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Charlie Cobra Reviews (1840 KP) rated Crawl (2019) in Movies
Jul 7, 2020
Killer Alligators and Buckets Of Blood
Crawl is a 2019 disaster/horror movie directed by Alexandre Aja and written by Michael and Shawn Rasmussen. It was produced by Sam Raimi and Craig J. Flores and also Ghost House Pictures and Raimi Productions with distribution by Paramount Pictures. The film stars Kaya Scodelario and Barry Pepper.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
From Day to Day: One Man's Diary of Survival in Nazi Concentration Camps
Odd Nansen and Timothy J. Boyce
Book
In 1942 Norwegian Odd Nansen was arrested by the Nazis, and he spent the remainder of World War II...
graveyardgremlin (7194 KP) rated Nightmares: A New Decade of Modern Horror in Books
Feb 15, 2019
Shallaballah by [a:Mark Samuels|679023|Mark Samuels|https://images.gr-assets.com/authors/1485638875p2/679023.jpg]
Weird and I didn't completely understand it. I'm not big on surreal-like stories.
1.5 stars
Sob in the Silence by [a:Gene Wolfe|23069|Gene Wolfe|https://images.gr-assets.com/authors/1207670073p2/23069.jpg]
I liked it okay, but wasn't wowed. I feel like there was a missed opportunity and that the ending was too abrupt.
3 stars
Our Tun Too Will One Day Come by [a:Brian Hodge|167606|Brian Hodge|https://images.gr-assets.com/authors/1326937946p2/167606.jpg]
Folklore and horror equal an interesting tale. I'd read more from Brian Hodge.
4 stars
Dead Sea Fruit by [a:Kaaron Warren|1207458|Kaaron Warren|https://images.gr-assets.com/authors/1303270263p2/1207458.jpg]
So far the best in the book. Perfectly paced and pretty darned creepy.
4.5 stars
Closet Dreams by [a:Lisa Tuttle|38313|Lisa Tuttle|https://images.gr-assets.com/authors/1296860221p2/38313.jpg]
Haunting. That's the first word that popped into my head when I finished this story. Also, disturbing, sad, and devastating. Trigger warning: <spoiler>pedophilia and abduction, although not described in any kind of detail</spoiler>
5 stars
Spectral Evidence by [a:Gemma Files|765702|Gemma Files|https://images.gr-assets.com/authors/1266869494p2/765702.jpg]
I had a hard time with this, especially at the beginning since it's written as a case study with footnotes. Had this been written as a regular short story, I do believe the horror is there for a good tale, but as it stands it didn't feel at all scary or nightmarish.
2.5 stars
Hushabye by [a:Simon Bestwick|2830642|Simon Bestwick|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
This was...okay. It sorta fit the book, but it also sorta didn't. The story almost felt noir, but not quite, plus everything was rather vague. Not bad, but fine.
3 stars
Very Low-Flying Aircraft by [a:Nicholas Royle|20435|Nicholas Royle|https://s.gr-assets.com/assets/nophoto/user/m_50x66-82093808bca726cb3249a493fbd3bd0f.png]
The only horror in this is the fact that it's included in a horror anthology. I'm not even sure what the point was.
1.5 stars
The Goosle by [a:Margo Lanagan|277536|Margo Lanagan|https://images.gr-assets.com/authors/1361153347p2/277536.jpg]
Meh. An even more twisted sequel of sorts to Hansel and Gretel sans Gretel. While it's gory, it didn't bother me but I didn't love it.
3 stars
The Clay Party by [a:Steve Duffy|376166|Steve Duffy|https://images.gr-assets.com/authors/1329037438p2/376166.jpg]
A take on the Donner Party told through diary entries and a letter at the end.
4 stars
Strappado by [a:Laird Barron|466494|Laird Barron|https://images.gr-assets.com/authors/1446325324p2/466494.jpg]
This didn't do anything for me; it was just too vague.
2 stars
Lonegan's Luck by [a:Stephen Graham Jones|96300|Stephen Graham Jones|https://images.gr-assets.com/authors/1458951688p2/96300.jpg]
Interesting, the writing and pace was good. The MC is a conman of the old(?) West. I didn't understand why he did what he did exactly, like were there circumstances of something that happened to the country as a whole, but it's not such a big thing. I only hoped he'd get a taste of his own medicine, so to speak.
3 stars
Mr. Pigsny by [a:Reggie Oliver|518983|Reggie Oliver|https://images.gr-assets.com/authors/1477924368p2/518983.jpg]
An odd, creepy little tale.
4 stars
At Night, When the Demons Come by [a:Ray Cluley|4446653|Ray Cluley|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
Perfectly told, perfectly paced, with a horrible-ish ending. Definitely memorable.
4.5 stars
Was She Wicked? Was She Good by [a:Mary Rickert|7344680|Mary Rickert|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] (as M. Rickert)
Meh. Not bad, but not great either. I don't really have much to say about it.
3 stars
The Shallows by [a:John Langan|58413|John Langan|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
I honestly don't even remember this one so it must not have been all that bad or good.
2 stars
Little Pig by [a:Anna Taborska|4343515|Anna Taborska|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
Horrific only in the way of what you might do to for the survival of those you love. A quirky start with an powerful ending.
4 stars
Omphalos by [a:Livia Llewellyn|2966042|Livia Llewellyn|https://images.gr-assets.com/authors/1298571003p2/2966042.jpg]
Well-written but definitely not one for everybody. It's sick, a little too descriptive with the incest. I don't need an actual scene with explicitness. While I felt sorry for the MC and her brother, the story made me sad for actual victims. Possibly the point, but it's an upsetting story that some should probably skip. Also, what happened in the end? I get some of it, but it was so confusing and vague that I didn't fully comprehend the conclusion. It doesn't matter much, but I'm getting tired of vague endings or other scenes in these stories.
3.5 stars
How We Escaped Our Certain Fate by [a:Dan Chaon|16560|Dan Chaon|https://images.gr-assets.com/authors/1241719844p2/16560.jpg]
Interesting and thoughtful zombie tale. Slightly melancholy.
3.5 stars
That Tiny Flutter of The Heart I Used to Call Love by [a:Robert Shearman|128037|Robert Shearman|https://images.gr-assets.com/authors/1363523036p2/128037.jpg]
Strange. I'm not sure exactly what I thought of this tale, and I'm not sure I totally get what happened at the end, but that seems to be my lot with some of these stories.
3 stars
Interstate Love Song (Murder Ballad No. 8) by [a:Caitlín R. Kiernan|4798562|Caitlín R. Kiernan|https://images.gr-assets.com/authors/1491390729p2/4798562.jpg]
I liked this story. It was....interesting to say the least. Not my favorite but solid.
3.75 stars
Shay Corsham Worsted by [a:Garth Nix|8347|Garth Nix|https://images.gr-assets.com/authors/1207583754p2/8347.jpg]
3.5 stars
The Atlas of Hell by [a:Nathan Ballingrud|2957979|Nathan Ballingrud|https://images.gr-assets.com/authors/1354770124p2/2957979.jpg]
4.5 stars
Ambitious Boys Like You by [a:Richard Kadrey|37557|Richard Kadrey|https://images.gr-assets.com/authors/1252945001p2/37557.jpg]
4 - 4.5 stars
Okay, I kinda ran out of reviewing steam near the end, but the last two stories were excellent.
Weird and I didn't completely understand it. I'm not big on surreal-like stories.
1.5 stars
Sob in the Silence by [a:Gene Wolfe|23069|Gene Wolfe|https://images.gr-assets.com/authors/1207670073p2/23069.jpg]
I liked it okay, but wasn't wowed. I feel like there was a missed opportunity and that the ending was too abrupt.
3 stars
Our Tun Too Will One Day Come by [a:Brian Hodge|167606|Brian Hodge|https://images.gr-assets.com/authors/1326937946p2/167606.jpg]
Folklore and horror equal an interesting tale. I'd read more from Brian Hodge.
4 stars
Dead Sea Fruit by [a:Kaaron Warren|1207458|Kaaron Warren|https://images.gr-assets.com/authors/1303270263p2/1207458.jpg]
So far the best in the book. Perfectly paced and pretty darned creepy.
4.5 stars
Closet Dreams by [a:Lisa Tuttle|38313|Lisa Tuttle|https://images.gr-assets.com/authors/1296860221p2/38313.jpg]
Haunting. That's the first word that popped into my head when I finished this story. Also, disturbing, sad, and devastating. Trigger warning: <spoiler>pedophilia and abduction, although not described in any kind of detail</spoiler>
5 stars
Spectral Evidence by [a:Gemma Files|765702|Gemma Files|https://images.gr-assets.com/authors/1266869494p2/765702.jpg]
I had a hard time with this, especially at the beginning since it's written as a case study with footnotes. Had this been written as a regular short story, I do believe the horror is there for a good tale, but as it stands it didn't feel at all scary or nightmarish.
2.5 stars
Hushabye by [a:Simon Bestwick|2830642|Simon Bestwick|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
This was...okay. It sorta fit the book, but it also sorta didn't. The story almost felt noir, but not quite, plus everything was rather vague. Not bad, but fine.
3 stars
Very Low-Flying Aircraft by [a:Nicholas Royle|20435|Nicholas Royle|https://s.gr-assets.com/assets/nophoto/user/m_50x66-82093808bca726cb3249a493fbd3bd0f.png]
The only horror in this is the fact that it's included in a horror anthology. I'm not even sure what the point was.
1.5 stars
The Goosle by [a:Margo Lanagan|277536|Margo Lanagan|https://images.gr-assets.com/authors/1361153347p2/277536.jpg]
Meh. An even more twisted sequel of sorts to Hansel and Gretel sans Gretel. While it's gory, it didn't bother me but I didn't love it.
3 stars
The Clay Party by [a:Steve Duffy|376166|Steve Duffy|https://images.gr-assets.com/authors/1329037438p2/376166.jpg]
A take on the Donner Party told through diary entries and a letter at the end.
4 stars
Strappado by [a:Laird Barron|466494|Laird Barron|https://images.gr-assets.com/authors/1446325324p2/466494.jpg]
This didn't do anything for me; it was just too vague.
2 stars
Lonegan's Luck by [a:Stephen Graham Jones|96300|Stephen Graham Jones|https://images.gr-assets.com/authors/1458951688p2/96300.jpg]
Interesting, the writing and pace was good. The MC is a conman of the old(?) West. I didn't understand why he did what he did exactly, like were there circumstances of something that happened to the country as a whole, but it's not such a big thing. I only hoped he'd get a taste of his own medicine, so to speak.
3 stars
Mr. Pigsny by [a:Reggie Oliver|518983|Reggie Oliver|https://images.gr-assets.com/authors/1477924368p2/518983.jpg]
An odd, creepy little tale.
4 stars
At Night, When the Demons Come by [a:Ray Cluley|4446653|Ray Cluley|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
Perfectly told, perfectly paced, with a horrible-ish ending. Definitely memorable.
4.5 stars
Was She Wicked? Was She Good by [a:Mary Rickert|7344680|Mary Rickert|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] (as M. Rickert)
Meh. Not bad, but not great either. I don't really have much to say about it.
3 stars
The Shallows by [a:John Langan|58413|John Langan|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
I honestly don't even remember this one so it must not have been all that bad or good.
2 stars
Little Pig by [a:Anna Taborska|4343515|Anna Taborska|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]
Horrific only in the way of what you might do to for the survival of those you love. A quirky start with an powerful ending.
4 stars
Omphalos by [a:Livia Llewellyn|2966042|Livia Llewellyn|https://images.gr-assets.com/authors/1298571003p2/2966042.jpg]
Well-written but definitely not one for everybody. It's sick, a little too descriptive with the incest. I don't need an actual scene with explicitness. While I felt sorry for the MC and her brother, the story made me sad for actual victims. Possibly the point, but it's an upsetting story that some should probably skip. Also, what happened in the end? I get some of it, but it was so confusing and vague that I didn't fully comprehend the conclusion. It doesn't matter much, but I'm getting tired of vague endings or other scenes in these stories.
3.5 stars
How We Escaped Our Certain Fate by [a:Dan Chaon|16560|Dan Chaon|https://images.gr-assets.com/authors/1241719844p2/16560.jpg]
Interesting and thoughtful zombie tale. Slightly melancholy.
3.5 stars
That Tiny Flutter of The Heart I Used to Call Love by [a:Robert Shearman|128037|Robert Shearman|https://images.gr-assets.com/authors/1363523036p2/128037.jpg]
Strange. I'm not sure exactly what I thought of this tale, and I'm not sure I totally get what happened at the end, but that seems to be my lot with some of these stories.
3 stars
Interstate Love Song (Murder Ballad No. 8) by [a:Caitlín R. Kiernan|4798562|Caitlín R. Kiernan|https://images.gr-assets.com/authors/1491390729p2/4798562.jpg]
I liked this story. It was....interesting to say the least. Not my favorite but solid.
3.75 stars
Shay Corsham Worsted by [a:Garth Nix|8347|Garth Nix|https://images.gr-assets.com/authors/1207583754p2/8347.jpg]
3.5 stars
The Atlas of Hell by [a:Nathan Ballingrud|2957979|Nathan Ballingrud|https://images.gr-assets.com/authors/1354770124p2/2957979.jpg]
4.5 stars
Ambitious Boys Like You by [a:Richard Kadrey|37557|Richard Kadrey|https://images.gr-assets.com/authors/1252945001p2/37557.jpg]
4 - 4.5 stars
Okay, I kinda ran out of reviewing steam near the end, but the last two stories were excellent.
Charlie Cobra Reviews (1840 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Jul 7, 2020
Shark Movie That Struggles To Stay Afloat
47 Meters Down Uncaged is a 2019 survival/horror movie directed by Johannes Robert and written by Robert and Ernest Riera with producers James Harris, Mark Lane and Robert Jones. It was produced by They Fyzz Facility and distributed by Entertainment Studios Motion Pictures. The film stars Corinne Foxx, Sophie Nelisse, Brianne Tju and Sistaine Stallone.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
The Survivor: Rusty Forest
Games and Entertainment
App
Welcome to the world of "The Survivor", hit by unknown virus which has wiped out most of the world's...
Gareth von Kallenbach (965 KP) rated the PC version of The Evil Within 2 in Video Games
Jun 19, 2019
The Evil Within 2 is not only a worthy follow up to the original game but is easily one of the best survival horror games ever created in my opinion. The game takes place three years after the events of the first game and follows protagonist Sebastian Castellanos as he deals with the aftermath of his experiences in the first game. Sebastian is reeling from his prior experiences as well as a personal tragedy and has hit rock bottom.
When a former partner offers Sebastian a chance to rectify many of his issues and reclaim what he lost he reluctantly takes the opportunity even though he has to again deal with the mysterious mobius organization. Sebastian is tasked with entering a virtual world simulation known as “Union” to locate the missing operatives who had been sent in previously as well as something of a personal nature to Sebastian.
Once entering the world, it is clear that something has gone horribly wrong as all manner of nightmare inducing creatures roam the land, killing all they encounter. As if this was not bad enough, there is also a mysterious figure that seems to be leading the chaos and seems to delight in toying with and killing all he encounters.
Sebastian must locate weapons, supplies and other survivors in order to craft what he needs to survive and find his way back home. Along the way he will have to deal with puzzles, limited ammunition and supplies, and a never ending assortment of creatures looking to shred him to pieces whenever they can.
The game not only has amazing visuals and sounds, the story are very compelling and drew me into the scenarios faster than the first game did. I loved the detailed world that Sebastian found himself in and loved exploring locales ranging from churches to garages along the way.
The game did require me to adjust my usual run and gun style of play as supplies are not infinite so discretion is the better part of valor as avoiding a fight is often much wiser than confronting enemies.
Playing on the PS4 Pro, the game ran smoothly and looked amazing and while I did need a bit to get used to the controls and combat system, if you have played the original it will come back to you quickly.
I found myself enjoying the sequel even more than the original as it grabbed me from the start and did not let go. While there are puzzled in the game that have to be solved in order to progress, I did not find them as frustrating as some in the past game such as trying to turn a wheel to raise a gate while waves of enemies attacked my ammunition depleted character.
Not only did I enjoy pretty much everything about the game, I would go so far as to say it was one of my favorite releases of 2017 and is a contender for end of year awards as far as I am concerned. I am really interested to see where Bethesda will go next with the series as this was a highly enjoyable game.
http://sknr.net/2017/11/19/evil-within-2/
When a former partner offers Sebastian a chance to rectify many of his issues and reclaim what he lost he reluctantly takes the opportunity even though he has to again deal with the mysterious mobius organization. Sebastian is tasked with entering a virtual world simulation known as “Union” to locate the missing operatives who had been sent in previously as well as something of a personal nature to Sebastian.
Once entering the world, it is clear that something has gone horribly wrong as all manner of nightmare inducing creatures roam the land, killing all they encounter. As if this was not bad enough, there is also a mysterious figure that seems to be leading the chaos and seems to delight in toying with and killing all he encounters.
Sebastian must locate weapons, supplies and other survivors in order to craft what he needs to survive and find his way back home. Along the way he will have to deal with puzzles, limited ammunition and supplies, and a never ending assortment of creatures looking to shred him to pieces whenever they can.
The game not only has amazing visuals and sounds, the story are very compelling and drew me into the scenarios faster than the first game did. I loved the detailed world that Sebastian found himself in and loved exploring locales ranging from churches to garages along the way.
The game did require me to adjust my usual run and gun style of play as supplies are not infinite so discretion is the better part of valor as avoiding a fight is often much wiser than confronting enemies.
Playing on the PS4 Pro, the game ran smoothly and looked amazing and while I did need a bit to get used to the controls and combat system, if you have played the original it will come back to you quickly.
I found myself enjoying the sequel even more than the original as it grabbed me from the start and did not let go. While there are puzzled in the game that have to be solved in order to progress, I did not find them as frustrating as some in the past game such as trying to turn a wheel to raise a gate while waves of enemies attacked my ammunition depleted character.
Not only did I enjoy pretty much everything about the game, I would go so far as to say it was one of my favorite releases of 2017 and is a contender for end of year awards as far as I am concerned. I am really interested to see where Bethesda will go next with the series as this was a highly enjoyable game.
http://sknr.net/2017/11/19/evil-within-2/
Gareth von Kallenbach (965 KP) rated Bendy and the Ink Machine in Video Games
Aug 14, 2019
Set in the long abandoned Joey Drew Studios, Bendy and the Ink Machine (“BatIM”) is a survival horror game with an aesthetic of classic cartoons of yesteryear. As Henry, you set about to revisit your old workshop after receiving a mysterious letter from your past employer. When Henry arrives at the shop, he finds duhn duhn duhn the Ink Machine. The Ink Machine is a rather large device that gushes out black ink and has mystical qualities. Henry then becomes trapped in the maze-like studio, though he soon finds that he is not alone. Like a creep in the shadows, Bendy, the Mickey Mouse of the Joey Drew Studios universe, is lurking. BatIM blends puzzle solving with first-person gameplay as you adventure through a studio brimming with horrors. The art style is reminiscent of Steamboat Willie, with a macabre twist. Instead of happy go-lucky little animals, we are bombarded with the sinister grin of Bendy as he emerges from the shadows.
Similar to other games with an episodic structure (e.g.: Alan Wake and Life is Strange), BatIM uses short levels to advance the story line in some intriguing ways. Love of Exploration will be your saving grace in this game, as each area requires some in order to advance to the next. The game is not fast-paced. On the contrary, it’s meant to be a slow experience for the player with sparse combat scenarios present only to add a brief moment of action. Your actions as Henry are very limited, as is his speed. With 5 chapters, the gameplay time is at just about hours, and the game uses every minute to pull you deeper into the dark world it has created.
I reviewed BatIM for the Nintendo Switch and found that the game was somewhat held back by the platform’s technical limitations. The biggest drawback I found was that textures would often blur and have jagged edges, with the shaky 30FPS frame rate just feeding fuel to this fire. This is a detriment to gaming’s purpose in keeping the players immersed in the environment. BatIM is meant to be tense, but I often found myself dispelled of the illusion due to blurry visuals and dropped frames. With a game designed so well, how unfortunate that this be its biggest flaw. Maybe this can be patched out, but we can only hope at this point.
BatIM developer, theMeatly Games, may have taken inspiration from Five Nights at Freddy’s as the gameplay and overall genre of the games are quite similar. The world is conceptualized using objects such as books and tapes found within the game instead of long cut scenes that can tend to take you out of the moment rather than add to it in games like these. As you delve deeper into the oubliette of a workshop, you’ll find that the gameplay is perfectly paired with the game’s sick and twisted visuals, proving that BatIM delivers on every level.
Bendy and the Ink Machine is available now on all major platforms.
Similar to other games with an episodic structure (e.g.: Alan Wake and Life is Strange), BatIM uses short levels to advance the story line in some intriguing ways. Love of Exploration will be your saving grace in this game, as each area requires some in order to advance to the next. The game is not fast-paced. On the contrary, it’s meant to be a slow experience for the player with sparse combat scenarios present only to add a brief moment of action. Your actions as Henry are very limited, as is his speed. With 5 chapters, the gameplay time is at just about hours, and the game uses every minute to pull you deeper into the dark world it has created.
I reviewed BatIM for the Nintendo Switch and found that the game was somewhat held back by the platform’s technical limitations. The biggest drawback I found was that textures would often blur and have jagged edges, with the shaky 30FPS frame rate just feeding fuel to this fire. This is a detriment to gaming’s purpose in keeping the players immersed in the environment. BatIM is meant to be tense, but I often found myself dispelled of the illusion due to blurry visuals and dropped frames. With a game designed so well, how unfortunate that this be its biggest flaw. Maybe this can be patched out, but we can only hope at this point.
BatIM developer, theMeatly Games, may have taken inspiration from Five Nights at Freddy’s as the gameplay and overall genre of the games are quite similar. The world is conceptualized using objects such as books and tapes found within the game instead of long cut scenes that can tend to take you out of the moment rather than add to it in games like these. As you delve deeper into the oubliette of a workshop, you’ll find that the gameplay is perfectly paired with the game’s sick and twisted visuals, proving that BatIM delivers on every level.
Bendy and the Ink Machine is available now on all major platforms.
Melanie Caldicott (6 KP) rated Sorrowland in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
When it is a director’s second, or sophomore movie, if you like, there is a lot of unfair pressure that finds people comparing the new work to the first one. Especially if that first work has set you up as the saviour of a particular genre, as was the case with Jordan Peele. Get Out was an excellent film for its type – a breath of fresh air, so they say, that subverted what a modern horror movie is and can be.
I actually don’t think Get Out deserves all the praise it gets, to be honest. Because Peele is not on his own in resurrecting dead ideas of what disturbs us, and I prefer both his main sophomore competitors: Ari Aster and Robert Eggers, of Hereditary/Midsommar and The Witch/The Lighthouse fame respectively. The Wasteland has already well documented this triumvirate of chillers, and perhaps only the man who produces the best third film will win the argument…
Not that Get Out isn’t great, in its way. It is. It has a lot to say in terms of social commentary, and plays very satisfyingly for tone, pace and momentum. It also has some wonderful performances at its heart. Which is the main thing that it shares with the less impressive, but equally ambitious Us.
Elisabeth Moss, who is racking up some very nice credits in recent years, is very watchable and sympathetic as the heroine of the tale forced into a survival situation. But it is the consistently superlative Lupito Nyong’o who shines most. Her ability to hold a moment is extraordinary! She has a chameleon quality as an actress, which when you see and understand the theme of this film is indispensable.
In the pivotal and most memorable early scene, her sheer presence and incredible voice fill the screen with dread and eerieness to an almost unbearable degree. It is a wow moment that lasts about 5 minutes. In that part of the film I was prepared to see something very special indeed. Sadly, the tension built so superbly is not maintained for long. In fact it is somewhat thrown away, and diluted by predictable tropes and simple chase scenes, rather than more moments of unique suspense, as it needed.
Note that I am not saying anything about the plot or the premise in any way here – on this occasion, even to explain the basic idea would be to spoil the experience from the start. Peele wants you to discover his themes as The “white” family are discovering them, to increase the creepiness and anxiety of it all. This works to a degree, but all too soon, I found, it becomes a mere slasher chase film, with little extra to say. Anything great about it happens in the first half hour. After that it is still watchable, just not amazing. Even the conclusion is a little flat, which is a rookie mistake if ever there was one.
I think Peele will have learned a lot from this film. Mostly that he can’t just create magic by willing it to exist. He has to hold the reigns a little tighter to create something of equal meaning to Get Out again. Perhaps it is a scripting issue as much as a directing issue, but he wrote it too, so there is no escaping the blame! Saying this, he still retains a lot of potential to go on and fix the things that didn’t work next time. And if he manages to string a good run together then this film will be very interesting to look back on as a cult movie that just misses the mark.
One thing I do like is how he uses images and names and colours etc. to create a larger puzzle within the film. The idea being that every detail is part of a bigger meaning. When reading about the film afterwards, I was surprised and thrilled to learn there were so many intentional nods to a theme and mythology beyond what I had already grasped. Something that is also true of Aster and Eggers, as if this approach is what the new Horror movement is based on – enough background detail to be able to revisit many times and geek out over later on fan forums.
The first thing to debate, and perhaps the last, is the title. Now that does deserve a round of applause. Let’s talk about that privately later… See this movie for Moss and especially Nyong’o, and that one astonishing scene early on. Otherwise it’s a take it or leave it kind of thing.
I actually don’t think Get Out deserves all the praise it gets, to be honest. Because Peele is not on his own in resurrecting dead ideas of what disturbs us, and I prefer both his main sophomore competitors: Ari Aster and Robert Eggers, of Hereditary/Midsommar and The Witch/The Lighthouse fame respectively. The Wasteland has already well documented this triumvirate of chillers, and perhaps only the man who produces the best third film will win the argument…
Not that Get Out isn’t great, in its way. It is. It has a lot to say in terms of social commentary, and plays very satisfyingly for tone, pace and momentum. It also has some wonderful performances at its heart. Which is the main thing that it shares with the less impressive, but equally ambitious Us.
Elisabeth Moss, who is racking up some very nice credits in recent years, is very watchable and sympathetic as the heroine of the tale forced into a survival situation. But it is the consistently superlative Lupito Nyong’o who shines most. Her ability to hold a moment is extraordinary! She has a chameleon quality as an actress, which when you see and understand the theme of this film is indispensable.
In the pivotal and most memorable early scene, her sheer presence and incredible voice fill the screen with dread and eerieness to an almost unbearable degree. It is a wow moment that lasts about 5 minutes. In that part of the film I was prepared to see something very special indeed. Sadly, the tension built so superbly is not maintained for long. In fact it is somewhat thrown away, and diluted by predictable tropes and simple chase scenes, rather than more moments of unique suspense, as it needed.
Note that I am not saying anything about the plot or the premise in any way here – on this occasion, even to explain the basic idea would be to spoil the experience from the start. Peele wants you to discover his themes as The “white” family are discovering them, to increase the creepiness and anxiety of it all. This works to a degree, but all too soon, I found, it becomes a mere slasher chase film, with little extra to say. Anything great about it happens in the first half hour. After that it is still watchable, just not amazing. Even the conclusion is a little flat, which is a rookie mistake if ever there was one.
I think Peele will have learned a lot from this film. Mostly that he can’t just create magic by willing it to exist. He has to hold the reigns a little tighter to create something of equal meaning to Get Out again. Perhaps it is a scripting issue as much as a directing issue, but he wrote it too, so there is no escaping the blame! Saying this, he still retains a lot of potential to go on and fix the things that didn’t work next time. And if he manages to string a good run together then this film will be very interesting to look back on as a cult movie that just misses the mark.
One thing I do like is how he uses images and names and colours etc. to create a larger puzzle within the film. The idea being that every detail is part of a bigger meaning. When reading about the film afterwards, I was surprised and thrilled to learn there were so many intentional nods to a theme and mythology beyond what I had already grasped. Something that is also true of Aster and Eggers, as if this approach is what the new Horror movement is based on – enough background detail to be able to revisit many times and geek out over later on fan forums.
The first thing to debate, and perhaps the last, is the title. Now that does deserve a round of applause. Let’s talk about that privately later… See this movie for Moss and especially Nyong’o, and that one astonishing scene early on. Otherwise it’s a take it or leave it kind of thing.
Movie Metropolis (309 KP) rated World War Z (2013) in Movies
Jun 11, 2019
Brad Pitt has become one of Hollywood’s best loved actors over the years and it isn’t difficult to see why. His chiselled good looks, slick blonde hair and quiet confidence have all ensured he is never short of work. Here, he teams up with director Marc Forster who helmed the disappointing James Bond sequel, Quantum of Solace, in the latest zombie film to hit the screens; World War Z, but is it any good?
Pitt plays Gerry Lane, a former UN investigator who has chosen the quiet life and retired early to spend more time with his wife and children. Whilst taking his wife Karin and two daughters Rachel and Constance out in the car, they become stuck in heavy traffic which marks the start of the mayhem. From then on this 116 minute thrill ride puts the viewer on the edge of their seat more times than an Alton Towers rollercoaster.
After fleeing the hordes of ridiculously fast and ridiculously terrifying undead, Lane and his family board a US aircraft carrier where they are told they will be safe; however, as always, there is a price to pay. Gerry must start work once again to try and find the epicentre of the zombie virus – otherwise, the entire world will be lost. From here, Gerry’s mission is to travel across the globe trying to find what it is that has infected nearly 100% of the planet’s population.
What plays out could be described as a formulaic horror film, but it is so much more than that. Whilst it’s true that there isn’t enough character development, in fact there is only 5 minutes of it right at the beginning, director Marc Forster has cleverly allowed the audience to make up their own minds about the family’s back story and whether we care if they survive or not.
World War Z is not a film for the faint hearted, and whilst blood and guts are quite sparse for a movie with a 15 certificate, there are some truly terrifying moments, many of which will have your heart pumping through your chest.
There are scenes here that really get the adrenaline flowing, one of which involving a stowaway zombie onboard a commercial jet will leave you biting your lip, grabbing your seat and looking through your fingers in shock, horror and intense excitement. It’s safe to say I came away with very bitten fingernails.
Special effects are on par with some of the better blockbusters of the last couple of years. They aren’t as in your face as those in Transformers, nor as lacklustre as the CGI in I am Legend, they are right in the middle and because the effect is used incredibly subtly, you don’t notice when extras stop playing the zombies and the animators take over.
However, it is in the acting that this film really succeeds. Pitt is fantastic as Gerry Lane, his quiet sense of confidence never turns into arrogance as he fights for survival and this will hold the character in high esteem with audiences. He doesn’t pretend to be an action hero, heck, he even makes the kind of mistakes that any human would do if they were under pressure, and thankfully he does all of this beautifully; his characterisation is absolute perfection. The rest of his family are also excellent, Abigail Hargrove and Sterling Jerins who play Rachel and Constance respectively are very good indeed; you truly believe they are missing their father and cannot wait to see him return. The rest of the cast do very well with the limited roles they have, but let’s not forget that this is a Brad Pitt one-man show and he is more than up to the job.
Unfortunately, the cinematography really lets the film down. There is far too much handy-cam in the first 30 minutes, something which I hate. Directors often use it to sustain a sense of alarm and terror, but Marc Forster has used it to such an extent here that it made me feel physically sick. Moreover, whilst the story is solid, it is nothing more than that, and often the plot takes a back seat to the impressive action pieces meaning that the film seems to go through the motions of 10 minutes plot, 10 action, and so on.
Overall, World War Z is a very impressive film. The sheer scale of the virus means that Marc Forster has utilised some beautiful scenery from across the globe. Whilst it may be slightly too long for a zombie film at just under 2 hours, and have a distinct lack of character development; the impressive story, brilliant acting and very good special effects help lift it above the norm. This is a ride better than any rollercoaster, and is 100% worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/06/22/world-war-z-review-2013/
Pitt plays Gerry Lane, a former UN investigator who has chosen the quiet life and retired early to spend more time with his wife and children. Whilst taking his wife Karin and two daughters Rachel and Constance out in the car, they become stuck in heavy traffic which marks the start of the mayhem. From then on this 116 minute thrill ride puts the viewer on the edge of their seat more times than an Alton Towers rollercoaster.
After fleeing the hordes of ridiculously fast and ridiculously terrifying undead, Lane and his family board a US aircraft carrier where they are told they will be safe; however, as always, there is a price to pay. Gerry must start work once again to try and find the epicentre of the zombie virus – otherwise, the entire world will be lost. From here, Gerry’s mission is to travel across the globe trying to find what it is that has infected nearly 100% of the planet’s population.
What plays out could be described as a formulaic horror film, but it is so much more than that. Whilst it’s true that there isn’t enough character development, in fact there is only 5 minutes of it right at the beginning, director Marc Forster has cleverly allowed the audience to make up their own minds about the family’s back story and whether we care if they survive or not.
World War Z is not a film for the faint hearted, and whilst blood and guts are quite sparse for a movie with a 15 certificate, there are some truly terrifying moments, many of which will have your heart pumping through your chest.
There are scenes here that really get the adrenaline flowing, one of which involving a stowaway zombie onboard a commercial jet will leave you biting your lip, grabbing your seat and looking through your fingers in shock, horror and intense excitement. It’s safe to say I came away with very bitten fingernails.
Special effects are on par with some of the better blockbusters of the last couple of years. They aren’t as in your face as those in Transformers, nor as lacklustre as the CGI in I am Legend, they are right in the middle and because the effect is used incredibly subtly, you don’t notice when extras stop playing the zombies and the animators take over.
However, it is in the acting that this film really succeeds. Pitt is fantastic as Gerry Lane, his quiet sense of confidence never turns into arrogance as he fights for survival and this will hold the character in high esteem with audiences. He doesn’t pretend to be an action hero, heck, he even makes the kind of mistakes that any human would do if they were under pressure, and thankfully he does all of this beautifully; his characterisation is absolute perfection. The rest of his family are also excellent, Abigail Hargrove and Sterling Jerins who play Rachel and Constance respectively are very good indeed; you truly believe they are missing their father and cannot wait to see him return. The rest of the cast do very well with the limited roles they have, but let’s not forget that this is a Brad Pitt one-man show and he is more than up to the job.
Unfortunately, the cinematography really lets the film down. There is far too much handy-cam in the first 30 minutes, something which I hate. Directors often use it to sustain a sense of alarm and terror, but Marc Forster has used it to such an extent here that it made me feel physically sick. Moreover, whilst the story is solid, it is nothing more than that, and often the plot takes a back seat to the impressive action pieces meaning that the film seems to go through the motions of 10 minutes plot, 10 action, and so on.
Overall, World War Z is a very impressive film. The sheer scale of the virus means that Marc Forster has utilised some beautiful scenery from across the globe. Whilst it may be slightly too long for a zombie film at just under 2 hours, and have a distinct lack of character development; the impressive story, brilliant acting and very good special effects help lift it above the norm. This is a ride better than any rollercoaster, and is 100% worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/06/22/world-war-z-review-2013/