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A Peculiar Combination
10.0
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The first in the Electra McDonnell series from Edgar-nominated author Ashley Weaver, set in England...
The Killer’s Wife
Book
A serial killer, a woman on the run, and an obsessive parole officer tangle in a psychological net...
Psychological Thriller Suspense
The Beauty Doctor
Book
"Beauty is power," Dr. Rome told her. "And with enough power, one can achieve anything." ...
Historical Mystery Suspense Edwardian
Mark @ Carstairs Considers (2346 KP) rated Under the Radar in Books
Apr 25, 2024 (Updated Apr 25, 2024)
Can Zoe and Pete Target the Right Killer?
When Zoe Chambers is called to the scene of a shooting, she is surprised to find the shooter is Horace Pavelka, a friend from high school. Horace has confessed to shooting Dennis Culp, a man who has bullied and abused him since they were in school together. The evidence for self-defense is compelling, so Pete Adams lets Horace go. However, Horace has only been out a couple of hours when another of his tormentors winds up dead and everyone on the case seems to go missing. Can Pete find any of his suspects? Will Zoe be able to prove her friend innocent?
This author has a way of pulling you in from the first page, and this book is no exception. The book has several strong subplots that make for even more compelling reading. There was one twist I didn’t quite feel was earned, but that’s a minor issue. Things come together for a tense and logical climax. The characters are strong as always, and I love watching Zoe and Pete’s relationship deepen. This is a little darker than my typical cozies, but as long as you know this going in, you’ll be fine. Once again, we spend equal time in Zoe and Pete’s heads, allowing the suspense to grow as they work on things from different angles. Fans who haven’t read this one yet are in for a treat, and if you’ve missed this series, be sure to start it soon.
This author has a way of pulling you in from the first page, and this book is no exception. The book has several strong subplots that make for even more compelling reading. There was one twist I didn’t quite feel was earned, but that’s a minor issue. Things come together for a tense and logical climax. The characters are strong as always, and I love watching Zoe and Pete’s relationship deepen. This is a little darker than my typical cozies, but as long as you know this going in, you’ll be fine. Once again, we spend equal time in Zoe and Pete’s heads, allowing the suspense to grow as they work on things from different angles. Fans who haven’t read this one yet are in for a treat, and if you’ve missed this series, be sure to start it soon.
Struck Dead (Forensic Instincts #10)
Book
The fragile line between life and death… Families that will never be the same… When a tragic...
Suspense Mystery Thriller
Cowboy Watch (The Watchers #1)
6.0
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The Watchers Series—Fallen angels cast out of heaven by the archangel Michael for coercing with...
Supernatural Romance Suspense
Gareth von Kallenbach (980 KP) rated The Nun (2018) in Movies
Jul 2, 2019
I’ve always been a sucker for supernatural thrillers that are based on “actual events”, even if the way it’s portrayed in the movies nowhere resembles the truth. For some reason, it’s always intriguing to watch a film and imagine that these things could potentially happen. This has always been the draw of The Conjuring films, which are loosely based on the lives of Ed and Lorraine Warren, whose paranormal investigations were the inspiration behind not only this series but the Amityville Horror. So, when I heard that The Nun was another movie set in the same cinematic universe as The Conjuring franchise I anxiously awaited the opportunity to review it.
The Nun begins with two nuns who are attempting to destroy an evil being that has cursed an abbey in a small Romanian village for hundreds of years. After a young man who goes by the name Frenchie (Jonas Bloquet) discovers one of the nuns has hung herself, the Vatican summons Father Burke (Demián Bichir), who is known for his special skills in exorcisms and Sister Irene (Taissa Farmiga), a young nun-in-training to investigate the matter. With Frenchie as their guide, they travel to the abbey to uncover the mysteries of the nun’s suicide.
The Nun reintroduces us to a familiar demonic figure that was originally introduced in The Conjuring 2. Sadly, this is where the similarities to the other Conjuring films end. The Nun has its share of jump scares, but the entire film seems to be a compilation of various horror tropes including everything from crosses turning upside down to using holy water to get rid of demons. All the typical exorcism movie elements are there, but none of them really add any context to the story or answer any questions as to why the priest and nun were sent to investigate the suicide. There is no discernable path that the characters take to unravel the mystery, and it attempts to build suspense only to “Hollywood-up” the ending. They sacrificed suspense and mystery and replaced it with monster filled battles and cheesy one-liners. Instead of beautifully haunting ghosts and demons we got what I could only describe as nun-mummies which can now be taken down with shovels and shotguns. A shotgun was not part of Father Burke’s exorcism arsenal but towards the end of the movie you start to think maybe that should have been his weapon of choice all along (who needs a cross and holy water, when you have your trusty 12-gauge).
The setting is as beautiful as it is creepy, and it’s hard not to wonder how they could take such an amazing setting and dumb it down. The Nun herself is particularly creepy and the characters at first glance appear to be interesting which is why it’s so disappointing that the movie feels so much like a missed opportunity. The pacing of the movie is incredibly slow as well, with all the buildup of the investigation most of the time you are just waiting for something to happen. To make it even worse, most of the buildups lead the audience down a path of confusion and not only raise more questions that will never be answered, but also destroy any believability of the story.
Ultimately, fans of The Conjuring franchise will likely leave disappointed and with even more longing for The Conjuring 3 to be released. The movie lacks much of the suspense and outright terror that the previous movies in the series were well known for and ultimately feels like a spinoff movie that lacks any real connection to the movies preceding it. The Nun isn’t a terrible movie, and I didn’t leave feeling as though I had completely wasted an hour and a half of my time, it just really doesn’t do anything to break new ground or move the franchise along in any meaningful way. While there are parts of the movie that will have you jump, the reality is, that the scenes following these moments will keep you bewildered and likely cause you to forget what made you jump in the first place. It has some interesting concepts, but nothing that hasn’t been done better in similar movies before it. In the end it’s a movie that people will not likely hate but will not feel satisfied with either. I certainly wouldn’t recommend paying full price to see it, but it may be worth the Saturday matinee price or watching it when it comes to Blu-ray. If you want a good ghost or demon movie to get you in the Halloween spirit, this isn’t it. You’d be much better off watching the spectacularly classic Poltergeist or The Exorcist if you really want to be scared out of your wits.
What I liked: The setting and atmosphere, The Nun herself was pretty freaky
What I liked less: Disjointed story, Too many unanswered questions, Overall “meh” feeling
The Nun begins with two nuns who are attempting to destroy an evil being that has cursed an abbey in a small Romanian village for hundreds of years. After a young man who goes by the name Frenchie (Jonas Bloquet) discovers one of the nuns has hung herself, the Vatican summons Father Burke (Demián Bichir), who is known for his special skills in exorcisms and Sister Irene (Taissa Farmiga), a young nun-in-training to investigate the matter. With Frenchie as their guide, they travel to the abbey to uncover the mysteries of the nun’s suicide.
The Nun reintroduces us to a familiar demonic figure that was originally introduced in The Conjuring 2. Sadly, this is where the similarities to the other Conjuring films end. The Nun has its share of jump scares, but the entire film seems to be a compilation of various horror tropes including everything from crosses turning upside down to using holy water to get rid of demons. All the typical exorcism movie elements are there, but none of them really add any context to the story or answer any questions as to why the priest and nun were sent to investigate the suicide. There is no discernable path that the characters take to unravel the mystery, and it attempts to build suspense only to “Hollywood-up” the ending. They sacrificed suspense and mystery and replaced it with monster filled battles and cheesy one-liners. Instead of beautifully haunting ghosts and demons we got what I could only describe as nun-mummies which can now be taken down with shovels and shotguns. A shotgun was not part of Father Burke’s exorcism arsenal but towards the end of the movie you start to think maybe that should have been his weapon of choice all along (who needs a cross and holy water, when you have your trusty 12-gauge).
The setting is as beautiful as it is creepy, and it’s hard not to wonder how they could take such an amazing setting and dumb it down. The Nun herself is particularly creepy and the characters at first glance appear to be interesting which is why it’s so disappointing that the movie feels so much like a missed opportunity. The pacing of the movie is incredibly slow as well, with all the buildup of the investigation most of the time you are just waiting for something to happen. To make it even worse, most of the buildups lead the audience down a path of confusion and not only raise more questions that will never be answered, but also destroy any believability of the story.
Ultimately, fans of The Conjuring franchise will likely leave disappointed and with even more longing for The Conjuring 3 to be released. The movie lacks much of the suspense and outright terror that the previous movies in the series were well known for and ultimately feels like a spinoff movie that lacks any real connection to the movies preceding it. The Nun isn’t a terrible movie, and I didn’t leave feeling as though I had completely wasted an hour and a half of my time, it just really doesn’t do anything to break new ground or move the franchise along in any meaningful way. While there are parts of the movie that will have you jump, the reality is, that the scenes following these moments will keep you bewildered and likely cause you to forget what made you jump in the first place. It has some interesting concepts, but nothing that hasn’t been done better in similar movies before it. In the end it’s a movie that people will not likely hate but will not feel satisfied with either. I certainly wouldn’t recommend paying full price to see it, but it may be worth the Saturday matinee price or watching it when it comes to Blu-ray. If you want a good ghost or demon movie to get you in the Halloween spirit, this isn’t it. You’d be much better off watching the spectacularly classic Poltergeist or The Exorcist if you really want to be scared out of your wits.
What I liked: The setting and atmosphere, The Nun herself was pretty freaky
What I liked less: Disjointed story, Too many unanswered questions, Overall “meh” feeling
Acanthea Grimscythe (300 KP) rated Deliver Her in Books
May 16, 2018
Like many of the readers that have turned the pages of this book, I selected <i>Deliver Her: A Novel</i> because it was one of this month's options for Amazon Prime subscribers via Kindle First. Listed under suspense, the title's description hinted at an edge-of-your-seat, fast-paced story. While the tragic tale of Alex Carmody, her dysfunctional family, and the hired transport were entertaining, it did not live up to my expectations when it comes to a novel of this genre.
After the horrific death of her best friend, Alex Carmody spirals out of control and she becomes the typical angst filled, rebellious teenager. In a last-ditch effort to save Alex from herself, her mother decides to hire Carl Alden, owner of Begin Again Transport, to take her to The Birches, a boarding school for troubled youth. En route, as stated in the description, Alex goes missing and things begin to spiral out of control.
The plot of the story is fairly simple and does bear realistic elements, even if a few of them, such as Alex's behavior, are a bit too cliche. While the story is centered around Alex's transport to The Birches, it seems as if her mother plays the most dominant role in the book. It is easier to feel "in touch" with Meg's thoughts, feelings, and realizations than it is Carl's or Alex's. Many times, I felt that Meg was closer to the brink of losing control than Alex was, perhaps due to the way in which her entire life was deteriorating around her. In her portrayal of a dysfunctional family and a marriage in shambles, Donovan succeeded in creating a feeling of empathy for the Carmodys.
On the other hand, the story progressed fairly slowly, and at times the style was inconsistent. There were many occasions in which I felt the word choice was too verbose, only to become more simple a few pages later. This, coupled with the frequent change in point of view, interrupted the story's flow while simultaneously blurring the line as to which of the three main characters served as the protagonist.
The minor characters seemed, more often than not, to be a convenient scapegoat, used to justify certain actions and outcomes. Evan is introduced to the reader as your typical drug-abusing kid, and despite Alex's feelings for him, plays a very minor role in the book. It's mentioned that Alex is his mule, however that subject isn't really touched upon beyond simple acknowledgment. Jacob, Alex's father, sits backseat for the majority of the story, only to become a major player toward the end, bringing to light his own shortcomings - and the truth behind some of the accusations that Alex has suffered. Shana appears to exist solely to substantiate the tragedy that started Alex's decline, while her brother is mentioned only in memories, despite the crucial role he's played in the Carmody family history.
Despite its shortcomings, and the fact that I do not feel it should be categorized as suspense, <i>Deliver Her: A Novel</i> was a fun read. I do not regret the time that I spent turning its pages, and should Donovan decide to turn this into a Transport series, I would probably read further installments.
<b>This book was acquired free of charge via Amazon Prime Kindle First. My review is an accurate expression of my own opinion, without bias.</b>
After the horrific death of her best friend, Alex Carmody spirals out of control and she becomes the typical angst filled, rebellious teenager. In a last-ditch effort to save Alex from herself, her mother decides to hire Carl Alden, owner of Begin Again Transport, to take her to The Birches, a boarding school for troubled youth. En route, as stated in the description, Alex goes missing and things begin to spiral out of control.
The plot of the story is fairly simple and does bear realistic elements, even if a few of them, such as Alex's behavior, are a bit too cliche. While the story is centered around Alex's transport to The Birches, it seems as if her mother plays the most dominant role in the book. It is easier to feel "in touch" with Meg's thoughts, feelings, and realizations than it is Carl's or Alex's. Many times, I felt that Meg was closer to the brink of losing control than Alex was, perhaps due to the way in which her entire life was deteriorating around her. In her portrayal of a dysfunctional family and a marriage in shambles, Donovan succeeded in creating a feeling of empathy for the Carmodys.
On the other hand, the story progressed fairly slowly, and at times the style was inconsistent. There were many occasions in which I felt the word choice was too verbose, only to become more simple a few pages later. This, coupled with the frequent change in point of view, interrupted the story's flow while simultaneously blurring the line as to which of the three main characters served as the protagonist.
The minor characters seemed, more often than not, to be a convenient scapegoat, used to justify certain actions and outcomes. Evan is introduced to the reader as your typical drug-abusing kid, and despite Alex's feelings for him, plays a very minor role in the book. It's mentioned that Alex is his mule, however that subject isn't really touched upon beyond simple acknowledgment. Jacob, Alex's father, sits backseat for the majority of the story, only to become a major player toward the end, bringing to light his own shortcomings - and the truth behind some of the accusations that Alex has suffered. Shana appears to exist solely to substantiate the tragedy that started Alex's decline, while her brother is mentioned only in memories, despite the crucial role he's played in the Carmody family history.
Despite its shortcomings, and the fact that I do not feel it should be categorized as suspense, <i>Deliver Her: A Novel</i> was a fun read. I do not regret the time that I spent turning its pages, and should Donovan decide to turn this into a Transport series, I would probably read further installments.
<b>This book was acquired free of charge via Amazon Prime Kindle First. My review is an accurate expression of my own opinion, without bias.</b>
Midge (525 KP) rated Shallow Water in Books
Jan 23, 2019 (Updated Jan 23, 2019)
Lots of suspense (1 more)
Great lead characters
Nail-biting Thriller!
"Shallow Water" is a nail-biting, edge-of-your-seat story that has a bit of everything. From tension, fear, and panic to drama, romance and conflict, and joy and sorrow, there really is something for everyone. It is a suspenseful, psychological thriller fiction novel set in wonderfully scenic Pt. Redwood on California’s rural Mendocino coast.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
Gareth von Kallenbach (980 KP) rated Hunter Killer (2018) in Movies
Jul 2, 2019
The Hunt for Red October. Crimson Tide. Das Boot. These are the some of the greatest submarine movies ever made. Hunter Killer is not on that list.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.