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TheBookMother (105 KP) rated Unravelling Oliver in Books
May 17, 2019
It's as if Richard Hillman came back from the dead, you will not put it down.
I picked this little gem up on a supermarket fundraising bookshelf.
I was abit a dubious to begin with as it was quite short for a standard crime novel that I am normally used too at just 230 pages. I did worry it would be a rushed cliche but boy, was I wrong.
I have grown up on Midsummer Murders and Agatha Christie and it felt like a fresh voice on a classic crime thriller rather than the standard norm from Liz Nugent.
To everyone they seemed a happy and successful couple until one night Oliver beats his loving wife into a coma.
We are then thrown into a sad and neglected past, tragic events and secrets that have now suddenly caught up with Oliver.
The pace of the book is exquisite. Right from the first page you are thrown in to quite a dark act being commited leaving you with only one question.
Why did he do it?
The story is told from numerous character voices and POV each sharing their experiences and opinions of Oliver including Oliver himself each recounting past events right up until after the attack on Alice.
Each account over laps and we are taken back to summer in the 1970s on a French vineyard, growing up during that time in Ireland and the views of the time.
I enjoyed the that the themes of having a baby out of wedlock, grief, race, mental health, expectations, promiscuity and homosexuality were all present which really added to you imagining what the views were at the varying time periods covered throughout the book.
Hauntingly, the only person we do not hear from is Alice which adds to the tension as the outcome of the attack isn't mentioned until quite a way through the book.
Aside from the fact that you are introduced to Oliver committing a heinous act and brutally admitting that he expected more of a reaction for the first time he beat his wife he is not a likable character. You are waiting for it all to come crashing down around him and his 'privileged life' even after you find out about his past and as the it is unravelled, so is he. Think Richard Hillman from Coronation Street villain, someone you cannot help but resent.
Clever, dark and unexpected I couldn't put this down and consumed the lot in a day or so. The pace and easy readability of the book left me wanting to keep reading to a point of keeping the kids busy with a snack and Netflix while I could consume multiple chapters in the corner of the room!
It's just want I want in a crime novel; a good villain, a clever plot and a few twists along the way and an even more surprising ending which leaves you thinking perhaps there was a little bit of good in there after all?!
I was abit a dubious to begin with as it was quite short for a standard crime novel that I am normally used too at just 230 pages. I did worry it would be a rushed cliche but boy, was I wrong.
I have grown up on Midsummer Murders and Agatha Christie and it felt like a fresh voice on a classic crime thriller rather than the standard norm from Liz Nugent.
To everyone they seemed a happy and successful couple until one night Oliver beats his loving wife into a coma.
We are then thrown into a sad and neglected past, tragic events and secrets that have now suddenly caught up with Oliver.
The pace of the book is exquisite. Right from the first page you are thrown in to quite a dark act being commited leaving you with only one question.
Why did he do it?
The story is told from numerous character voices and POV each sharing their experiences and opinions of Oliver including Oliver himself each recounting past events right up until after the attack on Alice.
Each account over laps and we are taken back to summer in the 1970s on a French vineyard, growing up during that time in Ireland and the views of the time.
I enjoyed the that the themes of having a baby out of wedlock, grief, race, mental health, expectations, promiscuity and homosexuality were all present which really added to you imagining what the views were at the varying time periods covered throughout the book.
Hauntingly, the only person we do not hear from is Alice which adds to the tension as the outcome of the attack isn't mentioned until quite a way through the book.
Aside from the fact that you are introduced to Oliver committing a heinous act and brutally admitting that he expected more of a reaction for the first time he beat his wife he is not a likable character. You are waiting for it all to come crashing down around him and his 'privileged life' even after you find out about his past and as the it is unravelled, so is he. Think Richard Hillman from Coronation Street villain, someone you cannot help but resent.
Clever, dark and unexpected I couldn't put this down and consumed the lot in a day or so. The pace and easy readability of the book left me wanting to keep reading to a point of keeping the kids busy with a snack and Netflix while I could consume multiple chapters in the corner of the room!
It's just want I want in a crime novel; a good villain, a clever plot and a few twists along the way and an even more surprising ending which leaves you thinking perhaps there was a little bit of good in there after all?!
Movie Metropolis (309 KP) rated Sausage Party (2016) in Movies
Jun 11, 2019
Utterly Ridiculous
Just when Sharknado: the 4th Awakens made you think film-making couldn’t get any more ridiculous, a movie like Sausage Party comes along to remind you that Hollywood can always go that one step further to mind-boggling peculiarity.
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Lee (2222 KP) rated Supernova (2020) in Movies
Oct 12, 2020
When I first saw the trailer for Supernova, I could tell that we were in for a fairly intense depiction of dementia and its effect on loved ones, delivered by a couple of veteran actors at the top of their game. Consequently, it was one of the movies I was most looking forward to as part of this years London Film Festival, and while it wasn’t quite as full-on or emotional for me as I was expecting, that’s certainly not the fault of Colin Firth or Stanley Tucci, who are both outstanding.
“We’re not going back, you know,” Sam (Firth) says to husband Tusker (Tucci) as they head off in their campervan for a road trip. He’s referring to any items they might have needed for the trip which are left behind, but those words will prove to hold a much deeper meaning as their journey progresses. Tusker, a best-selling author, has deliberately left his medication at home, having decided that it is having no effect in his battle with dementia. When Sam leaves Tusker in the van to head into a supermarket for supplies, he returns to find Tusker missing - a frantic drive down nearby country lanes finds him standing alone, lost and confused. His mind is clearly beginning to fail him.
As they put the incident behind them and continue their journey, we get a real sense of the love and commitment they both share. As they travel through the beautiful scenery of the Lake District, they bicker and joke with each other, like a gay version of Steve Coogan and Rob Brydon series, The Trip. “It isn’t even satisfying half the time,” Tusker admits after teasing Sam. When asked why he bothers anymore, he just smiles and replies “Because of the other half.”
Tusker continues to work on a new novel, but is finding it increasingly difficult to write anymore and has instead become preoccupied with gazing at the night sky, fascinated with astronomy. Sam, a semi-retired concert pianist, has taken a break to join Tusker on one last road-trip, revisiting locations from their lives together. They stop off at the home of Sam’s sister and her family, where a surprise birthday party brings together old friends and distant family. A chance to reminisce and take stock of what the future holds as Tusker continues to deteriorate. But a discovery during the party leads to some more serious discussions between Sam and Tusker, forcing them to acknowledge and attempt to come to terms with what lies ahead for them both.
Supernova didn’t head in the direction I expected it to, or deliver it in the way I envisioned from the trailer. For the most part, it’s just simple conversations between two lovers, sometimes playful, sometimes deadly serious. But it is delivered by two incredible actors, on peak-form and with such wonderful chemistry. And while it didn’t quite leave me feeling as emotional as it did for many others who watched it as part of the festival, it certainly managed to make a lasting impact.
“We’re not going back, you know,” Sam (Firth) says to husband Tusker (Tucci) as they head off in their campervan for a road trip. He’s referring to any items they might have needed for the trip which are left behind, but those words will prove to hold a much deeper meaning as their journey progresses. Tusker, a best-selling author, has deliberately left his medication at home, having decided that it is having no effect in his battle with dementia. When Sam leaves Tusker in the van to head into a supermarket for supplies, he returns to find Tusker missing - a frantic drive down nearby country lanes finds him standing alone, lost and confused. His mind is clearly beginning to fail him.
As they put the incident behind them and continue their journey, we get a real sense of the love and commitment they both share. As they travel through the beautiful scenery of the Lake District, they bicker and joke with each other, like a gay version of Steve Coogan and Rob Brydon series, The Trip. “It isn’t even satisfying half the time,” Tusker admits after teasing Sam. When asked why he bothers anymore, he just smiles and replies “Because of the other half.”
Tusker continues to work on a new novel, but is finding it increasingly difficult to write anymore and has instead become preoccupied with gazing at the night sky, fascinated with astronomy. Sam, a semi-retired concert pianist, has taken a break to join Tusker on one last road-trip, revisiting locations from their lives together. They stop off at the home of Sam’s sister and her family, where a surprise birthday party brings together old friends and distant family. A chance to reminisce and take stock of what the future holds as Tusker continues to deteriorate. But a discovery during the party leads to some more serious discussions between Sam and Tusker, forcing them to acknowledge and attempt to come to terms with what lies ahead for them both.
Supernova didn’t head in the direction I expected it to, or deliver it in the way I envisioned from the trailer. For the most part, it’s just simple conversations between two lovers, sometimes playful, sometimes deadly serious. But it is delivered by two incredible actors, on peak-form and with such wonderful chemistry. And while it didn’t quite leave me feeling as emotional as it did for many others who watched it as part of the festival, it certainly managed to make a lasting impact.
Hadley (567 KP) rated A Luminous Republic in Books
Aug 13, 2020
Well-written (1 more)
Unpredictable
Andres Barba's A Luminous Republic has feral children, senseless murders, and a plot that keeps the story moving enough that the reader won't want to put the book down. This story creatively combines politics, murder, fear and family - - - but the best part is, the book is unpredictable.
We first meet our main character, whose name is never given throughout the entire story, when he and his family are moving to San Cristobal because of a job opportunity. He works for the Department of Social Affairs, and has just received a promotion because he has come up with a very successful plan: " I had developed a social integration program for indigenous communities. The idea was simple and the program proved to be an effective model; it consisted of granting the indigenous exclusive rights to farm certain specific product." Our main character believes that this plan will bring the farmers more money. And he is more than happy to go back to the city where he fell in-love with his now wife, Maia - - - a violin teacher who had a daughter before meeting him, who he calls 'girl' throughout the story because she is also named Maia.
While on his way to work one day, our main character comes across one of the unknown children of the jungle, which shakes him up a bit. The unknown jungle children were known to beg at street lights for money and food, but one of the grimy, frizzy-haired boys stared the man down, only to end up giving him a very wide smile. "The boy's smile unsettled me because it confirmed that there had been a connection between us, that something had begun in me ended in him." Pretty soon after, he begins to notice these unknown jungle children running around a lot more, and that sometimes their intentions are not always innocent - - - he and the 'girl' witness an elderly woman get robbed of her groceries by a group of these children in the middle of the street in a subtle but violent way.
The unknown jungle children soon begin to rob several people,and when a police officer is killed while being attacked by them, the Mayor and the police want the children off the streets as soon as possible. Working with our main character, the former and the latter try to figure out the strange language these children use, whom may be the leader among them, and where they disappear to at night. Since the story is being told from our main character's past, the book is written like a True Crime story, with names of professionals and such being cited throughout. Our main character brings up a woman, who was a young girl at the time of the jungle children's invasion on San Cristobal: Teresa Otano, who happened to 'publish' her diary from that time, which gives readers insights into the jungle children: "Often, some of the thirty-two [jungle children], on their nightly journey back to the jungle, congregated next to Teresa's house, on one corner of Antartida Avenue. At first, Teresa, enthralled, simply makes notes, logging the days on which they appeared, whether there were three, four or five of them, what they were wearing, and so forth. She establishes patterns and identifies a few of the kids..." our main character explains to the reader.
But soon, the children cross a line that they can never come back from; being told by our main character from the view of surveillance video tapes, he describes to us that the jungle children entered a supermarket after an incident with a guard that works there, they block the entrance doors and begin to destroy items throughout the store, but the chaos quickly escalates, and two adults are murdered by the children - - - fear now holds the town in its grip, causing search parties to sweep through the dense jungle after the children fled.
But murder wasn't something new to San Cristobal, our main character explains to us that the suburbs of this area usually had a murder a week all year long, and that on the outskirts of the jungle, there were known spots for drug trafficking and assaults. What made the 'Dakota Supermarket' murders scare the town was that the residents' own children began to behave differently afterwards - - - they start to play a 'game' where they put their ears to the ground, believing that they can hear the jungle children talking to them. Our main character even walks in on the 'girl' playing this exact game. "For a second it was as if I were witnessing a ritual invented by a twelve-year-old girl, and I thought of how afraid my daughter must have felt when I found her in the bathroom that day. People often remark on the self-assured quality of the invocation, its instruction-manual tone, but I'd say that its intensity actually stems from what it dispenses: adult logic, a world that no longer serves. How could our children possibly have explained to us what they were doing? We weren't prepared for their world or their logic. Somewhere out there, underground, that dissonant sound was being sent, in code: down below, chaos. "
This phenomenon attracts the attention of money/fame seekers, which includes the Zapata children. Four siblings, ranging from the ages of five to nine, claimed that the jungle children were speaking to them through their dreams. They would make drawings from what they were told by the jungle children, but state that even they didn't know what the drawings meant. The media quickly jumped on them and put them in front of a camera, causing the family's home to be surrounded by civilians at all hours of the day and night. One night, the crowd outside becomes anxious, and breaks into the house, stealing not only the drawings from the Zapata children, but also the life savings of the family. At this point, the Zapatas had had enough, and retreat from the story altogether for reasons I won't disclose here. I can't give away much more of the book without ruining the story.
Barba's attempt at making a different kind of Lord of the Flies was done well, but the lack of emotion is felt throughout the entire story which makes the characters flat, especially our main character, who I didn't find likable in any such way. He calls a grieving woman a 'whore,' and he seems rude towards his family, especially his step-daughter.
A Luminous Republic is redeemed by is unpredictability, which is something that doesn't come along in fiction that often anymore. I enjoyed that the story was written like a True Crime novel, with fictitious documentaries, news reports and books. So, I would recommend this book to people who like True Crime and Mysteries.
We first meet our main character, whose name is never given throughout the entire story, when he and his family are moving to San Cristobal because of a job opportunity. He works for the Department of Social Affairs, and has just received a promotion because he has come up with a very successful plan: " I had developed a social integration program for indigenous communities. The idea was simple and the program proved to be an effective model; it consisted of granting the indigenous exclusive rights to farm certain specific product." Our main character believes that this plan will bring the farmers more money. And he is more than happy to go back to the city where he fell in-love with his now wife, Maia - - - a violin teacher who had a daughter before meeting him, who he calls 'girl' throughout the story because she is also named Maia.
While on his way to work one day, our main character comes across one of the unknown children of the jungle, which shakes him up a bit. The unknown jungle children were known to beg at street lights for money and food, but one of the grimy, frizzy-haired boys stared the man down, only to end up giving him a very wide smile. "The boy's smile unsettled me because it confirmed that there had been a connection between us, that something had begun in me ended in him." Pretty soon after, he begins to notice these unknown jungle children running around a lot more, and that sometimes their intentions are not always innocent - - - he and the 'girl' witness an elderly woman get robbed of her groceries by a group of these children in the middle of the street in a subtle but violent way.
The unknown jungle children soon begin to rob several people,and when a police officer is killed while being attacked by them, the Mayor and the police want the children off the streets as soon as possible. Working with our main character, the former and the latter try to figure out the strange language these children use, whom may be the leader among them, and where they disappear to at night. Since the story is being told from our main character's past, the book is written like a True Crime story, with names of professionals and such being cited throughout. Our main character brings up a woman, who was a young girl at the time of the jungle children's invasion on San Cristobal: Teresa Otano, who happened to 'publish' her diary from that time, which gives readers insights into the jungle children: "Often, some of the thirty-two [jungle children], on their nightly journey back to the jungle, congregated next to Teresa's house, on one corner of Antartida Avenue. At first, Teresa, enthralled, simply makes notes, logging the days on which they appeared, whether there were three, four or five of them, what they were wearing, and so forth. She establishes patterns and identifies a few of the kids..." our main character explains to the reader.
But soon, the children cross a line that they can never come back from; being told by our main character from the view of surveillance video tapes, he describes to us that the jungle children entered a supermarket after an incident with a guard that works there, they block the entrance doors and begin to destroy items throughout the store, but the chaos quickly escalates, and two adults are murdered by the children - - - fear now holds the town in its grip, causing search parties to sweep through the dense jungle after the children fled.
But murder wasn't something new to San Cristobal, our main character explains to us that the suburbs of this area usually had a murder a week all year long, and that on the outskirts of the jungle, there were known spots for drug trafficking and assaults. What made the 'Dakota Supermarket' murders scare the town was that the residents' own children began to behave differently afterwards - - - they start to play a 'game' where they put their ears to the ground, believing that they can hear the jungle children talking to them. Our main character even walks in on the 'girl' playing this exact game. "For a second it was as if I were witnessing a ritual invented by a twelve-year-old girl, and I thought of how afraid my daughter must have felt when I found her in the bathroom that day. People often remark on the self-assured quality of the invocation, its instruction-manual tone, but I'd say that its intensity actually stems from what it dispenses: adult logic, a world that no longer serves. How could our children possibly have explained to us what they were doing? We weren't prepared for their world or their logic. Somewhere out there, underground, that dissonant sound was being sent, in code: down below, chaos. "
This phenomenon attracts the attention of money/fame seekers, which includes the Zapata children. Four siblings, ranging from the ages of five to nine, claimed that the jungle children were speaking to them through their dreams. They would make drawings from what they were told by the jungle children, but state that even they didn't know what the drawings meant. The media quickly jumped on them and put them in front of a camera, causing the family's home to be surrounded by civilians at all hours of the day and night. One night, the crowd outside becomes anxious, and breaks into the house, stealing not only the drawings from the Zapata children, but also the life savings of the family. At this point, the Zapatas had had enough, and retreat from the story altogether for reasons I won't disclose here. I can't give away much more of the book without ruining the story.
Barba's attempt at making a different kind of Lord of the Flies was done well, but the lack of emotion is felt throughout the entire story which makes the characters flat, especially our main character, who I didn't find likable in any such way. He calls a grieving woman a 'whore,' and he seems rude towards his family, especially his step-daughter.
A Luminous Republic is redeemed by is unpredictability, which is something that doesn't come along in fiction that often anymore. I enjoyed that the story was written like a True Crime novel, with fictitious documentaries, news reports and books. So, I would recommend this book to people who like True Crime and Mysteries.
Ross (3282 KP) rated Fitbit Flex 2 Fitness Wristband in Tech
Oct 2, 2018
No direct interface (1 more)
Struggled to see the LEDs in direct sunlight
A decent fitness tracker to get you up and about more
First things first, this is not a smart watch - there is no interactive screen, it won't tell you the time and you cannot get an accurate measure of your steps at any point in time.
With that out of the way, and the context set, lets have a look at how well it does what it means to do.
Straight out of the box, it was very easy to set up the flex 2 - syncing to my phone and assembling it was easy - the fitbit itself is a tiny little nugget that clicks into a charging cradle and slots back into the strap quite snugly. Bluetooth pairing and setting up an account was easy.
The item is very light and not clunky at all. While the clasp on the strap is quite hard to close and open again, I am sure this would ease over time, and is actually quite reassuring - it is not going to fall off your wrist in the supermarket!
A simple double-tap on the front of the fitbit is enough to get a measure of your progress - there are 5 LED's on the unit and you get one full light for each 25% of your step target plus the next light flashes more the further through the next 25% you get. For some people this would be enough, and I dare say you would get in the habit of how far through you should be each day. However, I have a vitality account where points (and therefore prizes!) are rewards for more activity. While I could change the target to my needed 12,500 steps I would need to know how close I am to guarantee I get there (and don't have to do the 10pm jogging on the spot routine before bed). Having had smart watches in the past, this would be a deal-breaker for me.
The device gives alerts for alarms, messages and calls with a different coloured light assigned to each. For me this was largely pointless as with no idea who the message/call was from, and with my phone always in my pocket or hand I didn't need this alert.
The fitbit app delivers quite a bit more functionality than the device itself - taking your activity and turning it into calories and exercise minutes based on your stats. Together with the app, the device delivers quite a good all-round fitness tracking capability. The only question is whether you need more of a display on the strap itself, or are happy to use the app for this.
My only other gripe is that in direct sunlight (even Scottish sunlight!) it was quite hard to see the LED's light up to track progress.
I won't really go into the accuracy of the device - all trackers use different technology and give credit for different movements so it seems silly to test the "accuracy" of one against the other. I will say it wasn't far off from another device I used so was not totally "wrong".
If you are looking for a light fitness tracker that you can largely just ignore and are happy to check the app for more detailed progress, then this is a great little device. If you are expecting something to rival a Garmin/Apple Watch or more complex fitbits then this is not really for you.
With that out of the way, and the context set, lets have a look at how well it does what it means to do.
Straight out of the box, it was very easy to set up the flex 2 - syncing to my phone and assembling it was easy - the fitbit itself is a tiny little nugget that clicks into a charging cradle and slots back into the strap quite snugly. Bluetooth pairing and setting up an account was easy.
The item is very light and not clunky at all. While the clasp on the strap is quite hard to close and open again, I am sure this would ease over time, and is actually quite reassuring - it is not going to fall off your wrist in the supermarket!
A simple double-tap on the front of the fitbit is enough to get a measure of your progress - there are 5 LED's on the unit and you get one full light for each 25% of your step target plus the next light flashes more the further through the next 25% you get. For some people this would be enough, and I dare say you would get in the habit of how far through you should be each day. However, I have a vitality account where points (and therefore prizes!) are rewards for more activity. While I could change the target to my needed 12,500 steps I would need to know how close I am to guarantee I get there (and don't have to do the 10pm jogging on the spot routine before bed). Having had smart watches in the past, this would be a deal-breaker for me.
The device gives alerts for alarms, messages and calls with a different coloured light assigned to each. For me this was largely pointless as with no idea who the message/call was from, and with my phone always in my pocket or hand I didn't need this alert.
The fitbit app delivers quite a bit more functionality than the device itself - taking your activity and turning it into calories and exercise minutes based on your stats. Together with the app, the device delivers quite a good all-round fitness tracking capability. The only question is whether you need more of a display on the strap itself, or are happy to use the app for this.
My only other gripe is that in direct sunlight (even Scottish sunlight!) it was quite hard to see the LED's light up to track progress.
I won't really go into the accuracy of the device - all trackers use different technology and give credit for different movements so it seems silly to test the "accuracy" of one against the other. I will say it wasn't far off from another device I used so was not totally "wrong".
If you are looking for a light fitness tracker that you can largely just ignore and are happy to check the app for more detailed progress, then this is a great little device. If you are expecting something to rival a Garmin/Apple Watch or more complex fitbits then this is not really for you.
Lee (2222 KP) rated Unhinged (2020) in Movies
Sep 2, 2020
The opening credits for Unhinged paint a pretty bleak and horrific snapshot of human life, just to get us in the mood for what’s to come. Footage of actual road rage incidents, supermarket disagreements and brawls, cars crashing into each other, all while recordings of news readers talk about how stressed and angry we all are these days. I think that in the current climate, we can all appreciate just how angry the world seems to have become these last few months, and some of these scenes really hit home.
We’d already seen just how angry Russell Crowe’s character is (billed as ‘The Man’, although he later introduces himself as Tom Cooper), courtesy of a shocking little pre-credits scene. Sitting in his car at night, rain beating down on the car as he breathes heavily and pops some pills into his mouth. Slowly turning a wedding ring on his finger, he removes it, tossing it behind him onto the backseat. Taking a hammer, he gets out of the car and walks to the front door of the house he’d parked outside, before smashing it down and proceeding to use the hammer on the occupants. He’s clearly not the kind of person you want to get on the wrong side of.
The person that does manage to get on his wrong side is Rachel (Caren Pistorius), who’s also having a pretty bad day of her own. Waking up late on the sofa, we learn that she’s currently going through a divorce, with her ex-husband wanting her house. She’s also late in taking her son to school, so when they hit heavy traffic along the way, it’s the last thing she needs.
At some traffic lights, the large SUV she’s sitting behind doesn’t budge when the lights turn green, so Rachel lets out a series of long beeps on the horn, before eventually pulling around the SUV to continue on her way. Unfortunately for her though, when they hit more traffic further down the road, the SUV pulls up alongside her, and when the window rolls down, we see that it’s ‘The Man’ behind the wheel. He’s calm at first, if a little on edge, but after apologising for his mistake, demands the same from Rachel before they go their separate ways. Unfortunately though, Rachel isn’t prepared to offer an apology. “I need you to learn what a bad day is and I need you to learn how to say sorry” he growls, before Rachel pulls away, believing that to be the end of it.
What follows is an intense game of cat and mouse, as ‘The Man’ relentlessly stalks Rachel through the roads and highways. Just to make things worse, ‘The Man’ manages to get hold of Rachel’s phone and starts to threaten and target her close friends and family. We’ve already seen just how Unhinged he can be, and there’s more of that as the movie progresses and he gets a chance to carry out some of those threats. He’s not just out to kill Rachel, but to give her the worst possible day he can before that moment arrives.
Crowe is suitably menacing – overweight and sweaty, taking out anyone who gets in his way and methodical in his determination to catch Rachel. The movie does try to humanise him a little at times though, as we discover that he’s been through a relationship breakdown, and was laid off work just a few weeks short of retiring, as if trying to provide some justification for his behaviour.
Unhinged comes in at just over 90 minutes and proved to be a real intense, gut wrenching roller-coaster ride. I don’t know if I was just a bit giddy at being back in the cinema for the first time since March, but I found it to be a lot of fun.
We’d already seen just how angry Russell Crowe’s character is (billed as ‘The Man’, although he later introduces himself as Tom Cooper), courtesy of a shocking little pre-credits scene. Sitting in his car at night, rain beating down on the car as he breathes heavily and pops some pills into his mouth. Slowly turning a wedding ring on his finger, he removes it, tossing it behind him onto the backseat. Taking a hammer, he gets out of the car and walks to the front door of the house he’d parked outside, before smashing it down and proceeding to use the hammer on the occupants. He’s clearly not the kind of person you want to get on the wrong side of.
The person that does manage to get on his wrong side is Rachel (Caren Pistorius), who’s also having a pretty bad day of her own. Waking up late on the sofa, we learn that she’s currently going through a divorce, with her ex-husband wanting her house. She’s also late in taking her son to school, so when they hit heavy traffic along the way, it’s the last thing she needs.
At some traffic lights, the large SUV she’s sitting behind doesn’t budge when the lights turn green, so Rachel lets out a series of long beeps on the horn, before eventually pulling around the SUV to continue on her way. Unfortunately for her though, when they hit more traffic further down the road, the SUV pulls up alongside her, and when the window rolls down, we see that it’s ‘The Man’ behind the wheel. He’s calm at first, if a little on edge, but after apologising for his mistake, demands the same from Rachel before they go their separate ways. Unfortunately though, Rachel isn’t prepared to offer an apology. “I need you to learn what a bad day is and I need you to learn how to say sorry” he growls, before Rachel pulls away, believing that to be the end of it.
What follows is an intense game of cat and mouse, as ‘The Man’ relentlessly stalks Rachel through the roads and highways. Just to make things worse, ‘The Man’ manages to get hold of Rachel’s phone and starts to threaten and target her close friends and family. We’ve already seen just how Unhinged he can be, and there’s more of that as the movie progresses and he gets a chance to carry out some of those threats. He’s not just out to kill Rachel, but to give her the worst possible day he can before that moment arrives.
Crowe is suitably menacing – overweight and sweaty, taking out anyone who gets in his way and methodical in his determination to catch Rachel. The movie does try to humanise him a little at times though, as we discover that he’s been through a relationship breakdown, and was laid off work just a few weeks short of retiring, as if trying to provide some justification for his behaviour.
Unhinged comes in at just over 90 minutes and proved to be a real intense, gut wrenching roller-coaster ride. I don’t know if I was just a bit giddy at being back in the cinema for the first time since March, but I found it to be a lot of fun.
Ivana A. | Diary of Difference (1171 KP) rated The Nothing Man in Books
Oct 5, 2020
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I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-75.png"/>;
I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;