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Frank Black recommended Link Wray by Link Wray in Music (curated)
Adam DeVine recommended Weezer (Blue Album) by Weezer in Music (curated)
Carrie Brownstein recommended track Sanaga Calypso by Pasteur Lappe in African Funk Experimentals by Pasteur Lappe in Music (curated)
Frank Black recommended Peace & Harmony by The Heptones in Music (curated)
Bong Mines Entertainment (15 KP) rated La2 - Single by Rami Salmi in Music
Jun 17, 2019
Rime Salmi is a Canada-raised singer-songwriter with Moroccan roots. Not too long ago, she released a celebratory afro-pop tune, entitled, “La2”, produced by Ghanaian super producer Willisbeat.
‘La2’ tells a liberating tale of a courageous young woman who decides to trust her own instincts, visions, and dreams—regardless of what people might say she should or shouldn’t do.
What she wants most in life is to surf in Agadir, have drinks in New York, and go on expensive trips that she can’t afford.
Later, she admits that nothing in life is guaranteed, only what we choose to be. Therefore, what she chooses is a life that she wants to live.
‘La2’ contains a relatable storyline, gorgeous vocals, and joyful instrumentation scented with an Afro-pop fragrance. Also, the likable tune possesses joyful melodies sprinkled with ethnic Arabic rhythms.
“‘La2’ (‘no’ in Arabic) is about saying ‘no’ to what was expected of us, what society says is acceptable or ‘normal’, especially as women. This song stems from my desire to pursue my passion and break free from boundaries set by a conservative Arabic background, especially what is expected of me as a woman. I’m choosing to pursue my goals. I’m choosing to say yes to my own gut feeling, my vision, my dreams, and the world I wanna create. I’m learning to say ‘no’ and live my life how I’m the happiest. ‘La2’ is a joyful anthem that I hope will inspire freedom and living out loud, and living now because it’s all we have.” – Rime Salmi
Rime Salmi was born to Moroccan parents and raised in Canada. She grew up a child of many cultures.
Her music became a way to channel her challenges in being torn between two cultures: her traditional Moroccan heritage and her western Canadian upbringing.
Also, her charisma shines through her high-energy stage performances, which combines belly dancing, afrobeat dancing, and powerful vocals.
https://www.bongminesentertainment.com/rime-salmi-la2/
‘La2’ tells a liberating tale of a courageous young woman who decides to trust her own instincts, visions, and dreams—regardless of what people might say she should or shouldn’t do.
What she wants most in life is to surf in Agadir, have drinks in New York, and go on expensive trips that she can’t afford.
Later, she admits that nothing in life is guaranteed, only what we choose to be. Therefore, what she chooses is a life that she wants to live.
‘La2’ contains a relatable storyline, gorgeous vocals, and joyful instrumentation scented with an Afro-pop fragrance. Also, the likable tune possesses joyful melodies sprinkled with ethnic Arabic rhythms.
“‘La2’ (‘no’ in Arabic) is about saying ‘no’ to what was expected of us, what society says is acceptable or ‘normal’, especially as women. This song stems from my desire to pursue my passion and break free from boundaries set by a conservative Arabic background, especially what is expected of me as a woman. I’m choosing to pursue my goals. I’m choosing to say yes to my own gut feeling, my vision, my dreams, and the world I wanna create. I’m learning to say ‘no’ and live my life how I’m the happiest. ‘La2’ is a joyful anthem that I hope will inspire freedom and living out loud, and living now because it’s all we have.” – Rime Salmi
Rime Salmi was born to Moroccan parents and raised in Canada. She grew up a child of many cultures.
Her music became a way to channel her challenges in being torn between two cultures: her traditional Moroccan heritage and her western Canadian upbringing.
Also, her charisma shines through her high-energy stage performances, which combines belly dancing, afrobeat dancing, and powerful vocals.
https://www.bongminesentertainment.com/rime-salmi-la2/
Gareth von Kallenbach (980 KP) rated Chasing Mavericks (2012) in Movies
Aug 7, 2019
Can surfing teach you about life and how to live it? Can it drag you out of yourself enough to figure out just what it’s all about? That all depends on the surfer: Chasing Mavericks is based on the true story of Jay Moriarty (played by Jonny Weston), an accomplished surfer, and amazingly positive kid from Northern California. The story begins with a young Moriarty counting the time between wave breaks. He is with Kim, a staple in his life, and future wife. While saving her dog, he gets knocked into the water by a wave and is pushed down. He is saved by a surfer (Gerard Butler as Frosty) who just happened to be in the right place at the right time, and tells Jay that he has used up his allotment of dumb luck for life. Jay is bit, and finds an old surf board in his garage.
Skip ahead seven years and Jay is an accomplished surfer outperforming everybody on the water. He watches Frosty, who still lives across the street, and follows him early one morning. This is Jay’s introduction to Mavericks; a set of big waves that roll into the Northern Californian coast each winter. Waves can reach as high as 50 feet and surfers can reach speeds exceeding 50 miles per hour. Jay is instantly attracted to the challenge, and in his excitement gets caught by Frosty.
Somehow Jay convinces Frosty to train him how to ride Mavericks, and his tutelage in both surfing and life begin.
This was a great movie; it was beautifully shot, and shows how determination, skill, and a willingness to go beyond oneself can help achieve any goal. There aren’t any amazing surprises, but the story doesn’t need them; Jay is a great character and his struggle to become a part of something so much bigger than himself is worth watching. The soundtrack is also amazing! For anyone familiar with the music of the time; it will be love at first listen. This is one movie not to miss.
Skip ahead seven years and Jay is an accomplished surfer outperforming everybody on the water. He watches Frosty, who still lives across the street, and follows him early one morning. This is Jay’s introduction to Mavericks; a set of big waves that roll into the Northern Californian coast each winter. Waves can reach as high as 50 feet and surfers can reach speeds exceeding 50 miles per hour. Jay is instantly attracted to the challenge, and in his excitement gets caught by Frosty.
Somehow Jay convinces Frosty to train him how to ride Mavericks, and his tutelage in both surfing and life begin.
This was a great movie; it was beautifully shot, and shows how determination, skill, and a willingness to go beyond oneself can help achieve any goal. There aren’t any amazing surprises, but the story doesn’t need them; Jay is a great character and his struggle to become a part of something so much bigger than himself is worth watching. The soundtrack is also amazing! For anyone familiar with the music of the time; it will be love at first listen. This is one movie not to miss.
Jesters_folly (230 KP) rated The Fast and the Furious (2001) in Movies
May 18, 2021
Contains spoilers, click to show
So this is the first time I've seen 'The Fast and the Furious' and the only other film in the franchise I've seen is 'Hobbs and Shaw', Which I knew was a (slightly) different beast but, with the new film out soon I thought I may as well start from the beginning.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.