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Scott Tostik (389 KP) rated 31 (2016) in Movies
Feb 3, 2018 (Updated Feb 3, 2018)
Richard Brake (2 more)
Some interesting dialogue
Cliffhanger ending
Blood, guts and profanity... my 3 favorite things
I am and always will be a horror movie fan. And a Rob Zombie fan as well. While most in the horror community dispose the man, and do their best to ignore his reimagining of John Carpenter's beloved Halloween. I get his vision. I understand his process.
In 31, Zombie goes out of his way to remind us all of why he is here in this genre and why he should be here to stay.
The script penned for this flick is nothing short of dreadful, but in a good horror film That's what you want. His dialogue is full of pull no punches vulgarity that would make anyone blush. And his pattern of killing off his stars is brutal to say the least.
Capped with an amazing performance by Richard Brake, who from the beginnng of movie, let's you know that he "ain't no fucking clown!!!".
His ability to capture the true disgustingness that lives in every single one of us, that fire that burns in your body when someone cuts you off when your driving to work. Or bumps into you while walking by. That feeling that says, "Fuck, I'd love to kill that person,"... well he lets the beast out in this film.
He turns 5 mild mannered hippie carnies into vicious animalistic slashers. Killing at first out of that need for survival. Then killing because they had to do it. And finally killing because they were starting to enjoy it.
Zombie does what he does, sets them up to be knocked down as only he can. Chuck I'm some great one liners and awesome profanity filled dialogue, sprinkle it with some over the top kickass blood filled deaths and an acting performance by Richard Brake that I can't help but praise and you have a recipe for a disturbing good time. As Doomhead suggests in the opening sequence of 31. In hell everyone loves popcorn.
In 31, Zombie goes out of his way to remind us all of why he is here in this genre and why he should be here to stay.
The script penned for this flick is nothing short of dreadful, but in a good horror film That's what you want. His dialogue is full of pull no punches vulgarity that would make anyone blush. And his pattern of killing off his stars is brutal to say the least.
Capped with an amazing performance by Richard Brake, who from the beginnng of movie, let's you know that he "ain't no fucking clown!!!".
His ability to capture the true disgustingness that lives in every single one of us, that fire that burns in your body when someone cuts you off when your driving to work. Or bumps into you while walking by. That feeling that says, "Fuck, I'd love to kill that person,"... well he lets the beast out in this film.
He turns 5 mild mannered hippie carnies into vicious animalistic slashers. Killing at first out of that need for survival. Then killing because they had to do it. And finally killing because they were starting to enjoy it.
Zombie does what he does, sets them up to be knocked down as only he can. Chuck I'm some great one liners and awesome profanity filled dialogue, sprinkle it with some over the top kickass blood filled deaths and an acting performance by Richard Brake that I can't help but praise and you have a recipe for a disturbing good time. As Doomhead suggests in the opening sequence of 31. In hell everyone loves popcorn.
Isabel Smith (34 KP) rated Wicked River: a novel in Books
Jun 24, 2018
A true fight for survival...
My, oh my! What a breathtaking, multifaceted joyride of a novel! Containing elements of the horror, action, mystery, psychological suspense, adventure, coming-of-age, and even romance genres, Jenny Milchman’s latest novel Wicked River is a true genre-blending powerhouse.
The story is told from the point of view of three different individuals: the newlywed Natalie, her ambitious niece Mia, and a primitive outdoorsman named Kurt. Natalie and her husband, Doug, experience a honeymoon from hell when their exciting backcountry trek through the beautiful, vast Adirondack Park in New York morphs into a sinister fight for survival. When her aunt Natalie and new uncle Doug are gone longer than expected, Mia notices right away and suspects something is amiss. She’s young, but she’s got good instincts because her aunt and uncle are indeed in grave danger – they face the triple threat of being lost in the treacherous wilderness, running out of food and water, and being hunted by the madman named Kurt who lives amongst the woods. Blood is shed, allegiances are tested, and the body count is on the rise as multiple missing persons investigations and an epic search and rescue operation are launched.
There is a little something for everyone in Wicked River. I loved everything about it. Jenny Milchman has a knack for using the right metaphor at the right time to create such vivid imagery it feels as if the reader is alongside the characters in the picturesque yet hazardous Adirondack region. This is the first novel I’ve read by her, but she is now on my radar and I will have to catch up on her other works as well as keep a lookout for upcoming projects.
The story is told from the point of view of three different individuals: the newlywed Natalie, her ambitious niece Mia, and a primitive outdoorsman named Kurt. Natalie and her husband, Doug, experience a honeymoon from hell when their exciting backcountry trek through the beautiful, vast Adirondack Park in New York morphs into a sinister fight for survival. When her aunt Natalie and new uncle Doug are gone longer than expected, Mia notices right away and suspects something is amiss. She’s young, but she’s got good instincts because her aunt and uncle are indeed in grave danger – they face the triple threat of being lost in the treacherous wilderness, running out of food and water, and being hunted by the madman named Kurt who lives amongst the woods. Blood is shed, allegiances are tested, and the body count is on the rise as multiple missing persons investigations and an epic search and rescue operation are launched.
There is a little something for everyone in Wicked River. I loved everything about it. Jenny Milchman has a knack for using the right metaphor at the right time to create such vivid imagery it feels as if the reader is alongside the characters in the picturesque yet hazardous Adirondack region. This is the first novel I’ve read by her, but she is now on my radar and I will have to catch up on her other works as well as keep a lookout for upcoming projects.
Matthew Krueger (10051 KP) rated the Xbox One version of Amnesia: A Machine For Pigs in Video Games
Nov 14, 2020
Scary and Spooky
Amnesia: A Machine For Pigs- is a terrorfying, horrorfying, spooky, scary, creepy game.
The game features several interlocking storylines. Some take place in the past, some in the present, and some are overtly real while some may be imagined. Set in London on New Year's Eve, 1899, the game's protagonist is Oswald Mandus, a wealthy industrialist and butcher who is implied to be the great grand-nephew of Daniel, the protagonist of Amnesia: The Dark Descent.
The game is a survival horror game played from a first-person perspective.
Players explore the environments using a lantern, with diary entries and notes providing information on the lost memory of the title character. While the core of the game remains the same between the two, some elements of The Dark Descent have been removed for A Machine for Pigs, while new elements have been added, one reason being to provide a fresh gameplay experience to players of The Dark Descent.
Most of the puzzles are based on physically interacting with the environment because of this change. The sanity mechanic of the first game has been removed, meaning that the darkness and looking at the creatures no longer cause any drawbacks. Health lost when Mandus is injured, will regenerate after a certain period of time; thereby eliminating the need to find vials of laudanum to restore health as in The Dark Descent.
The game's level design has been touted as "significantly different" from that of The Dark Descent, with larger areas and outdoor environments included. AI was also adjusted to ensure players are unable to predict enemy behavior based on their experiences with the original game.
Its a excellent survival game.
The game features several interlocking storylines. Some take place in the past, some in the present, and some are overtly real while some may be imagined. Set in London on New Year's Eve, 1899, the game's protagonist is Oswald Mandus, a wealthy industrialist and butcher who is implied to be the great grand-nephew of Daniel, the protagonist of Amnesia: The Dark Descent.
The game is a survival horror game played from a first-person perspective.
Players explore the environments using a lantern, with diary entries and notes providing information on the lost memory of the title character. While the core of the game remains the same between the two, some elements of The Dark Descent have been removed for A Machine for Pigs, while new elements have been added, one reason being to provide a fresh gameplay experience to players of The Dark Descent.
Most of the puzzles are based on physically interacting with the environment because of this change. The sanity mechanic of the first game has been removed, meaning that the darkness and looking at the creatures no longer cause any drawbacks. Health lost when Mandus is injured, will regenerate after a certain period of time; thereby eliminating the need to find vials of laudanum to restore health as in The Dark Descent.
The game's level design has been touted as "significantly different" from that of The Dark Descent, with larger areas and outdoor environments included. AI was also adjusted to ensure players are unable to predict enemy behavior based on their experiences with the original game.
Its a excellent survival game.
Dying Light
6.6
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Dying Light is an open world first person survival horror action-adventure video game developed by...
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Sophia (Bookwyrming Thoughts) (530 KP) rated The Dark Descent of Elizabeth Frankenstein in Books
Jan 23, 2020
The Dark Descent of Elizabeth Frankenstein by Kiersten White is a retelling of Mary Shelley’s Frankenstein, written to commemorate the novel’s 200th anniversary. The novel follows Elizabeth Lavenza as she is first introduced to Victor Frankenstein and taken in by his family to manage his temper.
Elizabeth is a crafty protagonist who, over the years under the care of the Frankensteins, is constantly plotting and scheming. Regardless of how messed up Victor’s actions may be, White gives glimpses of moments in Elizabeth’s relationship with him where she entertains him and covers up his actions. Her survival depends on Victor, and her plots are twisted and manipulative to make sure she survives.
Kiersten White’s novel is a solid retelling that incorporates elements from Mary Shelley’s story. Although it is not necessary to read the original novel to enjoy White’s take, The Dark Descent of Elizabeth Frankenstein is dark and disturbing and perfect for those who enjoy a horror story with a cunning female lead.
<a href="https://60secondsmag.com/review-the-dark-descent-of-elizabeth-frankenstein/">This review is originally posted on 60 Seconds Online Magazine</a>
Elizabeth is a crafty protagonist who, over the years under the care of the Frankensteins, is constantly plotting and scheming. Regardless of how messed up Victor’s actions may be, White gives glimpses of moments in Elizabeth’s relationship with him where she entertains him and covers up his actions. Her survival depends on Victor, and her plots are twisted and manipulative to make sure she survives.
Kiersten White’s novel is a solid retelling that incorporates elements from Mary Shelley’s story. Although it is not necessary to read the original novel to enjoy White’s take, The Dark Descent of Elizabeth Frankenstein is dark and disturbing and perfect for those who enjoy a horror story with a cunning female lead.
<a href="https://60secondsmag.com/review-the-dark-descent-of-elizabeth-frankenstein/">This review is originally posted on 60 Seconds Online Magazine</a>
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LeftSideCut (3776 KP) rated Fresh (2022) in Movies
Apr 6, 2022
Mimi Cave's feature debut is a delightfully slick, quirky, and gruesomely entertaining thriller that dives head first into the perils of dating in the modern world. Its first 30 minutes are pretty light hearted, with a whole bunch of funny moments, and a relatable and likable protagonist in Daisy Edgar-Jones' Noa. The chemistry she shares with Steve (Sebastian Stan) feels natural and the two of them make for an enjoyable couple to watch onscreen, and exactly the same can be said when it goes full horror suddenly. If it wasn't for the fairly aggresive advertising campaign that heavily focused on the cannibal side of the plot, one could be forgiven for thinking that Fresh was a straight up rom-com. The sudden change in vibe is executed nicely, complete with a title card 30 minutes in, and I'm a sucker for that shit.
What follows is a sometimes fun, sometimes grim, fight for survival. Edgar-Jones is a solid Final Girl, and Sebastian Stan is picture perfect as the suave psychopath that we've seen a fair few times before at this point, but he's clearly having a blast. It helps no end that he's so well known as Bucky Barnes, ensuring that his sinister role here hits even harder.
The last 40 minutes or so suffer from being quite predictable in how the narrative unfolds, but the films cast and some nice camera work ensure that it crosses the finish line without too many hiccups.
Horror comedy is a sub genre that shows no sign of dying anytime soon, and films like Fresh make sure of that. Definitely worth your attention.
What follows is a sometimes fun, sometimes grim, fight for survival. Edgar-Jones is a solid Final Girl, and Sebastian Stan is picture perfect as the suave psychopath that we've seen a fair few times before at this point, but he's clearly having a blast. It helps no end that he's so well known as Bucky Barnes, ensuring that his sinister role here hits even harder.
The last 40 minutes or so suffer from being quite predictable in how the narrative unfolds, but the films cast and some nice camera work ensure that it crosses the finish line without too many hiccups.
Horror comedy is a sub genre that shows no sign of dying anytime soon, and films like Fresh make sure of that. Definitely worth your attention.