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Charlie Cobra Reviews (1840 KP) rated Us (2019) in Movies
Jul 6, 2020
Damn Good Horror Film - 9/10
Us is a 2019 horror movie written, directed, and co-produced by Jordan Peele. It was also produced by Jason Blum, Ian Cooper, and Sean McKittrick; through Monkeypaw Productions and distributed by Universal. It stars Lupita Nyong'o, Winston Duke, Shahadi Wright Joseph, and Evan Alex.
In 1986, on vacation with her parents in Santa Cruz, one night Adelaide Thomas (Madison Curry) wanders off while at the boardwalk on the beach. Only a young girl at the time she enters a scary looking funhouse where she gets lost in the hall of mirrors. Panicking, afraid and looking for the exit, she encounters a doppelganger of herself, leaving her traumatized and unable to speak when she is reunited with her parents. Now an adult, Adelaide (Lupita Nyong'o) reluctantly heads with her family: husband Gabe Wilson (Winston Duke), daughter Zora Wilson (Shahadi Wright Joseph), and son Jason Wilson (Evan Alex) to their beach house in Santa Cruz. Adelaide is very apprehensive about the trip, remembering the traumatic incident from her youth, and becomes very discontent. Even during the day while meeting up with friends at the beach, she becomes very erratic for a moment when she cannot find her son who walked a way to use the restroom. She becomes increasingly concerned something bad is going to happen. Later that evening, back at the beach house, she confides in her husband the details of her childhood trauma, which he laughs off until four masked people storm the house forcing them to fight for their survival.
I cannot say how much I enjoyed this movie. It was an awesome horror movie. Jordan Peele knocked it out of the park with this film. It was masterfully done. I like how you can see a lot of the influences from other films yet it was still very original. This movie had me at the edge of my seat gripping the armrests of my chair with a lot of its scarier scenes. Yet it was still funny in a lot of parts. I thought the acting was great especially for so many actors playing duo roles, even the children. The cinematography was very good too with a lot of visuals that will stay with you and hidden meanings to things you will probably only notice or realize on your 2nd or 3rd viewing. I personally can't wait to watch it again. Another critic summed it up better than I ever could "originality in concept, physiological torment+twists, old-world suspense building, and one of the best scorings in modern Horror history"-(Cinema Lovers Club Gmail). I really loved the soundtrack and music in this movie. I give it a 9/10.
In 1986, on vacation with her parents in Santa Cruz, one night Adelaide Thomas (Madison Curry) wanders off while at the boardwalk on the beach. Only a young girl at the time she enters a scary looking funhouse where she gets lost in the hall of mirrors. Panicking, afraid and looking for the exit, she encounters a doppelganger of herself, leaving her traumatized and unable to speak when she is reunited with her parents. Now an adult, Adelaide (Lupita Nyong'o) reluctantly heads with her family: husband Gabe Wilson (Winston Duke), daughter Zora Wilson (Shahadi Wright Joseph), and son Jason Wilson (Evan Alex) to their beach house in Santa Cruz. Adelaide is very apprehensive about the trip, remembering the traumatic incident from her youth, and becomes very discontent. Even during the day while meeting up with friends at the beach, she becomes very erratic for a moment when she cannot find her son who walked a way to use the restroom. She becomes increasingly concerned something bad is going to happen. Later that evening, back at the beach house, she confides in her husband the details of her childhood trauma, which he laughs off until four masked people storm the house forcing them to fight for their survival.
I cannot say how much I enjoyed this movie. It was an awesome horror movie. Jordan Peele knocked it out of the park with this film. It was masterfully done. I like how you can see a lot of the influences from other films yet it was still very original. This movie had me at the edge of my seat gripping the armrests of my chair with a lot of its scarier scenes. Yet it was still funny in a lot of parts. I thought the acting was great especially for so many actors playing duo roles, even the children. The cinematography was very good too with a lot of visuals that will stay with you and hidden meanings to things you will probably only notice or realize on your 2nd or 3rd viewing. I personally can't wait to watch it again. Another critic summed it up better than I ever could "originality in concept, physiological torment+twists, old-world suspense building, and one of the best scorings in modern Horror history"-(Cinema Lovers Club Gmail). I really loved the soundtrack and music in this movie. I give it a 9/10.
Charlie Cobra Reviews (1840 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Jul 7, 2020
Shark Movie That Struggles To Stay Afloat
47 Meters Down Uncaged is a 2019 survival/horror movie directed by Johannes Robert and written by Robert and Ernest Riera with producers James Harris, Mark Lane and Robert Jones. It was produced by They Fyzz Facility and distributed by Entertainment Studios Motion Pictures. The film stars Corinne Foxx, Sophie Nelisse, Brianne Tju and Sistaine Stallone.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Kristy H (1252 KP) rated Survivor Song in Books
Jul 9, 2020
A timely & terrifying read
A viral strain of rabies is spreading across Massachusetts. It moves quickly among animals and people, with those being bitten rapidly (think hours) losing their minds and then biting others to spread the disease. Hospitals are overwhelmed. People are under quarantine, with packets of vaccine being dropped from the sky to try to control the animal population. Chaos reigns. Dr. Ramola "Rams" Sherman is a pediatrician, about to be called in to help at an overflowing hospital. Before she can, she receives a terrified phone call from her best friend from college, Natalie. Eight months pregnant, Natalie watched an infected man brutally kill her husband--and received a bite while trying to save him. She must get to a hospital--and fast--to try to save herself and her unborn child. She and Rams begin a horrifying odyssey to get Natalie help, traversing a world filled with untold dangers.
"The presentation of symptoms with this new virus is astronomically fast compared to a normal rabies virus."
Okay, first of all, I rarely read horror books like this, but this novel was offered by my Scene of the Crime group, and I had heard such great things about Paul Tremblay. Second, I am trying to avoid pandemic-type reads and, yet, I found myself reading an incredibly pandemic, virus themed book!
However, I have to say, this was a good book! I can't say I enjoyed it, because it was so incredibly stressful that I think my heart-rate and blood pressure were through the roof while reading this thing. BUT, I could not put it down. Tremblay has created an utterly spellbinding book that also happens to be incredibly timely.
The tension in this book completely crackles. There's a virus spreading across the entire Northeast, but Tremblay focuses his action mainly on just Rams and Natalie. Somehow narrowing the story down on the survival of these two (and Natalie's baby) makes the story all the more terrifying and stressful. Their journey to get to a hospital is fraught with danger and blockages at every turn, and you can totally see this as unfolding a movie, with the "zombies" popping out around every corner. It still makes me shiver even now thinking about it.
While this book is creepy and scary, it makes some amazing (and very timely) points on society and its backward viewpoint toward vaccines, fear culture, xenophobia, and more. I found myself nodding furiously so many times. And, of course, it's filled with words that are so familiar to us now--who knew that CDC, PPE, and quarantine would be such commonplace terms?
Overall, while this is a very tense book and it might resonate a bit *too* much right now, it's very well-written. I flew through it--I'm not usually a horror fan, but it was a good balance of scary and humanizing. 4+ stars.
A viral strain of rabies is spreading across Massachusetts. It moves quickly among animals and people, with those being bitten rapidly (think hours) losing their minds and then biting others to spread the disease. Hospitals are overwhelmed. People are under quarantine, with packets of vaccine being dropped from the sky to try to control the animal population. Chaos reigns. Dr. Ramola "Rams" Sherman is a pediatrician, about to be called in to help at an overflowing hospital. Before she can, she receives a terrified phone call from her best friend from college, Natalie. Eight months pregnant, Natalie watched an infected man brutally kill her husband--and received a bite while trying to save him. She must get to a hospital--and fast--to try to save herself and her unborn child. She and Rams begin a horrifying odyssey to get Natalie help, traversing a world filled with untold dangers.
"The presentation of symptoms with this new virus is astronomically fast compared to a normal rabies virus."
Okay, first of all, I rarely read horror books like this, but this novel was offered by my Scene of the Crime group, and I had heard such great things about Paul Tremblay. Second, I am trying to avoid pandemic-type reads and, yet, I found myself reading an incredibly pandemic, virus themed book!
However, I have to say, this was a good book! I can't say I enjoyed it, because it was so incredibly stressful that I think my heart-rate and blood pressure were through the roof while reading this thing. BUT, I could not put it down. Tremblay has created an utterly spellbinding book that also happens to be incredibly timely.
The tension in this book completely crackles. There's a virus spreading across the entire Northeast, but Tremblay focuses his action mainly on just Rams and Natalie. Somehow narrowing the story down on the survival of these two (and Natalie's baby) makes the story all the more terrifying and stressful. Their journey to get to a hospital is fraught with danger and blockages at every turn, and you can totally see this as unfolding a movie, with the "zombies" popping out around every corner. It still makes me shiver even now thinking about it.
While this book is creepy and scary, it makes some amazing (and very timely) points on society and its backward viewpoint toward vaccines, fear culture, xenophobia, and more. I found myself nodding furiously so many times. And, of course, it's filled with words that are so familiar to us now--who knew that CDC, PPE, and quarantine would be such commonplace terms?
Overall, while this is a very tense book and it might resonate a bit *too* much right now, it's very well-written. I flew through it--I'm not usually a horror fan, but it was a good balance of scary and humanizing. 4+ stars.
Matthew Krueger (10051 KP) rated Lethal Weapon 2 (1989) in Movies
Jul 9, 2020
Protect Joe Pesci
Lethal Weapon 2- adds more action, drama, suspense, thrills, comedy, lots of comedy and more chemistry.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
Gareth von Kallenbach (965 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 2, 2021
Racism has all too often reared its ugly head in recent years with the rise of extremist groups who felt emboldened by recent political climates. As violence leads to protests which can themselves become violent; the perpetual cycle seems unending.
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
Kristy H (1252 KP) rated Hairpin Bridge in Books
Jun 17, 2021
A harrowing, page-turner of a thriller
Lena Nguyen arrives in Montana to figure out what happened to her twin sister, Cambry. Three months ago, Cambry supposedly committed suicide on Hairpin Bridge, but Lena simply cannot believe it's true. Now she's at the bridge, driving her sister's abandoned car, to find out what really happened. She's meeting Corporal Raymond Raycevic, the highway patrolman who found the body, at the scene itself. He seems apologetic and straightforward. Still, Lena remains suspicious. Records show Raycevic pulled Cambry over for speeding just a hour before her death. And what about the sixteen attempted 911 calls she made in the dead zone? Or the fact that Raycevic's name appears in the final text Lena ever received from Cambry? Despite the fact the sisters were basically estranged, Lena needs to know what happened to Cambry. But the more she digs, the more Lena's own survival may be in jeopardy out there on Hairpin Bridge.
"I have to know. What happened to you, Cambry?"
I actually read Adams' NO EXIT not that long ago and that book totally stressed me out. This one did the same, though thankfully a kid wasn't full and center. Goodness, he excels at writing at tense, action-packed books. This thriller certainly keeps you guessing--I was never exactly sure what was real or what was truly happening or had happened.
HAIRPIN BRIDGE, crazily enough, mostly takes place on a bridge (who knew?), but it alternates between the past and present. It's told in snippets, with Lena and Raycevic's perspectives in the here and now, and then pieces of Lena's blog, as well as what seems to be Cambry's past flashbacks, but could be Lena's own interpretation of what happened. This part was the hardest for me, as that was incredibly confusing. The idea is to keep you off-balance and prevent you from knowing what was really happening, but sometimes I felt a bit too confused.
This thriller feels more like a movie than a book at times, with its dramatic tension and constant "what on earth can happen next" feel. Lena comes across like an action hero in moments, and I often wondered what else Adams could throw at us. (Oh, he could come up with more insanity, don't worry.) The result is a book that's dark, action-packed, and sometimes completely horrifying. It's incredibly dramatic, but wow, does it keep you turning the pages. I know I finished this one in less than 24 hours. I absolutely had to find out what happened to Cambry, Lena, and Raycevic.
As I felt with NO EXIT, I'm not sure I really enjoyed this book. It's more that I survived it. I admire its structure, and it's great having a page-turner to fly through. I would have liked being a little less confused, but there were some great, terrifying twists here. If you don't mind a graphic and dark thriller, I recommend this one. 3.75/4 stars.
"I have to know. What happened to you, Cambry?"
I actually read Adams' NO EXIT not that long ago and that book totally stressed me out. This one did the same, though thankfully a kid wasn't full and center. Goodness, he excels at writing at tense, action-packed books. This thriller certainly keeps you guessing--I was never exactly sure what was real or what was truly happening or had happened.
HAIRPIN BRIDGE, crazily enough, mostly takes place on a bridge (who knew?), but it alternates between the past and present. It's told in snippets, with Lena and Raycevic's perspectives in the here and now, and then pieces of Lena's blog, as well as what seems to be Cambry's past flashbacks, but could be Lena's own interpretation of what happened. This part was the hardest for me, as that was incredibly confusing. The idea is to keep you off-balance and prevent you from knowing what was really happening, but sometimes I felt a bit too confused.
This thriller feels more like a movie than a book at times, with its dramatic tension and constant "what on earth can happen next" feel. Lena comes across like an action hero in moments, and I often wondered what else Adams could throw at us. (Oh, he could come up with more insanity, don't worry.) The result is a book that's dark, action-packed, and sometimes completely horrifying. It's incredibly dramatic, but wow, does it keep you turning the pages. I know I finished this one in less than 24 hours. I absolutely had to find out what happened to Cambry, Lena, and Raycevic.
As I felt with NO EXIT, I'm not sure I really enjoyed this book. It's more that I survived it. I admire its structure, and it's great having a page-turner to fly through. I would have liked being a little less confused, but there were some great, terrifying twists here. If you don't mind a graphic and dark thriller, I recommend this one. 3.75/4 stars.
BookInspector (124 KP) rated Final Girls in Books
Sep 24, 2020
More reviews on https://bbookinspector.wordpress.com
I don’t know about you, but I get this feeling after reading a great book, where I need to breathe out and have some free time before I pick up another book. I just need some time to digest what I just read, the same feeling I had after reading Final Girls. It is one of my favourite books this year and I think everybody should read it.
I was hooked from the first pages of this book, as it starts of Quincy’s escape from Pine Cottage. The main characters in this book were Quincy and Samantha (Sam). Two strong survivors of massive slaughter, but there is one small problem, Quincy can’t remember what happened that night.
All the characters in this book are really mysterious and very interesting. Most of the story was told from Quincy’s perspective, which made other characters more intriguing, because the only way to find out about them was through Quincy’s story. I needed to find out more about other characters, that’s why the pages just flew while looking for more information about them. Even though, for me, it was enough to hear the story from Quincy’s point of view, I would’ve loved to read the thoughts of other characters as well, at least at the end of the book.
The plot of this book was amazing to me. You cannot trust what you read, because as soon as you will start to believe in something, Author changes the flow of story, throwing in twist after twist and story changing turns, making this book very compelling and an absolute page turner. The narrative was changing between present and past, telling the true story of Quincy’s survival, and what happened that night in Pine Cottage. I really loved the topics author was discussing in this book, such as: pressure you get from media after surviving something horrible; mental illnesses and lifelong healing, where you can slip at any time; difficult family relationships.
The writing style of this novel was very smart, finishing every chapter with a cliff hanger, building curiosity and suspense, chapter after chapter. Add to this lovely and short chapters and a language, which was easy and pleasurable to read. The ending of the book was very nicely thought through and concluded the story really well for me. The characters and story are so awesome, that in the hands of skilled producer it could be an awesome film, and I really hope that this book will be transformed into one. It deserves it! So, to conclude, this book has a lot of interesting action going on, continuously playing with your mind and not letting you to believe in anything, throwing in twists and turns, making it a very fast paced, compelling page turner, and I think it is an ABSOLUTE MUST READ this year.
Was given this book by publisher and NetGalley for honest review.
I don’t know about you, but I get this feeling after reading a great book, where I need to breathe out and have some free time before I pick up another book. I just need some time to digest what I just read, the same feeling I had after reading Final Girls. It is one of my favourite books this year and I think everybody should read it.
I was hooked from the first pages of this book, as it starts of Quincy’s escape from Pine Cottage. The main characters in this book were Quincy and Samantha (Sam). Two strong survivors of massive slaughter, but there is one small problem, Quincy can’t remember what happened that night.
All the characters in this book are really mysterious and very interesting. Most of the story was told from Quincy’s perspective, which made other characters more intriguing, because the only way to find out about them was through Quincy’s story. I needed to find out more about other characters, that’s why the pages just flew while looking for more information about them. Even though, for me, it was enough to hear the story from Quincy’s point of view, I would’ve loved to read the thoughts of other characters as well, at least at the end of the book.
The plot of this book was amazing to me. You cannot trust what you read, because as soon as you will start to believe in something, Author changes the flow of story, throwing in twist after twist and story changing turns, making this book very compelling and an absolute page turner. The narrative was changing between present and past, telling the true story of Quincy’s survival, and what happened that night in Pine Cottage. I really loved the topics author was discussing in this book, such as: pressure you get from media after surviving something horrible; mental illnesses and lifelong healing, where you can slip at any time; difficult family relationships.
The writing style of this novel was very smart, finishing every chapter with a cliff hanger, building curiosity and suspense, chapter after chapter. Add to this lovely and short chapters and a language, which was easy and pleasurable to read. The ending of the book was very nicely thought through and concluded the story really well for me. The characters and story are so awesome, that in the hands of skilled producer it could be an awesome film, and I really hope that this book will be transformed into one. It deserves it! So, to conclude, this book has a lot of interesting action going on, continuously playing with your mind and not letting you to believe in anything, throwing in twists and turns, making it a very fast paced, compelling page turner, and I think it is an ABSOLUTE MUST READ this year.
Was given this book by publisher and NetGalley for honest review.
ClareR (5577 KP) rated The Once and Future Witches in Books
Oct 15, 2020
It’s 1893 and witches are no more since Old Salem was burnt to the ground along with all of its witches. Women’s fights have now taken to the ballot box with the Suffragist movement. In reality, the difference between ‘Witch’ and ‘Suffragist’ is quite blurred for many men. All women with too much power, knowledge or motivation are something to be reviled and controlled. Yes, this is really all about feminism, and this is only one of the many reasons why it’s a top read for me.
As far back as I can remember (and that’s quite a long way), I’ve loved fairytales, myths and legends. The original stories, if you will. Witches didn’t fare well in these stories, but they were always the characters that I wanted to know more about. What motivated them? Why were they ‘evil’? How did they do THAT?! I wanted to be the ‘good’ version! So this book has ticked a lot of boxes for me. They’re witches, they’re good, normal, women, and they want to make ALL of their lives better.
The main three characters reflect the three stages of a woman’s life (maiden, mother, crone) and also reflect the kinds of lives that many women would (and still do) live.
James Juniper, the youngest, wants to come in to her own power - whether that’s as a suffragist or a witch. She believes that you don’t have to choose: she’s a true fighter and is willing to stand up for her beliefs.
Beatrice Belladonna has escaped her life with the family years ago and works as a librarian: knowledge is her greatest power. Finally, Agnes Amaranth is an unmarried mother who wants to protect her unborn child.
They’ve all been damaged by their abusive father, and this story is as much about them rebuilding their relationship as it is about women coming in to their own power.
The Once and Future Witches has a lot to offer all ages of reader. It makes you think about not just women’s rights, but also race, LGBTQI+ rights, survival, and just standing firm for what you believe in. It shows through the example of the three estranged sisters, that we are all stronger if we stand together.
I didn’t want to stop reading this - I inhaled it, couldn’t put it down, went to bed early two days in a row just to read it, and thought about it in between times. And I’m still thinking about it. If you like witches, you’ll like this. If you like a good story, you’ll love it. If you want to read a book that encompasses all of this and has relevance to our lives today, here’s your book.
This is going to remain a firm favourite for me for a long time. Perhaps I’m one of the future witches?
Many thanks to Little, Brown and NetGalley for my copy of this book.
As far back as I can remember (and that’s quite a long way), I’ve loved fairytales, myths and legends. The original stories, if you will. Witches didn’t fare well in these stories, but they were always the characters that I wanted to know more about. What motivated them? Why were they ‘evil’? How did they do THAT?! I wanted to be the ‘good’ version! So this book has ticked a lot of boxes for me. They’re witches, they’re good, normal, women, and they want to make ALL of their lives better.
The main three characters reflect the three stages of a woman’s life (maiden, mother, crone) and also reflect the kinds of lives that many women would (and still do) live.
James Juniper, the youngest, wants to come in to her own power - whether that’s as a suffragist or a witch. She believes that you don’t have to choose: she’s a true fighter and is willing to stand up for her beliefs.
Beatrice Belladonna has escaped her life with the family years ago and works as a librarian: knowledge is her greatest power. Finally, Agnes Amaranth is an unmarried mother who wants to protect her unborn child.
They’ve all been damaged by their abusive father, and this story is as much about them rebuilding their relationship as it is about women coming in to their own power.
The Once and Future Witches has a lot to offer all ages of reader. It makes you think about not just women’s rights, but also race, LGBTQI+ rights, survival, and just standing firm for what you believe in. It shows through the example of the three estranged sisters, that we are all stronger if we stand together.
I didn’t want to stop reading this - I inhaled it, couldn’t put it down, went to bed early two days in a row just to read it, and thought about it in between times. And I’m still thinking about it. If you like witches, you’ll like this. If you like a good story, you’ll love it. If you want to read a book that encompasses all of this and has relevance to our lives today, here’s your book.
This is going to remain a firm favourite for me for a long time. Perhaps I’m one of the future witches?
Many thanks to Little, Brown and NetGalley for my copy of this book.
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Jesters_folly (230 KP) rated Embodiment of Evil (2008) in Movies
May 31, 2020
Embodiment of Evil
Embodiment of Evil is the third film of the Brazilian ‘Coffin Joe’ trilogy, following after ‘At Midnight I’ll take your soul’ and ‘This night I’ll Posses your corpse’. Set and filmed 40 years after ‘This night I’ll possess your corpse’ Embodiment of Evil follows the same basic plot as the previous two films, Josefel Zanatas aka Coffin Joe returns after seeming to die at the end of the previous film to continue his search for the perfect woman to help him continue his blood line.
Embodiment of Evil is probably best described as a ‘Slasher’, Coffin Joe is a man on a mission and he’s not afraid to make enemy’s and then kill them if they get in his way. There are also elements of torture in the film as Joe tests his followers, and the women he chooses to make sure they are strong enough for him.
Like the first two films, Embodiment of evil starts off slow, using the time to explain how Coffin Joe survived his death, this is done with a flashback which uses footage from the end of the 'This night I'll possess your corpse' and adding footage that looks like it was shot at the same time but never use at the time.
Once Joe's survival has been explained the film falls back into the narrative of the trilogy, aided by his hunchbacked sidekick, Bruno, Joe returns to his old job as a gravedigger and is soon making waves in the community with his (anti) religious views. Joe is also being hunted by victims and relatives of victims from the previous films but, this time Coffin Joe also has help, not only from Bruno but from four cult like followers.
As in the previous films it doesn't take long before Joe is cursed by witches and seeing ghosts blurring the line between what Coffin Joe sees as reality and fantasy.
Coffin Joe himself is an interesting character, he is arrogant, self-assured and superior. He is constantly fighting against authority and most of the normal people, all of whom he sees as weak, mainly due to their religious belief. He is driven by his own belief that 'blood' is the only purpose in life and his need to find the perfect, strongest woman to have his child is the only driving force in his life.
Embodiment of Evil is UK rated 18 and there is a good reason for this, there is blood, nudity, cannibalism, torture, (off screen) child murder and implied rape so it will be safe to say that this film is not for everybody. It is also worth noting that, even though some of of these subjects are also in the first two films, Embodiment of evil was made 40 years later so the effects and content is a lot more graphic.
Embodiment of Evil is the third film of the Brazilian ‘Coffin Joe’ trilogy, following after ‘At Midnight I’ll take your soul’ and ‘This night I’ll Posses your corpse’. Set and filmed 40 years after ‘This night I’ll possess your corpse’ Embodiment of Evil follows the same basic plot as the previous two films, Josefel Zanatas aka Coffin Joe returns after seeming to die at the end of the previous film to continue his search for the perfect woman to help him continue his blood line.
Embodiment of Evil is probably best described as a ‘Slasher’, Coffin Joe is a man on a mission and he’s not afraid to make enemy’s and then kill them if they get in his way. There are also elements of torture in the film as Joe tests his followers, and the women he chooses to make sure they are strong enough for him.
Like the first two films, Embodiment of evil starts off slow, using the time to explain how Coffin Joe survived his death, this is done with a flashback which uses footage from the end of the 'This night I'll possess your corpse' and adding footage that looks like it was shot at the same time but never use at the time.
Once Joe's survival has been explained the film falls back into the narrative of the trilogy, aided by his hunchbacked sidekick, Bruno, Joe returns to his old job as a gravedigger and is soon making waves in the community with his (anti) religious views. Joe is also being hunted by victims and relatives of victims from the previous films but, this time Coffin Joe also has help, not only from Bruno but from four cult like followers.
As in the previous films it doesn't take long before Joe is cursed by witches and seeing ghosts blurring the line between what Coffin Joe sees as reality and fantasy.
Coffin Joe himself is an interesting character, he is arrogant, self-assured and superior. He is constantly fighting against authority and most of the normal people, all of whom he sees as weak, mainly due to their religious belief. He is driven by his own belief that 'blood' is the only purpose in life and his need to find the perfect, strongest woman to have his child is the only driving force in his life.
Embodiment of Evil is UK rated 18 and there is a good reason for this, there is blood, nudity, cannibalism, torture, (off screen) child murder and implied rape so it will be safe to say that this film is not for everybody. It is also worth noting that, even though some of of these subjects are also in the first two films, Embodiment of evil was made 40 years later so the effects and content is a lot more graphic.