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Kristy H (1252 KP) rated The Girl Before in Books
Jan 21, 2018
Suspenseful and different novel
Two wounded women reeling from personal issues are looking for a new apartment. For Emma, she requires a safe place after being the victim of a break-in while her loyal boyfriend, Simon, was out. For Jane, it is a new place that holds no reminders of the baby she lost. For each woman, the house at One Folgate Street seems to offer exactly what they are looking for. It is designed by well-known architect, Edward Monkford, and comes with a set of rules created by the inscrutable man himself. In fact, to live at One Folgate Streets means signing off on over 200 rules, ranging from no books or personal mementos, to total tidiness, to agreeing to showing the house on architectural tours, to accepting to the intense technology that it comes with, including the house monitoring your well-being and moods. At first, the rules and clarity that come with One Folgate Street seem comforting to Emma and Jane. But as they spend more time in the house--and learn about its past, including its mysterious builder--they become terrifying and stifling.
THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. The house itself almost becomes another character in the novel. It starts to drag a bit halfway through as you wonder what will happen in the next half (people living in a technologically advanced house can only be so exciting, right?). But then, suddenly, the novel takes some odd turns (there are some interesting sexual plot twists) and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller.
Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. The house itself almost becomes another character in the novel. It starts to drag a bit halfway through as you wonder what will happen in the next half (people living in a technologically advanced house can only be so exciting, right?). But then, suddenly, the novel takes some odd turns (there are some interesting sexual plot twists) and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller.
Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Jade Clarke-Mackintosh (7 KP) rated Come Sundown in Books
Jan 22, 2018
Brilliant but a harrowing read!
I am a big fan of Nora Roberts, and this book undoubtedly shows just why she has become such a top seller. Romantic suspense or crime thrillers aren't usually my thing but this author has a way of dragging me, and I know whatever I read will be worth it.
This book was very hard to read in places and extremely dark, some of the subject matters were hard hitting and I had to put the book down and walk away for a for a while. I am surprised it didn't come with a bit more of a warning to readers.
The story centres around the Bodine family who have a ranch resort in Montana. Like all her books it is based on family values and the healing powers of friendships formed. The story centres around Bodine Longbow manager of the resort side, which her family have had for generations. Due to circumstances out of her control she is in need of a horseman, and it just so happens here brothers best friend is back in town after a stint in Hollywood with his show horse Sundown. She has had a crush on him since they were at school and it is very sweet to watch the romance blossom between the two.
Alongside of this in true Nora style, there is another darker, more sinister story developing. One member of the Bodine family Alice, has be gone for years, expected of being a run away and giving up on the family as she was always strong willed and somewhat of a free spirit, was actually kidnapped whilst making her way home and has been in confinement in a room for years, being brutally beaten and raped repeatedly by a religious nut, who believes women are for bearing children and doing as their husbands tell them. Most of these scenes reduced me to tears.
<i>“He told her she was his property now. Though she’d clearly been a whore before he’d saved her on the side of the road, she was his responsibility now. And his to do with as he pleased.
He suggested she read the Bible, as it was written a woman was to be under a man’s dominance, how God had created woman from Adam’s rib to serve as his helpmate and to bear his children.”</i>
These scenes and many like them, within the book are very graphic, and there are a lot of triggers. As mentioned earlier in my review I had to put the book down and go do other things to get my mind off what was happening. Time and time again Nora shows how the love of family and friends can mend almost anything.
There are lots of parallel story lines running throughout the book, which all come together towards the end, making the darker parts more bearable. Another brilliant book by the author, the only reason I didn't give it five stars is because of how much I struggled with parts of the brutality and abuse.
This book was very hard to read in places and extremely dark, some of the subject matters were hard hitting and I had to put the book down and walk away for a for a while. I am surprised it didn't come with a bit more of a warning to readers.
The story centres around the Bodine family who have a ranch resort in Montana. Like all her books it is based on family values and the healing powers of friendships formed. The story centres around Bodine Longbow manager of the resort side, which her family have had for generations. Due to circumstances out of her control she is in need of a horseman, and it just so happens here brothers best friend is back in town after a stint in Hollywood with his show horse Sundown. She has had a crush on him since they were at school and it is very sweet to watch the romance blossom between the two.
Alongside of this in true Nora style, there is another darker, more sinister story developing. One member of the Bodine family Alice, has be gone for years, expected of being a run away and giving up on the family as she was always strong willed and somewhat of a free spirit, was actually kidnapped whilst making her way home and has been in confinement in a room for years, being brutally beaten and raped repeatedly by a religious nut, who believes women are for bearing children and doing as their husbands tell them. Most of these scenes reduced me to tears.
<i>“He told her she was his property now. Though she’d clearly been a whore before he’d saved her on the side of the road, she was his responsibility now. And his to do with as he pleased.
He suggested she read the Bible, as it was written a woman was to be under a man’s dominance, how God had created woman from Adam’s rib to serve as his helpmate and to bear his children.”</i>
These scenes and many like them, within the book are very graphic, and there are a lot of triggers. As mentioned earlier in my review I had to put the book down and go do other things to get my mind off what was happening. Time and time again Nora shows how the love of family and friends can mend almost anything.
There are lots of parallel story lines running throughout the book, which all come together towards the end, making the darker parts more bearable. Another brilliant book by the author, the only reason I didn't give it five stars is because of how much I struggled with parts of the brutality and abuse.
Kristy H (1252 KP) rated The Twilight Wife in Books
Feb 13, 2018
Kyra Winthrop and her husband, Jacob, are headed to live on a remote island (in the house where Jacob grew up) to get away from it all. Kyra recently suffered a head injury in a diving accident; she hit her head on a rock and while Jacob saved her, she cannot remember the past four years of her life and is having trouble with her current ability to retain things. Kyra and Jacob hope time away, in a quiet place, will let Kyra--and her memory--heal. But once on the island, Kyra begins to remember more and more. About the accident and about her past. She has no one to rely on but Jacob, who tells her much of what she remembers are only dreams. But Kyra is convinced it's more. And what about the shadowy third figure she continually recalls from their diving accident? Kyra isn't sure who to trust, even herself, as she tries to unfold her past and recall not only her accident, but who she has been for the past four years.
This was a fascinating book that really took the premise of the "unreliable" narrator to a whole new level. What I enjoyed the most is that we learned the bits and pieces about Kyra's life, and who she was, just as she did. This made the novel very suspenseful and helped make up for any points where it seemed a little unbelievable (e.g., only forgetting exactly these 4 crucial years, no Internet on the island except at their home, etc.), or where the story felt a bit flat. Kyra is our main character, and she's interesting and complicated, with her memory loss and unknown past. She's truly trying to find out who she is. The others in the novel, mainly Jacob and a few island residents, aren't exactly characters you form an attachment to. Still, I found the book captivating and basically read the second half in one sitting: it's a very fast read, and you become easily drawn into Kyra's world.
I found the ending to be a little easy and pat, but I still enjoyed watching all the pieces come together (even if I'd guessed some of them already). The novel really truly does a masterful job at creating intrigue into Kyra's past and the various parts of her life, and how she has arrived on this remote island with Jacob (don't want to give anything away). It's a little eerie, a little creepy, and a little haunting. It was sort of a fun version of a Lifetime movie--one that had me hooked and enjoying the plot, versus rolling my eyes and changing the channel--and because I so enjoyed seeing everything come together and racing through the end of the book, it pushed my rating up to 4 stars. If you're looking for a quick suspense read, it's definitely worth picking this one up.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 12/27/2016.
This was a fascinating book that really took the premise of the "unreliable" narrator to a whole new level. What I enjoyed the most is that we learned the bits and pieces about Kyra's life, and who she was, just as she did. This made the novel very suspenseful and helped make up for any points where it seemed a little unbelievable (e.g., only forgetting exactly these 4 crucial years, no Internet on the island except at their home, etc.), or where the story felt a bit flat. Kyra is our main character, and she's interesting and complicated, with her memory loss and unknown past. She's truly trying to find out who she is. The others in the novel, mainly Jacob and a few island residents, aren't exactly characters you form an attachment to. Still, I found the book captivating and basically read the second half in one sitting: it's a very fast read, and you become easily drawn into Kyra's world.
I found the ending to be a little easy and pat, but I still enjoyed watching all the pieces come together (even if I'd guessed some of them already). The novel really truly does a masterful job at creating intrigue into Kyra's past and the various parts of her life, and how she has arrived on this remote island with Jacob (don't want to give anything away). It's a little eerie, a little creepy, and a little haunting. It was sort of a fun version of a Lifetime movie--one that had me hooked and enjoying the plot, versus rolling my eyes and changing the channel--and because I so enjoyed seeing everything come together and racing through the end of the book, it pushed my rating up to 4 stars. If you're looking for a quick suspense read, it's definitely worth picking this one up.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 12/27/2016.
Kristy H (1252 KP) rated The Secret Place in Books
Feb 13, 2018
The fifth installment in Tana French's Dublin Murder Squad series reintroduces some familiar faces, notably Holly Mackey, Frank Mackey, and Stephen Moran from French's [b:Faithful Place|7093952|Faithful Place (Dublin Murder Squad, #3)|Tana French|https://d.gr-assets.com/books/1291165900s/7093952.jpg|7350661]. Detective Moran is toiling away in Cold Cases, dreaming of joining the Murder Squad, when Holly shows up. She holds in her hand a card reading "I know who killed him," featuring a photo of Chris Harper, a handsome boy from a private school who was killed a year ago. Suddenly, Stephen finds himself inserted into the middle of St. Kilda's School, Holly's private all-girls' school, the neighborhood school to Chris', and the place where his body was found. Stephen joins up with the Murder Squad's Detective Antoinette Conway, one of the original leads on Chris' case, to find out what happened. But Stephen quickly realizes that Antoinette isn't a popular figure in the Squad, and that the girls of St. Kilda's are a tight-knit, complicated bunch whose interconnected relationships present Conway and Moran many obstacles in finding Chris' killer. Can they find the killer before the girls close ranks for good?
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Hazel (1853 KP) rated Glass Sword in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
“Thriller of the year” according to <i>Observer</i>; it makes you wonder what all the other thrillers were like. <i>Gone Girl</i> is a contemporary crime thriller by American author Gillian Flynn. Likable “Cool Girl” Amy Dunne is missing; the police think her husband has something to do with it, but what really happened?
Flynn begins the novel with an epigraph: “Love is the world’s infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood.” – Tony Kushner, <i>The Illusion</i>. This implies that love and hate, and perhaps murder, will be the main issues within the novel. It hints that relationships may not be all that they first appear, which becomes evident as you read deeper into the book.
Split into three parts, the first section alternates between a first person account from Nick Dunne, the husband, of what is occurring on the day in which Amy disappears and the following days when both he and the police are attempting to determine the truth about what has happened and trying to find out where Amy is; and diary entries from Amy dating as far back as 2005.
To begin with I did not think much of the story and did not particularly like Amy, despite her being portrayed as a likable character; however I soon got into the story siding with Nick and wanting him to be innocent even though evidence and suspicion were mounting against him.
Initially I assumed that the truth would not be revealed until the end of the story rather than on the first page of part two. For the remainder of the book Nick’s narrative remains the same, progressing from where it left off at the end of part one; whereas Amy, instead of diary entries, she is telling the reader the truth about what happened on the 5th July – the day she went missing – and the subsequent days and weeks. At this point I became a bit bored with the story; as the reader we know the truth and it is frustrating that the police are getting it wrong. However part three contained more suspense than the rest of the novel.
So, why only three stars? As I already mentioned it did not seem that great at the beginning and to be honest I did not feel satisfied with the ending either. One of the main things that bothered me was the use of swear words. I understand that many people swear and so it is inevitable that these words would end up in novels; however in my opinion there is swearing and then there is <i>swearing</i>. This was beginning to border on the latter. Yes some of the characters were angry but I thought the use of expletives was slightly overdone.
Despite these misgivings it was a well-written piece of fiction that I think others may enjoy – the ratings on <i>Goodreads</i> certainly suggest that; but for me it was not anything special.
Flynn begins the novel with an epigraph: “Love is the world’s infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood.” – Tony Kushner, <i>The Illusion</i>. This implies that love and hate, and perhaps murder, will be the main issues within the novel. It hints that relationships may not be all that they first appear, which becomes evident as you read deeper into the book.
Split into three parts, the first section alternates between a first person account from Nick Dunne, the husband, of what is occurring on the day in which Amy disappears and the following days when both he and the police are attempting to determine the truth about what has happened and trying to find out where Amy is; and diary entries from Amy dating as far back as 2005.
To begin with I did not think much of the story and did not particularly like Amy, despite her being portrayed as a likable character; however I soon got into the story siding with Nick and wanting him to be innocent even though evidence and suspicion were mounting against him.
Initially I assumed that the truth would not be revealed until the end of the story rather than on the first page of part two. For the remainder of the book Nick’s narrative remains the same, progressing from where it left off at the end of part one; whereas Amy, instead of diary entries, she is telling the reader the truth about what happened on the 5th July – the day she went missing – and the subsequent days and weeks. At this point I became a bit bored with the story; as the reader we know the truth and it is frustrating that the police are getting it wrong. However part three contained more suspense than the rest of the novel.
So, why only three stars? As I already mentioned it did not seem that great at the beginning and to be honest I did not feel satisfied with the ending either. One of the main things that bothered me was the use of swear words. I understand that many people swear and so it is inevitable that these words would end up in novels; however in my opinion there is swearing and then there is <i>swearing</i>. This was beginning to border on the latter. Yes some of the characters were angry but I thought the use of expletives was slightly overdone.
Despite these misgivings it was a well-written piece of fiction that I think others may enjoy – the ratings on <i>Goodreads</i> certainly suggest that; but for me it was not anything special.
Gareth von Kallenbach (977 KP) rated A Quiet Place (2018) in Movies
Jun 19, 2019
Like many parents, Lee (John Krasinski), and Evelyn (Emily Blunt), have an overwhelming urge to keep their children safe in the world and protect them at all costs. In the new film “A Quiet Place”, that maternal drive is taken to extreme levels as the world has been attacked by vicious creatures who hunt by sound alone.
The slightest loud noise will bring a rapid moving creature in moments that will destroy whatever made the sound instantly. As such, Lee and Evelyn have gone to great lengths to live as quietly as possible and even have a system for their home and supply runs to be as safe as possible.
When tragedy strikes, it causes a division between Lee and their only daughter Regan (Millicent Simmonds), who although deaf herself believes she is being blamed for the tragedy and the guilt has only grown over time.
The family continues on and the film jumps forward in time to show that Lee is studying as much about the creatures as he can in an effort to find a weakness they can use as well as to provide more security for his family.
Of course even the best plans do not always work and what follows is a very intense and raw struggle for survival which shows just how far a person is willing to go for their family.
Krasinski not only stars in the film but also directed it and helped to write the screenplay. Working with his actual wife worked very well as they have a fantastic chemistry which helps them convey the emotions and thoughts of the film well which is amazing considering how little dialogue there is in the film as gestures and sign language are the most common form of communication.
The film is very intense in moments and a fantastic extended sequence with Blunt had my wife squeezing my hand tightly and afraid to utter a sound as it left her holding her breath.
The film is a very fresh take on the creature genre and the quality of the performances lifts the film to a level rarely seen in a suspense film. The film did play a bit fast and loose with some aspects such as the history of the creatures and the state of the world around them as it is largely conveyed through newspaper headlines left lying around. As such I found myself wondering why certain defensive options and offensive tactics were not used as to me they seemed to be common sense approaches. For a film with such a fresh premise and strong performances, the ending did seem to depend a bit too much on some of the usual Hollywood stereotypes but it did not keep the film from being highly entertaining and effective. As I watched the film I kept thinking that there could be a connection to “Cloverfield” especially based on aspects of the creatures. The film was made for a very small budget so hopefully we will be seeing a sequel in the near future as “A Quiet Place” was a very enjoyable film and one of the best surprises of the year.
http://sknr.net/2018/04/05/a-quiet-place/
The slightest loud noise will bring a rapid moving creature in moments that will destroy whatever made the sound instantly. As such, Lee and Evelyn have gone to great lengths to live as quietly as possible and even have a system for their home and supply runs to be as safe as possible.
When tragedy strikes, it causes a division between Lee and their only daughter Regan (Millicent Simmonds), who although deaf herself believes she is being blamed for the tragedy and the guilt has only grown over time.
The family continues on and the film jumps forward in time to show that Lee is studying as much about the creatures as he can in an effort to find a weakness they can use as well as to provide more security for his family.
Of course even the best plans do not always work and what follows is a very intense and raw struggle for survival which shows just how far a person is willing to go for their family.
Krasinski not only stars in the film but also directed it and helped to write the screenplay. Working with his actual wife worked very well as they have a fantastic chemistry which helps them convey the emotions and thoughts of the film well which is amazing considering how little dialogue there is in the film as gestures and sign language are the most common form of communication.
The film is very intense in moments and a fantastic extended sequence with Blunt had my wife squeezing my hand tightly and afraid to utter a sound as it left her holding her breath.
The film is a very fresh take on the creature genre and the quality of the performances lifts the film to a level rarely seen in a suspense film. The film did play a bit fast and loose with some aspects such as the history of the creatures and the state of the world around them as it is largely conveyed through newspaper headlines left lying around. As such I found myself wondering why certain defensive options and offensive tactics were not used as to me they seemed to be common sense approaches. For a film with such a fresh premise and strong performances, the ending did seem to depend a bit too much on some of the usual Hollywood stereotypes but it did not keep the film from being highly entertaining and effective. As I watched the film I kept thinking that there could be a connection to “Cloverfield” especially based on aspects of the creatures. The film was made for a very small budget so hopefully we will be seeing a sequel in the near future as “A Quiet Place” was a very enjoyable film and one of the best surprises of the year.
http://sknr.net/2018/04/05/a-quiet-place/
Gareth von Kallenbach (977 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 19, 2019
Jyn Erso (Felicity Jones) is a young woman who has no love for the evil Galactic Empire or authority. She has seen her share of tragedy and has learned to be a survivor in a cold and dangerous galaxy. Fate has other plans for Jyn in “Rogue One: A Star Wars Story”, as she may be the key to unlocking the secret’s to defeating the Empire’s new weapon, a planet killer known as “The Death Star”.
The Rebel Alliance believes that Jyn’s father Galen (Mads Mikkelsen) is the key thanks to information they have recovered from a defecting pilot.
Tasked with eliminating the threat, Jyn and Rebel intelligence officer Cassian Andor (Diego Luna), and his droid K-2S0 (Alan Tudyk), must race against time and overcome several obstacles to complete their mission.
Of course things are bigger and the stakes far more higher than anyone could have imagined and with the Rebel Alliance divided a small band of rebels hatch a plan born of desperation to save the galaxy.
The film moves along at a brisk pace but allows time to introduce several new planets into the Star Wars universe as well as several new characters, who we are given just enough about their backstories and motivations to make us care about them in the epic struggle they are undertaking.
Director Gareth Edwards paces the film well and unlike the Prequel Series; never lets the abundance of amazing effects overshadow the fact that the story at its core is a struggle of ordinary people facing overwhelming odds.
The look of the film is a loving tribute to the original series that tells its own unique and distinct story that fits well within the established storylines without seeming gratuitous or recycled.
The film does at times have a darker tone than fans would be used to seeing in the series, but it is done in a way that shows the seriousness of the situations facing the characters.
The strong cast works very well with one another and are each giving some memorable lines and moments which are sure to endear themselves to fans of the series that grew up on the classic films.
The finale third of the film is a great mix of action and suspense as conclusion builds and I can honestly say that “Rogue One” delivers the best space battle in the series and only falls short of the Hoth battle in terms of ground conflicts.
There are a few great surprises for fans sprinkled throughout and the film answers some of the questions people had from the original series but does so in a way that is respectful and in no way undermines the classic.
“Rogue One: A Star Wars Story” is an outstanding entry into the series and is one of the most compelling and rewarding.
I look forward to seeing what future efforts have in store for fans, as this film shows that the Force is indeed strong.
http://sknr.net/2016/12/13/non-spolier-review-rogue-one-star-wars-story/
The Rebel Alliance believes that Jyn’s father Galen (Mads Mikkelsen) is the key thanks to information they have recovered from a defecting pilot.
Tasked with eliminating the threat, Jyn and Rebel intelligence officer Cassian Andor (Diego Luna), and his droid K-2S0 (Alan Tudyk), must race against time and overcome several obstacles to complete their mission.
Of course things are bigger and the stakes far more higher than anyone could have imagined and with the Rebel Alliance divided a small band of rebels hatch a plan born of desperation to save the galaxy.
The film moves along at a brisk pace but allows time to introduce several new planets into the Star Wars universe as well as several new characters, who we are given just enough about their backstories and motivations to make us care about them in the epic struggle they are undertaking.
Director Gareth Edwards paces the film well and unlike the Prequel Series; never lets the abundance of amazing effects overshadow the fact that the story at its core is a struggle of ordinary people facing overwhelming odds.
The look of the film is a loving tribute to the original series that tells its own unique and distinct story that fits well within the established storylines without seeming gratuitous or recycled.
The film does at times have a darker tone than fans would be used to seeing in the series, but it is done in a way that shows the seriousness of the situations facing the characters.
The strong cast works very well with one another and are each giving some memorable lines and moments which are sure to endear themselves to fans of the series that grew up on the classic films.
The finale third of the film is a great mix of action and suspense as conclusion builds and I can honestly say that “Rogue One” delivers the best space battle in the series and only falls short of the Hoth battle in terms of ground conflicts.
There are a few great surprises for fans sprinkled throughout and the film answers some of the questions people had from the original series but does so in a way that is respectful and in no way undermines the classic.
“Rogue One: A Star Wars Story” is an outstanding entry into the series and is one of the most compelling and rewarding.
I look forward to seeing what future efforts have in store for fans, as this film shows that the Force is indeed strong.
http://sknr.net/2016/12/13/non-spolier-review-rogue-one-star-wars-story/
Gareth von Kallenbach (977 KP) rated The Hunger Games: Mockingjay - Part 2 (2015) in Movies
Jun 19, 2019
All good things must come to an end and with the fourth and final film based on Suzanne Collin’s widely popular Hunger Games series, audience get a chance to say goodbye to their favorite characters.
Literally picking up mid-scene, “The Hunger Games: Mockingjay Part 2” features Katniss (Jennifer Lawrence), dealing with the vicious attack from Peeta (Josh Hutcherson), after having his mind scrambled by the evil minions of President Snow (Donald Sutherland).
Despite the desires of District 13 President Coin (Julianne Moore), for Katniss to stay behind the lines following a harrowing incident during a visit to the Districts, Katniss is determined to kill Snow, and sets off with a dream team who is actually working behind the lines to film propaganda videos.
Naturally things are not as safe as they seem and before long, Katniss and her team are not only dealing with the dangers of the Capitol, but with an unknown element in the form of Peeta who was assigned to accompany them mid mission.
Politics soon appear to be as big a danger to Katniss to the traps and deadly creations that Snow has devised for her, but undaunted, Katniss and her crew must face the dangers to restore freedom to the people.
The film follows the book well in the second half of the film but it does suffer from pacing and editing issues. The film takes a while to get to the action and then takes a rest and conversation route for the characters. This is followed later in the film which undermines a sense of urgency for the characters. What made the earlier films such a success was the social commentary and horrific fascination of great splendor while those around them suffer and starve to toil away to provide creature comforts to the elite class. There was also the fact that the children of the oppressed were forced to battle to the death for the entertainment of the wealthy as well.
This element is lacking from this film, as it is in many ways a road trip of sorts with a couple of action scenes tossed in. Lawrence does well with what she has but she is essentially like most of the cast forced to play out the string save for some powerful but all too fleeting moments. Hutcherson shines as Peeta as you can see his torment as he strives to recover the personality and memories that are his and not fabrications, as well as his constant turmoil.
In the end the film unfolds not In a grand spectacle but rather pedestrian which while in keeping with the book, does seem disappointing compared to how good the series has been to date.
The film will satisfy fans but it does not hold your attention and fill you with suspense the way the first two films did, and despite its best efforts, is slightly below part 1. That being said, it is entertaining and does make for a satisfying end to the series, despite missing on the potential to do more with the material and characters.
http://sknr.net/2015/11/19/the-hunger-games-mockingjay-part-2/
Literally picking up mid-scene, “The Hunger Games: Mockingjay Part 2” features Katniss (Jennifer Lawrence), dealing with the vicious attack from Peeta (Josh Hutcherson), after having his mind scrambled by the evil minions of President Snow (Donald Sutherland).
Despite the desires of District 13 President Coin (Julianne Moore), for Katniss to stay behind the lines following a harrowing incident during a visit to the Districts, Katniss is determined to kill Snow, and sets off with a dream team who is actually working behind the lines to film propaganda videos.
Naturally things are not as safe as they seem and before long, Katniss and her team are not only dealing with the dangers of the Capitol, but with an unknown element in the form of Peeta who was assigned to accompany them mid mission.
Politics soon appear to be as big a danger to Katniss to the traps and deadly creations that Snow has devised for her, but undaunted, Katniss and her crew must face the dangers to restore freedom to the people.
The film follows the book well in the second half of the film but it does suffer from pacing and editing issues. The film takes a while to get to the action and then takes a rest and conversation route for the characters. This is followed later in the film which undermines a sense of urgency for the characters. What made the earlier films such a success was the social commentary and horrific fascination of great splendor while those around them suffer and starve to toil away to provide creature comforts to the elite class. There was also the fact that the children of the oppressed were forced to battle to the death for the entertainment of the wealthy as well.
This element is lacking from this film, as it is in many ways a road trip of sorts with a couple of action scenes tossed in. Lawrence does well with what she has but she is essentially like most of the cast forced to play out the string save for some powerful but all too fleeting moments. Hutcherson shines as Peeta as you can see his torment as he strives to recover the personality and memories that are his and not fabrications, as well as his constant turmoil.
In the end the film unfolds not In a grand spectacle but rather pedestrian which while in keeping with the book, does seem disappointing compared to how good the series has been to date.
The film will satisfy fans but it does not hold your attention and fill you with suspense the way the first two films did, and despite its best efforts, is slightly below part 1. That being said, it is entertaining and does make for a satisfying end to the series, despite missing on the potential to do more with the material and characters.
http://sknr.net/2015/11/19/the-hunger-games-mockingjay-part-2/
Lucy Buglass (45 KP) rated Overlord (2018) in Movies
Jun 20, 2019
As someone who isn’t much of a war film fan, I was apprehensive about Overlord. I often find war films quite repetitive in nature, and they’ve never really appealed to me. So when I was kindly invited to a press screening on behalf of JUMPCUT, I really wasn’t sure what to expect. I tried not to set my expectations too high, but as a J.J. Abrams fan, I was interested to see what he’d brought to the table as a producer. Maybe a blend of war and horror is exactly what I needed.
Straight away, the thing that stood out to me was the quality of the sound, especially in a cinema setting. If you’re able to, I would absolutely recommend you catch Overlord on the big screen because of it. The film opens with soldiers on a plane, and the deafening booms of bombs combined with the roar of the plane really puts you right in the middle of the action. This sequence is one of the most immersive experiences I’ve ever had. You’re forced to witness the horrors of war straight off the bat and identify with the soldiers’ point of view. Later on in the film, this excellent use of sound really adds to the suspense and makes for a truly uncomfortable experience.
After loving Wyatt Russell in Black Mirror, I was looking forward to his performance in particular, but the whole cast really delivered. Each solider is believable, flawed, and different in their personality to the point where you feel like you’re there with them. The character development throughout is excellent, and no one feels two-dimensional or glossed over. This is one of the problems I have with war films, that sometimes everyone seems to blend into one group and no one is easily distinguishable. With Overlord, every character has both purpose and a personality; something I thoroughly enjoyed. The characters that the soldiers encounter along the way are treated exactly the same too, and it’s nice to see secondary characters being treated with respect.
If you’re a fan of gory special effects, this is one to watch for sure. When it finally becomes clear to us what’s going on, and dark secrets are revealed, it is a terrifying experience. It’s best you go into it not knowing any more than that, as it would be a shame to have it spoiled. What I can say, is that the effects are nightmare inducing and reminiscent of many body horror films. The rest you need to witness for yourself. I’ve seen my fair share of gruesome stuff, but this really stood out to me. Overlord deserves recognition for its visual effects alone, they are a welcome addition to the horror genre.
Overall, Overlord is a smart film that blends war and horror together effortlessly, resulting in a truly terrifying experience. I’m unsure how it’ll translate on my TV after experiencing it on such a large-scale, but I am certainly up for watching it again to see what it’s like. It’s a very entertaining couple of hours that are action-packed and gruesome throughout.
https://jumpcutonline.co.uk/review-overlord-2018/
Straight away, the thing that stood out to me was the quality of the sound, especially in a cinema setting. If you’re able to, I would absolutely recommend you catch Overlord on the big screen because of it. The film opens with soldiers on a plane, and the deafening booms of bombs combined with the roar of the plane really puts you right in the middle of the action. This sequence is one of the most immersive experiences I’ve ever had. You’re forced to witness the horrors of war straight off the bat and identify with the soldiers’ point of view. Later on in the film, this excellent use of sound really adds to the suspense and makes for a truly uncomfortable experience.
After loving Wyatt Russell in Black Mirror, I was looking forward to his performance in particular, but the whole cast really delivered. Each solider is believable, flawed, and different in their personality to the point where you feel like you’re there with them. The character development throughout is excellent, and no one feels two-dimensional or glossed over. This is one of the problems I have with war films, that sometimes everyone seems to blend into one group and no one is easily distinguishable. With Overlord, every character has both purpose and a personality; something I thoroughly enjoyed. The characters that the soldiers encounter along the way are treated exactly the same too, and it’s nice to see secondary characters being treated with respect.
If you’re a fan of gory special effects, this is one to watch for sure. When it finally becomes clear to us what’s going on, and dark secrets are revealed, it is a terrifying experience. It’s best you go into it not knowing any more than that, as it would be a shame to have it spoiled. What I can say, is that the effects are nightmare inducing and reminiscent of many body horror films. The rest you need to witness for yourself. I’ve seen my fair share of gruesome stuff, but this really stood out to me. Overlord deserves recognition for its visual effects alone, they are a welcome addition to the horror genre.
Overall, Overlord is a smart film that blends war and horror together effortlessly, resulting in a truly terrifying experience. I’m unsure how it’ll translate on my TV after experiencing it on such a large-scale, but I am certainly up for watching it again to see what it’s like. It’s a very entertaining couple of hours that are action-packed and gruesome throughout.
https://jumpcutonline.co.uk/review-overlord-2018/