-Presidents. The film has some fun action sequences, including a house raid midway through that I really enjoyed. I also thought Bigelow captured some powerful shots when it came to expressing the love and power of the ocean. I would love to see this film shot in IMAX today. And I said this film, not the god-awful remake. My favorite shot takes place at a gas station. Bodhi (Patrick Swayze) is burning a car (destroying evidence) to the ground using a gas pump and a lighter. For some reason, it reminded me of the one scene I enjoyed in Batman Vs. Superman: Dawn of Justice where the courtroom explodes and just Superman is left among the flames. Scenes like this, no matter how good or bad a film is, stay etched in your memory for a long time.
So what were my thoughts on the ending? I feel like the waves got the better of Utah and he succumbed to their call. He got a taste of a life that was more easygoing and peaceful. Less rules and restrictions. Ultimately, it was enough for him to throw everything else (badge included) away. And yes, I think he does end up staying with Tyler (Lori Petty).
Glad I saw this film. I give it a 77.
Point Break can be a bit over the top at times. One scene in particular involving a chase scene where someone literally threw a dog at Keanu Reeves left me scratching my head and chuckling, but I'm pretty sure I wasn't supposed to be laughing at that point. The plot holes threw me off just as much. Spoiler Alert In the Form of a Question: After Johnny Utah's cover is blown, why the hell is he still hanging out with the bankrobbers?
After a slow start, I managed to find myself engaged in what was unfolding. Keanu Reeves got off to a slow start as well in his role as Johnny Utah, but found his way midway through. It was almost like this was the film where he learned how to act, but director Kathryn Bigelow didn't notice until they were well past the point of reshoots. It doesn't kill the movie, not by a longshot, especially considering its setting.
The ending was extremely ambiguous and, ten years ago, probably would have ruined the entire film for me. Now, it left me asking myself, "What does this mean exactly?" My answer in a sec...
For those of you like me that are new to the film, Point Break is the story of a detective trying to take down a gang of surfers that have become notorious on the bank-robbing circuit as the Ex-Presidents. The film has some fun action sequences, including a house raid midway through that I really enjoyed. I also thought Bigelow captured some powerful shots when it came to expressing the love and power of the ocean. I would love to see this film shot in IMAX today. And I said this film, not the god-awful remake. My favorite shot takes place at a gas station. Bodhi (Patrick Swayze) is burning a car (destroying evidence) to the ground using a gas pump and a lighter. For some reason, it reminded me of the one scene I enjoyed in Batman Vs. Superman: Dawn of Justice where the courtroom explodes and just Superman is left among the flames. Scenes like this, no matter how good or bad a film is, stay etched in your memory for a long time.
So what were my thoughts on the ending? I feel like the waves got the better of Utah and he succumbed to their call. He got a taste of a life that was more easygoing and peaceful. Less rules and restrictions. Ultimately, it was enough for him to throw everything else (badge included) away. And yes, I think he does end up staying with Tyler (Lori Petty).
Glad I saw this film. I give it a 77.
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