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He’s after the ultimate rush. Can an unexpected relationship with a girl he’s never seen stop...
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Thomas Feurer and Neal Pawley, who are 11 Acorn Lane, create "accomplished musical whimsy" (LA...
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Bob Mann (459 KP) rated The Shallows (2016) in Movies
Sep 29, 2021
The Deathly Shallows, part 1
Every shark movie is inevitably compared (unfavourably) against Spielberg’s classic 1975 tourist-muncher. And “The Shallows” is no exception. But while not a 5-Fad classic, this flick comes pretty close by being hugely enjoyable and having a lot going for it.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Bong Mines Entertainment (15 KP) rated La2 - Single by Rami Salmi in Music
Jun 17, 2019
Rime Salmi is a Canada-raised singer-songwriter with Moroccan roots. Not too long ago, she released a celebratory afro-pop tune, entitled, “La2”, produced by Ghanaian super producer Willisbeat.
‘La2’ tells a liberating tale of a courageous young woman who decides to trust her own instincts, visions, and dreams—regardless of what people might say she should or shouldn’t do.
What she wants most in life is to surf in Agadir, have drinks in New York, and go on expensive trips that she can’t afford.
Later, she admits that nothing in life is guaranteed, only what we choose to be. Therefore, what she chooses is a life that she wants to live.
‘La2’ contains a relatable storyline, gorgeous vocals, and joyful instrumentation scented with an Afro-pop fragrance. Also, the likable tune possesses joyful melodies sprinkled with ethnic Arabic rhythms.
“‘La2’ (‘no’ in Arabic) is about saying ‘no’ to what was expected of us, what society says is acceptable or ‘normal’, especially as women. This song stems from my desire to pursue my passion and break free from boundaries set by a conservative Arabic background, especially what is expected of me as a woman. I’m choosing to pursue my goals. I’m choosing to say yes to my own gut feeling, my vision, my dreams, and the world I wanna create. I’m learning to say ‘no’ and live my life how I’m the happiest. ‘La2’ is a joyful anthem that I hope will inspire freedom and living out loud, and living now because it’s all we have.” – Rime Salmi
Rime Salmi was born to Moroccan parents and raised in Canada. She grew up a child of many cultures.
Her music became a way to channel her challenges in being torn between two cultures: her traditional Moroccan heritage and her western Canadian upbringing.
Also, her charisma shines through her high-energy stage performances, which combines belly dancing, afrobeat dancing, and powerful vocals.
https://www.bongminesentertainment.com/rime-salmi-la2/
‘La2’ tells a liberating tale of a courageous young woman who decides to trust her own instincts, visions, and dreams—regardless of what people might say she should or shouldn’t do.
What she wants most in life is to surf in Agadir, have drinks in New York, and go on expensive trips that she can’t afford.
Later, she admits that nothing in life is guaranteed, only what we choose to be. Therefore, what she chooses is a life that she wants to live.
‘La2’ contains a relatable storyline, gorgeous vocals, and joyful instrumentation scented with an Afro-pop fragrance. Also, the likable tune possesses joyful melodies sprinkled with ethnic Arabic rhythms.
“‘La2’ (‘no’ in Arabic) is about saying ‘no’ to what was expected of us, what society says is acceptable or ‘normal’, especially as women. This song stems from my desire to pursue my passion and break free from boundaries set by a conservative Arabic background, especially what is expected of me as a woman. I’m choosing to pursue my goals. I’m choosing to say yes to my own gut feeling, my vision, my dreams, and the world I wanna create. I’m learning to say ‘no’ and live my life how I’m the happiest. ‘La2’ is a joyful anthem that I hope will inspire freedom and living out loud, and living now because it’s all we have.” – Rime Salmi
Rime Salmi was born to Moroccan parents and raised in Canada. She grew up a child of many cultures.
Her music became a way to channel her challenges in being torn between two cultures: her traditional Moroccan heritage and her western Canadian upbringing.
Also, her charisma shines through her high-energy stage performances, which combines belly dancing, afrobeat dancing, and powerful vocals.
https://www.bongminesentertainment.com/rime-salmi-la2/
Gareth von Kallenbach (980 KP) rated Chasing Mavericks (2012) in Movies
Aug 7, 2019
Can surfing teach you about life and how to live it? Can it drag you out of yourself enough to figure out just what it’s all about? That all depends on the surfer: Chasing Mavericks is based on the true story of Jay Moriarty (played by Jonny Weston), an accomplished surfer, and amazingly positive kid from Northern California. The story begins with a young Moriarty counting the time between wave breaks. He is with Kim, a staple in his life, and future wife. While saving her dog, he gets knocked into the water by a wave and is pushed down. He is saved by a surfer (Gerard Butler as Frosty) who just happened to be in the right place at the right time, and tells Jay that he has used up his allotment of dumb luck for life. Jay is bit, and finds an old surf board in his garage.
Skip ahead seven years and Jay is an accomplished surfer outperforming everybody on the water. He watches Frosty, who still lives across the street, and follows him early one morning. This is Jay’s introduction to Mavericks; a set of big waves that roll into the Northern Californian coast each winter. Waves can reach as high as 50 feet and surfers can reach speeds exceeding 50 miles per hour. Jay is instantly attracted to the challenge, and in his excitement gets caught by Frosty.
Somehow Jay convinces Frosty to train him how to ride Mavericks, and his tutelage in both surfing and life begin.
This was a great movie; it was beautifully shot, and shows how determination, skill, and a willingness to go beyond oneself can help achieve any goal. There aren’t any amazing surprises, but the story doesn’t need them; Jay is a great character and his struggle to become a part of something so much bigger than himself is worth watching. The soundtrack is also amazing! For anyone familiar with the music of the time; it will be love at first listen. This is one movie not to miss.
Skip ahead seven years and Jay is an accomplished surfer outperforming everybody on the water. He watches Frosty, who still lives across the street, and follows him early one morning. This is Jay’s introduction to Mavericks; a set of big waves that roll into the Northern Californian coast each winter. Waves can reach as high as 50 feet and surfers can reach speeds exceeding 50 miles per hour. Jay is instantly attracted to the challenge, and in his excitement gets caught by Frosty.
Somehow Jay convinces Frosty to train him how to ride Mavericks, and his tutelage in both surfing and life begin.
This was a great movie; it was beautifully shot, and shows how determination, skill, and a willingness to go beyond oneself can help achieve any goal. There aren’t any amazing surprises, but the story doesn’t need them; Jay is a great character and his struggle to become a part of something so much bigger than himself is worth watching. The soundtrack is also amazing! For anyone familiar with the music of the time; it will be love at first listen. This is one movie not to miss.
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