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Kirk Bage (1775 KP) rated Light of My Life (2019) in Movies
Jan 22, 2021
It is difficult to talk about Casey Affleck in a positive light as a movie-maker without mentioning the heightened media storm that surrounded him in 2017, at the time of #metoo and his own moment of personal glory in winning the Best Actor Oscar for his excellent performance in Manchester By the Sea. The Oscar was deserved, as was the criticism. The latter affecting the sweetness of the former entirely, and perhaps explaining why a recent Academy Award winner would be so quiet for the next 3 years.
The facts are that he settled out of court for two sexual harassment claims, that in interviews later he would admit some guilt and shame towards. He never tried to hide it and seemed genuinely regretful of his part in whatever crimes took place. He never tried to deny it or belittle it or excuse it as something small and insignificant, he owned up and hung his head.
For which I’d be tempted to say, yes, he behaved like an asshole and abused his position, but is worthy of forgiveness, on probation that he learned from the mistake and never remotely did anything like it again. However, the media doesn’t forget, and in a personal and professional way he has been persona non grata ever since.
Like many others in the spotlight before him for nefarious reasons, I believe emphatically in saying it is possible to separate a person from their work. If someone has done something where they need to be in jail, then let the system take care of it, otherwise let them get on with life and continue to work. Affleck is such a talented actor that it is his performances that spring to mind above anything else by far, and that probably won’t change. I’d absolutely hate to think his negative reputation prevented him from doing the best work of his life.
One way to ensure some relative solitude and privacy whilst remaining at work, then, is to write, produce, direct and star in a small personal film about a father and daughter, alone for 90% of the movie, in a post apocalyptic wilderness. Affleck is the nameless “dad” to the pre-teen daughter he dotes on and will do anything to protect, named “Rag”, for reasons that are explained beautifully in the narrative.
Played by promising newcomer Anna Pniowsky, it is a testament to Affleck’s skill and sensitivity as actor and director that Rag always feels as important and centre stage as the “star” of the show. The film begins very unusually with a 7 minute static dialogue between the two, which demonstrates the relationship and energy of the film perfectly, and in such an interesting way. Pniowsky gives as good as she gets in terms of detailed characterisation, and the dynamic between the two is an absolute delight.
Inevitably, this film is always going to be seen as a poor cousin to The Road, starring Viggo Mortensen, from 2009. It is very similar, it can’t be denied. Even the idea of the parent ensuring “the light / fire” is kept alive within the child, considering that the survival of humanity in all senses is paramount, and supercedes the notion of survival at any cost. Dignity, kindness and non-violence must be maintained, or they will be lost. It is a message worth passing on – enough to make Affleck want to fly so close to the themes and tone of a bigger, well liked film. He must certainly have been aware of how similar they are.
It doesn’t always work, and I did find myself wishing for more action, or at least incident, rather than all the static talking scenes. Although they were often beautifully done, there were just one too many of them to keep the film fully engaging. The use of flashback, where we see the past they came from and the absent mother (presumed long dead) played by Elizabeth Moss, who does not get enough screen time to leave a mark, also doesn’t fully ring true.
Where it does work is in the simple beauty of the relationship between father and daughter. Her innocence and growing curiosity about the tainted world she is inheriting, and his single minded insistence on teaching her things his way and keeping her oblivious to the harshness of life for as long as possible. We begin to suspect his methods are not always the best, and that inevitably the time is coming where for good or bad she will have to find her own path without him.
Which leads to a very touching last 20 minutes I can’t possibly explain without leaving spoilers. If it wasn’t two hours but 90 minutes I believe the idea would have had more impact and not outstay its welcome. As it is, it is just a little flabby in the edit to be described as “great”, and might be otherwise described as slightly indulgent and naive, directorially. It is a tough one to pin down, because whilst I don’t think there is much wrong with it, I also don’t think there is enough right to fully recommend it to a wide audience.
I’m putting this one in the box marked “little seen gems”, intersecting with the one marked “near miss with potential”. When in a patient mood, this could be a film you relate to and enjoy. Just don’t go in expecting too much to happen and concentrate on what it means to be a parent in a cruel world. In that sense it has a lot to say and is well worth your time.
The facts are that he settled out of court for two sexual harassment claims, that in interviews later he would admit some guilt and shame towards. He never tried to hide it and seemed genuinely regretful of his part in whatever crimes took place. He never tried to deny it or belittle it or excuse it as something small and insignificant, he owned up and hung his head.
For which I’d be tempted to say, yes, he behaved like an asshole and abused his position, but is worthy of forgiveness, on probation that he learned from the mistake and never remotely did anything like it again. However, the media doesn’t forget, and in a personal and professional way he has been persona non grata ever since.
Like many others in the spotlight before him for nefarious reasons, I believe emphatically in saying it is possible to separate a person from their work. If someone has done something where they need to be in jail, then let the system take care of it, otherwise let them get on with life and continue to work. Affleck is such a talented actor that it is his performances that spring to mind above anything else by far, and that probably won’t change. I’d absolutely hate to think his negative reputation prevented him from doing the best work of his life.
One way to ensure some relative solitude and privacy whilst remaining at work, then, is to write, produce, direct and star in a small personal film about a father and daughter, alone for 90% of the movie, in a post apocalyptic wilderness. Affleck is the nameless “dad” to the pre-teen daughter he dotes on and will do anything to protect, named “Rag”, for reasons that are explained beautifully in the narrative.
Played by promising newcomer Anna Pniowsky, it is a testament to Affleck’s skill and sensitivity as actor and director that Rag always feels as important and centre stage as the “star” of the show. The film begins very unusually with a 7 minute static dialogue between the two, which demonstrates the relationship and energy of the film perfectly, and in such an interesting way. Pniowsky gives as good as she gets in terms of detailed characterisation, and the dynamic between the two is an absolute delight.
Inevitably, this film is always going to be seen as a poor cousin to The Road, starring Viggo Mortensen, from 2009. It is very similar, it can’t be denied. Even the idea of the parent ensuring “the light / fire” is kept alive within the child, considering that the survival of humanity in all senses is paramount, and supercedes the notion of survival at any cost. Dignity, kindness and non-violence must be maintained, or they will be lost. It is a message worth passing on – enough to make Affleck want to fly so close to the themes and tone of a bigger, well liked film. He must certainly have been aware of how similar they are.
It doesn’t always work, and I did find myself wishing for more action, or at least incident, rather than all the static talking scenes. Although they were often beautifully done, there were just one too many of them to keep the film fully engaging. The use of flashback, where we see the past they came from and the absent mother (presumed long dead) played by Elizabeth Moss, who does not get enough screen time to leave a mark, also doesn’t fully ring true.
Where it does work is in the simple beauty of the relationship between father and daughter. Her innocence and growing curiosity about the tainted world she is inheriting, and his single minded insistence on teaching her things his way and keeping her oblivious to the harshness of life for as long as possible. We begin to suspect his methods are not always the best, and that inevitably the time is coming where for good or bad she will have to find her own path without him.
Which leads to a very touching last 20 minutes I can’t possibly explain without leaving spoilers. If it wasn’t two hours but 90 minutes I believe the idea would have had more impact and not outstay its welcome. As it is, it is just a little flabby in the edit to be described as “great”, and might be otherwise described as slightly indulgent and naive, directorially. It is a tough one to pin down, because whilst I don’t think there is much wrong with it, I also don’t think there is enough right to fully recommend it to a wide audience.
I’m putting this one in the box marked “little seen gems”, intersecting with the one marked “near miss with potential”. When in a patient mood, this could be a film you relate to and enjoy. Just don’t go in expecting too much to happen and concentrate on what it means to be a parent in a cruel world. In that sense it has a lot to say and is well worth your time.
Acanthea Grimscythe (300 KP) rated The Coldest Girl in Coldtown in Books
May 16, 2018
Actual rating: 3.5. Rounded to 4.
I don’t really tend to read a lot of vampire books anymore, especially when they’ve been labeled young adult. Holly Black’s The Coldest Girl in Coldtown is definitely an exception to that habit. I needed a break from flipping pages and wanted to get in a little bit of time gaming. When I saw The Coldest Girl in Coldtown available for an immediate audio book borrow from OverDrive, I decided to give it a shot. I’d heard of Holly Black, even if I hadn’t read any of her work.
Black’s novel takes vampirism and spreads it in the same manner that most post-apocalyptic novels spread the infectious diseases that create zombies. Vampires are romanticized, as they often are, especially in young adult books, and in this case, they no longer live in the shadows; rather, they have taken up residence in government organized areas known as Coldtowns. Those that have been infected with the vampire virus are also holed up within the walls of this cities, and there’s no shortage of food, because people are dying to get in.
Waking up after passing out at a party, the main character, a young woman named Tana, finds herself amidst a massacre: people she knows have been slaughtered by vampires. The only survivors are her, an ex-boyfriend, and a strange boy. Her ex is infected, and the boy is a vampire. Deciding to turn him in for a bounty, and worried that her ex will become a vampire himself, the trio travel to Coldtown. It isn’t long before Tana finds herself caught up in what could loosely be described as vampire politics. Amongst betrayal, she must persevere in order to guarantee her own survival.
The majority of the story is told from Tana’s perspective, with a few chapters written in Gavriel, the vampire’s, and another one, maybe two, from her younger sister’s, Pearl’s, point-of-view. These changes exist solely to expound on certain events that have led the characters to where they are, such as Gavriel’s past — which is, undoubtedly, one of my favorite parts of the book. Each chapter also begins with an excerpt, usually from a poem that deals with death, the undead, or vampires.
Voices make a huge impact on listening to audio books, especially for me. If I can’t stand the voice, I will not finish the book more than likely. In the case of The Coldest Girl in Coldtown, the narrator, Christine Lakin, is absolutely amazing. Her voice is pleasant to listen to, and there is a clear difference between the way each of the characters speak.
The Coldest Girl in Coldtown isn’t among my favorite reads, perhaps because I prefer the more traditional approaches to vampires, but it is, undoubtedly, an fun journey. If you like your vampires a bit on the softer side of the spectrum, this one is definitely worth picking up.
I don’t really tend to read a lot of vampire books anymore, especially when they’ve been labeled young adult. Holly Black’s The Coldest Girl in Coldtown is definitely an exception to that habit. I needed a break from flipping pages and wanted to get in a little bit of time gaming. When I saw The Coldest Girl in Coldtown available for an immediate audio book borrow from OverDrive, I decided to give it a shot. I’d heard of Holly Black, even if I hadn’t read any of her work.
Black’s novel takes vampirism and spreads it in the same manner that most post-apocalyptic novels spread the infectious diseases that create zombies. Vampires are romanticized, as they often are, especially in young adult books, and in this case, they no longer live in the shadows; rather, they have taken up residence in government organized areas known as Coldtowns. Those that have been infected with the vampire virus are also holed up within the walls of this cities, and there’s no shortage of food, because people are dying to get in.
Waking up after passing out at a party, the main character, a young woman named Tana, finds herself amidst a massacre: people she knows have been slaughtered by vampires. The only survivors are her, an ex-boyfriend, and a strange boy. Her ex is infected, and the boy is a vampire. Deciding to turn him in for a bounty, and worried that her ex will become a vampire himself, the trio travel to Coldtown. It isn’t long before Tana finds herself caught up in what could loosely be described as vampire politics. Amongst betrayal, she must persevere in order to guarantee her own survival.
The majority of the story is told from Tana’s perspective, with a few chapters written in Gavriel, the vampire’s, and another one, maybe two, from her younger sister’s, Pearl’s, point-of-view. These changes exist solely to expound on certain events that have led the characters to where they are, such as Gavriel’s past — which is, undoubtedly, one of my favorite parts of the book. Each chapter also begins with an excerpt, usually from a poem that deals with death, the undead, or vampires.
Voices make a huge impact on listening to audio books, especially for me. If I can’t stand the voice, I will not finish the book more than likely. In the case of The Coldest Girl in Coldtown, the narrator, Christine Lakin, is absolutely amazing. Her voice is pleasant to listen to, and there is a clear difference between the way each of the characters speak.
The Coldest Girl in Coldtown isn’t among my favorite reads, perhaps because I prefer the more traditional approaches to vampires, but it is, undoubtedly, an fun journey. If you like your vampires a bit on the softer side of the spectrum, this one is definitely worth picking up.
Phillip McSween (751 KP) rated Shaun of the Dead (2004) in Movies
Feb 3, 2019
Good Fun
With the help of a close friend, Shaun (Simon Pegg) sets out to his rescue his mum during a zombie apocalypse and hole up at their favorite pub The Winchester.
Acting: 10
Pegg delivers a strong performance in his role as Shaun. You can’t decide whether Shaun is just a plain loser or if he’s just oblivious to the people around them and their feelings, particularly his girlfriend Liz (Kate Ashfield). Pegg has a way of keeping you guessing from one scene to the next. Just when you think you can figure his character out, he evolves just a little bit, enough to remain interesting. The entirety of the cast breathes life into this comedy horror film.
Beginning: 3
Characters: 10
Cinematography/Visuals: 10
The film is shot in a very unique way that helps to drive the narrative. It has the feel of a horror movie, but you’re never really frightened. It’s just as gory and in-your-face as any zombie movie I’ve seen, but sometimes those same scenes will have you cracking up. It was very cool how they capture the graduation of the first twenty-four hours. It started with a couple of one-off strange incidents. Before long, the streets were swarming and things were out of control. Very well-done.
Conflict: 10
Zombie films/shows should never be about the zombies, but about survival and the reality of the human spirit. You wanna find out who you really are? Get thrown into the middle of an apocalypse. Shaun of the Dead takes the nature of the human spirit and fleshes it out over the course of the film. Some people see tragedy and they run from it while others, like Shaun, take the bull by the horns and go right at it. The conflict succeeds in the group not just taking on the zombies but handling their internal squabbles as well.
Genre: 6
Memorability: 7
There were a number of funny, memorable events that stick out. I won’t ruin them, but my personal favorite was the car scene where seven survivors had to squeeze into a little sedan. The hilarity that ensues as they move from Point A to B is pretty awesome. There is also a touching moment within that same scene that adds emotional power to the movie. There are a number of scenes like this here, scenes that can make you laugh and make you feel at the same time.
Pace: 10
Plot: 10
Resolution: 7
Overall: 83
Shaun of the Dead is one of those movies where you fall in love with it more and more the more times you revisit it. I wasn’t a fan my first viewing, but noticed a lot of things the second time around that made sense and added to the overall strength of the movie in a subtle way. Good watch.
Acting: 10
Pegg delivers a strong performance in his role as Shaun. You can’t decide whether Shaun is just a plain loser or if he’s just oblivious to the people around them and their feelings, particularly his girlfriend Liz (Kate Ashfield). Pegg has a way of keeping you guessing from one scene to the next. Just when you think you can figure his character out, he evolves just a little bit, enough to remain interesting. The entirety of the cast breathes life into this comedy horror film.
Beginning: 3
Characters: 10
Cinematography/Visuals: 10
The film is shot in a very unique way that helps to drive the narrative. It has the feel of a horror movie, but you’re never really frightened. It’s just as gory and in-your-face as any zombie movie I’ve seen, but sometimes those same scenes will have you cracking up. It was very cool how they capture the graduation of the first twenty-four hours. It started with a couple of one-off strange incidents. Before long, the streets were swarming and things were out of control. Very well-done.
Conflict: 10
Zombie films/shows should never be about the zombies, but about survival and the reality of the human spirit. You wanna find out who you really are? Get thrown into the middle of an apocalypse. Shaun of the Dead takes the nature of the human spirit and fleshes it out over the course of the film. Some people see tragedy and they run from it while others, like Shaun, take the bull by the horns and go right at it. The conflict succeeds in the group not just taking on the zombies but handling their internal squabbles as well.
Genre: 6
Memorability: 7
There were a number of funny, memorable events that stick out. I won’t ruin them, but my personal favorite was the car scene where seven survivors had to squeeze into a little sedan. The hilarity that ensues as they move from Point A to B is pretty awesome. There is also a touching moment within that same scene that adds emotional power to the movie. There are a number of scenes like this here, scenes that can make you laugh and make you feel at the same time.
Pace: 10
Plot: 10
Resolution: 7
Overall: 83
Shaun of the Dead is one of those movies where you fall in love with it more and more the more times you revisit it. I wasn’t a fan my first viewing, but noticed a lot of things the second time around that made sense and added to the overall strength of the movie in a subtle way. Good watch.
Paul Kellett (118 KP) rated This War of Mine: The Board Game in Tabletop Games
May 27, 2019
Very immersive experience (4 more)
Great solo game
Stands out as a piece of art
Great teaching tool
Great storytelling game
Brutally hard (1 more)
Adult and disturbing depictions of war
Brutal Survival game
This War of Mine is a game of civilians struggling to survive in the middle of a war. It is harsh, brutal and contains scenes that some players might find distressing.
It is gritty, realistic and very hard. It's a remarkable game that really makes you think and can stand as a piece of art, capable of teaching about the harsh realities of war and humanity.
You play as a group of 3 (or 4) civilians trying to survive. You have to rebuild your shelter to try and barricade against the cold and other raiding groups.
A fully cooperative game, no player controls a single character but takes turns deciding what the group will do and resolving situations.
Split into phases, you spend the day building up your shelter, adding beds, workshops and other items that might ease your struggles.
You will try different combinations of things to try and work out the most efficient and vital components to build first. Depending on the whim of the various encounter and event cards as to how well these things will work.
The night phase is the main part of the game. You need to send people out to scavenge the nearby ruined buildings, post a guard to protect your shelter and try to get some rest. This is a fine balancing act and you will be forced to push the survivors to breaking point in order to do any of these things.
Scavenging brings danger from snipers, soldiers and other aggressive survivors trying to defend their property.
You pick one of 3 locations to investigate and build an encounter deck. As you explore, you reveal cards, find valuable resources, food, medicine, bandages, weapons and parts crucial to building better items in your shelter.
While scavenging, you will be told to reference numbered paragraphs in the Book of Scripts. This tells the story of what and who you find and it is this that brings home the grim reality of what you are doing.
You will have to make some terrible decisions - do you return home empty handed and risk one of your group dying from hunger or illness or do you steal the supplies you need from the old couple you found hiding in the ruined apartment?
This game is definitely not for everyone but I firmly believe that everyone should experience it at least once.
I borrowed a copy from someone in my game group and played a couple of short games before handing it back but I found myself thinking about it a lot afterwards and ended up buying it myself.
This War of Mine is definitely much more than just a boardgame. It is art. It is a lesson in humanity and the harsh reality of war.
It is gritty, realistic and very hard. It's a remarkable game that really makes you think and can stand as a piece of art, capable of teaching about the harsh realities of war and humanity.
You play as a group of 3 (or 4) civilians trying to survive. You have to rebuild your shelter to try and barricade against the cold and other raiding groups.
A fully cooperative game, no player controls a single character but takes turns deciding what the group will do and resolving situations.
Split into phases, you spend the day building up your shelter, adding beds, workshops and other items that might ease your struggles.
You will try different combinations of things to try and work out the most efficient and vital components to build first. Depending on the whim of the various encounter and event cards as to how well these things will work.
The night phase is the main part of the game. You need to send people out to scavenge the nearby ruined buildings, post a guard to protect your shelter and try to get some rest. This is a fine balancing act and you will be forced to push the survivors to breaking point in order to do any of these things.
Scavenging brings danger from snipers, soldiers and other aggressive survivors trying to defend their property.
You pick one of 3 locations to investigate and build an encounter deck. As you explore, you reveal cards, find valuable resources, food, medicine, bandages, weapons and parts crucial to building better items in your shelter.
While scavenging, you will be told to reference numbered paragraphs in the Book of Scripts. This tells the story of what and who you find and it is this that brings home the grim reality of what you are doing.
You will have to make some terrible decisions - do you return home empty handed and risk one of your group dying from hunger or illness or do you steal the supplies you need from the old couple you found hiding in the ruined apartment?
This game is definitely not for everyone but I firmly believe that everyone should experience it at least once.
I borrowed a copy from someone in my game group and played a couple of short games before handing it back but I found myself thinking about it a lot afterwards and ended up buying it myself.
This War of Mine is definitely much more than just a boardgame. It is art. It is a lesson in humanity and the harsh reality of war.
Kevin Wilson (179 KP) rated World War Z in Video Games
Jun 7, 2019
Huge hordes of zombies, Satisfying laying into them (3 more)
Fun coop with friends
Upgradable classes and weapons
Loads of characters to choose from
Zombie bodies disappear after killing them (1 more)
Not much of a story
A fun entertaining coop game with a ton of satisfaction
I have been loving this game and satisfying is the first word that comes to mind. You have hundreds or thousands of zombies coming at you and your laying into them with many different types of weapons. Seeing them all fall and the horde being destroyed is the most satisfying feeling ever. Sadly bodies do disappear quickly to make room for the rest of the horde and that is a limitation of the engine or the system or both.
There are only 4 episodes each with 3 chapters, The 4th (Tokyo) did have 2 but a 3rd was added through free dlc but more on that in a moment. Each episode has 4 characters to choose from so 16 overall which i found impressive. They do all have backstories but you only unlock their video once you have played with that character.
There are also a huge amount of guns and they can all be upgrades with currency you earn from completing levels. The harder the difficult, the more you get. There are typically 5 tiers for each gun and you can upgrade once you get to each level through earning xp. This is done just from using them. I quite liked this system. Your aiming for something. There are also quite a few classes that you can choose from which can also be upgraded but for now ive mainly stuck with gunslinger but know there are classes like medic.
All of the missions can be played alone or with friends. They have an offline mode where its yourself with bots or online where you can team up with friends. This is so much fun. But not only this, they also have a multiplayer mode which is PvPvZ where you have to fight other people as well as zombies but being honest ive not spent too much time in this just yet.
As ive mentioned we already got some free dlc with more to come. We also got private lobbies which is a welcome addition since online would always throw you in with randoms if you didnt have a full team of friends. Some randoms could be a bit selfish with stuff they find. The new chapter was great but should have already been there sinces its a 3rd chapter and the other episodes already had 3. A new zombie type was also introduced which is fun if it will be something they will keep doing. It keeps you on your toes often.
Im excited to keep playing and will be even better with future updates when they add a 6th difficulty option after the insane mode and a survival wave based mode. Hopefully we get more episodes too.
There are only 4 episodes each with 3 chapters, The 4th (Tokyo) did have 2 but a 3rd was added through free dlc but more on that in a moment. Each episode has 4 characters to choose from so 16 overall which i found impressive. They do all have backstories but you only unlock their video once you have played with that character.
There are also a huge amount of guns and they can all be upgrades with currency you earn from completing levels. The harder the difficult, the more you get. There are typically 5 tiers for each gun and you can upgrade once you get to each level through earning xp. This is done just from using them. I quite liked this system. Your aiming for something. There are also quite a few classes that you can choose from which can also be upgraded but for now ive mainly stuck with gunslinger but know there are classes like medic.
All of the missions can be played alone or with friends. They have an offline mode where its yourself with bots or online where you can team up with friends. This is so much fun. But not only this, they also have a multiplayer mode which is PvPvZ where you have to fight other people as well as zombies but being honest ive not spent too much time in this just yet.
As ive mentioned we already got some free dlc with more to come. We also got private lobbies which is a welcome addition since online would always throw you in with randoms if you didnt have a full team of friends. Some randoms could be a bit selfish with stuff they find. The new chapter was great but should have already been there sinces its a 3rd chapter and the other episodes already had 3. A new zombie type was also introduced which is fun if it will be something they will keep doing. It keeps you on your toes often.
Im excited to keep playing and will be even better with future updates when they add a 6th difficulty option after the insane mode and a survival wave based mode. Hopefully we get more episodes too.
Movie Metropolis (309 KP) rated Everest (2015) in Movies
Jun 11, 2019
A by the numbers adventure
The 1996 Everest disaster remains one of the greatest true stories to have ever been told. From made-for-TV movies to award-winning documentaries, it appears that audiences simply cannot get enough of this tale of survival.
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Gareth von Kallenbach (968 KP) rated Star Trek Bridge Crew VR in Video Games
Jun 19, 2019
Star Trek fans finally get the chance to take command in the new Star Trek: Bridge Crew by Ubisoft. The Virtual Reality game is cross-platform so Playstation VR, Oculus Rift, and HTC Vive owners can all play with one another which greatly enhance the play experience and options.
Matchmaking was easy as once I completed the training sessions, I was ready to go. I had played the game last summer at PAX West on the Oculus and playing on our Playstation VR was very easy to setup and go. I opted to use the Move controllers vs the Gamepad and in no time I was on the bridge of the USS Ageis.
The game is set in the JJ Abrams Universe and tasks players with finding a new home for the Vulcans in a previously unexplored area of space known as “The Trench”
Players can play as Captain, Helm, Tactical, or Engineering and each has their own tasks essential to mission success and survival. Helm has to pilot the ship, Tactical handles the weapons, Engineering keeps things running and distributes power and repairs, as well as the Transporters, and the Captain calls the shots. Naturally there are navigation maps and other flourishes which help with the immersion as well as being part of the fun.
Players who expect run and gun action will be disappointed as this is a game that works more on tactics than twitch as combat and exploration move at a slower and more deliberate pace than action gamers may be expecting. Encountering hostiles is often a delicate dance of exchanging fire, maneuvering, and damage control, while balancing the decision to fight or flee. Players also have to keep an eye on the energy levels as should a retreat be needed, then power has to be moved from one system to the engines to warp to safety unless you want to try to last on Impulse Power.
The game is challenging and graphics are very solid for a VR game. Players looking for even more nostalgic immersion can play on the Enterprise from the Classic Series but this is suggested for experience crews so it helps to play with others that you know or who have completed multiple missions.
The game does allow players more opened ended options than I expected and it is great fun to have a total stranger who you have just been matched with call you “Captain” and await your orders. The game did have a few glitches at launch but they have been quickly fixed via updates, and I have had mostly smooth sailing aside from an occasional dropped connection or a controller going out of range of the camera.
For pure immersive fun and solid co-op play, Star Trek Bridge Crew offers one of the best Star Trek experiences to date and is a must own for anyone who owns a VR system.
http://sknr.net/2017/06/12/star-trek-bridge-crew/
Matchmaking was easy as once I completed the training sessions, I was ready to go. I had played the game last summer at PAX West on the Oculus and playing on our Playstation VR was very easy to setup and go. I opted to use the Move controllers vs the Gamepad and in no time I was on the bridge of the USS Ageis.
The game is set in the JJ Abrams Universe and tasks players with finding a new home for the Vulcans in a previously unexplored area of space known as “The Trench”
Players can play as Captain, Helm, Tactical, or Engineering and each has their own tasks essential to mission success and survival. Helm has to pilot the ship, Tactical handles the weapons, Engineering keeps things running and distributes power and repairs, as well as the Transporters, and the Captain calls the shots. Naturally there are navigation maps and other flourishes which help with the immersion as well as being part of the fun.
Players who expect run and gun action will be disappointed as this is a game that works more on tactics than twitch as combat and exploration move at a slower and more deliberate pace than action gamers may be expecting. Encountering hostiles is often a delicate dance of exchanging fire, maneuvering, and damage control, while balancing the decision to fight or flee. Players also have to keep an eye on the energy levels as should a retreat be needed, then power has to be moved from one system to the engines to warp to safety unless you want to try to last on Impulse Power.
The game is challenging and graphics are very solid for a VR game. Players looking for even more nostalgic immersion can play on the Enterprise from the Classic Series but this is suggested for experience crews so it helps to play with others that you know or who have completed multiple missions.
The game does allow players more opened ended options than I expected and it is great fun to have a total stranger who you have just been matched with call you “Captain” and await your orders. The game did have a few glitches at launch but they have been quickly fixed via updates, and I have had mostly smooth sailing aside from an occasional dropped connection or a controller going out of range of the camera.
For pure immersive fun and solid co-op play, Star Trek Bridge Crew offers one of the best Star Trek experiences to date and is a must own for anyone who owns a VR system.
http://sknr.net/2017/06/12/star-trek-bridge-crew/
Darren (1599 KP) rated 2012 (2009) in Movies
Jun 20, 2019
Based on Mayan superstition this is the end of the world, now how do man survive this?
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
Gareth von Kallenbach (968 KP) rated Ben-Hur (2016) in Movies
Jul 15, 2019
Published in 1880, Ben-Hur: A Tale of the Christ is considered one of the most influential Christian books of the nineteenth century. The success of the novel led to film adaptations, most notably the 1955 academy award winning version of the film string Charlton Heston. Fast forward to 2016 and MGM and Paramount Pictures hope to see continue the success of this proven story with their newest film adaptation Ben-Hur.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
Phil Leader (619 KP) rated Liberator (The Liberators #1) in Books
Nov 19, 2019
Fast. Loud. Violent. Fun. All good adjectives to use in relation to this book. This is the summer blockbuster of science fiction novels.
It is the far future. Corporate business rules and takeovers and mergers are often done facing down the barrel of a gun - or the threat of destruction from orbit from a massive spaceship.
When Skye Pennington is kidnapped by a rival company in order to gain business advantage, her friend Orlanda Nixon tries to rescue her. After her initial attempt is thwarted, she turns to the only place she can, the old mercenary unit she and Skye were both part of. The Liberators.
However, the former large and fearsome force is now a tattered remnant after one battle too far, kept alive only by their leader, JJ Tristan and a few final loyal members who have nowhere else to go. Tristan must gather as much of the team as he can muster at short notice and get his mighty - and badly damaged - ship back in action. It's a tall order for a disparate group who don't always get on with each other.
In the end the plot is not of any particular consequence. It is a very handy hook to hang the story off of, the initial stirring battles introducing Orlanda and Skye, the introduction and gathering of the Liberators after Orlanda's plea and the adrenaline fuelled fight sequences as they attempt to recapture Skye. There is also some sneaking around by the team's deadly assassin and flashbacks to show the glory days of the team, and some of the history between the characters.
The result is a terrific ensemble piece, the Liberators may be battered and dog-eared, old and tired but they have an instinct for survival and fighting that is only matched by their ability to cause destruction and mayhem. The pace runs fast through most of the book - it does slow in the middle as the characters are introduced but is never dull and certainly never predictable.
Every character is well thought out and at first glance some appear to be simplistic ciphers - the cyborg, the tech specialist with the weird sense of humour, the grizzled commander - but once they start interacting and (most importantly) fighting each comes entirely into their own.
This book doesn't take itself too seriously - it exists for the excellent set pieces rather than for any detailed introspection on future society - and the scenes of the good guys running around in big armour with even bigger guns will bring a smile to your face. In particular the sequence when their ship takes off is a total tour de force and one of the best action scenes I have seen in print.
This is a terrific introduction to what will hopefully be a series of novels. Certainly what happens next to the Liberators will be of interest. Any Hollywood producers looking for the next great summer blockbuster could do worse as well.
Rating: Lots of violence. Then some more. And some bad language
It is the far future. Corporate business rules and takeovers and mergers are often done facing down the barrel of a gun - or the threat of destruction from orbit from a massive spaceship.
When Skye Pennington is kidnapped by a rival company in order to gain business advantage, her friend Orlanda Nixon tries to rescue her. After her initial attempt is thwarted, she turns to the only place she can, the old mercenary unit she and Skye were both part of. The Liberators.
However, the former large and fearsome force is now a tattered remnant after one battle too far, kept alive only by their leader, JJ Tristan and a few final loyal members who have nowhere else to go. Tristan must gather as much of the team as he can muster at short notice and get his mighty - and badly damaged - ship back in action. It's a tall order for a disparate group who don't always get on with each other.
In the end the plot is not of any particular consequence. It is a very handy hook to hang the story off of, the initial stirring battles introducing Orlanda and Skye, the introduction and gathering of the Liberators after Orlanda's plea and the adrenaline fuelled fight sequences as they attempt to recapture Skye. There is also some sneaking around by the team's deadly assassin and flashbacks to show the glory days of the team, and some of the history between the characters.
The result is a terrific ensemble piece, the Liberators may be battered and dog-eared, old and tired but they have an instinct for survival and fighting that is only matched by their ability to cause destruction and mayhem. The pace runs fast through most of the book - it does slow in the middle as the characters are introduced but is never dull and certainly never predictable.
Every character is well thought out and at first glance some appear to be simplistic ciphers - the cyborg, the tech specialist with the weird sense of humour, the grizzled commander - but once they start interacting and (most importantly) fighting each comes entirely into their own.
This book doesn't take itself too seriously - it exists for the excellent set pieces rather than for any detailed introspection on future society - and the scenes of the good guys running around in big armour with even bigger guns will bring a smile to your face. In particular the sequence when their ship takes off is a total tour de force and one of the best action scenes I have seen in print.
This is a terrific introduction to what will hopefully be a series of novels. Certainly what happens next to the Liberators will be of interest. Any Hollywood producers looking for the next great summer blockbuster could do worse as well.
Rating: Lots of violence. Then some more. And some bad language