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TacoDave (3553 KP) rated Miami EP by Starflyer 59 in Music
Jun 23, 2020
songwriting (2 more)
mood
guitar solos
Another great Starflyer release
The "Miami EP" is a pretty clear follow-up to last year's release, "Young In My Head," which I awarded 10 bombs. In fact, two of the five tracks on this release are either spiritual twins or direct successors to tracks from YIMH.
But that's not necessarily a bad thing. In fact, while I was listening to the final track "Bored" for the first time and I was able to sing along with it, it slowly dawned on me that it was a continuation of the song "Cry" from YIMH, which was cool. I hadn't expected it. It isn't the same song at all, but it has some of the same tune and lyrics in a new form.
The other three tracks on the EP are new and fresh and have a killer surf-rock/shoegazer/British rock vibe. Starflyer 59 has evolved and changed so much in the past 27 years, but their songs are distinctly "Starflyer" which is no mean feat.
This is another great release that is well worth a listen.
But that's not necessarily a bad thing. In fact, while I was listening to the final track "Bored" for the first time and I was able to sing along with it, it slowly dawned on me that it was a continuation of the song "Cry" from YIMH, which was cool. I hadn't expected it. It isn't the same song at all, but it has some of the same tune and lyrics in a new form.
The other three tracks on the EP are new and fresh and have a killer surf-rock/shoegazer/British rock vibe. Starflyer 59 has evolved and changed so much in the past 27 years, but their songs are distinctly "Starflyer" which is no mean feat.
This is another great release that is well worth a listen.
Chris Sawin (602 KP) rated Zack Snyder's Justice League (2021) in Movies
Mar 18, 2021
Steppenwolf and Darkseid are cool as hell (2 more)
Cyborg's story is the most worthwhile
Outstanding special effects
The film is way too long for its own good (2 more)
Moments feel excruciatingly slow between action sequences
The film teases what will likely never come to fruition
Zack Snyder’s Justice League Review: A Visually Compelling Drag Of A Director’s Cut
Zack Snyder’s version of Justice League feels like too much of a good thing. He has creative control here, but its execution is this fan devoted emptiness with no real destination in mind. The superhero film is a slow three hour slog to its final fourth hour where all of its best and most entertaining action sequences lie. Cyborg redeems himself as a character, but everyone else fails to really establish their own identity. At least Aquaman gets to surf on a Parademon during a free fall though, right? Justice League is now darker, more adult, and longer with better special effects. Whether it’s a worthwhile experience that can be viewed in one sitting is something each and every viewer will have to decide for him or herself.
Full review here: https://boundingintocomics.com/2021/03/18/zack-snyders-justice-league-review-a-visually-compelling-drag-of-a-directors-cut/
Full review here: https://boundingintocomics.com/2021/03/18/zack-snyders-justice-league-review-a-visually-compelling-drag-of-a-directors-cut/
Frank Black recommended Peace & Harmony by The Heptones in Music (curated)
Mark @ Carstairs Considers (2103 KP) rated An Eternal Lei in Books
Mar 28, 2022 (Updated Mar 28, 2022)
The Woman in the Surf
It’s October 2020, and like most of the island of Kaua’i, Leilani Santiago has been forced to close down her family’s shave ice business. When she and her sisters save a woman from drowning one afternoon, Leilani is very curious since this woman is a stranger. Why was she on the island? With nothing else to do, Leilani starts to investigate. As she does, she begins to wonder if the woman was almost killed or just had an accident. What will she uncover?
I wasn’t sure I was ready to pick up a book set during the pandemic we’ve been dealing with the last couple of years, but I found I enjoyed this one. The pandemic is part of the backdrop, and it avoids many of the controversies we’ve had to deal with. We get several sub-plots, but I found they kept me engaged and didn’t distract from the main mystery. I was engrossed the entire time and couldn’t wait to see how everything was going to be resolved. The characters are strong, and seeing them react to the pandemic as well as the mystery really helped develop them. The characters speak in a form of Pidgin, but after the first few pages, I was used to it, and I had no trouble reading the story. This was a good virtual visit to Hawai’i.
I wasn’t sure I was ready to pick up a book set during the pandemic we’ve been dealing with the last couple of years, but I found I enjoyed this one. The pandemic is part of the backdrop, and it avoids many of the controversies we’ve had to deal with. We get several sub-plots, but I found they kept me engaged and didn’t distract from the main mystery. I was engrossed the entire time and couldn’t wait to see how everything was going to be resolved. The characters are strong, and seeing them react to the pandemic as well as the mystery really helped develop them. The characters speak in a form of Pidgin, but after the first few pages, I was used to it, and I had no trouble reading the story. This was a good virtual visit to Hawai’i.
Heather Cranmer (2721 KP) created a post
Nov 27, 2022
Merissa (11805 KP) rated Vengeance (Werewolf Academy #6) in Books
Jun 11, 2020
Vengeance is the penultimate book in the Werewolf Academy series and it shows no signs of slowing down. After being betrayed, Alex is held by Extremists who want to drain him of his blood. Surprisingly, Drogan is there too and not in the way he wants to be. He is being held against his will as a backup in case Alex doesn't turn. That's right, Drogan is a werewolf too and the reasons given for why he hates them so much are heartbreaking. Doesn't stop me from completely loathing the man but at least I understand more about him now.
On the plus side, Alex has a summer by the sea learning to surf. Okay, so actually he's there to escape Drogan but, you know, silver linings and all that. He learns more about himself and Siale, and what makes him tick and undertake the things he does.
There is nothing too obvious in this book but I can tell it is building up. I know the big climax will come in the next book and I am dreading it as much as I can't wait for it. I've been burnt by Ms. Alsop before! This really is a fantastic series that I am thoroughly enjoying. The characters are likeable, sometimes foolhardy, but always trying their best. Absolutely brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
On the plus side, Alex has a summer by the sea learning to surf. Okay, so actually he's there to escape Drogan but, you know, silver linings and all that. He learns more about himself and Siale, and what makes him tick and undertake the things he does.
There is nothing too obvious in this book but I can tell it is building up. I know the big climax will come in the next book and I am dreading it as much as I can't wait for it. I've been burnt by Ms. Alsop before! This really is a fantastic series that I am thoroughly enjoying. The characters are likeable, sometimes foolhardy, but always trying their best. Absolutely brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Bob Mann (459 KP) rated The Shallows (2016) in Movies
Sep 29, 2021
The Deathly Shallows, part 1
Every shark movie is inevitably compared (unfavourably) against Spielberg’s classic 1975 tourist-muncher. And “The Shallows” is no exception. But while not a 5-Fad classic, this flick comes pretty close by being hugely enjoyable and having a lot going for it.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Bong Mines Entertainment (15 KP) rated La2 - Single by Rami Salmi in Music
Jun 17, 2019
Rime Salmi is a Canada-raised singer-songwriter with Moroccan roots. Not too long ago, she released a celebratory afro-pop tune, entitled, “La2”, produced by Ghanaian super producer Willisbeat.
‘La2’ tells a liberating tale of a courageous young woman who decides to trust her own instincts, visions, and dreams—regardless of what people might say she should or shouldn’t do.
What she wants most in life is to surf in Agadir, have drinks in New York, and go on expensive trips that she can’t afford.
Later, she admits that nothing in life is guaranteed, only what we choose to be. Therefore, what she chooses is a life that she wants to live.
‘La2’ contains a relatable storyline, gorgeous vocals, and joyful instrumentation scented with an Afro-pop fragrance. Also, the likable tune possesses joyful melodies sprinkled with ethnic Arabic rhythms.
“‘La2’ (‘no’ in Arabic) is about saying ‘no’ to what was expected of us, what society says is acceptable or ‘normal’, especially as women. This song stems from my desire to pursue my passion and break free from boundaries set by a conservative Arabic background, especially what is expected of me as a woman. I’m choosing to pursue my goals. I’m choosing to say yes to my own gut feeling, my vision, my dreams, and the world I wanna create. I’m learning to say ‘no’ and live my life how I’m the happiest. ‘La2’ is a joyful anthem that I hope will inspire freedom and living out loud, and living now because it’s all we have.” – Rime Salmi
Rime Salmi was born to Moroccan parents and raised in Canada. She grew up a child of many cultures.
Her music became a way to channel her challenges in being torn between two cultures: her traditional Moroccan heritage and her western Canadian upbringing.
Also, her charisma shines through her high-energy stage performances, which combines belly dancing, afrobeat dancing, and powerful vocals.
https://www.bongminesentertainment.com/rime-salmi-la2/
‘La2’ tells a liberating tale of a courageous young woman who decides to trust her own instincts, visions, and dreams—regardless of what people might say she should or shouldn’t do.
What she wants most in life is to surf in Agadir, have drinks in New York, and go on expensive trips that she can’t afford.
Later, she admits that nothing in life is guaranteed, only what we choose to be. Therefore, what she chooses is a life that she wants to live.
‘La2’ contains a relatable storyline, gorgeous vocals, and joyful instrumentation scented with an Afro-pop fragrance. Also, the likable tune possesses joyful melodies sprinkled with ethnic Arabic rhythms.
“‘La2’ (‘no’ in Arabic) is about saying ‘no’ to what was expected of us, what society says is acceptable or ‘normal’, especially as women. This song stems from my desire to pursue my passion and break free from boundaries set by a conservative Arabic background, especially what is expected of me as a woman. I’m choosing to pursue my goals. I’m choosing to say yes to my own gut feeling, my vision, my dreams, and the world I wanna create. I’m learning to say ‘no’ and live my life how I’m the happiest. ‘La2’ is a joyful anthem that I hope will inspire freedom and living out loud, and living now because it’s all we have.” – Rime Salmi
Rime Salmi was born to Moroccan parents and raised in Canada. She grew up a child of many cultures.
Her music became a way to channel her challenges in being torn between two cultures: her traditional Moroccan heritage and her western Canadian upbringing.
Also, her charisma shines through her high-energy stage performances, which combines belly dancing, afrobeat dancing, and powerful vocals.
https://www.bongminesentertainment.com/rime-salmi-la2/
Gareth von Kallenbach (971 KP) rated Chasing Mavericks (2012) in Movies
Aug 7, 2019
Can surfing teach you about life and how to live it? Can it drag you out of yourself enough to figure out just what it’s all about? That all depends on the surfer: Chasing Mavericks is based on the true story of Jay Moriarty (played by Jonny Weston), an accomplished surfer, and amazingly positive kid from Northern California. The story begins with a young Moriarty counting the time between wave breaks. He is with Kim, a staple in his life, and future wife. While saving her dog, he gets knocked into the water by a wave and is pushed down. He is saved by a surfer (Gerard Butler as Frosty) who just happened to be in the right place at the right time, and tells Jay that he has used up his allotment of dumb luck for life. Jay is bit, and finds an old surf board in his garage.
Skip ahead seven years and Jay is an accomplished surfer outperforming everybody on the water. He watches Frosty, who still lives across the street, and follows him early one morning. This is Jay’s introduction to Mavericks; a set of big waves that roll into the Northern Californian coast each winter. Waves can reach as high as 50 feet and surfers can reach speeds exceeding 50 miles per hour. Jay is instantly attracted to the challenge, and in his excitement gets caught by Frosty.
Somehow Jay convinces Frosty to train him how to ride Mavericks, and his tutelage in both surfing and life begin.
This was a great movie; it was beautifully shot, and shows how determination, skill, and a willingness to go beyond oneself can help achieve any goal. There aren’t any amazing surprises, but the story doesn’t need them; Jay is a great character and his struggle to become a part of something so much bigger than himself is worth watching. The soundtrack is also amazing! For anyone familiar with the music of the time; it will be love at first listen. This is one movie not to miss.
Skip ahead seven years and Jay is an accomplished surfer outperforming everybody on the water. He watches Frosty, who still lives across the street, and follows him early one morning. This is Jay’s introduction to Mavericks; a set of big waves that roll into the Northern Californian coast each winter. Waves can reach as high as 50 feet and surfers can reach speeds exceeding 50 miles per hour. Jay is instantly attracted to the challenge, and in his excitement gets caught by Frosty.
Somehow Jay convinces Frosty to train him how to ride Mavericks, and his tutelage in both surfing and life begin.
This was a great movie; it was beautifully shot, and shows how determination, skill, and a willingness to go beyond oneself can help achieve any goal. There aren’t any amazing surprises, but the story doesn’t need them; Jay is a great character and his struggle to become a part of something so much bigger than himself is worth watching. The soundtrack is also amazing! For anyone familiar with the music of the time; it will be love at first listen. This is one movie not to miss.
Jesters_folly (230 KP) rated The Fast and the Furious (2001) in Movies
May 18, 2021
Contains spoilers, click to show
So this is the first time I've seen 'The Fast and the Furious' and the only other film in the franchise I've seen is 'Hobbs and Shaw', Which I knew was a (slightly) different beast but, with the new film out soon I thought I may as well start from the beginning.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.